Songs like Save Me Some by Michael Daughtry
Based on a tempo of (+/- 10%) and a similar genre
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Michael Daughtry
Save Me Some
105 bpm • C# Maj • 03:47 • -7.03db
13% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Friend of Alex
Hearts of Champagne
105 bpm • D# Maj • 03:33 • -4.96db
18% Popularity • 47% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 47% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Elmer Andersson
If We Stand Together
105 bpm • G min • 03:57 • -15.83db
13% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Bella Ann
Hey Bailey
105 bpm • C Maj • 02:30 • -12.52db
11% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Andre Henry
HARD TWO WEEKS
105 bpm • D Maj • 02:56 • -6.09db
11% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Greg Pearson
Through Your Window - demo
106 bpm • D# Maj • 03:42 • -13.85db
11% Popularity • 49% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 49% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Haley Holgate
Stronger
106 bpm • C Maj • 03:47 • -7.84db
15% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Stonemountain Orchestra
Higher Power
104 bpm • G min • 03:26 • -9.11db
11% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Emmalee
Here with You
104 bpm • C Maj • 04:00 • -13.43db
15% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Kurt Davies
That's Home
104 bpm • C min • 03:03 • -5.26db
16% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Three Second Chances
Listen Closely
106 bpm • C# min • 02:54 • -5.19db
22% Popularity • 68% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 68% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Mark Kingswood
How Good It's Gonna Get
104 bpm • C# Maj • 03:47 • -7.66db
8% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Lauren Kellie
Wildflower
104 bpm • C# min • 03:13 • -10db
8% Popularity • 74% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 74% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Swilson
Favorite Song
104 bpm • F# Maj • 02:27 • -6.96db
13% Popularity • 72% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 72% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Ray
Spring Break
106 bpm • A Maj • 03:53 • -5.19db
7% Popularity • 60% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 60% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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LaPopence
Get Up and Groove
106 bpm • G Maj • 01:03 • -14.52db
20% Popularity • 79% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 79% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Dani Stacy
Woman's Intuition
104 bpm • B min • 04:30 • -3.97db
11% Popularity • 59% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 59% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Kristen Merlin
If You Dare
104 bpm • B Maj • 03:27 • -7.77db
12% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lu.Ci
Grounded
103 bpm • G# Maj • 03:01 • -10.32db
17% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Joffrey Charles
Mary Mary
107 bpm • G Maj • 04:28 • -4.43db
15% Popularity • 62% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 62% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Kyle Stibbs
Outlaw Life
107 bpm • E Maj • 02:32 • -14.14db
27% Popularity • 76% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 76% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
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STRLING
No Matter What I Do
107 bpm • B Maj • 02:54 • -5.78db
12% Popularity • 76% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 76% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Rose
Everybody Needs Somebody
103 bpm • B Maj • 03:19 • -8.29db
20% Popularity • 71% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 71% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Tishmone'
Ain't No Way
107 bpm • G# Maj • 02:30 • -5.03db
3% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Aidan Mark
private investigator
103 bpm • F Maj • 04:03 • -12.73db
37% Popularity • 41% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 41% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Rumfelt Family
He Set Me Free
103 bpm • C Maj • 03:56 • -5.9db
13% Popularity • 46% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 46% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Joshua's Giants
Changing
102 bpm • A# Maj • 03:07 • -7.56db
13% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Valley Creek Kids
Hands Up To The Sky
108 bpm • A# Maj • 02:52 • -7.06db
14% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Savella
If I Say
108 bpm • A# Maj • 03:00 • -9db
13% Popularity • 72% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 72% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Nineties Worship Night
House Of The Lord (Joy In The House)
102 bpm • G Maj • 03:57 • -7.86db
11% Popularity • 50% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 50% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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River Movement
Immerse Me
108 bpm • G# min • 04:33 • -8.35db
8% Popularity • 72% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 72% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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gilliansmith
Looks Like
108 bpm • C# Maj • 03:21 • -7db
16% Popularity • 63% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 63% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Blake Schmitz
Never Let You Go
108 bpm • D Maj • 04:00 • -7.98db
13% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Shelby Blondell
It'll Be Okay
102 bpm • E Maj • 03:39 • -6.72db
10% Popularity • 69% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 69% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Louie O'Neill
Still
108 bpm • C# Maj • 03:09 • -8.57db
25% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Andru Chappelle
One Last Try
102 bpm • D# Maj • 03:08 • -10.38db
16% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Grace Fellowship Church
Beloved
101 bpm • A# Maj • 04:34 • -10.99db
13% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Steven Ryan
Take It Out On Me
101 bpm • E Maj • 02:50 • -7.24db
10% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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ICYDAY
Love Isn't Fair
102 bpm • A Maj • 04:40 • -7.42db
8% Popularity • 52% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 52% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Emmy Jo
LAST SUMMER
109 bpm • C Maj • 02:44 • -14.58db
24% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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George Pelham
Tracks Of My Tears
101 bpm • C Maj • 02:24 • -7.37db
28% Popularity • 92% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 92% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Rich Hennessy
Haven't Found You Yet
101 bpm • C min • 03:02 • -4.81db
19% Popularity • 54% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 54% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Buttered
Heroes
101 bpm • B min • 04:00 • -6.26db
9% Popularity • 71% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 71% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Abbie Mac
Cowgirls Don't Cry
110 bpm • A# Maj • 02:37 • -9.33db
13% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tim Bernard
Vermont
100 bpm • F Maj • 03:00 • -8.44db
11% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Daughtry
Nothing Special
110 bpm • B Maj • 03:14 • -11.36db
0% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Grace Kinstler
Put Your Body on Me
110 bpm • C Maj • 02:34 • -7.59db
13% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ben Compton
Yes!
110 bpm • G Maj • 02:41 • -6.35db
23% Popularity • 68% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 68% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Rory Gardiner
Here's to Being 40
110 bpm • C Maj • 02:58 • -6.21db
22% Popularity • 70% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 70% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Cole Redding
It Won't Be Me
100 bpm • A Maj • 03:12 • -8.07db
25% Popularity • 46% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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James Richard Kocian
You've Given Your Word
100 bpm • A# Maj • 03:48 • -9.18db
9% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Tyler Jarvis
29
100 bpm • A# Maj • 03:36 • -5.42db
23% Popularity • 59% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 59% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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KUILL
Bad Dreams
100 bpm • C Maj • 02:30 • -6.39db
9% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jenifer Wirawan
As Long As I Love You
100 bpm • B min • 04:06 • -8.24db
15% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Jordan Phillips
Where I Wanna Be
100 bpm • G min • 03:33 • -8.43db
13% Popularity • 71% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 71% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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John Hill
GEMMA (Pretty Much I)
100 bpm • A Maj • 02:45 • -9.6db
8% Popularity • 55% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 55% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Eric
Cant Find My Love - Acoustic Version
100 bpm • F min • 03:43 • -8.99db
8% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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YASSiN & Sean Terrio
All Summer
100 bpm • D# Maj • 04:02 • -6.77db
20% Popularity • 63% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 63% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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verygently
GET OVER YOU
111 bpm • D Maj • 03:46 • -5.18db
22% Popularity • 67% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 67% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Kevin John
Suspicious Minds
100 bpm • G Maj • 04:11 • -8.82db
9% Popularity • 30% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 30% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Connor McCutcheon
Two Truths and a Lie
99 bpm • C# min • 02:58 • -4.39db
29% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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DEVIX
Electric Feel
99 bpm • C min • 02:53 • -9.62db
9% Popularity • 35% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 35% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Tristan Roche
Big Lately
111 bpm • G Maj • 02:50 • -8.18db
22% Popularity • 59% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 59% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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John Splithoff
Steady - Acoustic
99 bpm • B Maj • 03:35 • -10.46db
15% Popularity • 48% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 48% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Blake Reynolds
Chasing Me - Stripped
112 bpm • G# Maj • 03:06 • -8.06db
10% Popularity • 44% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 44% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Ian Matthew
Buy Time
112 bpm • F Maj • 02:22 • -7.44db
17% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Abby Siler
GLORY - Acoustic
112 bpm • G min • 04:06 • -10.27db
11% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Price
Easy To Talk To
112 bpm • A# Maj • 03:06 • -6.21db
12% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bethany Edmonds
Be Steady My Heart
112 bpm • D# Maj • 03:28 • -9.81db
9% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tanner Patrick
My Girl
112 bpm • G Maj • 02:32 • -9.59db
11% Popularity • 78% Danceability • 65% Energy • 26% Liveness
2% Instrumentalness • 83% Positiveness
11% Popularity • 78% Danceability • 65% Energy • 26% Liveness
2% Instrumentalness • 83% Positiveness
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Mia Williams-Watson
We Are United
112 bpm • G Maj • 02:06 • -11.17db
8% Popularity • 84% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 84% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Blake Reynolds
Chasing Me
112 bpm • G# Maj • 03:10 • -8.82db
12% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Laura van Kaam
Not a game
98 bpm • C Maj • 02:55 • -8.41db
20% Popularity • 60% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 60% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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North Palm Worship
Count It Joy
112 bpm • F# min • 04:09 • -4.49db
10% Popularity • 72% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 72% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Hailey Wetzel
The Art of Goodbye
113 bpm • A Maj • 04:48 • -9.88db
9% Popularity • 72% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 72% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kerri Watt
Predictable
97 bpm • G# Maj • 02:53 • -6.35db
8% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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HuneyFire
Feeling Gray
97 bpm • G# Maj • 03:29 • -8.45db
23% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Isabella Adad
Ghost To You
113 bpm • C Maj • 02:20 • -8.51db
10% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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Audra Lynn
Process of Finding
97 bpm • D Maj • 04:50 • -6.95db
10% Popularity • 40% Danceability • 68% Energy • 12% Liveness
42% Instrumentalness • 13% Positiveness
10% Popularity • 40% Danceability • 68% Energy • 12% Liveness
42% Instrumentalness • 13% Positiveness
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Avery Chapman
Completely
97 bpm • D Maj • 03:18 • -7.78db
8% Popularity • 64% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 64% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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morgxn
My Revival - Acoustic Version
114 bpm • A Maj • 03:45 • -6.52db
30% Popularity • 45% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 45% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Aidan Mark
new romances
97 bpm • G# Maj • 04:22 • -9.47db
37% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tina Parol
Air To Breathe
114 bpm • F# Maj • 03:18 • -5.28db
13% Popularity • 62% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 62% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Louie Bello
Grown Man Cry
115 bpm • G Maj • 04:02 • -7.65db
22% Popularity • 39% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 39% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Kip Fox
Trouble
114 bpm • A Maj • 03:58 • -5.23db
9% Popularity • 74% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 74% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Brenzy
Love Me
115 bpm • C# Maj • 03:25 • -8.98db
16% Popularity • 62% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 62% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Martins Hero
Always Here For You
96 bpm • A Maj • 02:35 • -6.52db
29% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Gracesound
Church Arise
115 bpm • D Maj • 04:52 • -7.68db
8% Popularity • 62% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 62% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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AJ Gatio
delete all
115 bpm • A# min • 02:25 • -6.39db
3% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
3% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Hannah Jayne
Bad Habit
115 bpm • E min • 04:49 • -9.51db
14% Popularity • 58% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 58% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Steph Willis
Wolves
96 bpm • E Maj • 03:37 • -8.37db
23% Popularity • 33% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 33% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Daughtry
What If I
115 bpm • E min • 03:35 • -4.26db
0% Popularity • 60% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 60% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Kristin Carter
Break
115 bpm • G# Maj • 03:16 • -6.34db
8% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Napaea
Odyssey DC
115 bpm • A# Maj • 02:25 • -8.84db
33% Popularity • 57% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 57% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Diosdu
Don't Say You Love Me
96 bpm • C min • 03:25 • -6.14db
10% Popularity • 34% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 34% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Madelyn Spera
Dying To Know
96 bpm • C# min • 03:37 • -5.62db
15% Popularity • 43% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 43% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Tyra Madison
Jolene
95 bpm • A Maj • 02:52 • -9.81db
17% Popularity • 46% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 46% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Bekah Jayne
Lord I've Done My Time
116 bpm • D Maj • 03:54 • -10.31db
7% Popularity • 48% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 48% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
