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Saxifraga Cotyledon
Songs like
Saxifraga Cotyledon
by
Pauline Oliveros
Based on a tempo of (+/- 10%) and a similar genre
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Pauline Oliveros
Saxifraga Cotyledon
85 bpm • C# Maj • 05:24 • -24.87db
3% Popularity • 53% Danceability • 12% Energy • 34% Liveness
48% Instrumentalness • 14% Positiveness
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Triple Point
Pulling Rank
85 bpm • G# Maj • 05:30 • -11.18db
0% Popularity • 25% Danceability • 64% Energy • 8% Liveness
48% Instrumentalness • 14% Positiveness
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David Toop
For believing (you were a strange beauti...
85 bpm • D# min • 02:08 • -26.36db
15% Popularity • 17% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Meredith Monk
Early Morning Melody
86 bpm • F# Maj • 01:29 • -31db
34% Popularity • 19% Danceability • 0% Energy • 10% Liveness
29% Instrumentalness • 32% Positiveness
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Joanna Brouk
Fire Breath
86 bpm • A# Maj • 07:35 • -22.59db
9% Popularity • 13% Danceability • 24% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Biosphere
As the Sun Kissed the Horizon
86 bpm • D Maj • 01:47 • -44.75db
36% Popularity • 14% Danceability • 1% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Monkey
85 bpm • E min • 02:52 • -42.47db
9% Popularity • 16% Danceability • 0% Energy • 9% Liveness
7% Instrumentalness • 3% Positiveness
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Kali Malone
Spectacle Of Ritual
85 bpm • B min • 10:53 • -26.59db
22% Popularity • 13% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Doug Van Nort
Web Doppelganger
86 bpm • E Maj • 05:01 • -18.77db
0% Popularity • 27% Danceability • 34% Energy • 35% Liveness
3% Instrumentalness • 20% Positiveness
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Meredith Monk
Dark/Light 1
86 bpm • F min • 04:27 • -24.18db
13% Popularity • 21% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Joanna Brouk
Atavesta
86 bpm • A min • 03:28 • -20db
12% Popularity • 16% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Roberto Musci
Lidia After The Snow
84 bpm • D# Maj • 02:22 • -11.41db
24% Popularity • 65% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
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Pauline Oliveros
Cows, Cows, Cows!
84 bpm • B min • 02:40 • -15.48db
1% Popularity • 8% Danceability • 0% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
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Ingram Marshall
Entrada: At The River
84 bpm • C min • 05:06 • -18.5db
11% Popularity • 10% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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Lea Bertucci
On Opposite Sides of Sleep
86 bpm • A# Maj • 06:07 • -17db
9% Popularity • 9% Danceability • 21% Energy • 12% Liveness
54% Instrumentalness • 3% Positiveness
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Laurie Spiegel
Finding Voice
83 bpm • E Maj • 02:45 • -29.06db
22% Popularity • 9% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Philip Gelb
Silvia
87 bpm • G Maj • 04:03 • -28.61db
0% Popularity • 37% Danceability • 9% Energy • 15% Liveness
4% Instrumentalness • 33% Positiveness
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Fennesz
The Point of It All
87 bpm • G min • 05:01 • -16db
26% Popularity • 20% Danceability • 33% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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Pauline Oliveros
Altamirage I
84 bpm • A Maj • 06:52 • -19.58db
2% Popularity • 42% Danceability • 11% Energy • 8% Liveness
3% Instrumentalness • 21% Positiveness
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Ingram Marshall
Fog Tropes
84 bpm • A# Maj • 09:56 • -33db
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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Stuart Dempster
Sanctuary
87 bpm • F Maj • 12:00 • -25.85db
2% Popularity • 15% Danceability • 10% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Karlheinz Stockhausen
Model 2
87 bpm • D# Maj • 01:58 • -29.97db
22% Popularity • 21% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
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Lucrecia Dalt
Altra
87 bpm • E Maj • 01:30 • -20.05db
21% Popularity • 15% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
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Brian Eno
Oil
83 bpm • A# min • 04:13 • -20.32db
19% Popularity • 38% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Pauline Oliveros
In the Houses of My Families
84 bpm • A# Maj • 00:59 • -21.9db
14% Popularity • 18% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Doug Van Nort
Outer
87 bpm • D Maj • 08:11 • -19.09db
1% Popularity • 9% Danceability • 14% Energy • 14% Liveness
66% Instrumentalness • 3% Positiveness
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Keith Fullerton Whitman
Fib01a
82 bpm • A# Maj • 08:01 • -28.21db
24% Popularity • 14% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Daphne Oram
Four Aspects
88 bpm • C# Maj • 08:14 • -21.91db
10% Popularity • 22% Danceability • 30% Energy • 19% Liveness
94% Instrumentalness • 6% Positiveness
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Jon Hassell
Slipstream
82 bpm • F# min • 02:54 • -15db
21% Popularity • 34% Danceability • 46% Energy • 42% Liveness
66% Instrumentalness • 25% Positiveness
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Brian Eno
Brutal Ardour (Variation On 'The Canon I...
83 bpm • D Maj • 08:13 • -15.99db
22% Popularity • 16% Danceability • 20% Energy • 42% Liveness
49% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Grigori in Jakarta
88 bpm • F min • 03:47 • -18.73db
8% Popularity • 19% Danceability • 22% Energy • 20% Liveness
97% Instrumentalness • 12% Positiveness
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Pauline Oliveros
Tuning Meditation
84 bpm • A min • 05:25 • -26.35db
0% Popularity • 8% Danceability • 24% Energy • 37% Liveness
94% Instrumentalness • 3% Positiveness
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Doug Van Nort
Untited #270
83 bpm • C# Maj • 11:28 • -21.31db
0% Popularity • 9% Danceability • 24% Energy • 11% Liveness
49% Instrumentalness • 2% Positiveness
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Pan-American
Lights of Little Towns
82 bpm • A min • 08:55 • -19.04db
14% Popularity • 26% Danceability • 20% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
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Else Marie Pade
Faust Suite: Prolog i Himlen
82 bpm • A min • 04:17 • -15db
14% Popularity • 21% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Philip Gelb
Fantastic Increments
82 bpm • G Maj • 02:08 • -17.83db
0% Popularity • 43% Danceability • 11% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
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Ekkehard Ehlers
Plays Cornelius Cardew 1
82 bpm • A min • 04:01 • -14db
9% Popularity • 21% Danceability • 42% Energy • 16% Liveness
38% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Altamirage IV
82 bpm • A Maj • 06:05 • -15.64db
1% Popularity • 50% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Morton Feldman
Rothko Chapel 4
82 bpm • A min • 04:38 • -38db
19% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Harold Budd
An Echo Of Night - 2005 Digital Remaster
82 bpm • A# min • 02:28 • -28.68db
37% Popularity • 8% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 3. Hymn II
82 bpm • G# Maj • 05:25 • -29db
17% Popularity • 8% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Gelb
Mario
82 bpm • D Maj • 07:26 • -18.35db
0% Popularity • 23% Danceability • 21% Energy • 16% Liveness
27% Instrumentalness • 7% Positiveness
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Christina Vantzou
Red Eel Dream
82 bpm • D min • 04:03 • -17.62db
8% Popularity • 16% Danceability • 42% Energy • 37% Liveness
94% Instrumentalness • 3% Positiveness
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Pauline Oliveros
The Last Time
82 bpm • A min • 07:28 • -31.36db
4% Popularity • 8% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 2% Positiveness
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Triple Point
The Angle of Incidence
81 bpm • G Maj • 02:01 • -15.43db
0% Popularity • 36% Danceability • 24% Energy • 14% Liveness
5% Instrumentalness • 8% Positiveness
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Brian Eno
Lizard Point - Remastered 2004
89 bpm • C# Maj • 04:34 • -35.95db
35% Popularity • 14% Danceability • 1% Energy • 15% Liveness
81% Instrumentalness • 3% Positiveness
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Bernard Parmegiani
De Natura Sonorum: Matières Induites
89 bpm • C# min • 03:52 • -16.49db
8% Popularity • 27% Danceability • 95% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Jon Hassell
Ba-benzélé
89 bpm • C Maj • 06:17 • -29.44db
24% Popularity • 22% Danceability • 11% Energy • 33% Liveness
92% Instrumentalness • 29% Positiveness
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Kara-Lis Coverdale
2c
81 bpm • F min • 07:52 • -13.58db
23% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Tim Hecker
Music for Tundra Pt. 1
81 bpm • G# min • 05:13 • -19db
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Laraaji
Meditation No. 2
81 bpm • D min • 07:50 • -26.77db
33% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Triple Point
Lines of Inevitability
81 bpm • G# Maj • 03:36 • -14.06db
0% Popularity • 15% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Biosphere
Adagiati
90 bpm • C Maj • 01:51 • -30.43db
37% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Imgs /r
90 bpm • G Maj • 04:26 • -18.45db
17% Popularity • 21% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 2. Titanic H...
81 bpm • G# Maj • 05:09 • -37db
17% Popularity • 18% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Meredith Monk
Strand (Gathering)
90 bpm • E min • 01:55 • -30.86db
24% Popularity • 13% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 2% Positiveness
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Philip Gelb
Several Moments
80 bpm • C# min • 04:56 • -17.8db
0% Popularity • 24% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Joanna Brouk
Chimes And Bells
80 bpm • C Maj • 04:39 • -17.38db
15% Popularity • 35% Danceability • 5% Energy • 15% Liveness
53% Instrumentalness • 4% Positiveness
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Triple Point
Alien Makeover
90 bpm • F min • 02:37 • -13.85db
0% Popularity • 22% Danceability • 55% Energy • 48% Liveness
32% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
X 4Ewi
90 bpm • F min • 05:20 • -17.74db
10% Popularity • 13% Danceability • 45% Energy • 16% Liveness
96% Instrumentalness • 12% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Meredith Monk
Ritual Zone
80 bpm • D min • 04:08 • -22.89db
8% Popularity • 44% Danceability • 40% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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Pauline Oliveros
Fragments
80 bpm • D Maj • 04:14 • -29.84db
3% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 1% Positiveness
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Irena And Vojtech Havlovi
Soft And Easy
90 bpm • C# Maj • 01:16 • -35.56db
18% Popularity • 19% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Jon Hassell
Delta Rain Dream
80 bpm • F# Maj • 03:29 • -24db
30% Popularity • 50% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Triple Point
Then We Were Not There
91 bpm • D Maj • 06:04 • -13.9db
0% Popularity • 25% Danceability • 43% Energy • 13% Liveness
78% Instrumentalness • 6% Positiveness
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Christina Vantzou
Lava
80 bpm • G Maj • 02:31 • -18.1db
13% Popularity • 22% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Terry Riley
Cadenza on the Night Plain: Cadenza: Cel...
80 bpm • F# min • 01:07 • -28.23db
34% Popularity • 33% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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Sarah Davachi
Magdalena
91 bpm • E min • 10:19 • -30.72db
18% Popularity • 10% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Pauline Oliveros
Altamirage III
79 bpm • G Maj • 06:03 • -15.32db
1% Popularity • 9% Danceability • 23% Energy • 10% Liveness
36% Instrumentalness • 3% Positiveness
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Jon Hassell
Aurora
91 bpm • D Maj • 05:22 • -31db
27% Popularity • 12% Danceability • 9% Energy • 16% Liveness
96% Instrumentalness • 38% Positiveness
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Harold Budd
The Plateaux Of Mirror - Remastered 2004
91 bpm • G# min • 04:13 • -30.7db
43% Popularity • 23% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Christina Vantzou
Dance Rehearsal
80 bpm • D Maj • 01:35 • -16.01db
11% Popularity • 26% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
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Akira Rabelais
Gnossienne Troisième
79 bpm • A min • 03:34 • -28.48db
8% Popularity • 46% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Cluster
One
92 bpm • D Maj • 06:19 • -9.5db
22% Popularity • 20% Danceability • 44% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Asmus Tietchens
Falter-Lamento
91 bpm • C min • 06:18 • -9.99db
13% Popularity • 16% Danceability • 44% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Pierre Schaeffer
Etude Violette
79 bpm • G Maj • 03:20 • -22.48db
12% Popularity • 40% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Ursula K. Le Guin
A River Song
92 bpm • C# Maj • 03:14 • -24.59db
12% Popularity • 31% Danceability • 18% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Christina Vantzou
Kimona I
80 bpm • G min • 03:59 • -17.61db
7% Popularity • 41% Danceability • 4% Energy • 24% Liveness
83% Instrumentalness • 12% Positiveness
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Meredith Monk
Memory Zone
79 bpm • A# min • 04:22 • -25.33db
7% Popularity • 11% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Quintuplets Play Pen: Homage to Ruth Cra...
92 bpm • F min • 04:19 • -26.62db
0% Popularity • 45% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 53% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 4. Interlude
78 bpm • G# Maj • 04:35 • -34.73db
10% Popularity • 13% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Sanggar Ceraken of Bali
Prelude for Meditation
78 bpm • D# Maj • 01:51 • -32.85db
18% Popularity • 22% Danceability • 0% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
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Caterina Barbieri
Rendering Intuitions
92 bpm • D# Maj • 06:36 • -19.45db
27% Popularity • 11% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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David Toop
Possibly it was only the coming of certa...
92 bpm • A Maj • 01:54 • -17.51db
10% Popularity • 32% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 30% Positiveness
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Meredith Monk
Fear And Loathing In Gotham: Gotham Lull...
79 bpm • A min • 04:17 • -18.93db
21% Popularity • 35% Danceability • 8% Energy • 12% Liveness
27% Instrumentalness • 9% Positiveness
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Pauline Oliveros
Trio For Trumpet, Accordion, and String ...
78 bpm • F Maj • 01:15 • -15.29db
3% Popularity • 37% Danceability • 0% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Chris Watson
El Divisadero
78 bpm • A# min • 05:34 • -10db
15% Popularity • 27% Danceability • 99% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Cluster
Mit Simaen
93 bpm • C Maj • 01:32 • -24.06db
42% Popularity • 48% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Kali Malone
Hagakyrka Bells
78 bpm • A Maj • 01:08 • -23.38db
17% Popularity • 34% Danceability • 4% Energy • 36% Liveness
97% Instrumentalness • 4% Positiveness
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Kelly Moran
Nereid
93 bpm • A min • 10:07 • -12.41db
15% Popularity • 19% Danceability • 43% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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Ursula K. Le Guin
Long Singing
78 bpm • D# Maj • 05:48 • -11.05db
8% Popularity • 13% Danceability • 29% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Crossing the Sands
78 bpm • A Maj • 05:51 • -20.04db
13% Popularity • 7% Danceability • 9% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
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FUJI||||||||||TA
keshiki
78 bpm • C Maj • 09:42 • -21.96db
12% Popularity • 13% Danceability • 4% Energy • 26% Liveness
82% Instrumentalness • 3% Positiveness
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Harold Budd
Wind In Lonely Fences - Remastered 2004
93 bpm • G# min • 03:58 • -22.75db
36% Popularity • 14% Danceability • 18% Energy • 37% Liveness
95% Instrumentalness • 4% Positiveness
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Tilman Ehrhorn
Sfaira
93 bpm • B Maj • 06:38 • -16.56db
5% Popularity • 22% Danceability • 84% Energy • 20% Liveness
56% Instrumentalness • 4% Positiveness
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Brian Eno
Light Arms
93 bpm • D Maj • 01:32 • -17.24db
22% Popularity • 64% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
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Sarah Davachi
Garlands
77 bpm • A min • 02:54 • -25.25db
21% Popularity • 14% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Trio For Trumpet, Accordion, and String ...
77 bpm • D Maj • 00:59 • -14.2db
10% Popularity • 34% Danceability • 2% Energy • 9% Liveness
69% Instrumentalness • 13% Positiveness
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Saxifraga Cotyledon