Songs like Saving The Day - Score From "Captain Underpants" by Theodore Shapiro
Based on a tempo of (+/- 10%) and a similar genre
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Pinar Toprak
Lost Love
139 bpm • E min • 06:19 • -19.31db
36% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
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William Ross
Young Macy
139 bpm • D Maj • 01:02 • -25db
42% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
42% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Harald Kloser
Tornado Warning
139 bpm • C# Maj • 02:00 • -21.71db
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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Alex Heffes
Harry's Theme
139 bpm • D min • 02:03 • -26.38db
21% Popularity • 15% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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West Dylan Thordson
Meeting the Others
139 bpm • D# min • 03:38 • -23db
31% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
31% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
I Could Have Killed Him
139 bpm • B min • 02:20 • -23.4db
42% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
42% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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William Ross
The Drive To Immaculata ("The Mighty Mac...
139 bpm • A Maj • 02:29 • -21db
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Tyler Bates
Groot Cocoon
139 bpm • G# Maj • 02:29 • -13.27db
28% Popularity • 15% Danceability • 34% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 34% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Sussex
140 bpm • C Maj • 01:12 • -23.74db
40% Popularity • 31% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
40% Popularity • 31% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
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Tom Howe
Countryside Air
140 bpm • C Maj • 01:07 • -11db
27% Popularity • 81% Danceability • 39% Energy • 9% Liveness
91% Instrumentalness • 90% Positiveness
27% Popularity • 81% Danceability • 39% Energy • 9% Liveness
91% Instrumentalness • 90% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Rowing
138 bpm • G min • 01:42 • -18db
55% Popularity • 60% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
55% Popularity • 60% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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The Newton Brothers
Beginning of the End Movement IV
140 bpm • C Maj • 03:27 • -17.12db
31% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
31% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
46% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
46% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Theodore Shapiro
Cobel At Lumon
138 bpm • C# Maj • 01:23 • -15db
23% Popularity • 25% Danceability • 40% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
23% Popularity • 25% Danceability • 40% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Tom Howe
Bakewell Counting
140 bpm • C# Maj • 01:31 • -10.49db
26% Popularity • 82% Danceability • 56% Energy • 10% Liveness
48% Instrumentalness • 80% Positiveness
26% Popularity • 82% Danceability • 56% Energy • 10% Liveness
48% Instrumentalness • 80% Positiveness
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Ilan Eshkeri
Mika And Kai
138 bpm • D min • 02:45 • -27.63db
48% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
48% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Christopher Spelman
In the Hospital
141 bpm • C# min • 03:33 • -15.57db
9% Popularity • 14% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Natalie Holt
Pruned
141 bpm • C# min • 02:44 • -15db
33% Popularity • 20% Danceability • 34% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 34% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Amelia Warner
None Of This Will Matter At All
137 bpm • D min • 01:14 • -17.98db
35% Popularity • 15% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
35% Popularity • 15% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Carter Burwell
To Run Or Not To Run
137 bpm • G Maj • 04:09 • -21.73db
17% Popularity • 15% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin Smuts
My Octopus Teacher Opening Titles
141 bpm • E min • 01:52 • -19.09db
36% Popularity • 16% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 16% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Jordan Seigel
Love of My Life
141 bpm • E Maj • 03:03 • -20.59db
35% Popularity • 16% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
35% Popularity • 16% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Max Richter
A Claim to the Throne
137 bpm • G min • 03:05 • -17.35db
21% Popularity • 31% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
21% Popularity • 31% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Scott Michael Smith
Leia
136 bpm • D Maj • 01:24 • -21.36db
27% Popularity • 56% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
27% Popularity • 56% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
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Theodore Shapiro
That Innie
137 bpm • C min • 05:25 • -20.96db
20% Popularity • 25% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 25% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Kevin Smuts
There She Is
141 bpm • E min • 02:19 • -22db
28% Popularity • 28% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 28% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Pinar Toprak
Notification
136 bpm • D min • 01:32 • -19.79db
49% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
49% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
A Miraculous Return
136 bpm • E min • 02:50 • -17.77db
31% Popularity • 15% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
31% Popularity • 15% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Jordan Seigel
A Trail of Clues
136 bpm • A# Maj • 01:14 • -26.31db
47% Popularity • 65% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
47% Popularity • 65% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Johannes Lehniger
Carriage Ride
142 bpm • C min • 01:04 • -17.32db
41% Popularity • 58% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 47% Positiveness
41% Popularity • 58% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 47% Positiveness
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Theodore Shapiro
After Hours
136 bpm • C# Maj • 03:57 • -24.08db
20% Popularity • 58% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 58% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Anne Nikitin
Water Cycle
142 bpm • A min • 01:10 • -19.57db
51% Popularity • 36% Danceability • 45% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
51% Popularity • 36% Danceability • 45% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
A Perfect Planet
136 bpm • G Maj • 03:14 • -13.67db
15% Popularity • 44% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 44% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
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Mark Mothersbaugh
Twilight of the Gods
143 bpm • F# Maj • 06:14 • -17.64db
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Jordan Seigel
San Miguel
136 bpm • G Maj • 01:34 • -25db
62% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
62% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
45% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Alive
136 bpm • C# Maj • 02:51 • -22.44db
20% Popularity • 30% Danceability • 27% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 27% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
63% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
63% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Pinar Toprak
Why Do You Fight?
144 bpm • C min • 01:14 • -20.39db
34% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
34% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Marcelo Zarvos
Life Was Just Beginning
144 bpm • D Maj • 04:07 • -21db
23% Popularity • 18% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
Hand Covers Bruise, Reprise
134 bpm • D Maj • 01:52 • -26.63db
38% Popularity • 18% Danceability • 6% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
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Dickon Hinchliffe
The Causeway
144 bpm • D Maj • 03:47 • -21.78db
38% Popularity • 15% Danceability • 8% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
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Theodore Shapiro
I'm Right Here
142 bpm • D Maj • 01:38 • -22.26db
34% Popularity • 31% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
34% Popularity • 31% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Ryan Lott
Forget the Miracle Ever Happened
134 bpm • C Maj • 01:45 • -18.81db
31% Popularity • 52% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
31% Popularity • 52% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
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Christopher Willis
My Own Story
134 bpm • A min • 01:46 • -14.87db
19% Popularity • 44% Danceability • 44% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
19% Popularity • 44% Danceability • 44% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
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Rachel Portman
Ethan Plays Ball with Bailey
133 bpm • G Maj • 01:59 • -15.67db
22% Popularity • 23% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
22% Popularity • 23% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Trent Reznor and Atticus Ross
The Great Before/U Seminar
134 bpm • F# Maj • 03:19 • -14.98db
33% Popularity • 47% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
33% Popularity • 47% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Jasha Klebe
A Changing Planet
145 bpm • C# Maj • 02:16 • -15.73db
23% Popularity • 25% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
23% Popularity • 25% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Theodore Shapiro
Jen Says Goodbye
135 bpm • F Maj • 01:50 • -37db
18% Popularity • 18% Danceability • 1% Energy • 11% Liveness
46% Instrumentalness • 6% Positiveness
18% Popularity • 18% Danceability • 1% Energy • 11% Liveness
46% Instrumentalness • 6% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
32% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Geoff Zanelli
That's Not Normal
132 bpm • E Maj • 04:23 • -17.48db
12% Popularity • 60% Danceability • 23% Energy • 37% Liveness
75% Instrumentalness • 33% Positiveness
12% Popularity • 60% Danceability • 23% Energy • 37% Liveness
75% Instrumentalness • 33% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Jordan Seigel
One More Journey
132 bpm • G Maj • 02:07 • -22db
51% Popularity • 26% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 26% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Jasha Klebe
World On The Move
145 bpm • C# Maj • 02:31 • -15.52db
42% Popularity • 29% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
42% Popularity • 29% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Theodore Shapiro
Tokens
132 bpm • C# Maj • 01:47 • -20.91db
21% Popularity • 38% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
21% Popularity • 38% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Nate Heller
Score Suite
146 bpm • F Maj • 04:46 • -14.78db
28% Popularity • 36% Danceability • 20% Energy • 17% Liveness
89% Instrumentalness • 8% Positiveness
28% Popularity • 36% Danceability • 20% Energy • 17% Liveness
89% Instrumentalness • 8% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
38% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Pretty Corny
131 bpm • A min • 01:44 • -30.01db
47% Popularity • 17% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Trent Reznor and Atticus Ross
Earthbound
148 bpm • D Maj • 01:27 • -18.94db
36% Popularity • 61% Danceability • 20% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
36% Popularity • 61% Danceability • 20% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
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Stephanie Economou
Illumination
148 bpm • F# min • 02:36 • -16.73db
23% Popularity • 30% Danceability • 28% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 30% Danceability • 28% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Love and Work
144 bpm • D Maj • 03:53 • -18.26db
30% Popularity • 56% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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Atli Örvarsson
Don't Talk About the Boat
150 bpm • E min • 01:39 • -31db
43% Popularity • 30% Danceability • 3% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
43% Popularity • 30% Danceability • 3% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Jordan Seigel
The Journey Begins
128 bpm • D Maj • 01:01 • -22db
51% Popularity • 54% Danceability • 6% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
51% Popularity • 54% Danceability • 6% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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Trevor Gureckis
Hobart & Blackwell
151 bpm • D# min • 01:53 • -22.31db
14% Popularity • 22% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
A Perfect Balance (Episode 1 - Volcanoes...
127 bpm • E min • 02:17 • -15db
20% Popularity • 21% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Brooke Blair
The Peacemaker
152 bpm • C Maj • 01:19 • -12.27db
8% Popularity • 22% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 17% Positiveness
8% Popularity • 22% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 17% Positiveness
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Theodore Shapiro
Expiration Date
144 bpm • A# Maj • 04:29 • -21.41db
22% Popularity • 28% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 28% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Michael Abels
Preparing The Trap
126 bpm • G min • 02:40 • -18.42db
40% Popularity • 73% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
40% Popularity • 73% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Max Richter
Invasion Main Title
125 bpm • A min • 01:16 • -10db
39% Popularity • 32% Danceability • 44% Energy • 31% Liveness
96% Instrumentalness • 3% Positiveness
39% Popularity • 32% Danceability • 44% Energy • 31% Liveness
96% Instrumentalness • 3% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
31% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
31% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
45% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
45% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Interns Get Started
144 bpm • C Maj • 02:15 • -16db
29% Popularity • 47% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
29% Popularity • 47% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Cornbread Compton
Let's Just Get It Over With
124 bpm • C# min • 01:25 • -28db
24% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
24% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Kevin Smuts
The Wonders of Nature
125 bpm • E min • 02:59 • -23.64db
32% Popularity • 17% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Nathan Johnson
Double-Dipping
124 bpm • G# Maj • 01:04 • -26.08db
41% Popularity • 32% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
41% Popularity • 32% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
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Ilan Eshkeri
A Miracle
125 bpm • A Maj • 02:30 • -19.09db
30% Popularity • 20% Danceability • 10% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 10% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Craig Wedren
Join Hands / With The Angels
124 bpm • F Maj • 02:45 • -21.05db
19% Popularity • 17% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Ted vs Walter
145 bpm • D Maj • 01:23 • -7.71db
16% Popularity • 50% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 50% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Carlos Rafael Rivera
First Day At School
156 bpm • D min • 01:12 • -24db
53% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
53% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Mark Mancina
Arpeggio Theme
156 bpm • F Maj • 02:47 • -22.37db
24% Popularity • 48% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
24% Popularity • 48% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Michael Andrews
Voicemail From Emily
123 bpm • C Maj • 04:38 • -21.05db
10% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Junkie XL
Let Them Up
123 bpm • C Maj • 02:36 • -11.11db
29% Popularity • 17% Danceability • 46% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
29% Popularity • 17% Danceability • 46% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Theodore Shapiro
Intern Slash Best Friend
148 bpm • D Maj • 01:28 • -21db
24% Popularity • 25% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Rescue Continues
122 bpm • E min • 03:46 • -15db
40% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Blake Neely
Reading Between the Lies
122 bpm • C min • 04:12 • -28.56db
14% Popularity • 32% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Bear McCreary
Foundation Main Title
122 bpm • G# Maj • 01:26 • -16db
32% Popularity • 40% Danceability • 39% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 40% Danceability • 39% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Covenant
121 bpm • C# Maj • 03:25 • -21.33db
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Still Vibrating
128 bpm • C min • 01:49 • -17db
29% Popularity • 41% Danceability • 28% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
29% Popularity • 41% Danceability • 28% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Chris Tilton
A New Day In The Old Town
160 bpm • C min • 01:44 • -22.27db
32% Popularity • 56% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
32% Popularity • 56% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
