Songs like Saturday’s Song by Hiss Golden Messenger
Based on a tempo of (+/- 10%) and a similar genre
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Hiss Golden Messenger
Saturday’s Song
125 bpm • F# min • 04:35 • -8db
29% Popularity • 66% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 22% Positiveness
29% Popularity • 66% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 22% Positiveness
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David Ramirez
People Call Who They Wanna Talk To
125 bpm • C Maj • 03:30 • -4.55db
21% Popularity • 45% Danceability • 71% Energy • 12% Liveness
33% Instrumentalness • 40% Positiveness
21% Popularity • 45% Danceability • 71% Energy • 12% Liveness
33% Instrumentalness • 40% Positiveness
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Cass McCombs
Sweet Lucy
125 bpm • D Maj • 04:10 • -14db
28% Popularity • 74% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 74% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Blake Mills
Don't Tell Our Friends About Me
125 bpm • A# Maj • 05:19 • -8.06db
39% Popularity • 74% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 74% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Dead Tongues
Déjá Vu - Radio Edit
125 bpm • D Maj • 04:23 • -9.85db
24% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Dawes
I Can't Think About It Now
125 bpm • A min • 06:15 • -9db
32% Popularity • 64% Danceability • 59% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
32% Popularity • 64% Danceability • 59% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
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Hiss Golden Messenger
You Never Know
125 bpm • D Maj • 02:41 • -10.65db
17% Popularity • 70% Danceability • 68% Energy • 7% Liveness
82% Instrumentalness • 78% Positiveness
17% Popularity • 70% Danceability • 68% Energy • 7% Liveness
82% Instrumentalness • 78% Positiveness
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Justin Townes Earle
Kids In The Street
125 bpm • D Maj • 03:53 • -12.99db
29% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Shakey Graves
House of Winston
125 bpm • D# Maj • 04:13 • -9.5db
44% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
44% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
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Anders Osborne
Pontchartrain
126 bpm • C# Maj • 04:47 • -21.72db
23% Popularity • 57% Danceability • 4% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
23% Popularity • 57% Danceability • 4% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
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The Dead Tongues
Empire Builder
126 bpm • G Maj • 02:07 • -9.29db
32% Popularity • 40% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
32% Popularity • 40% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
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Joan Shelley
The Push and Pull
126 bpm • F# Maj • 02:33 • -13db
32% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hiss Golden Messenger
Mahogany Dread
126 bpm • F# Maj • 04:06 • -6.98db
28% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Nikki Lane
Send The Sun
126 bpm • G# Maj • 02:57 • -6.12db
50% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
35% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The Felice Brothers
To-Do List
124 bpm • G Maj • 04:16 • -7db
25% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Xerxes Fussell
Pinnacle Mountain Silver Mine
124 bpm • D Maj • 04:18 • -10.59db
21% Popularity • 50% Danceability • 25% Energy • 11% Liveness
58% Instrumentalness • 22% Positiveness
21% Popularity • 50% Danceability • 25% Energy • 11% Liveness
58% Instrumentalness • 22% Positiveness
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Joe Pug
How Good You Are
124 bpm • D Maj • 04:19 • -12.2db
32% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Hiss Golden Messenger
I Am the Song
126 bpm • G# Maj • 02:48 • -7.77db
30% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Zachary Williams
Dirty Camaro
123 bpm • G Maj • 04:55 • -13.17db
3% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
3% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The Barr Brothers
Little Lover
127 bpm • A# Maj • 04:50 • -10db
39% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
39% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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The Felice Brothers
Katie Dear
126 bpm • E Maj • 03:58 • -13.47db
3% Popularity • 50% Danceability • 19% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
3% Popularity • 50% Danceability • 19% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
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Scott Hirsch
Dreamer
127 bpm • F# Maj • 04:54 • -9.45db
29% Popularity • 53% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 53% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Bahamas
Not Cool Anymore
127 bpm • F Maj • 02:06 • -9.98db
40% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Hiss Golden Messenger
When the Wall Comes Down
126 bpm • E Maj • 04:03 • -9.08db
17% Popularity • 68% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 68% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan Adams & The Cardinals
Magnolia Mountain
123 bpm • A Maj • 05:51 • -6.13db
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Gillian Welch
Look at Miss Ohio
123 bpm • C Maj • 04:14 • -12.65db
40% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Felice Brothers
Valium
124 bpm • A Maj • 04:33 • -8db
27% Popularity • 56% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 56% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Tré Burt
Real You
123 bpm • D# Maj • 02:49 • -4db
27% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Liz Cooper
Mountain Man
123 bpm • D# Maj • 03:58 • -10db
32% Popularity • 42% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 42% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Hiss Golden Messenger
Down at the Uptown
126 bpm • D Maj • 03:26 • -11.92db
14% Popularity • 56% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 56% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold
128 bpm • B Maj • 03:20 • -10db
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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River Whyless
Falling Son
128 bpm • C Maj • 03:06 • -7db
38% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
38% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
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The Felice Brothers
Hometown Hero
123 bpm • G Maj • 03:38 • -12.47db
20% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Tré Burt
Caught It from the Rye
122 bpm • G Maj • 03:04 • -7.05db
17% Popularity • 54% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 54% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Blitzen Trapper
Don't Let Me Run
128 bpm • F Maj • 03:11 • -10.31db
36% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
36% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
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Hiss Golden Messenger
Lost Out in the Darkness
124 bpm • C Maj • 03:22 • -7.61db
27% Popularity • 69% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 69% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Horse Feathers
Broken Beak
122 bpm • A Maj • 03:11 • -7db
32% Popularity • 74% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 74% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Kacy & Clayton
Strange Country
128 bpm • G# Maj • 03:32 • -8db
34% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Leif Vollebekk
Big Sky Country
122 bpm • D# Maj • 04:28 • -15db
40% Popularity • 71% Danceability • 27% Energy • 29% Liveness
4% Instrumentalness • 60% Positiveness
40% Popularity • 71% Danceability • 27% Energy • 29% Liveness
4% Instrumentalness • 60% Positiveness
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The Cactus Blossoms
Boomerang
128 bpm • D min • 04:54 • -9.31db
22% Popularity • 45% Danceability • 42% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
22% Popularity • 45% Danceability • 42% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
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Dead Man Winter
Destroyer
122 bpm • C Maj • 03:04 • -7db
26% Popularity • 51% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 51% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Hiss Golden Messenger
Day O Day (A Love So Free)
126 bpm • C# Maj • 05:30 • -9.62db
15% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Erik Koskinen
Gun
122 bpm • E Maj • 05:44 • -13.74db
15% Popularity • 57% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
15% Popularity • 57% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Charlie Parr
817 Oakland Avenue
129 bpm • A Maj • 04:19 • -8db
28% Popularity • 45% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 45% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Justin Townes Earle
Talking To Myself
121 bpm • F Maj • 02:54 • -8.84db
34% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Jarosz
Morning
129 bpm • G Maj • 03:28 • -11db
49% Popularity • 57% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
49% Popularity • 57% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
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The Cave Singers
Strip Mine
129 bpm • C# Maj • 03:07 • -9.61db
33% Popularity • 64% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 64% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Hiss Golden Messenger
Heart Like a Levee
123 bpm • F# Maj • 03:52 • -8db
40% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Ondara
Lockdown On Date Night Tuesday
121 bpm • E Maj • 05:03 • -8.58db
34% Popularity • 49% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 49% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Jay Farrar
Fly High
129 bpm • F# min • 03:45 • -13db
30% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Valerie June
Two Hearts
121 bpm • C Maj • 03:53 • -13.87db
34% Popularity • 48% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
34% Popularity • 48% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
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Erin Rae
Wild Blue Wind
121 bpm • C# Maj • 03:28 • -9.82db
33% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Hiss Golden Messenger
Highland Grace
122 bpm • D# Maj • 05:58 • -9.93db
43% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The New Basement Tapes
Nothing To It
121 bpm • F# Maj • 03:32 • -8db
34% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
34% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Daniel Romano
When I Learned Your Name
130 bpm • A# Maj • 02:23 • -7.48db
32% Popularity • 62% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 62% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The Wood Brothers
Lovin' Arms
130 bpm • E Maj • 03:20 • -10db
41% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jamestown Revival
This Too Shall Pass
130 bpm • A Maj • 04:29 • -9db
32% Popularity • 76% Danceability • 54% Energy • 6% Liveness
5% Instrumentalness • 56% Positiveness
32% Popularity • 76% Danceability • 54% Energy • 6% Liveness
5% Instrumentalness • 56% Positiveness
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Hiss Golden Messenger
Everybody Needs Somebody
129 bpm • B Maj • 03:30 • -7db
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Fruit Bats
The Balcony
130 bpm • D# Maj • 04:08 • -8db
45% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
45% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
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Dave Rawlings Machine
Ruby
120 bpm • A Maj • 04:54 • -10db
24% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Ray LaMontagne
Ojai
120 bpm • B Maj • 04:35 • -8.89db
36% Popularity • 67% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 89% Positiveness
36% Popularity • 67% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 89% Positiveness
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Jason Isbell and the 400 Unit
Chaos And Clothes
120 bpm • F Maj • 03:34 • -15db
14% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dawes
Crack The Case
130 bpm • F Maj • 05:54 • -10db
41% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Houndmouth
McKenzie
120 bpm • F Maj • 03:14 • -7.34db
59% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Dead Man Winter
A Long, Cold Night in Minneapolis
120 bpm • A# Maj • 03:21 • -10.94db
21% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Barr Brothers
Defibrillation
120 bpm • A Maj • 05:33 • -12db
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
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Hiss Golden Messenger
Sanctuary
120 bpm • F Maj • 04:26 • -13db
52% Popularity • 73% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
52% Popularity • 73% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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River Whyless
Van Dyke Brown
120 bpm • A Maj • 04:07 • -6.9db
34% Popularity • 64% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
34% Popularity • 64% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
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The Wood Brothers
Chocolate On My Tongue
120 bpm • E min • 02:49 • -14db
36% Popularity • 73% Danceability • 16% Energy • 11% Liveness
23% Instrumentalness • 19% Positiveness
36% Popularity • 73% Danceability • 16% Energy • 11% Liveness
23% Instrumentalness • 19% Positiveness
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Lucius
Right Down The Line
120 bpm • C# min • 03:55 • -8.08db
46% Popularity • 80% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 80% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Calexico
In Your Own Time
120 bpm • A# Maj • 03:09 • -9.89db
23% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Valerie June
Long Lonely Road
130 bpm • G Maj • 03:56 • -10db
34% Popularity • 54% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 10% Positiveness
34% Popularity • 54% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 10% Positiveness
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Hiss Golden Messenger
Jenny of the Roses
120 bpm • G# Maj • 03:38 • -6db
37% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Joe Pug
Blues Came Down
119 bpm • C# Maj • 02:25 • -14.84db
33% Popularity • 56% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 56% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan Adams & The Cardinals
Dance All Night
119 bpm • D# Maj • 03:14 • -6db
39% Popularity • 58% Danceability • 69% Energy • 15% Liveness
5% Instrumentalness • 65% Positiveness
39% Popularity • 58% Danceability • 69% Energy • 15% Liveness
5% Instrumentalness • 65% Positiveness
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The Wood Brothers
River Takes the Town
131 bpm • D Maj • 04:39 • -7db
33% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Middle Brother
Portland
119 bpm • D Maj • 05:05 • -6.93db
32% Popularity • 75% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 75% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Charlie Parr
Dog
131 bpm • G Maj • 03:59 • -10db
26% Popularity • 50% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
26% Popularity • 50% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Tré Burt
Know Your Demons
119 bpm • A# Maj • 03:26 • -6db
31% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Justin Townes Earle
The Saint Of Lost Causes
119 bpm • G# Maj • 04:50 • -10.81db
45% Popularity • 70% Danceability • 32% Energy • 24% Liveness
27% Instrumentalness • 50% Positiveness
45% Popularity • 70% Danceability • 32% Energy • 24% Liveness
27% Instrumentalness • 50% Positiveness
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Andrew Combs
Better Way
119 bpm • D# min • 04:15 • -8.28db
34% Popularity • 67% Danceability • 65% Energy • 12% Liveness
19% Instrumentalness • 84% Positiveness
34% Popularity • 67% Danceability • 65% Energy • 12% Liveness
19% Instrumentalness • 84% Positiveness
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Israel Nash
Lucky Ones
119 bpm • G Maj • 03:55 • -7.26db
19% Popularity • 53% Danceability • 58% Energy • 30% Liveness
20% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 58% Energy • 30% Liveness
20% Instrumentalness • 23% Positiveness
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Middle Brother
Million Dollar Bill
119 bpm • G Maj • 04:03 • -9.45db
40% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Dawes
Somewhere Along The Way
119 bpm • A# Maj • 05:39 • -9.64db
34% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Barr Brothers
Come in the Water
131 bpm • D Maj • 06:48 • -10.79db
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Justin Townes Earle
Frightened By The Sound
119 bpm • B min • 03:45 • -12db
50% Popularity • 66% Danceability • 47% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
50% Popularity • 66% Danceability • 47% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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Hiss Golden Messenger
Gulfport You’ve Been on My Mind
119 bpm • G# Maj • 04:42 • -10.36db
18% Popularity • 64% Danceability • 42% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
18% Popularity • 64% Danceability • 42% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
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Iron & Wine
This Must Be The Place
119 bpm • C Maj • 03:32 • -10.39db
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Erin Rae
Putting On Airs
119 bpm • E Maj • 04:40 • -11.36db
27% Popularity • 61% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 61% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Phil Cook
Anybody Else
132 bpm • D Maj • 03:29 • -12.16db
23% Popularity • 72% Danceability • 45% Energy • 13% Liveness
5% Instrumentalness • 48% Positiveness
23% Popularity • 72% Danceability • 45% Energy • 13% Liveness
5% Instrumentalness • 48% Positiveness
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Quiet Life
Lost in the Light
118 bpm • D Maj • 04:49 • -6.93db
23% Popularity • 52% Danceability • 76% Energy • 30% Liveness
1% Instrumentalness • 52% Positiveness
23% Popularity • 52% Danceability • 76% Energy • 30% Liveness
1% Instrumentalness • 52% Positiveness
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Justin Townes Earle
Maybe A Moment
119 bpm • D Maj • 03:05 • -7.39db
52% Popularity • 57% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 57% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
52% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Blitzen Trapper
Not Your Lover
118 bpm • C Maj • 02:50 • -13db
41% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Felice Brothers
Undress
132 bpm • E Maj • 03:52 • -8.44db
20% Popularity • 45% Danceability • 71% Energy • 10% Liveness
6% Instrumentalness • 43% Positiveness
20% Popularity • 45% Danceability • 71% Energy • 10% Liveness
6% Instrumentalness • 43% Positiveness
