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Saw Bitch Workhorse
Songs like
Saw Bitch Workhorse
by
Don Davis
Based on a tempo of (+/- 10%) and a similar genre
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Christopher Lennertz
The Desert Rats
74 bpm • F min • 02:17 • -16.62db
14% Popularity • 12% Danceability • 20% Energy • 10% Liveness
44% Instrumentalness • 11% Positiveness
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Marc Streitenfeld
Space Jockey
74 bpm • A min • 01:29 • -18.04db
21% Popularity • 10% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Don Davis
Woman Can Drive
74 bpm • D# Maj • 02:41 • -8.97db
17% Popularity • 26% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Game Over
74 bpm • A# Maj • 02:36 • -31.32db
19% Popularity • 17% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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John Powell
Bathroom Titles
74 bpm • G# Maj • 01:08 • -12.56db
19% Popularity • 17% Danceability • 49% Energy • 16% Liveness
89% Instrumentalness • 5% Positiveness
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Carter Burwell
Hi Dad Soup
74 bpm • D Maj • 01:31 • -28.67db
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Invitation
74 bpm • B min • 02:16 • -29.88db
28% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Don Davis
Saw Bitch Workhorse
74 bpm • F# Maj • 03:59 • -7.19db
14% Popularity • 28% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Christopher Lennertz
Final Conversation
73 bpm • G min • 01:37 • -24.05db
34% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Cliff Eidelman
Star Trek VI: The Undiscovered Country: ...
73 bpm • F Maj • 07:45 • -19db
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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David Julyan
The Glacier
73 bpm • C# min • 03:03 • -19db
11% Popularity • 15% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Mark Snow
Father Joe (X-Files: I Want To Believe O...
75 bpm • A# Maj • 01:31 • -21.57db
13% Popularity • 15% Danceability • 22% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Brad Fiedel
Trust Me - Remastered 2017
75 bpm • D min • 01:39 • -11db
35% Popularity • 61% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Ramin Djawadi
Send In The Rangers
75 bpm • D Maj • 03:20 • -14.98db
12% Popularity • 24% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Ilan Eshkeri
Kirin Hunt
75 bpm • A# Maj • 03:02 • -15.31db
23% Popularity • 41% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Don Davis
Bullet-Time
73 bpm • E min • 01:10 • -14db
29% Popularity • 26% Danceability • 58% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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John Paesano
The Punisher
75 bpm • A Maj • 04:21 • -16db
19% Popularity • 11% Danceability • 44% Energy • 35% Liveness
91% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Deciphering the Signal
75 bpm • D Maj • 03:08 • -24.4db
33% Popularity • 61% Danceability • 23% Energy • 38% Liveness
85% Instrumentalness • 9% Positiveness
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Christopher Young
Ghost Rider
75 bpm • A min • 03:16 • -14.56db
20% Popularity • 10% Danceability • 35% Energy • 25% Liveness
92% Instrumentalness • 7% Positiveness
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Dennis McCarthy
The Enterprise B / Kirk Saves The Day
73 bpm • A# Maj • 03:13 • -19.65db
19% Popularity • 33% Danceability • 28% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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Basil Poledouris
Valeria Remembered - Conan The Destroyer...
75 bpm • F min • 03:06 • -15.52db
28% Popularity • 18% Danceability • 31% Energy • 38% Liveness
81% Instrumentalness • 8% Positiveness
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Don Davis
Trinity Dream
75 bpm • C min • 01:56 • -9.48db
21% Popularity • 20% Danceability • 78% Energy • 28% Liveness
96% Instrumentalness • 4% Positiveness
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Brad Fiedel
Attack On Dyson - Remastered 2017
75 bpm • A Maj • 04:08 • -17.11db
22% Popularity • 10% Danceability • 30% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Craig Armstrong
Return to Culver University
75 bpm • F min • 02:38 • -22.19db
13% Popularity • 19% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Christopher Lennertz
Battlegrounds
73 bpm • C min • 01:34 • -18.11db
9% Popularity • 36% Danceability • 21% Energy • 8% Liveness
95% Instrumentalness • 33% Positiveness
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Marc Streitenfeld
Collision
75 bpm • C# min • 03:05 • -20.1db
24% Popularity • 18% Danceability • 27% Energy • 5% Liveness
89% Instrumentalness • 12% Positiveness
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Thomas Wander
Welcome to the Moon
76 bpm • B Maj • 01:17 • -16db
25% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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Don Davis
Kidfried
72 bpm • A# min • 04:49 • -8.98db
14% Popularity • 10% Danceability • 49% Energy • 33% Liveness
92% Instrumentalness • 9% Positiveness
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Clint Mansell
Hold Tighter!
76 bpm • A min • 02:56 • -11db
8% Popularity • 28% Danceability • 64% Energy • 10% Liveness
67% Instrumentalness • 14% Positiveness
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David Julyan
In The Beginning...
76 bpm • C# Maj • 01:02 • -17.97db
15% Popularity • 23% Danceability • 44% Energy • 14% Liveness
87% Instrumentalness • 13% Positiveness
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Ramin Djawadi
Perseus
72 bpm • A min • 06:33 • -13.69db
26% Popularity • 13% Danceability • 34% Energy • 17% Liveness
83% Instrumentalness • 11% Positiveness
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Basil Poledouris
Crystal Palace - Conan The Destroyer/Sou...
72 bpm • D min • 06:11 • -15.67db
25% Popularity • 34% Danceability • 34% Energy • 18% Liveness
24% Instrumentalness • 5% Positiveness
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Patrick Doyle
Caesar Says No
72 bpm • C Maj • 04:23 • -16.85db
14% Popularity • 12% Danceability • 43% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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The Prestige
The Price Of A Good Trick
72 bpm • A min • 05:05 • -20.44db
15% Popularity • 11% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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John Powell
I Remember Everything
76 bpm • F Maj • 02:04 • -18.94db
38% Popularity • 15% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Don Davis
The Road to Sourceville
72 bpm • D min • 01:25 • -10.06db
20% Popularity • 19% Danceability • 40% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Release The Kraken
76 bpm • F min • 06:03 • -12.68db
18% Popularity • 12% Danceability • 62% Energy • 38% Liveness
75% Instrumentalness • 11% Positiveness
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Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Cliff Eidelman
Clear All Moorings - Star Trek VI/Soundt...
71 bpm • D Maj • 01:39 • -23db
26% Popularity • 14% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Tyler Bates
A God King Bleeds
76 bpm • D min • 02:16 • -13.17db
25% Popularity • 11% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Éric Serra
Whispering Statues (Part I: Whispers/Par...
71 bpm • D# Maj • 03:25 • -19.96db
14% Popularity • 23% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Don Davis
Dodge This
71 bpm • E min • 01:08 • -10.71db
9% Popularity • 26% Danceability • 62% Energy • 27% Liveness
91% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Blake Neely
Ships Passing In The Night
71 bpm • D Maj • 03:10 • -23.67db
13% Popularity • 14% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Chris Tilton
All Along The Bell Towers
78 bpm • G min • 03:30 • -21.06db
9% Popularity • 10% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Mark Mothersbaugh
Ragnarok Suite
71 bpm • D min • 08:53 • -12db
34% Popularity • 12% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
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Éric Serra
Mangalores
71 bpm • A# min • 01:08 • -13.74db
22% Popularity • 36% Danceability • 63% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Don Davis
No More Spoons
77 bpm • A# min • 01:02 • -17.79db
8% Popularity • 15% Danceability • 21% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Carter Burwell
The Showdown
78 bpm • G Maj • 06:41 • -18db
14% Popularity • 7% Danceability • 13% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
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John Frizzell
On The Porch
78 bpm • C Maj • 02:31 • -37.88db
12% Popularity • 13% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Friend From The Past
70 bpm • A# min • 01:14 • -27.41db
24% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Star Trek VI Suite - Star Trek VI/Soundt...
70 bpm • C Maj • 06:17 • -17.24db
18% Popularity • 11% Danceability • 28% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Basil Poledouris
Illusion's Lake - Conan The Destroyer/So...
70 bpm • F min • 01:18 • -19.69db
26% Popularity • 24% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Don Davis
That’s Gotta Hurt
78 bpm • E min • 05:17 • -16.38db
11% Popularity • 17% Danceability • 37% Energy • 52% Liveness
68% Instrumentalness • 3% Positiveness
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Carter Burwell
Deep Sludge
78 bpm • C min • 02:03 • -21.89db
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
35% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Commander
79 bpm • C min • 03:34 • -17db
25% Popularity • 7% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
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David Julyan
The Mountains
79 bpm • G Maj • 01:54 • -23.04db
16% Popularity • 22% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Patrick Doyle
Chasing the Storm
79 bpm • F min • 03:11 • -21.79db
19% Popularity • 11% Danceability • 7% Energy • 4% Liveness
96% Instrumentalness • 4% Positiveness
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Joel McNeely
Imperial City
79 bpm • D Maj • 08:08 • -23.2db
14% Popularity • 8% Danceability • 4% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
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Roque Baños
Sad Memories
69 bpm • D min • 05:21 • -36db
13% Popularity • 6% Danceability • 1% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
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Brad Fiedel
Sarah Dream - Remastered 2017
79 bpm • C# Maj • 01:52 • -13.84db
23% Popularity • 14% Danceability • 32% Energy • 7% Liveness
68% Instrumentalness • 16% Positiveness
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Blake Neely
Out of Depth
79 bpm • A min • 02:26 • -29.22db
11% Popularity • 12% Danceability • 5% Energy • 35% Liveness
83% Instrumentalness • 25% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Basil Poledouris
Across The Board/End Credits
79 bpm • F min • 07:33 • -17db
27% Popularity • 10% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Don Davis
Trinity Definitely
69 bpm • A# min • 04:15 • -27.13db
17% Popularity • 13% Danceability • 8% Energy • 38% Liveness
86% Instrumentalness • 3% Positiveness
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Carter Burwell
Opening Fanfare / Max's Dream
79 bpm • D# Maj • 01:49 • -17.97db
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
Fate of the Ninth
69 bpm • A# min • 02:03 • -20.47db
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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John Powell
The Last Stand
69 bpm • C Maj • 05:29 • -18.09db
20% Popularity • 16% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Joe Kraemer
Morocco Pursuit
80 bpm • D min • 02:28 • -11.87db
25% Popularity • 42% Danceability • 55% Energy • 8% Liveness
70% Instrumentalness • 18% Positiveness
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Christopher Lennertz
PT Attack
80 bpm • E min • 01:08 • -12.07db
12% Popularity • 43% Danceability • 62% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Tyler Bates
What Must a King Do?
80 bpm • G min • 01:04 • -22.24db
38% Popularity • 15% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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John Powell
20 Years Ago
69 bpm • C min • 01:10 • -20.18db
18% Popularity • 22% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Christophe Beck
Welcome to London, Major
80 bpm • A# Maj • 02:22 • -28.04db
25% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
I'll Go With You
80 bpm • A# min • 01:17 • -16db
33% Popularity • 23% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
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Christopher Lennertz
Redball Express
69 bpm • A# Maj • 03:17 • -16.11db
15% Popularity • 10% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Joe Kraemer
The Syndicate
80 bpm • B min • 03:44 • -27.19db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Tyler Bates
Tonight We Dine in Hell
68 bpm • A min • 01:13 • -19.04db
42% Popularity • 22% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Juno Reactor
The Trainman Cometh
80 bpm • C# Maj • 02:43 • -10.09db
20% Popularity • 18% Danceability • 63% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Blake Neely
Bring Hell Down From On High
80 bpm • C# Maj • 06:51 • -13.6db
17% Popularity • 25% Danceability • 52% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Christophe Beck
Live, Die, Repeat (End Title)
80 bpm • C min • 04:22 • -21.9db
20% Popularity • 41% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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David Julyan
The Descent, Pt. 2
80 bpm • C# min • 04:03 • -18db
14% Popularity • 13% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Shirley Walker
Batman: The Animated Series - Alternate ...
80 bpm • D min • 01:08 • -13.44db
25% Popularity • 37% Danceability • 45% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
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Don Davis
A Morpheus Movement
68 bpm • D# min • 01:39 • -27.51db
8% Popularity • 16% Danceability • 10% Energy • 13% Liveness
22% Instrumentalness • 8% Positiveness
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Bruce Broughton
Reunited
80 bpm • F Maj • 04:23 • -21.32db
22% Popularity • 10% Danceability • 5% Energy • 38% Liveness
3% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Hymn to Brothers Lost
80 bpm • F Maj • 02:57 • -16.79db
9% Popularity • 20% Danceability • 13% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Cliff Eidelman
The Battle For Peace - Star Trek VI/Soun...
80 bpm • G# Maj • 08:02 • -21.56db
19% Popularity • 16% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Christopher Young
Runaway Jury
68 bpm • F min • 05:37 • -20.82db
21% Popularity • 8% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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John Frizzell
The Discovery
81 bpm • G# Maj • 01:56 • -17.31db
17% Popularity • 12% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Don Davis
Spirit of the Universe
68 bpm • G# Maj • 04:51 • -11.41db
18% Popularity • 12% Danceability • 33% Energy • 18% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Éric Serra
Lakta Ligunai
68 bpm • C# Maj • 04:13 • -18.22db
18% Popularity • 14% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Joel McNeely
Into The Sewers
81 bpm • A Maj • 03:00 • -21.84db
11% Popularity • 9% Danceability • 3% Energy • 7% Liveness
32% Instrumentalness • 6% Positiveness
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Mark Snow
Cantus Exico
81 bpm • C Maj • 04:42 • -22.68db
12% Popularity • 8% Danceability • 17% Energy • 60% Liveness
92% Instrumentalness • 3% Positiveness
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John Powell
The Bourne Identity Main Title
81 bpm • G Maj • 04:19 • -18.5db
37% Popularity • 57% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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Cliff Eidelman
Assassination - Star Trek VI/Soundtrack ...
68 bpm • G Maj • 04:44 • -26.66db
14% Popularity • 13% Danceability • 2% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
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Saw Bitch Workhorse