Songs like Save the Bees by Lau
Based on a tempo of (+/- 10%) and a similar genre
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Lau
Evergreen
120 bpm • D min • 04:09 • -10.29db
11% Popularity • 54% Danceability • 38% Energy • 10% Liveness
53% Instrumentalness • 34% Positiveness
11% Popularity • 54% Danceability • 38% Energy • 10% Liveness
53% Instrumentalness • 34% Positiveness
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Nancy Kerr
Gingerbread
120 bpm • D Maj • 05:17 • -7.49db
12% Popularity • 64% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 64% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Spiro
The White Hart
120 bpm • E min • 04:07 • -3.68db
9% Popularity • 57% Danceability • 93% Energy • 25% Liveness
78% Instrumentalness • 94% Positiveness
9% Popularity • 57% Danceability • 93% Energy • 25% Liveness
78% Instrumentalness • 94% Positiveness
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Josienne Clarke and Ben Walker
Hares On The Mountain
120 bpm • F# min • 03:31 • -13.82db
26% Popularity • 50% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 50% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Langan Band
Auld Jimmy
120 bpm • G Maj • 07:09 • -11.44db
19% Popularity • 39% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 39% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Renato
A mais bonita das noites
120 bpm • C Maj • 03:53 • -3.39db
0% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lau
The Master
120 bpm • E Maj • 04:22 • -6db
4% Popularity • 50% Danceability • 58% Energy • 78% Liveness
1% Instrumentalness • 44% Positiveness
4% Popularity • 50% Danceability • 58% Energy • 78% Liveness
1% Instrumentalness • 44% Positiveness
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Phillip Henry & Hannah Martin
Silbury Hill
120 bpm • C min • 04:29 • -11db
11% Popularity • 46% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 46% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Kris Drever
If Wishes Were Horses
119 bpm • G# Maj • 03:56 • -8db
19% Popularity • 56% Danceability • 83% Energy • 11% Liveness
11% Instrumentalness • 70% Positiveness
19% Popularity • 56% Danceability • 83% Energy • 11% Liveness
11% Instrumentalness • 70% Positiveness
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Barrule
Kinnoull
119 bpm • D Maj • 05:28 • -8.43db
11% Popularity • 18% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 18% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Lankum
The Tri​-​Coloured House
121 bpm • G min • 09:03 • -7.98db
16% Popularity • 34% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 34% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Lady Maisery
birdsong
121 bpm • F Maj • 05:48 • -13.11db
14% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Lau
Passaro livre
120 bpm • A Maj • 03:26 • -3db
0% Popularity • 56% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 56% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Olivia Chaney
Swimming in the Longest River
119 bpm • G Maj • 04:33 • -15.49db
8% Popularity • 54% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 54% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jarlath Henderson
Sweet Lemany
121 bpm • C# Maj • 05:06 • -14.04db
8% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Treacherous Orchestra
The Long Count
119 bpm • A# Maj • 06:43 • -7db
24% Popularity • 34% Danceability • 81% Energy • 38% Liveness
85% Instrumentalness • 11% Positiveness
24% Popularity • 34% Danceability • 81% Energy • 38% Liveness
85% Instrumentalness • 11% Positiveness
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Kris Drever
I Didn't Try Hard Enough
121 bpm • G Maj • 04:58 • -9.03db
24% Popularity • 45% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 45% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Nancy Kerr
I Am the Fox
122 bpm • F# min • 03:57 • -5db
12% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Lau
Save the Bees
120 bpm • A min • 05:27 • -9db
13% Popularity • 38% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
13% Popularity • 38% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Renato
A vida e mesmo assim
119 bpm • A Maj • 02:44 • -5db
0% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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GL MC
Moon
118 bpm • A# Maj • 02:26 • -18.55db
0% Popularity • 85% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
0% Popularity • 85% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Martin Simpson
Richmond Cotillion
122 bpm • D Maj • 03:04 • -14.27db
14% Popularity • 66% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 94% Positiveness
14% Popularity • 66% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 94% Positiveness
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Kris Drever
Shipwrecked
118 bpm • G Maj • 04:38 • -11.78db
13% Popularity • 44% Danceability • 70% Energy • 12% Liveness
6% Instrumentalness • 66% Positiveness
13% Popularity • 44% Danceability • 70% Energy • 12% Liveness
6% Instrumentalness • 66% Positiveness
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Ricardo Mateus
Dança Ciganinha
118 bpm • A min • 03:36 • -4.88db
0% Popularity • 73% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 73% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Lau
Toy Tigers
121 bpm • G Maj • 05:37 • -10.63db
13% Popularity • 30% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
13% Popularity • 30% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Spell Songs
Curlew
122 bpm • E min • 04:20 • -12.69db
12% Popularity • 52% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
12% Popularity • 52% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Rura
Between the Pines
122 bpm • C min • 04:34 • -9.09db
11% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lankum
The Wild Rover
122 bpm • D# Maj • 10:14 • -10.52db
41% Popularity • 24% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 24% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Eliza Carthy
Cobbler's Hornpipe
118 bpm • D min • 03:59 • -11.38db
18% Popularity • 43% Danceability • 31% Energy • 12% Liveness
85% Instrumentalness • 57% Positiveness
18% Popularity • 43% Danceability • 31% Energy • 12% Liveness
85% Instrumentalness • 57% Positiveness
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Doddi
Casablanca (After Dark)
122 bpm • E min • 03:51 • -12.83db
0% Popularity • 66% Danceability • 54% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
0% Popularity • 66% Danceability • 54% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
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Lau
Itshardtoseemtobeokwhenyouarenot - Unplu...
119 bpm • F Maj • 05:15 • -10.08db
12% Popularity • 45% Danceability • 31% Energy • 11% Liveness
65% Instrumentalness • 31% Positiveness
12% Popularity • 45% Danceability • 31% Energy • 11% Liveness
65% Instrumentalness • 31% Positiveness
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John McCusker
All Along the Way
117 bpm • C Maj • 04:41 • -7.75db
10% Popularity • 51% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 51% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Poozies
The Widow
117 bpm • A Maj • 04:17 • -13db
14% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Salt House
Lord Ullin's Daughter
123 bpm • A# min • 04:01 • -11.76db
21% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Jackie Oates
The Sweet Nightingale
117 bpm • D Maj • 05:01 • -13db
17% Popularity • 41% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 41% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Kitty Macfarlane
Morgan's Pantry
123 bpm • G# Maj • 02:42 • -13.92db
23% Popularity • 44% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 44% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Lau
Torsa
122 bpm • F# min • 06:59 • -10.24db
15% Popularity • 30% Danceability • 54% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
15% Popularity • 30% Danceability • 54% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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Olivia Chaney
Waxwing
117 bpm • A# Maj • 03:22 • -11.73db
12% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Agostinho
Lama
116 bpm • A min • 03:36 • -3.45db
0% Popularity • 66% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 66% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Eamon O'leary
Rise Up My Darling
117 bpm • D# Maj • 04:22 • -15db
9% Popularity • 63% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
9% Popularity • 63% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Karine Polwart
The Quiet Joys of Brotherhood
124 bpm • D Maj • 03:25 • -15.51db
14% Popularity • 70% Danceability • 13% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
14% Popularity • 70% Danceability • 13% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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Salt House
The Disquiet
124 bpm • A# Maj • 03:20 • -12.38db
20% Popularity • 38% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 38% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
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Lau
Throwing Pennies
117 bpm • F Maj • 04:27 • -11.1db
17% Popularity • 58% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
17% Popularity • 58% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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Liam O' Maonlai
Sadbh Ni Buruinnealadh
116 bpm • G# Maj • 03:01 • -9.68db
18% Popularity • 80% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 80% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Bella Hardy
The Driving of the Deer
124 bpm • C# Maj • 03:19 • -7.84db
27% Popularity • 79% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 79% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Renato
Falando de amor
116 bpm • C Maj • 03:57 • -4.65db
0% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Martin Simpson
Seven Years
116 bpm • G Maj • 04:22 • -15.72db
11% Popularity • 41% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 41% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Karine Polwart
The Sun's Comin' over the Hill
116 bpm • A Maj • 04:57 • -10.11db
20% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lau
Return to Portland
117 bpm • F Maj • 07:10 • -14.04db
7% Popularity • 27% Danceability • 37% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
7% Popularity • 27% Danceability • 37% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
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Breabach
Baby Broon's
116 bpm • A min • 04:15 • -6db
25% Popularity • 68% Danceability • 58% Energy • 9% Liveness
68% Instrumentalness • 88% Positiveness
25% Popularity • 68% Danceability • 58% Energy • 9% Liveness
68% Instrumentalness • 88% Positiveness
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The Furrow Collective
Chuir M'Athair Mise dhan Taigh Charraide...
116 bpm • A Maj • 02:34 • -16.59db
19% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Kitty Macfarlane
Tide & Time
125 bpm • E Maj • 03:48 • -8.5db
13% Popularity • 44% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 44% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Jackie Oates
Brigg Fair
115 bpm • B min • 03:19 • -12.63db
25% Popularity • 40% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
25% Popularity • 40% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Fara
Speir Thoo the Wast Wind
115 bpm • D Maj • 03:13 • -9db
25% Popularity • 37% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 37% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Lau
The Burrian
124 bpm • F Maj • 06:39 • -7.96db
8% Popularity • 30% Danceability • 58% Energy • 46% Liveness
94% Instrumentalness • 37% Positiveness
8% Popularity • 30% Danceability • 58% Energy • 46% Liveness
94% Instrumentalness • 37% Positiveness
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Planxty
The Blacksmith
125 bpm • A Maj • 04:13 • -11.62db
26% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Kathryn Tickell
The Wedding / Because He Was
115 bpm • F Maj • 03:42 • -6db
13% Popularity • 37% Danceability • 57% Energy • 13% Liveness
40% Instrumentalness • 41% Positiveness
13% Popularity • 37% Danceability • 57% Energy • 13% Liveness
40% Instrumentalness • 41% Positiveness
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Lady Maisery
Katy Cruel
115 bpm • G Maj • 02:13 • -10.82db
10% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Treacherous Orchestra
Easter Island
115 bpm • D Maj • 06:41 • -7.83db
13% Popularity • 41% Danceability • 30% Energy • 10% Liveness
9% Instrumentalness • 6% Positiveness
13% Popularity • 41% Danceability • 30% Energy • 10% Liveness
9% Instrumentalness • 6% Positiveness
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Lankum
Willow Garden
115 bpm • C Maj • 04:53 • -8.51db
25% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Lau
Maasai Hip-Hop
124 bpm • B min • 06:39 • -4.7db
0% Popularity • 91% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 91% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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John McCusker
Moments Last Forever
115 bpm • D Maj • 04:35 • -6.73db
11% Popularity • 43% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 43% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jarlath Henderson
Courting Is a Pleasure
115 bpm • F min • 03:59 • -8.82db
21% Popularity • 39% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 39% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kris Drever
When We Roll in the Morning
115 bpm • F Maj • 04:24 • -11.33db
13% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Spell Songs
Red is Your Art
115 bpm • G Maj • 03:37 • -12.44db
14% Popularity • 43% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 43% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Ye Vagabonds
I Courted A Wee Girl
126 bpm • D# Maj • 04:33 • -13.75db
22% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Lau
Itshardtoseemtobeokwhenyourenot
116 bpm • F Maj • 05:43 • -10.98db
18% Popularity • 50% Danceability • 36% Energy • 10% Liveness
8% Instrumentalness • 17% Positiveness
18% Popularity • 50% Danceability • 36% Energy • 10% Liveness
8% Instrumentalness • 17% Positiveness
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Kan
Marcos
126 bpm • D# Maj • 05:35 • -9.26db
19% Popularity • 37% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
19% Popularity • 37% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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The Full English
Linden Lea
126 bpm • C Maj • 04:17 • -16db
13% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Karine Polwart
Follow The Heron
126 bpm • A Maj • 03:11 • -9.08db
32% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Artill
Extra
126 bpm • A min • 03:19 • -6.61db
0% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bella Hardy
The Derbyshire Miller
114 bpm • A Maj • 02:30 • -8db
20% Popularity • 80% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 75% Positiveness
20% Popularity • 80% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 75% Positiveness
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Lau
Ghosts - Richard J.Birkin Remix
124 bpm • E Maj • 04:30 • -22.44db
0% Popularity • 40% Danceability • 9% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 40% Danceability • 9% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
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Lady Maisery
This Woman's Work
126 bpm • D Maj • 03:11 • -13.62db
16% Popularity • 46% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 46% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Jackie Oates
Bold Reynard
127 bpm • E Maj • 02:40 • -14.21db
8% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Lankum
Father Had a Knife
114 bpm • C# Maj • 01:20 • -8db
29% Popularity • 72% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 72% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Stick in the Wheel
Bows
114 bpm • A min • 02:23 • -4.96db
14% Popularity • 73% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 73% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Alasdair Roberts
The Fair Flower of Northumberland
114 bpm • G Maj • 04:42 • -13.64db
13% Popularity • 48% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 48% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Lau
Ghosts - Unplugged Version
115 bpm • E Maj • 05:26 • -14db
5% Popularity • 32% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
5% Popularity • 32% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Songs Of Separation
Echo Mocks the Corncrake
114 bpm • C min • 03:42 • -9db
12% Popularity • 48% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Lady Maisery
The Crow on the Cradle
127 bpm • G Maj • 04:10 • -14.47db
23% Popularity • 58% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 58% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lankum
Cold Old Fire
114 bpm • B min • 04:26 • -6.19db
33% Popularity • 42% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 42% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Mr. Ellz
100
127 bpm • A# min • 04:32 • -9.61db
0% Popularity • 77% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 77% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Kris Drever
Scapa Flow 1919
113 bpm • C Maj • 05:00 • -8db
19% Popularity • 53% Danceability • 66% Energy • 13% Liveness
6% Instrumentalness • 28% Positiveness
19% Popularity • 53% Danceability • 66% Energy • 13% Liveness
6% Instrumentalness • 28% Positiveness
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Lau
Stephen's
114 bpm • G min • 07:06 • -7.37db
3% Popularity • 39% Danceability • 63% Energy • 10% Liveness
8% Instrumentalness • 66% Positiveness
3% Popularity • 39% Danceability • 63% Energy • 10% Liveness
8% Instrumentalness • 66% Positiveness
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Renato
Adeus solidao
127 bpm • A Maj • 04:02 • -5.16db
0% Popularity • 74% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 74% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Andy Irvine
Autumn Gold
128 bpm • C min • 03:50 • -13.6db
19% Popularity • 62% Danceability • 27% Energy • 17% Liveness
5% Instrumentalness • 27% Positiveness
19% Popularity • 62% Danceability • 27% Energy • 17% Liveness
5% Instrumentalness • 27% Positiveness
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Jimmy Aldridge & Sid Goldsmith
Reedcutter's Daughter
128 bpm • D# Maj • 05:05 • -12.97db
11% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Iona Fyfe
Guise of Tough
128 bpm • C Maj • 05:21 • -8.14db
19% Popularity • 75% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 75% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Spell Songs
Kingfisher
128 bpm • E Maj • 04:37 • -13db
24% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Lau
Hinba
113 bpm • B min • 05:07 • -6db
11% Popularity • 43% Danceability • 66% Energy • 8% Liveness
3% Instrumentalness • 88% Positiveness
11% Popularity • 43% Danceability • 66% Energy • 8% Liveness
3% Instrumentalness • 88% Positiveness
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Kathryn Tickell
Our Kate / The Welcome Home
113 bpm • C Maj • 04:55 • -6.18db
10% Popularity • 24% Danceability • 48% Energy • 11% Liveness
80% Instrumentalness • 14% Positiveness
10% Popularity • 24% Danceability • 48% Energy • 11% Liveness
80% Instrumentalness • 14% Positiveness
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Josienne Clarke and Ben Walker
John Riley
128 bpm • A Maj • 04:22 • -12.97db
20% Popularity • 45% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 45% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Salt House
All Shall Be Still
112 bpm • E Maj • 04:53 • -8.93db
21% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Veridiana
Qui nem Jiló
112 bpm • G Maj • 02:34 • -5.67db
1% Popularity • 72% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 72% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Bella Hardy
The Seeds of Love
112 bpm • A Maj • 03:22 • -17db
14% Popularity • 70% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 70% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lau
From Rags to Riches
128 bpm • A Maj • 04:15 • -8.33db
13% Popularity • 56% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 56% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Martin Simpson
Ridgeway
112 bpm • C Maj • 03:27 • -13.42db
23% Popularity • 46% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
23% Popularity • 46% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
