Songs like Savoy by Lucky Millinder & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Lucky Millinder & His Orchestra
Savoy
179 bpm • F Maj • 03:40 • -20.17db
0% Popularity • 47% Danceability • 19% Energy • 76% Liveness
5% Instrumentalness • 86% Positiveness
0% Popularity • 47% Danceability • 19% Energy • 76% Liveness
5% Instrumentalness • 86% Positiveness
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Jefferson Davis Horton
Pretty Lil Thing
179 bpm • A Maj • 02:30 • -7.39db
8% Popularity • 58% Danceability • 53% Energy • 12% Liveness
24% Instrumentalness • 61% Positiveness
8% Popularity • 58% Danceability • 53% Energy • 12% Liveness
24% Instrumentalness • 61% Positiveness
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Joe Liggins
Going Back To New Orleans
178 bpm • A min • 02:50 • -13db
28% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
28% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
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Lonnie Johnson
Haunted House
180 bpm • D# Maj • 05:00 • -21.98db
13% Popularity • 47% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 47% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Wynonie Harris
Blood Shot Eyes
177 bpm • G# Maj • 02:46 • -2db
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Wynona Carr
Jump Jack Jump
181 bpm • A# min • 02:16 • -7.62db
28% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Lucky Millinder & His Orchestra
Three Bones
179 bpm • G# Maj • 03:16 • -8.53db
0% Popularity • 50% Danceability • 49% Energy • 87% Liveness
81% Instrumentalness • 83% Positiveness
0% Popularity • 50% Danceability • 49% Energy • 87% Liveness
81% Instrumentalness • 83% Positiveness
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Blind Boy Fuller
Truckin' My Blues Away
181 bpm • G min • 03:08 • -12db
27% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Liggins
The Honeydripper
176 bpm • G Maj • 03:10 • -11.3db
17% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
17% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
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Charlie Poole
Old and Only In the Way
176 bpm • F Maj • 03:29 • -10.71db
8% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Stick McGhee & His Buddies
Drinkin' Wine Spo-Dee-O-Dee
176 bpm • C min • 03:15 • -13db
19% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Blind Blake
Diddie Wah Diddie
182 bpm • C Maj • 02:59 • -13.72db
9% Popularity • 60% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 90% Positiveness
9% Popularity • 60% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 90% Positiveness
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Lucky Millinder & His Orchestra
I Never Knew
177 bpm • G# Maj • 03:17 • -8.58db
0% Popularity • 43% Danceability • 58% Energy • 17% Liveness
90% Instrumentalness • 70% Positiveness
0% Popularity • 43% Danceability • 58% Energy • 17% Liveness
90% Instrumentalness • 70% Positiveness
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Bumps Myers & His Frantic Five
I'm Clappin' and Shoutin'
183 bpm • G min • 02:30 • -8.67db
8% Popularity • 43% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 43% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Ma Rainey
Black Eye Blues
183 bpm • G Maj • 03:18 • -6.31db
7% Popularity • 61% Danceability • 44% Energy • 17% Liveness
6% Instrumentalness • 87% Positiveness
7% Popularity • 61% Danceability • 44% Energy • 17% Liveness
6% Instrumentalness • 87% Positiveness
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Slim Gaillard
Communications
175 bpm • G Maj • 02:30 • -5.77db
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Rosemary Clooney
Come On-A My House
183 bpm • A# min • 01:56 • -8.56db
38% Popularity • 53% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 53% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Big Maybelle
That's A Pretty Good Love
175 bpm • C# Maj • 02:35 • -9db
36% Popularity • 50% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 50% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Wynonie Harris
Drinkin’ Wine Spo-Dee-O-Dee
174 bpm • A# min • 02:27 • -15db
18% Popularity • 63% Danceability • 33% Energy • 49% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 63% Danceability • 33% Energy • 49% Liveness
0% Instrumentalness • 92% Positiveness
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Lucky Millinder & His Orchestra
Luckys Riff
174 bpm • F min • 03:16 • -20.89db
0% Popularity • 52% Danceability • 11% Energy • 94% Liveness
84% Instrumentalness • 94% Positiveness
0% Popularity • 52% Danceability • 11% Energy • 94% Liveness
84% Instrumentalness • 94% Positiveness
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Memphis Minnie
Bumble Bee
174 bpm • A# Maj • 02:49 • -7db
13% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Maria Muldaur
Swing You Sinners
185 bpm • A# Maj • 02:35 • -8.23db
22% Popularity • 60% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 60% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Julia Lee And Her Boyfriends
Last Call (For Alcohol)
173 bpm • F Maj • 02:36 • -10db
19% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Wynona Carr
Ding Dong Daddy
186 bpm • F Maj • 02:08 • -10.45db
29% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Bull Moose Jackson
Big Ten Inch Record
172 bpm • G# Maj • 02:15 • -7db
23% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Lucky Millinder & His Orchestra
I Know How to Do It
183 bpm • D min • 02:37 • -8.63db
0% Popularity • 52% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 52% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Harlem Hamfats
Let's Get Drunk And Truck
186 bpm • F min • 02:56 • -11.61db
7% Popularity • 67% Danceability • 46% Energy • 7% Liveness
54% Instrumentalness • 86% Positiveness
7% Popularity • 67% Danceability • 46% Energy • 7% Liveness
54% Instrumentalness • 86% Positiveness
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Maria Muldaur
I Like You Best of All
173 bpm • C Maj • 03:51 • -10.15db
30% Popularity • 60% Danceability • 35% Energy • 12% Liveness
8% Instrumentalness • 88% Positiveness
30% Popularity • 60% Danceability • 35% Energy • 12% Liveness
8% Instrumentalness • 88% Positiveness
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Blind Blake
Diddie Wa Diddie
186 bpm • C Maj • 03:00 • -13.84db
23% Popularity • 52% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 91% Positiveness
23% Popularity • 52% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 91% Positiveness
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Big Jay McNeely
Deacon Rides Again
186 bpm • C# Maj • 02:47 • -4.2db
27% Popularity • 39% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 39% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Albert Ammons
Shout for Joy
186 bpm • C Maj • 01:37 • -10.24db
17% Popularity • 37% Danceability • 57% Energy • 14% Liveness
79% Instrumentalness • 98% Positiveness
17% Popularity • 37% Danceability • 57% Energy • 14% Liveness
79% Instrumentalness • 98% Positiveness
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Lucky Millinder & His Orchestra
Oh Babe! - DJ Wuthe am "Grammophon"
173 bpm • C# Maj • 02:59 • -7.33db
0% Popularity • 46% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 46% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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The Fontane Sisters
Hearts of Stone
172 bpm • F Maj • 02:07 • -8.74db
20% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Sugar Boy Crawford
Jock-A-Mo
172 bpm • G Maj • 02:28 • -8db
19% Popularity • 54% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 54% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Leon Redbone
Champagne Charlie
187 bpm • A# Maj • 02:55 • -17.72db
19% Popularity • 58% Danceability • 11% Energy • 16% Liveness
16% Instrumentalness • 80% Positiveness
19% Popularity • 58% Danceability • 11% Energy • 16% Liveness
16% Instrumentalness • 80% Positiveness
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Roy Milton
Best Wishes
187 bpm • G# Maj • 03:01 • -17db
24% Popularity • 42% Danceability • 25% Energy • 10% Liveness
10% Instrumentalness • 33% Positiveness
24% Popularity • 42% Danceability • 25% Energy • 10% Liveness
10% Instrumentalness • 33% Positiveness
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Koko Taylor
Insane Asylum - Single Version
187 bpm • A Maj • 04:23 • -9db
28% Popularity • 35% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 35% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Lucky Millinder & His Orchestra
I Want A Tall Skinny Papa
173 bpm • D# min • 02:20 • -21.18db
0% Popularity • 47% Danceability • 31% Energy • 89% Liveness
10% Instrumentalness • 72% Positiveness
0% Popularity • 47% Danceability • 31% Energy • 89% Liveness
10% Instrumentalness • 72% Positiveness
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Albert Ammons
Shout for Joy
171 bpm • C Maj • 02:26 • -14.88db
8% Popularity • 41% Danceability • 41% Energy • 8% Liveness
92% Instrumentalness • 97% Positiveness
8% Popularity • 41% Danceability • 41% Energy • 8% Liveness
92% Instrumentalness • 97% Positiveness
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Bull Moose Jackson
Big Fat Mamas Are Back In Style Again
170 bpm • C Maj • 02:23 • -10db
12% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Wild Bill Moore
We're Gonna Rock, We're Gonna Roll
169 bpm • C Maj • 02:38 • -13db
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
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Roy Milton
Hop Skip & Jump
170 bpm • G# Maj • 02:35 • -11db
10% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Sugar Pie DeSanto
Witch For A Night
190 bpm • C# Maj • 02:49 • -6db
18% Popularity • 36% Danceability • 84% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
18% Popularity • 36% Danceability • 84% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Mabel Scott
Baseball Boogie
169 bpm • F# min • 02:46 • -11.21db
11% Popularity • 64% Danceability • 34% Energy • 14% Liveness
16% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 34% Energy • 14% Liveness
16% Instrumentalness • 88% Positiveness
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Pinetop Smith
Pinetop's Boogie Woogie
169 bpm • C Maj • 03:09 • -19db
7% Popularity • 41% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
7% Popularity • 41% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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Lonnie Johnson
St. Louis Blues
168 bpm • G Maj • 03:05 • -17.17db
30% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Roy Brown
Cadillac Baby
168 bpm • C min • 02:58 • -7db
11% Popularity • 42% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 42% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Bull Moose Jackson
Why Don't You Haul Off And Love Me
168 bpm • D# Maj • 03:02 • -10.04db
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Calvin Boze and His All Stars
Safronia B
168 bpm • G# Maj • 02:23 • -10db
27% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
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Roy Milton
Oh Babe
192 bpm • C# Maj • 02:30 • -10.38db
18% Popularity • 36% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 36% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Pinetop Smith
Pinetop's Boogie Woogie - Remaster
167 bpm • C Maj • 03:24 • -21db
22% Popularity • 38% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 38% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Ike Turner
Rocket 88
165 bpm • A# Maj • 02:49 • -8.06db
39% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
39% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Cedric Watson
Skip, Skat, Doodle-do
166 bpm • A# Maj • 02:05 • -11.92db
11% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Liggins and His Drops Of Joy
Drunk
164 bpm • C min • 02:30 • -14.28db
21% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Slim Gaillard
Thunderbird
165 bpm • C Maj • 02:07 • -16.35db
28% Popularity • 64% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 64% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:27 • -8.55db
34% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Wynonie Harris
Mr. Blues Is Coming To Town
164 bpm • F min • 03:00 • -9.38db
8% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Big Maybelle
I'm Gettin' 'Long Alright
197 bpm • C# Maj • 03:32 • -9.32db
6% Popularity • 46% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 46% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Tampa Red
Let Me Play with Your Poodle
163 bpm • G Maj • 02:39 • -10.25db
15% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Lloyd Price
Mailman Blues
162 bpm • F min • 02:12 • -8.34db
31% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
31% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
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Professor Longhair
Hey Now Baby (Reprise)
199 bpm • C Maj • 02:57 • -12.3db
19% Popularity • 43% Danceability • 48% Energy • 13% Liveness
73% Instrumentalness • 93% Positiveness
19% Popularity • 43% Danceability • 48% Energy • 13% Liveness
73% Instrumentalness • 93% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
26% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Wynonie Harris
Lovin' Machine
162 bpm • G# Maj • 02:30 • -2db
19% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Harlem Hamfats
Root Hog Or Die
199 bpm • G min • 02:54 • -16.08db
12% Popularity • 52% Danceability • 26% Energy • 35% Liveness
58% Instrumentalness • 89% Positiveness
12% Popularity • 52% Danceability • 26% Energy • 35% Liveness
58% Instrumentalness • 89% Positiveness
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Tampa Red
You Can't Get That Stuff No More
160 bpm • C min • 02:52 • -12.98db
14% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Will Bradley
Down the Road Apiece
159 bpm • F Maj • 03:09 • -16.44db
10% Popularity • 52% Danceability • 36% Energy • 12% Liveness
38% Instrumentalness • 83% Positiveness
10% Popularity • 52% Danceability • 36% Energy • 12% Liveness
38% Instrumentalness • 83% Positiveness
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The Flying Cats
A little bird told me so
203 bpm • A# Maj • 02:12 • -13.25db
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Lucky Millinder & His Orchestra
Bongo Boogie - DJ Wuthe am "Grammophon"
158 bpm • F Maj • 02:41 • -8.01db
0% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Wynonie Harris
Lollipop Mama
163 bpm • A# Maj • 02:51 • -1.03db
8% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Cellos
Rang Tang Ding Dong (I Am the Japanese S...
157 bpm • F Maj • 02:51 • -11.66db
11% Popularity • 43% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 43% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
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Tampa Red
It's Tight Like That
200 bpm • A# Maj • 03:04 • -18.43db
15% Popularity • 53% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
15% Popularity • 53% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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The Du Droppers
I Wanna Know
157 bpm • C min • 02:17 • -10.05db
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Slim Gaillard
Scotchin' with Soda
157 bpm • G min • 02:47 • -11.51db
16% Popularity • 70% Danceability • 48% Energy • 12% Liveness
33% Instrumentalness • 72% Positiveness
16% Popularity • 70% Danceability • 48% Energy • 12% Liveness
33% Instrumentalness • 72% Positiveness
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Jack Hylton & His Orchestra
Life Is Just a Bowl of Cherries
155 bpm • C# min • 02:54 • -14.85db
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
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Wynonie Harris
Good Morning Judge
202 bpm • F Maj • 02:43 • -9.38db
26% Popularity • 60% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 60% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Lucky Millinder & His Orchestra
Cheroke
153 bpm • E Maj • 04:43 • -20.05db
0% Popularity • 36% Danceability • 39% Energy • 92% Liveness
74% Instrumentalness • 40% Positiveness
0% Popularity • 36% Danceability • 39% Energy • 92% Liveness
74% Instrumentalness • 40% Positiveness
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Helen Humes
He May Be Your Man
154 bpm • F min • 02:58 • -9db
22% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Clarence "Frogman" Henry
Troubles Troubles
209 bpm • C Maj • 02:04 • -9.75db
19% Popularity • 48% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 48% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Julia Lee And Her Boyfriends
Tell Me, Daddy
153 bpm • G min • 02:49 • -13db
13% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
