Songs like Saw My Mama Cryin by Walter Trout
Based on a tempo of (+/- 10%) and a similar genre
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Walter Trout
Somebody Goin' Down
166 bpm • G Maj • 04:13 • -5db
21% Popularity • 31% Danceability • 93% Energy • 19% Liveness
27% Instrumentalness • 73% Positiveness
21% Popularity • 31% Danceability • 93% Energy • 19% Liveness
27% Instrumentalness • 73% Positiveness
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Smokin' Joe Kubek & Bnois King
Have Blues, Will Travel
166 bpm • E min • 04:07 • -3db
41% Popularity • 28% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 28% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Buddy Whittington
Can't Be Good for Me
166 bpm • F# min • 03:02 • -3.93db
40% Popularity • 66% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 66% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Lance Lopez
Mr Lucky
166 bpm • G# min • 04:09 • -5.16db
18% Popularity • 26% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
18% Popularity • 26% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
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Dave Hole
Three Days Out
165 bpm • D Maj • 05:38 • -7.52db
19% Popularity • 27% Danceability • 67% Energy • 19% Liveness
4% Instrumentalness • 53% Positiveness
19% Popularity • 27% Danceability • 67% Energy • 19% Liveness
4% Instrumentalness • 53% Positiveness
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The Rides
I Need Your Lovin'
165 bpm • D Maj • 04:56 • -2.98db
13% Popularity • 33% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 33% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Walter Trout
Saw My Mama Cryin
166 bpm • D Maj • 05:52 • -5.63db
24% Popularity • 30% Danceability • 92% Energy • 17% Liveness
1% Instrumentalness • 56% Positiveness
24% Popularity • 30% Danceability • 92% Energy • 17% Liveness
1% Instrumentalness • 56% Positiveness
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Alastair Greene
Another Lie
167 bpm • B min • 06:51 • -8.76db
4% Popularity • 26% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 50% Positiveness
4% Popularity • 26% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 50% Positiveness
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David Grissom
Way Down Deep
168 bpm • F Maj • 05:28 • -7db
34% Popularity • 38% Danceability • 78% Energy • 11% Liveness
33% Instrumentalness • 67% Positiveness
34% Popularity • 38% Danceability • 78% Energy • 11% Liveness
33% Instrumentalness • 67% Positiveness
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Kim Simmonds
Cobra
169 bpm • G min • 04:25 • -5.52db
20% Popularity • 35% Danceability • 86% Energy • 8% Liveness
90% Instrumentalness • 61% Positiveness
20% Popularity • 35% Danceability • 86% Energy • 8% Liveness
90% Instrumentalness • 61% Positiveness
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Matty T Wall
Boom Boom
163 bpm • B Maj • 03:24 • -5.29db
16% Popularity • 41% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
16% Popularity • 41% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Corey Stevens
Blues Are Here To Stay
169 bpm • B min • 06:08 • -9db
23% Popularity • 52% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
23% Popularity • 52% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Walter Trout
The Sky Is Crying
167 bpm • C Maj • 07:20 • -4.2db
32% Popularity • 20% Danceability • 80% Energy • 15% Liveness
11% Instrumentalness • 50% Positiveness
32% Popularity • 20% Danceability • 80% Energy • 15% Liveness
11% Instrumentalness • 50% Positiveness
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Albert Castiglia
I Been up All Night
163 bpm • A Maj • 05:27 • -7.77db
15% Popularity • 37% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 82% Positiveness
15% Popularity • 37% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 82% Positiveness
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Buddy Whittington
Back When the Beano Was Boss
170 bpm • G Maj • 03:48 • -5db
30% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Tommy Castro
Lose Lose
170 bpm • F Maj • 05:17 • -4.56db
29% Popularity • 41% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 41% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Too Slim and the Taildraggers
Keep the Party Rollin'
162 bpm • D# min • 04:59 • -5.36db
14% Popularity • 36% Danceability • 85% Energy • 14% Liveness
18% Instrumentalness • 52% Positiveness
14% Popularity • 36% Danceability • 85% Energy • 14% Liveness
18% Instrumentalness • 52% Positiveness
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Supersonic Blues Machine
Miracle Man
170 bpm • A Maj • 04:24 • -4.31db
21% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Walter Trout
Almost Gone
164 bpm • D Maj • 05:37 • -5.33db
34% Popularity • 31% Danceability • 85% Energy • 10% Liveness
74% Instrumentalness • 30% Positiveness
34% Popularity • 31% Danceability • 85% Energy • 10% Liveness
74% Instrumentalness • 30% Positiveness
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Eric Gales
Put That Back
170 bpm • E Maj • 03:47 • -6.05db
39% Popularity • 54% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 54% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Damon Fowler
Up the Line
162 bpm • A min • 05:08 • -7db
21% Popularity • 42% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
21% Popularity • 42% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Shemekia Copeland
Would You Take My Blood?
171 bpm • E min • 03:46 • -5db
30% Popularity • 50% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 50% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Jonny Lang
A Quitter Never Wins
160 bpm • A Maj • 05:56 • -8db
38% Popularity • 55% Danceability • 67% Energy • 34% Liveness
1% Instrumentalness • 64% Positiveness
38% Popularity • 55% Danceability • 67% Energy • 34% Liveness
1% Instrumentalness • 64% Positiveness
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Dave Meniketti
Man's World
160 bpm • E min • 04:45 • -4db
26% Popularity • 42% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 42% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Walter Trout
Welcome To The Human Race
170 bpm • E min • 05:57 • -4db
21% Popularity • 18% Danceability • 82% Energy • 49% Liveness
3% Instrumentalness • 46% Positiveness
21% Popularity • 18% Danceability • 82% Energy • 49% Liveness
3% Instrumentalness • 46% Positiveness
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Bernard Allison
Standing On The Edge Of Love
160 bpm • E min • 04:15 • -5.3db
17% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Christone "Kingfish" Ingram
Before I'm Old
160 bpm • D Maj • 04:15 • -5.53db
39% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Supersonic Blues Machine
Hard Times
174 bpm • G Maj • 07:44 • -3.26db
13% Popularity • 31% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 31% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ana Popovic
Blues for Mrs. Pauline / Leave My Boy Al...
174 bpm • F Maj • 07:11 • -6db
32% Popularity • 36% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 36% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Dom Martin
Blues On The Bay
174 bpm • D# min • 02:47 • -9.06db
38% Popularity • 61% Danceability • 49% Energy • 32% Liveness
25% Instrumentalness • 65% Positiveness
38% Popularity • 61% Danceability • 49% Energy • 32% Liveness
25% Instrumentalness • 65% Positiveness
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Walter Trout
Me, My Guitar And The Blues
170 bpm • D min • 07:01 • -5.19db
39% Popularity • 22% Danceability • 68% Energy • 32% Liveness
6% Instrumentalness • 45% Positiveness
39% Popularity • 22% Danceability • 68% Energy • 32% Liveness
6% Instrumentalness • 45% Positiveness
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Buddaheads
Just For Fun
174 bpm • D Maj • 04:11 • -8.8db
28% Popularity • 65% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 65% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Danny Bryant's Redeyeband
Days Like This
175 bpm • C min • 08:15 • -2db
36% Popularity • 21% Danceability • 83% Energy • 7% Liveness
24% Instrumentalness • 55% Positiveness
36% Popularity • 21% Danceability • 83% Energy • 7% Liveness
24% Instrumentalness • 55% Positiveness
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Buddy Guy
Cognac
175 bpm • G Maj • 05:22 • -4.77db
41% Popularity • 31% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 31% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Back Door Slam
Gotta Leave
157 bpm • A# min • 05:49 • -6db
36% Popularity • 46% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 46% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tommy Castro
A Bluesman Came To Town
176 bpm • D Maj • 03:57 • -5.29db
31% Popularity • 38% Danceability • 69% Energy • 47% Liveness
1% Instrumentalness • 55% Positiveness
31% Popularity • 38% Danceability • 69% Energy • 47% Liveness
1% Instrumentalness • 55% Positiveness
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Walter Trout
Omaha
176 bpm • C Maj • 04:42 • -6.1db
20% Popularity • 40% Danceability • 67% Energy • 12% Liveness
74% Instrumentalness • 35% Positiveness
20% Popularity • 40% Danceability • 67% Energy • 12% Liveness
74% Instrumentalness • 35% Positiveness
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Ben Poole
Take It No More
176 bpm • A# min • 04:35 • -6db
24% Popularity • 54% Danceability • 73% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
24% Popularity • 54% Danceability • 73% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Quinn Sullivan
Something For Me
156 bpm • D Maj • 04:52 • -6db
26% Popularity • 44% Danceability • 84% Energy • 12% Liveness
3% Instrumentalness • 46% Positiveness
26% Popularity • 44% Danceability • 84% Energy • 12% Liveness
3% Instrumentalness • 46% Positiveness
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Danny Bryant's Redeyeband
Losing Game
156 bpm • F Maj • 04:26 • -3.73db
19% Popularity • 29% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 29% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Danielle Nicole
You Only Need Me When You’re Down
176 bpm • D Maj • 03:06 • -8db
39% Popularity • 65% Danceability • 80% Energy • 6% Liveness
11% Instrumentalness • 92% Positiveness
39% Popularity • 65% Danceability • 80% Energy • 6% Liveness
11% Instrumentalness • 92% Positiveness
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Ana Popovic
Johnnie Ray
155 bpm • B min • 03:44 • -9db
41% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Guitar Shorty
We The People
178 bpm • C Maj • 04:20 • -3db
42% Popularity • 31% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 31% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 75% Positiveness
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Buddy Whittington
My World Revolves Around You
178 bpm • D Maj • 03:29 • -4.8db
27% Popularity • 63% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Walter Trout and The Free Radicals
Let Me Know
154 bpm • F min • 05:04 • -6db
25% Popularity • 28% Danceability • 80% Energy • 96% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 28% Danceability • 80% Energy • 96% Liveness
0% Instrumentalness • 61% Positiveness
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Danny Bryant's Redeyeband
Back in Baltimore
155 bpm • A min • 02:17 • -4.38db
30% Popularity • 34% Danceability • 70% Energy • 17% Liveness
53% Instrumentalness • 58% Positiveness
30% Popularity • 34% Danceability • 70% Energy • 17% Liveness
53% Instrumentalness • 58% Positiveness
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Walter Trout
Something Inside Of Me
179 bpm • G Maj • 06:38 • -4.73db
17% Popularity • 16% Danceability • 74% Energy • 25% Liveness
47% Instrumentalness • 55% Positiveness
17% Popularity • 16% Danceability • 74% Energy • 25% Liveness
47% Instrumentalness • 55% Positiveness
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Albert Collins
The Dream
179 bpm • E min • 05:32 • -12.11db
34% Popularity • 47% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
34% Popularity • 47% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Blindside Blues Band
Blues in My Soul
154 bpm • F min • 04:45 • -7.58db
15% Popularity • 38% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 38% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Buddaheads
Big Time Baby
154 bpm • D Maj • 03:04 • -6.69db
17% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Supersonic Blues Machine
What's Wrong
154 bpm • A Maj • 06:16 • -4db
9% Popularity • 39% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 39% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Lance Lopez
Never Came Easy To Me
154 bpm • D Maj • 04:16 • -6db
19% Popularity • 49% Danceability • 86% Energy • 35% Liveness
7% Instrumentalness • 43% Positiveness
19% Popularity • 49% Danceability • 86% Energy • 35% Liveness
7% Instrumentalness • 43% Positiveness
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Walter Trout
All Out Of Tears
179 bpm • C min • 06:31 • -6.34db
34% Popularity • 26% Danceability • 53% Energy • 15% Liveness
10% Instrumentalness • 52% Positiveness
34% Popularity • 26% Danceability • 53% Energy • 15% Liveness
10% Instrumentalness • 52% Positiveness
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Tommy Castro
Blues Prisoner
154 bpm • G min • 05:16 • -6.04db
41% Popularity • 36% Danceability • 60% Energy • 13% Liveness
12% Instrumentalness • 31% Positiveness
41% Popularity • 36% Danceability • 60% Energy • 13% Liveness
12% Instrumentalness • 31% Positiveness
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Dave Hole
Short Fuse Blues
180 bpm • A Maj • 05:17 • -10db
26% Popularity • 36% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 36% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Bernard Allison
Leave Your Ego
153 bpm • G min • 05:14 • -5.09db
28% Popularity • 51% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 51% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Supersonic Blues Machine
Nightmares And Dreams
154 bpm • C Maj • 04:44 • -4.05db
12% Popularity • 35% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 39% Positiveness
12% Popularity • 35% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 39% Positiveness
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Albert Castiglia
Quit Your Bitching
180 bpm • A Maj • 04:58 • -9db
14% Popularity • 42% Danceability • 48% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
14% Popularity • 42% Danceability • 48% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
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Julian Sas
Blues for the Lost and Found
152 bpm • F Maj • 06:55 • -6db
26% Popularity • 28% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 28% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Walter Trout
Ghosts
152 bpm • D min • 05:09 • -4.97db
27% Popularity • 35% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 47% Positiveness
27% Popularity • 35% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 47% Positiveness
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Tom Principato
In the Middle of the Night
151 bpm • F Maj • 04:40 • -8db
31% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Blindside Blues Band
Ramblin' On My Mind
183 bpm • E Maj • 06:45 • -6db
11% Popularity • 28% Danceability • 73% Energy • 45% Liveness
4% Instrumentalness • 44% Positiveness
11% Popularity • 28% Danceability • 73% Energy • 45% Liveness
4% Instrumentalness • 44% Positiveness
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Supersonic Blues Machine
Ain't No Love (In The Heart Of The City)
154 bpm • A min • 05:26 • -6db
37% Popularity • 50% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 50% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Albert Castiglia
Drowning at the Bottom
180 bpm • D min • 04:32 • -5db
22% Popularity • 26% Danceability • 67% Energy • 15% Liveness
2% Instrumentalness • 78% Positiveness
22% Popularity • 26% Danceability • 67% Energy • 15% Liveness
2% Instrumentalness • 78% Positiveness
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Albany Down
You Ain't Coming Home
150 bpm • C min • 06:36 • -3.7db
23% Popularity • 48% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 48% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Walter Trout
Lonely
152 bpm • B min • 04:52 • -7.16db
20% Popularity • 34% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 34% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Lance Lopez
Blue Moon Rising
150 bpm • B min • 04:31 • -7.12db
14% Popularity • 46% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 46% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Corey Stevens
It's Over
185 bpm • F# Maj • 05:23 • -9db
22% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Sean Chambers
In the Winter Time
149 bpm • G Maj • 06:06 • -14.68db
13% Popularity • 26% Danceability • 44% Energy • 42% Liveness
20% Instrumentalness • 44% Positiveness
13% Popularity • 26% Danceability • 44% Energy • 42% Liveness
20% Instrumentalness • 44% Positiveness
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Gary Hoey
Mercy Of Love
186 bpm • F# Maj • 06:20 • -9db
24% Popularity • 48% Danceability • 60% Energy • 32% Liveness
45% Instrumentalness • 52% Positiveness
24% Popularity • 48% Danceability • 60% Energy • 32% Liveness
45% Instrumentalness • 52% Positiveness
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Ana Popovic
She Was a Doorman
186 bpm • C Maj • 04:03 • -4db
40% Popularity • 43% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 43% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Walter Trout
Tomorrow Seems So Far Away
152 bpm • A# min • 03:52 • -5.08db
19% Popularity • 47% Danceability • 83% Energy • 25% Liveness
14% Instrumentalness • 68% Positiveness
19% Popularity • 47% Danceability • 83% Energy • 25% Liveness
14% Instrumentalness • 68% Positiveness
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Tony Spinner
World Full of Women
148 bpm • C# Maj • 03:35 • -6.22db
30% Popularity • 49% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 49% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Snowy White
Headful of Blues
148 bpm • A min • 06:36 • -8.54db
42% Popularity • 60% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
42% Popularity • 60% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
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The Bluesbones
A Better Life
148 bpm • G Maj • 03:30 • -9.82db
14% Popularity • 52% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 52% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Eric Gales
Change In Me (The Rebirth)
148 bpm • C# min • 04:37 • -4.22db
29% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Rob Tognoni
Someone to love me
187 bpm • B min • 05:24 • -3db
19% Popularity • 37% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 56% Positiveness
19% Popularity • 37% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 56% Positiveness
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Walter Trout
Brother's Keeper
151 bpm • F min • 07:01 • -6.63db
22% Popularity • 20% Danceability • 75% Energy • 32% Liveness
4% Instrumentalness • 64% Positiveness
22% Popularity • 20% Danceability • 75% Energy • 32% Liveness
4% Instrumentalness • 64% Positiveness
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Sue Foley
New Used Car
147 bpm • A Maj • 03:47 • -6.73db
20% Popularity • 31% Danceability • 87% Energy • 99% Liveness
1% Instrumentalness • 73% Positiveness
20% Popularity • 31% Danceability • 87% Energy • 99% Liveness
1% Instrumentalness • 73% Positiveness
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Peter Frampton Band
She Caught The Katy
188 bpm • B Maj • 04:45 • -5.85db
32% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Bluesbones
Voodoo Guitar
148 bpm • G# min • 07:07 • -10db
20% Popularity • 39% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 39% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Mark Selby
Satisfied
147 bpm • G Maj • 05:00 • -7.92db
12% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Rob Tognoni
2.00 A.M.
147 bpm • D# min • 02:52 • -4db
43% Popularity • 60% Danceability • 67% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
43% Popularity • 60% Danceability • 67% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
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Walter Trout
She Takes More Than She Gives
150 bpm • F min • 08:41 • -6.56db
12% Popularity • 28% Danceability • 75% Energy • 15% Liveness
4% Instrumentalness • 60% Positiveness
12% Popularity • 28% Danceability • 75% Energy • 15% Liveness
4% Instrumentalness • 60% Positiveness
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Jonny Lang
Changes
146 bpm • A Maj • 03:17 • -8.16db
48% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Mick Clarke
Everything's Gonna Be Alright
146 bpm • D min • 04:42 • -8db
28% Popularity • 58% Danceability • 54% Energy • 6% Liveness
54% Instrumentalness • 65% Positiveness
28% Popularity • 58% Danceability • 54% Energy • 6% Liveness
54% Instrumentalness • 65% Positiveness
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The Bluesbones
Cruisin'
187 bpm • A# min • 03:31 • -10.04db
10% Popularity • 33% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 33% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Billy F Gibbons
Standing Around Crying
146 bpm • A Maj • 04:24 • -6.89db
24% Popularity • 50% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
24% Popularity • 50% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Walter Trout and The Free Radicals
Walkin' In The Rain
190 bpm • A Maj • 05:49 • -6db
10% Popularity • 13% Danceability • 89% Energy • 95% Liveness
22% Instrumentalness • 68% Positiveness
10% Popularity • 13% Danceability • 89% Energy • 95% Liveness
22% Instrumentalness • 68% Positiveness
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Walter Trout
The World Is Goin' Crazy (And So Am I)
184 bpm • C Maj • 04:32 • -5.52db
11% Popularity • 32% Danceability • 65% Energy • 9% Liveness
10% Instrumentalness • 79% Positiveness
11% Popularity • 32% Danceability • 65% Energy • 9% Liveness
10% Instrumentalness • 79% Positiveness
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Walter Trout Band
Red House
190 bpm • C Maj • 09:51 • -9.62db
8% Popularity • 13% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
8% Popularity • 13% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Supersonic Blues Machine
Let It Be
145 bpm • B min • 05:27 • -6db
12% Popularity • 54% Danceability • 67% Energy • 12% Liveness
5% Instrumentalness • 67% Positiveness
12% Popularity • 54% Danceability • 67% Energy • 12% Liveness
5% Instrumentalness • 67% Positiveness
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Bernard Allison
Rocket 88 - Live
145 bpm • G Maj • 07:26 • -9.54db
18% Popularity • 18% Danceability • 72% Energy • 96% Liveness
7% Instrumentalness • 66% Positiveness
18% Popularity • 18% Danceability • 72% Energy • 96% Liveness
7% Instrumentalness • 66% Positiveness
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The Rides
Riva Diva
145 bpm • F Maj • 03:21 • -2.77db
26% Popularity • 49% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 49% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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The Rocky Athas Group
Miracle
145 bpm • F# min • 05:20 • -6db
11% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Walter Trout
Ordinary Madness
185 bpm • E min • 06:45 • -8.75db
20% Popularity • 27% Danceability • 53% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
20% Popularity • 27% Danceability • 53% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Buddy Whittington
Fender Champ
144 bpm • E Maj • 02:59 • -4.29db
34% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Jonny Lang
Lovin My Baby
145 bpm • C Maj • 03:10 • -7.74db
45% Popularity • 55% Danceability • 80% Energy • 33% Liveness
6% Instrumentalness • 92% Positiveness
45% Popularity • 55% Danceability • 80% Energy • 33% Liveness
6% Instrumentalness • 92% Positiveness
