Songs like Saturday Night by Noisettes
Based on a tempo of (+/- 10%) and a similar genre
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Nikki Cleary
Hated
143 bpm • G Maj • 02:48 • -4.87db
22% Popularity • 80% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 80% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Siobhan Donaghy
Don't Give It Up
143 bpm • A Maj • 03:12 • -5db
17% Popularity • 47% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 47% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Noisettes
Saturday Night
143 bpm • F# min • 03:15 • -4db
28% Popularity • 58% Danceability • 86% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
28% Popularity • 58% Danceability • 86% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
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No Doubt
Stand And Deliver
142 bpm • D Maj • 03:21 • -3db
33% Popularity • 57% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 57% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Alphabeat
Nothing But My Baby
144 bpm • A Maj • 03:14 • -7.44db
7% Popularity • 67% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 67% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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CeeLo Green
Satisfied
142 bpm • G# Maj • 03:24 • -4.46db
18% Popularity • 60% Danceability • 82% Energy • 4% Liveness
1% Instrumentalness • 58% Positiveness
18% Popularity • 60% Danceability • 82% Energy • 4% Liveness
1% Instrumentalness • 58% Positiveness
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The Pipettes
Guess Who Ran Off With The Milkman?
144 bpm • G Maj • 02:33 • -3.99db
8% Popularity • 40% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 40% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Morningwood
Killer Life
144 bpm • C Maj • 02:33 • -5.36db
10% Popularity • 45% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Noisettes
Never Forget You
142 bpm • A Maj • 03:12 • -4.68db
67% Popularity • 57% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
67% Popularity • 57% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Marmaduke Duke
Rubber Lover
145 bpm • D Maj • 01:58 • -5.95db
34% Popularity • 77% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 77% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Ting Tings
That's Not My Name - Radio Edit
145 bpm • A Maj • 03:46 • -3db
31% Popularity • 82% Danceability • 91% Energy • 44% Liveness
1% Instrumentalness • 88% Positiveness
31% Popularity • 82% Danceability • 91% Energy • 44% Liveness
1% Instrumentalness • 88% Positiveness
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Ladyhawke
Manipulating Woman
141 bpm • C# min • 03:35 • -3.8db
14% Popularity • 63% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 63% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Ordinary Boys
Lonely at the Top
140 bpm • A# min • 03:10 • -4db
20% Popularity • 55% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 55% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Rogue Traders
I Never Liked You
146 bpm • D Maj • 03:29 • -5.54db
26% Popularity • 64% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 64% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Dionne Bromfield
Mama Said
140 bpm • G# min • 02:24 • -3db
34% Popularity • 64% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 64% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Morningwood
Sugarbaby
140 bpm • E min • 03:02 • -5db
19% Popularity • 53% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 53% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 46% Positiveness
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The Ting Tings
That's Not My Name - Short Edit
145 bpm • A Maj • 03:18 • -3.12db
22% Popularity • 86% Danceability • 91% Energy • 44% Liveness
1% Instrumentalness • 89% Positiveness
22% Popularity • 86% Danceability • 91% Energy • 44% Liveness
1% Instrumentalness • 89% Positiveness
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I Blame Coco
Please Rewind
146 bpm • E min • 03:22 • -1.92db
12% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Robots In Disguise
The Tears
146 bpm • G Maj • 03:35 • -4.33db
14% Popularity • 58% Danceability • 85% Energy • 36% Liveness
44% Instrumentalness • 70% Positiveness
14% Popularity • 58% Danceability • 85% Energy • 36% Liveness
44% Instrumentalness • 70% Positiveness
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Skint & Demoralised
Red Lipstick
140 bpm • A# Maj • 03:01 • -5.26db
19% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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CSS
Jager Yoga
140 bpm • A min • 03:48 • -3db
26% Popularity • 74% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 74% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Alphabeat
Touch Me Touching You
140 bpm • D Maj • 04:01 • -6.4db
15% Popularity • 70% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 70% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Pipettes
It Hurts To See You Dance So Well
146 bpm • C Maj • 01:53 • -3.19db
9% Popularity • 42% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 42% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Duffy
Rain On Your Parade
140 bpm • E min • 03:28 • -3db
48% Popularity • 48% Danceability • 75% Energy • 47% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 48% Danceability • 75% Energy • 47% Liveness
0% Instrumentalness • 24% Positiveness
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Ida Maria
Drive Away My Heart
140 bpm • B Maj • 03:20 • -5.03db
15% Popularity • 37% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 37% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Noisettes
I've Got You Under My Skin
139 bpm • A Maj • 03:42 • -5db
24% Popularity • 72% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 72% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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CSS
Left Behind
140 bpm • F min • 03:30 • -4db
28% Popularity • 60% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 60% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Mystery Jets
Half in Love with Elizabeth
147 bpm • A min • 03:19 • -3db
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Morningwood
New York Girls
147 bpm • D Maj • 02:56 • -3.87db
27% Popularity • 66% Danceability • 73% Energy • 11% Liveness
10% Instrumentalness • 81% Positiveness
27% Popularity • 66% Danceability • 73% Energy • 11% Liveness
10% Instrumentalness • 81% Positiveness
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The Long Blondes
Separated by Motorways
147 bpm • G Maj • 02:19 • -5.89db
12% Popularity • 38% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 38% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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P!nk
Feel Good Time
138 bpm • A# Maj • 03:56 • -4.59db
40% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Noisettes
I WE
147 bpm • C# Maj • 03:30 • -3.59db
14% Popularity • 39% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
14% Popularity • 39% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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CSS
How I Became Paranoid
140 bpm • C Maj • 03:25 • -4.62db
18% Popularity • 53% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 91% Positiveness
18% Popularity • 53% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 91% Positiveness
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The Zutons
Why Won't You Give Me Your Love?
148 bpm • C Maj • 03:22 • -2.37db
31% Popularity • 26% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 26% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Geri Halliwell
Scream If You Wanna Go Faster
148 bpm • B min • 03:25 • -5.33db
30% Popularity • 53% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
30% Popularity • 53% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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Uh Huh Her
Say So
138 bpm • C Maj • 03:29 • -5db
23% Popularity • 54% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 54% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Diana Vickers
You'll Never Get To Heaven
138 bpm • C Maj • 04:02 • -6.01db
9% Popularity • 57% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 57% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Noisettes
Speed Horn
138 bpm • C# Maj • 04:38 • -3.53db
7% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Superchick
One Girl Revolution
138 bpm • F Maj • 02:55 • -5.64db
34% Popularity • 65% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 65% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Twirl
It Girl
138 bpm • B Maj • 03:17 • -4.15db
11% Popularity • 60% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 60% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Ashlee Simpson
Outta My Head (Ay Ya Ya) - New Edit
138 bpm • F min • 03:37 • -4db
36% Popularity • 79% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 79% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Friendly Fires
White Diamonds
138 bpm • B Maj • 04:12 • -4.25db
19% Popularity • 56% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 56% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Reverend And The Makers
He Said He Loved Me
149 bpm • F# min • 02:53 • -3.83db
34% Popularity • 61% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 61% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Anya Marina
Two Left Feet
149 bpm • B Maj • 02:49 • -6db
14% Popularity • 64% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 64% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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All Saints
Rock Steady
137 bpm • A min • 02:49 • -3.41db
36% Popularity • 62% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 62% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 77% Positiveness
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The Sounds
Something to Die For (Single Version)
137 bpm • D min • 03:43 • -2.71db
23% Popularity • 70% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 70% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 66% Positiveness
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Ladyhawke
Crazy World
137 bpm • A# Maj • 03:35 • -6.26db
13% Popularity • 59% Danceability • 69% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 69% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
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Lillix
Sweet Temptation (Hollow)
150 bpm • G# Maj • 03:28 • -5.28db
24% Popularity • 47% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 47% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Operator Please
Just A Song About Ping Pong
136 bpm • A min • 02:18 • -5db
29% Popularity • 45% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 45% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Nicola Roberts
Fish Out Of Water
136 bpm • C Maj • 04:38 • -6.7db
11% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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A Fine Frenzy
Blow Away - Radio Edit
136 bpm • G# Maj • 03:50 • -4.09db
9% Popularity • 74% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 74% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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The Pierces
Believe In Me
136 bpm • B Maj • 04:01 • -4.47db
22% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Stiff Dylans
Big Fan
136 bpm • A Maj • 03:40 • -3.12db
26% Popularity • 53% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 53% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Long Blondes
You Could Have Both
151 bpm • D Maj • 04:47 • -6.98db
10% Popularity • 48% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 48% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Scissor Sisters
Get It Get It
135 bpm • C# min • 03:47 • -4.84db
26% Popularity • 78% Danceability • 95% Energy • 8% Liveness
14% Instrumentalness • 77% Positiveness
26% Popularity • 78% Danceability • 95% Energy • 8% Liveness
14% Instrumentalness • 77% Positiveness
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Nicola Roberts
Say It Out Loud
135 bpm • C Maj • 04:34 • -5.29db
13% Popularity • 59% Danceability • 86% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
13% Popularity • 59% Danceability • 86% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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Diana Vickers
Chasing You
135 bpm • C# Maj • 04:07 • -6.79db
8% Popularity • 60% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 60% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Noisettes
Scratch Your Name
152 bpm • G# Maj • 03:11 • -2.71db
17% Popularity • 51% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 51% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Patrick Wolf
The Magic Position
134 bpm • G# min • 03:53 • -5.86db
30% Popularity • 60% Danceability • 84% Energy • 51% Liveness
57% Instrumentalness • 44% Positiveness
30% Popularity • 60% Danceability • 84% Energy • 51% Liveness
57% Instrumentalness • 44% Positiveness
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General Fiasco
Ever so Shy
153 bpm • D# Maj • 03:24 • -5.12db
35% Popularity • 53% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 53% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Rogue Traders
Way To Go!
153 bpm • A Maj • 03:16 • -4.02db
20% Popularity • 69% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 69% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Nicola Roberts
Gladiator
135 bpm • G# Maj • 02:59 • -4.91db
22% Popularity • 78% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 78% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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All Saints
Chick Fit
133 bpm • G# Maj • 03:31 • -5.08db
20% Popularity • 59% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 59% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Noisettes
Io Bacio...Tu Baci
134 bpm • F Maj • 03:24 • -6.43db
18% Popularity • 50% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 50% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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The Raveonettes
Suicide
134 bpm • C# Maj • 03:13 • -5.32db
30% Popularity • 57% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 57% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Semi Precious Weapons
Semi Precious Weapons
133 bpm • G Maj • 03:06 • -2db
17% Popularity • 53% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 53% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Rogue Traders
World Go 'Round
133 bpm • C Maj • 04:28 • -5.2db
14% Popularity • 62% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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Girls Love Shoes
Flaunt
133 bpm • A# min • 01:49 • -5.69db
23% Popularity • 88% Danceability • 44% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
23% Popularity • 88% Danceability • 44% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
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Cover Lover
St. Trinians Theme
154 bpm • C Maj • 04:32 • -5.16db
16% Popularity • 57% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 57% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Lady Sovereign
Hoodie
154 bpm • E min • 03:37 • -4.58db
23% Popularity • 82% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 82% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Gossip
Men In Love
132 bpm • G Maj • 03:40 • -4.59db
9% Popularity • 77% Danceability • 79% Energy • 4% Liveness
40% Instrumentalness • 71% Positiveness
9% Popularity • 77% Danceability • 79% Energy • 4% Liveness
40% Instrumentalness • 71% Positiveness
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Junior Senior
Good Girl, Bad Boy
155 bpm • C Maj • 02:37 • -0.72db
29% Popularity • 76% Danceability • 100% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 76% Danceability • 100% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Rogue Traders
Voodoo Child - Radio Edit
132 bpm • E Maj • 03:34 • -8.37db
31% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Nicola Roberts
Take A Bite
155 bpm • G Maj • 03:16 • -4.65db
13% Popularity • 64% Danceability • 93% Energy • 42% Liveness
1% Instrumentalness • 73% Positiveness
13% Popularity • 64% Danceability • 93% Energy • 42% Liveness
1% Instrumentalness • 73% Positiveness
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Scouting For Girls
Famous
132 bpm • D Maj • 02:35 • -3.42db
38% Popularity • 68% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 68% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Operator Please
Two For My Seconds
132 bpm • C Maj • 04:00 • -4db
9% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Noisettes
Beat Of My Heart
155 bpm • E Maj • 03:26 • -4.07db
22% Popularity • 44% Danceability • 90% Energy • 12% Liveness
10% Instrumentalness • 42% Positiveness
22% Popularity • 44% Danceability • 90% Energy • 12% Liveness
10% Instrumentalness • 42% Positiveness
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Take That
Happy Now
131 bpm • A min • 04:02 • -6.13db
31% Popularity • 61% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
31% Popularity • 61% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
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Ida Maria
Stella
131 bpm • C Maj • 03:00 • -4.01db
20% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Duke Spirit
Don't Wait
156 bpm • G Maj • 04:00 • -5.4db
21% Popularity • 51% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 51% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Handcuffs
I Just Wanna' be Free, Man
131 bpm • D Maj • 03:51 • -6db
11% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Katie Herzig
Hey Na Na
130 bpm • F min • 02:35 • -6db
31% Popularity • 90% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 90% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Ladyhawke
Back Of The Van
131 bpm • C Maj • 03:40 • -3db
22% Popularity • 61% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 61% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Operator Please
Volcanic
130 bpm • F min • 03:22 • -4.81db
6% Popularity • 64% Danceability • 79% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
6% Popularity • 64% Danceability • 79% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
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Jamelia
Beware of the Dog
130 bpm • F# min • 03:10 • -3.86db
39% Popularity • 55% Danceability • 97% Energy • 32% Liveness
2% Instrumentalness • 69% Positiveness
39% Popularity • 55% Danceability • 97% Energy • 32% Liveness
2% Instrumentalness • 69% Positiveness
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The Feeling
I Thought It Was Over - Radio Edit
130 bpm • C Maj • 03:32 • -2.57db
11% Popularity • 59% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 59% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Rachel Stevens
Sweet Dreams My LA Ex - Radio Edit
130 bpm • D Maj • 03:28 • -3.59db
46% Popularity • 85% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 85% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Lykke Li
I'm Good, I'm Gone - Black Kids Remix
130 bpm • A min • 03:23 • -4db
15% Popularity • 64% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
15% Popularity • 64% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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Sneaky Sound System
16
130 bpm • D# min • 03:42 • -3db
24% Popularity • 59% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 59% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Operator Please
Catapult
130 bpm • D Maj • 03:11 • -4.74db
6% Popularity • 75% Danceability • 91% Energy • 9% Liveness
34% Instrumentalness • 96% Positiveness
6% Popularity • 75% Danceability • 91% Energy • 9% Liveness
34% Instrumentalness • 96% Positiveness
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Annie
My Love Is Better
130 bpm • C# Maj • 03:19 • -3.95db
12% Popularity • 66% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 66% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Ting Tings
Hands
130 bpm • G min • 03:19 • -3.74db
42% Popularity • 78% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 78% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Rachel Stevens
Some Girls
130 bpm • D Maj • 03:33 • -4.57db
37% Popularity • 70% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 70% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Noisettes
Don't Upset The Rhythm (Go Baby Go) - Ki...
130 bpm • G# min • 05:02 • -3.89db
2% Popularity • 65% Danceability • 93% Energy • 7% Liveness
12% Instrumentalness • 70% Positiveness
2% Popularity • 65% Danceability • 93% Energy • 7% Liveness
12% Instrumentalness • 70% Positiveness
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Sneaky Sound System
It's Not My Problem
130 bpm • D Maj • 04:53 • -4.44db
21% Popularity • 62% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 62% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Uh Huh Her
Not A Love Song
130 bpm • C min • 03:33 • -5db
31% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Duffy
Mercy
130 bpm • C Maj • 03:39 • -3.77db
71% Popularity • 79% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
71% Popularity • 79% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Ladyhawke
Vaccine
130 bpm • D Maj • 03:33 • -2.9db
11% Popularity • 43% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 43% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness