Songs like Saxophone Concerto in E-Flat Major, Op. 109 by Alexander Glazunov
Based on a tempo of (+/- 10%) and a similar genre
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Alexander Glazunov
Raymonda, Act I: Pizzicato
119 bpm • D Maj • 01:08 • -32db
19% Popularity • 55% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 74% Positiveness
19% Popularity • 55% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 74% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
32% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
40% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Raymonda, Act I: Scene Mimique, Pt. 3
116 bpm • B min • 02:35 • -18.62db
5% Popularity • 23% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
5% Popularity • 23% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Grażyna Bacewicz
Violin Concerto No. 3: III. Vivo
121 bpm • D Maj • 07:18 • -17.88db
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
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![Ancient Airs And Dances, Suite No. 3, [P. 172]: 4. Passacaglia cover art](https://i.scdn.co/image/ab67616d00001e02f1c034ef8797c1f097318070)
Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, [P...
116 bpm • G min • 03:23 • -13.85db
22% Popularity • 30% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 40% Positiveness
22% Popularity • 30% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Fritz Kreisler
Kreisler: Schön Rosmarin
121 bpm • G Maj • 01:57 • -15db
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
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Alexander Glazunov
Theme and Variations, Op. 72: Var. 15. F...
116 bpm • F# min • 02:34 • -21.18db
18% Popularity • 44% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
18% Popularity • 44% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
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Léo Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Claude Debussy
La mer, L. 109: II. Play of the Waves
114 bpm • E Maj • 06:53 • -23db
27% Popularity • 21% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
27% Popularity • 21% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: I. Non allegro
113 bpm • A Maj • 11:34 • -26db
31% Popularity • 31% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 31% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Vladimir Rebikov
Valse Mélancolique
113 bpm • B min • 01:34 • -24db
41% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
41% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Pablo de Sarasate
Zapateado Op. 23
113 bpm • A Maj • 03:21 • -18db
36% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
36% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Alexander Glazunov
Symphony No. 2 in F-Sharp Minor, Op. 16:...
113 bpm • B min • 07:50 • -23.97db
7% Popularity • 24% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 8% Positiveness
7% Popularity • 24% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 8% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
123 bpm • F Maj • 04:54 • -18.41db
24% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
24% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Waltz Suite, Op. 110: VI. Happiness
113 bpm • G Maj • 03:16 • -17.75db
27% Popularity • 34% Danceability • 28% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
27% Popularity • 34% Danceability • 28% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Anton Rubinstein
Valse-Caprice in E-Flat Major
124 bpm • D# Maj • 06:16 • -15.64db
17% Popularity • 36% Danceability • 33% Energy • 18% Liveness
86% Instrumentalness • 41% Positiveness
17% Popularity • 36% Danceability • 33% Energy • 18% Liveness
86% Instrumentalness • 41% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:16 • -19db
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
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Léo Delibes
Sylvia: Act I: Valse lente
111 bpm • G# Maj • 04:44 • -30db
21% Popularity • 23% Danceability • 1% Energy • 6% Liveness
9% Instrumentalness • 11% Positiveness
21% Popularity • 23% Danceability • 1% Energy • 6% Liveness
9% Instrumentalness • 11% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
51% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op.67: 1. Winter
127 bpm • F Maj • 09:45 • -22.49db
11% Popularity • 26% Danceability • 15% Energy • 20% Liveness
72% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 15% Energy • 20% Liveness
72% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
32% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act II: Variation 4
127 bpm • F Maj • 01:25 • -26.42db
19% Popularity • 41% Danceability • 2% Energy • 12% Liveness
56% Instrumentalness • 19% Positiveness
19% Popularity • 41% Danceability • 2% Energy • 12% Liveness
56% Instrumentalness • 19% Positiveness
► Preview
Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
► Preview
Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): IV...
109 bpm • F Maj • 02:48 • -22db
44% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
44% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
► Preview
Jules Massenet
Le roi de Lahore, Opera in five Acts: En...
109 bpm • D# Maj • 07:18 • -22.07db
30% Popularity • 26% Danceability • 16% Energy • 16% Liveness
89% Instrumentalness • 22% Positiveness
30% Popularity • 26% Danceability • 16% Energy • 16% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Maurice Ravel
Tzigane, M. 76
128 bpm • D Maj • 09:29 • -20db
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
► Preview
Alexander Glazunov
Theme and Variations, Op. 72: Var. 13. A...
128 bpm • B min • 01:07 • -23.74db
20% Popularity • 29% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
20% Popularity • 29% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 2 in B-Flat Major, Op. 52, ...
109 bpm • G min • 05:56 • -27.77db
30% Popularity • 21% Danceability • 3% Energy • 26% Liveness
95% Instrumentalness • 10% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 26% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
► Preview
Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, P....
109 bpm • C min • 03:03 • -19.21db
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
29% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
29% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
108 bpm • C Maj • 01:59 • -27.02db
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
38% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
38% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Alexander Glazunov
Ruses d'amour, Op. 61
130 bpm • D# Maj • 06:12 • -22db
21% Popularity • 23% Danceability • 11% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
21% Popularity • 23% Danceability • 11% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
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Ludwig Minkus
La Bayadere: Variation 1: Andante
130 bpm • A Maj • 00:57 • -20.43db
37% Popularity • 54% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
37% Popularity • 54% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: II. Ceremonial D...
108 bpm • C# Maj • 01:33 • -21db
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: II. Sch...
107 bpm • F Maj • 04:47 • -22db
26% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
26% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
31% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
31% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Moritz Moszkowski
Aus aller Herren Landern , Op. 23: IV. S...
105 bpm • E min • 02:26 • -16.32db
23% Popularity • 47% Danceability • 18% Energy • 6% Liveness
63% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 18% Energy • 6% Liveness
63% Instrumentalness • 44% Positiveness
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Alexander Glazunov
Theme and Variations, Op. 72: Var. 12. A...
106 bpm • E min • 02:19 • -25.89db
19% Popularity • 38% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 38% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Gustav Holst
A Fugal Concerto, Op. 40: I. Moderato
105 bpm • D Maj • 02:03 • -21db
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
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Mariinsky Orchestra
Act II: Variation Of Cupid (Minkus)
132 bpm • D Maj • 01:06 • -21db
32% Popularity • 53% Danceability • 18% Energy • 44% Liveness
22% Instrumentalness • 59% Positiveness
32% Popularity • 53% Danceability • 18% Energy • 44% Liveness
22% Instrumentalness • 59% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97a: V. Barrel-Org...
105 bpm • A# Maj • 02:00 • -28db
29% Popularity • 43% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 79% Positiveness
29% Popularity • 43% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 79% Positiveness
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Claude Debussy
Children's Corner, L. 113: II. The Snow ...
105 bpm • A# min • 02:56 • -36.45db
30% Popularity • 25% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
30% Popularity • 25% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
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Alexander Glazunov
Rêverie, Op. 24
131 bpm • C# Maj • 03:45 • -24.79db
5% Popularity • 22% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
5% Popularity • 22% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Léo Delibes
Coppélia / Tableau 3: No. 20 Fête de l...
105 bpm • G Maj • 04:37 • -36.24db
30% Popularity • 15% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
