Songs like Save Your Love For Me by Eliane Elias
Based on a tempo of (+/- 10%) and a similar genre
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Eliane Elias
Save Your Love For Me
114 bpm • G# Maj • 04:00 • -14db
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Heather Rigdon
Not Quite
114 bpm • G Maj • 04:08 • -14db
52% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ann Hampton Callaway
The Folks Who Live on the Hill
114 bpm • G Maj • 06:06 • -16.97db
37% Popularity • 44% Danceability • 14% Energy • 19% Liveness
1% Instrumentalness • 14% Positiveness
37% Popularity • 44% Danceability • 14% Energy • 19% Liveness
1% Instrumentalness • 14% Positiveness
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Torsten Goods
They Can't Take That Away from Me
114 bpm • G# Maj • 02:56 • -11.85db
29% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Sylvia Bennett
Fly Me to the Moon
114 bpm • F Maj • 02:43 • -9.61db
44% Popularity • 64% Danceability • 42% Energy • 22% Liveness
2% Instrumentalness • 45% Positiveness
44% Popularity • 64% Danceability • 42% Energy • 22% Liveness
2% Instrumentalness • 45% Positiveness
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Charlie Haden Quartet West
Let's Call It A Day
114 bpm • C Maj • 05:52 • -10.75db
14% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Silje Nergaard
So Sorry For Your Love
114 bpm • D# Maj • 04:10 • -10db
32% Popularity • 45% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 45% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Heather Rigdon
Table For Two
114 bpm • A# min • 03:13 • -12db
52% Popularity • 78% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 78% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Eliane Elias
A Man And A Woman
114 bpm • G Maj • 03:16 • -14db
34% Popularity • 53% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
34% Popularity • 53% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
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Sarah McKenzie
I'm Old Fashioned
114 bpm • A min • 04:44 • -6.21db
42% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
42% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Kandace Springs
Pearls
114 bpm • G min • 04:44 • -11.32db
34% Popularity • 39% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 39% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kat Edmonson
'S Wonderful (Bonus Track)
115 bpm • G min • 03:20 • -12db
30% Popularity • 82% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
30% Popularity • 82% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Roberta Gambarini
Lover Come Back to Me
113 bpm • F Maj • 05:43 • -10.34db
9% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Ellas Kapell
The Nearness of You
113 bpm • G# Maj • 05:23 • -14db
26% Popularity • 49% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 49% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Kevin Mahogany
I Know You Know
115 bpm • C# Maj • 03:57 • -13db
19% Popularity • 59% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 59% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Katherine Kostoff
Cloudy (With a Chance of Rain)
113 bpm • C# Maj • 04:43 • -14db
25% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Rod Stewart
Time After Time
113 bpm • C# min • 02:59 • -8.57db
47% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Sample
Fever
113 bpm • A# min • 05:40 • -12.19db
36% Popularity • 82% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 82% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Manhattan Jazz Quartett
You Are the Sunshine of My Life
115 bpm • C Maj • 05:12 • -9.69db
47% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ruth Cameron
Give Me Time
113 bpm • B min • 06:05 • -18db
14% Popularity • 50% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 50% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Kevin Mahogany
My New Friend
113 bpm • C Maj • 03:47 • -15db
35% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Cincotti
Ain't Misbehavin'
113 bpm • D min • 03:43 • -10.35db
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Susannah McCorkle
Quality Time
115 bpm • B min • 04:21 • -19db
33% Popularity • 65% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 65% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Melody Gardot
Baby I'm A Fool
113 bpm • A# min • 03:30 • -13.13db
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
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Heather Rigdon
And so It Goes
115 bpm • G min • 02:31 • -7.31db
52% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Mathis
Over the Rainbow
115 bpm • D# Maj • 04:52 • -12.55db
45% Popularity • 24% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 24% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Flora MartÃnez
You Belong To My Heart - Solamente una V...
115 bpm • G Maj • 02:43 • -16.1db
53% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Eliane Elias
Bonita
115 bpm • C# Maj • 05:52 • -14.04db
15% Popularity • 58% Danceability • 37% Energy • 12% Liveness
62% Instrumentalness • 39% Positiveness
15% Popularity • 58% Danceability • 37% Energy • 12% Liveness
62% Instrumentalness • 39% Positiveness
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Tierney Sutton
Something Cool
112 bpm • C# Maj • 04:26 • -19.48db
26% Popularity • 50% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
26% Popularity • 50% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Kevin Mahogany
Don't Let Me Be Lonely Tonight
116 bpm • A min • 04:13 • -17.27db
33% Popularity • 55% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
33% Popularity • 55% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
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Sophie Milman
Something In The Air Between Us
116 bpm • D# min • 04:12 • -13db
46% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Roberta Gambarini
Crazy
116 bpm • A# Maj • 05:00 • -16db
16% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lara Louise
It Had To Be You
116 bpm • C# Maj • 02:38 • -13.98db
51% Popularity • 68% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 68% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Eliane Elias
Angel Eyes
113 bpm • A min • 05:25 • -11.31db
20% Popularity • 63% Danceability • 45% Energy • 11% Liveness
51% Instrumentalness • 50% Positiveness
20% Popularity • 63% Danceability • 45% Energy • 11% Liveness
51% Instrumentalness • 50% Positiveness
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Sarah McKenzie
Little Girl Blue
116 bpm • C Maj • 03:51 • -17.62db
12% Popularity • 50% Danceability • 7% Energy • 11% Liveness
11% Instrumentalness • 21% Positiveness
12% Popularity • 50% Danceability • 7% Energy • 11% Liveness
11% Instrumentalness • 21% Positiveness
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Tierney Sutton
Don't Go to Strangers
112 bpm • D# Maj • 05:54 • -15.67db
22% Popularity • 49% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
22% Popularity • 49% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
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Tony DeSare
I Wish You Love
112 bpm • G# Maj • 03:00 • -14db
40% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Blossom Dearie
I Wish You Love
116 bpm • C# Maj • 02:09 • -15.99db
43% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ellen Andersson
I'll Be Seeing You
116 bpm • C# Maj • 06:07 • -11db
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Eliane Elias
You’re Getting To Be A Habit With Me
112 bpm • F Maj • 03:50 • -11.64db
35% Popularity • 83% Danceability • 43% Energy • 17% Liveness
35% Instrumentalness • 62% Positiveness
35% Popularity • 83% Danceability • 43% Energy • 17% Liveness
35% Instrumentalness • 62% Positiveness
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Carla Cook
Summer (Estaté)
112 bpm • A min • 05:15 • -16.66db
27% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
27% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
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Leandro Amor Trio
I Left My Heart in San Francisco
116 bpm • F min • 03:43 • -17.04db
45% Popularity • 80% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 70% Positiveness
45% Popularity • 80% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 70% Positiveness
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Tony DeSare
All of Me
112 bpm • C Maj • 03:26 • -14.22db
34% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Carly Simon
All The Things You Are
112 bpm • A Maj • 03:49 • -10.11db
43% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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NYC Jazz Quartett
As Time Goes By
112 bpm • F# Maj • 03:37 • -9db
43% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Eliane Elias
Você
116 bpm • C Maj • 05:17 • -10.85db
28% Popularity • 64% Danceability • 43% Energy • 14% Liveness
10% Instrumentalness • 38% Positiveness
28% Popularity • 64% Danceability • 43% Energy • 14% Liveness
10% Instrumentalness • 38% Positiveness
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Kevin Mahogany
Beautiful Fight
117 bpm • G Maj • 04:18 • -9db
26% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sarah McKenzie
I Wish You Love
111 bpm • C Maj • 04:49 • -11.05db
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Etta Jones
Something To Remember You By
117 bpm • A# Maj • 03:42 • -13db
41% Popularity • 49% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
41% Popularity • 49% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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Roberta Gambarini
Smoke Gets In Your Eyes/All the Things Y...
117 bpm • D Maj • 05:52 • -15.53db
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Stacey Kent
Never Let Me Go
111 bpm • E Maj • 04:39 • -17db
47% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Nicki Parrott
I Walk A Little Faster
117 bpm • F Maj • 03:53 • -14db
39% Popularity • 49% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 49% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Erin Boheme
One Night With Frank
111 bpm • C# Maj • 04:14 • -15db
36% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Mahogany
Laura
117 bpm • A# min • 04:49 • -12.35db
19% Popularity • 34% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
19% Popularity • 34% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
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Susannah McCorkle
You Go To My Head
111 bpm • G# min • 04:09 • -22.21db
16% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Renee Olstead
Taking a Chance on Love
111 bpm • G# Maj • 03:30 • -10db
46% Popularity • 66% Danceability • 31% Energy • 36% Liveness
1% Instrumentalness • 24% Positiveness
46% Popularity • 66% Danceability • 31% Energy • 36% Liveness
1% Instrumentalness • 24% Positiveness
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Bria Skonberg
Que Sera Sera (Whatever Will Be Will Be)
111 bpm • G# Maj • 04:13 • -14db
35% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Barry Manilow
I've Got The World On A String
111 bpm • C# Maj • 02:12 • -7.49db
41% Popularity • 46% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Erin Boheme
Let’s Make The Most Of A Beautiful Thi...
111 bpm • C# Maj • 04:39 • -12db
42% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Kevin Mahogany
May I Come In?
111 bpm • F min • 04:45 • -17db
18% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
18% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
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Connie Lansberg
Twinkle Twinkle
111 bpm • C Maj • 04:27 • -13.36db
31% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ellen Andersson
I Get Along Without You Very Well
111 bpm • C# Maj • 03:32 • -18db
38% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Rod Stewart
Long Ago And Far Away
111 bpm • B Maj • 03:11 • -10.36db
35% Popularity • 54% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 54% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Carla Helmbrecht
The Party's Over
118 bpm • C min • 05:32 • -10.25db
8% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 56% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Suss von Ahn
Night and Day
118 bpm • C Maj • 02:27 • -10.73db
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Erin Boheme
I Love Being Here With You
110 bpm • G# Maj • 03:28 • -12db
32% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Connie Lansberg
"Round Midnight
110 bpm • B Maj • 05:47 • -16.38db
21% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Kat Gang
Then I'll Be Tired of You
110 bpm • G Maj • 06:13 • -15.01db
36% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Hailey Tuck
When It's Sleepytime Down South
110 bpm • A# Maj • 05:03 • -14db
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
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Lyambiko
It's Oh So Quiet
110 bpm • A# Maj • 03:48 • -12db
26% Popularity • 42% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 42% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Heather Rigdon
Bad For Business
118 bpm • B min • 03:36 • -13.55db
51% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Rod Stewart
Night And Day
118 bpm • G Maj • 03:08 • -8.01db
43% Popularity • 51% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 51% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Emilie Schiøtt
It May Be You
118 bpm • G# Maj • 03:41 • -13db
56% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Flora MartÃnez
Blue Moon
110 bpm • C# Maj • 03:00 • -12db
60% Popularity • 86% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 86% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Lara Louise
It Could Happen To You
110 bpm • A# Maj • 02:37 • -15.61db
53% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
53% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
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Ruth Cameron
All About Ronnie
118 bpm • C min • 04:21 • -17.6db
13% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Judith Owen
Fine Brown Frame
110 bpm • F min • 03:16 • -17db
37% Popularity • 65% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 65% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Etta Jones
If I Had You
118 bpm • D min • 03:50 • -23db
50% Popularity • 52% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
50% Popularity • 52% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Silje Nergaard
Let There Be Love
118 bpm • F# Maj • 03:16 • -8db
41% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Susannah McCorkle
A Beautiful Friendship
110 bpm • A min • 04:09 • -17.03db
27% Popularity • 58% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 58% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Lorez Alexandria
The Best Is Yet To Come
118 bpm • F Maj • 02:44 • -15db
37% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Kevin Mahogany
My Romance
119 bpm • A# Maj • 04:22 • -18db
16% Popularity • 46% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 46% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jane Monheit
A Time For Love
119 bpm • C# min • 04:59 • -12db
44% Popularity • 25% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 25% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Dakota Staton
Misty - Remastered
119 bpm • B Maj • 02:35 • -20.03db
43% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Jimmy Heath
Don't Misunderstand
119 bpm • C Maj • 05:32 • -10db
41% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Etta Jones
Maybe You'll Be There
119 bpm • G# Maj • 03:39 • -18.02db
35% Popularity • 51% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 51% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Nat King Cole
The Girl From Ipanema
119 bpm • G Maj • 02:54 • -10.47db
46% Popularity • 47% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 47% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Sylvia Bennett
La mer
119 bpm • F min • 03:22 • -7.29db
42% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Katrine Madsen
Early in the Autumn
119 bpm • E min • 05:09 • -17.98db
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Brown
Moondance
119 bpm • D min • 03:22 • -11.01db
42% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Eliane Elias
Some Enchanted Place
119 bpm • F min • 05:02 • -10.36db
20% Popularity • 58% Danceability • 50% Energy • 11% Liveness
16% Instrumentalness • 60% Positiveness
20% Popularity • 58% Danceability • 50% Energy • 11% Liveness
16% Instrumentalness • 60% Positiveness
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Viktoria Tolstoy
Midnight Sun
119 bpm • G Maj • 04:35 • -12db
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Sophie Milman
Beautiful Love
109 bpm • G min • 02:59 • -9.57db
41% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Gregory Porter
L-O-V-E
109 bpm • B min • 02:08 • -14db
57% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Roberta Gambarini
Only Trust Your Heart
120 bpm • F Maj • 04:10 • -14.65db
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Amanda Carr
Scotch and Soda
108 bpm • F Maj • 02:49 • -19.28db
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Søs Fenger
The Man I Love
120 bpm • G# Maj • 04:45 • -15.45db
39% Popularity • 48% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 48% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Chiara Civello
Caramel
120 bpm • A Maj • 03:05 • -17db
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
