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Say Hello to the Angels
Songs like
Say Hello to the Angels
by
Interpol
Based on a tempo of (+/- 10%) and a similar genre
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Interpol
Say Hello to the Angels
103 bpm • A min • 04:28 • -5.65db
52% Popularity • 32% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Franz Ferdinand
40'
104 bpm • G min • 03:24 • -9db
47% Popularity • 58% Danceability • 56% Energy • 13% Liveness
6% Instrumentalness • 62% Positiveness
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Radiohead
I Might Be Wrong
103 bpm • G min • 04:53 • -8.32db
58% Popularity • 60% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 50% Positiveness
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shame
Human, for a Minute
102 bpm • B min • 04:34 • -8db
34% Popularity • 50% Danceability • 66% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
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The Voidz
QYURRYUS
104 bpm • C# Maj • 02:52 • -4db
43% Popularity • 64% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 60% Positiveness
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Pavement
The Killing Moon - BBC Evening Session J...
102 bpm • C Maj • 05:16 • -6db
41% Popularity • 43% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Interpol
Say Hello to the Angels - 2012 Remaster
104 bpm • A min • 04:28 • -6db
38% Popularity • 32% Danceability • 88% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Placebo
Come Home
102 bpm • C# Maj • 05:09 • -7.57db
39% Popularity • 46% Danceability • 94% Energy • 8% Liveness
62% Instrumentalness • 83% Positiveness
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Franz Ferdinand
Take Me Out
105 bpm • E min • 03:57 • -8.82db
81% Popularity • 28% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Grandaddy
Hewletts Daughter
105 bpm • D Maj • 03:05 • -9db
34% Popularity • 61% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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The Voidz
Lazy Boy
101 bpm • G# Maj • 03:31 • -4db
44% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Drums
What You Were
105 bpm • G Maj • 03:15 • -5.47db
56% Popularity • 62% Danceability • 83% Energy • 32% Liveness
50% Instrumentalness • 24% Positiveness
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Queens of the Stone Age
Keep Your Eyes Peeled
105 bpm • G Maj • 05:04 • -8.03db
48% Popularity • 49% Danceability • 73% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
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Placebo
Brick Shithouse
105 bpm • E Maj • 03:18 • -7.06db
40% Popularity • 37% Danceability • 95% Energy • 36% Liveness
80% Instrumentalness • 26% Positiveness
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Pavement
In The Mouth A Desert
105 bpm • C Maj • 03:52 • -4.2db
43% Popularity • 45% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Pixies
Ana
106 bpm • G# min • 02:09 • -14.32db
59% Popularity • 66% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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The Strokes
Automatic Stop
106 bpm • C# Maj • 03:27 • -6.11db
62% Popularity • 68% Danceability • 54% Energy • 10% Liveness
72% Instrumentalness • 91% Positiveness
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The Vines
Winning Days
106 bpm • C Maj • 03:33 • -5.03db
20% Popularity • 44% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Twilight Sad
There's a Girl in the Corner
100 bpm • D min • 03:50 • -6.39db
41% Popularity • 51% Danceability • 67% Energy • 8% Liveness
93% Instrumentalness • 32% Positiveness
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The Drums
Heart Basel
100 bpm • A Maj • 04:42 • -7db
42% Popularity • 66% Danceability • 65% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Pavement
Black Out
106 bpm • F Maj • 02:10 • -9db
48% Popularity • 50% Danceability • 70% Energy • 20% Liveness
65% Instrumentalness • 33% Positiveness
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The Mars Volta
The Widow
106 bpm • A min • 05:50 • -6.06db
49% Popularity • 24% Danceability • 66% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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Interpol
Pioneer To The Falls
107 bpm • D Maj • 05:42 • -4.74db
53% Popularity • 46% Danceability • 74% Energy • 10% Liveness
13% Instrumentalness • 8% Positiveness
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The Voidz
Dare I Care
107 bpm • B min • 06:25 • -5.3db
39% Popularity • 23% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 30% Positiveness
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Radiohead
Myxomatosis
99 bpm • G Maj • 03:52 • -7.08db
52% Popularity • 50% Danceability • 82% Energy • 30% Liveness
72% Instrumentalness • 57% Positiveness
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Paul Banks
Young Again
99 bpm • D Maj • 03:51 • -6db
33% Popularity • 55% Danceability • 76% Energy • 4% Liveness
60% Instrumentalness • 62% Positiveness
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The Breeders
No Aloha
107 bpm • A# Maj • 02:07 • -9.17db
51% Popularity • 29% Danceability • 54% Energy • 10% Liveness
27% Instrumentalness • 45% Positiveness
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Yeah Yeah Yeahs
Pin
108 bpm • G Maj • 02:00 • -4.83db
47% Popularity • 68% Danceability • 99% Energy • 15% Liveness
57% Instrumentalness • 77% Positiveness
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Interpol
Public Pervert
99 bpm • F Maj • 04:40 • -3.66db
46% Popularity • 32% Danceability • 81% Energy • 18% Liveness
70% Instrumentalness • 29% Positiveness
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Ride
Vapour Trail - 2001 Remaster
108 bpm • E Maj • 04:17 • -5.68db
50% Popularity • 43% Danceability • 80% Energy • 9% Liveness
78% Instrumentalness • 43% Positiveness
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Pulp
Mile End
98 bpm • F Maj • 04:30 • -8.92db
49% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Smashing Pumpkins
Try, Try, Try
108 bpm • D Maj • 05:09 • -6db
46% Popularity • 54% Danceability • 85% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
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The Jesus and Mary Chain
Darklands
108 bpm • G Maj • 05:29 • -6.54db
41% Popularity • 57% Danceability • 78% Energy • 5% Liveness
18% Instrumentalness • 49% Positiveness
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Pavement
Elevate Me Later
98 bpm • G Maj • 02:51 • -9.42db
42% Popularity • 37% Danceability • 69% Energy • 36% Liveness
11% Instrumentalness • 34% Positiveness
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LCD Soundsystem
Movement
98 bpm • A Maj • 03:04 • -5.92db
39% Popularity • 59% Danceability • 72% Energy • 4% Liveness
1% Instrumentalness • 70% Positiveness
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DIIV
Like Before You Were Born
108 bpm • D# min • 03:04 • -7.16db
39% Popularity • 48% Danceability • 80% Energy • 7% Liveness
76% Instrumentalness • 25% Positiveness
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Blonde Redhead
Messenger
108 bpm • F# Maj • 03:21 • -8db
38% Popularity • 53% Danceability • 71% Energy • 10% Liveness
67% Instrumentalness • 31% Positiveness
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Interpol
Leif Erikson
109 bpm • G Maj • 04:00 • -8db
54% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
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Pulp
Underwear
97 bpm • A Maj • 04:06 • -9.42db
52% Popularity • 28% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Pavement
Summer Babe - Winter Version
98 bpm • D Maj • 03:16 • -5.91db
46% Popularity • 37% Danceability • 85% Energy • 6% Liveness
84% Instrumentalness • 57% Positiveness
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Julian Plenti
Girl on the Sporting News
97 bpm • A Maj • 02:53 • -7.74db
24% Popularity • 42% Danceability • 52% Energy • 7% Liveness
10% Instrumentalness • 33% Positiveness
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my bloody valentine
new you
97 bpm • F# min • 04:58 • -17.13db
44% Popularity • 64% Danceability • 46% Energy • 27% Liveness
92% Instrumentalness • 50% Positiveness
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Pixies
The Thing
110 bpm • C min • 01:58 • -9.05db
65% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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The Last Shadow Puppets
Everything You’ve Come To Expect
110 bpm • C Maj • 03:13 • -7db
48% Popularity • 55% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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The Strokes
Why Are Sundays So Depressing
110 bpm • C Maj • 04:35 • -4.46db
66% Popularity • 58% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Pavement
Stereo
109 bpm • D Maj • 03:07 • -11.55db
46% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Albert Hammond Jr
Tea for Two
110 bpm • G min • 04:08 • -4.36db
40% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Voidz
Wink
110 bpm • G Maj • 04:00 • -4.82db
42% Popularity • 56% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Pixies
Is She Weird
110 bpm • A Maj • 03:01 • -13db
56% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Elliott Smith
Son Of Sam
96 bpm • A Maj • 03:04 • -6.24db
54% Popularity • 52% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Interpol
The Scale
96 bpm • A min • 03:25 • -3.65db
47% Popularity • 55% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Pavement
Cut Your Hair
111 bpm • E min • 03:06 • -9.82db
58% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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MGMT
The Youth
111 bpm • F Maj • 03:48 • -5.89db
52% Popularity • 48% Danceability • 80% Energy • 33% Liveness
1% Instrumentalness • 47% Positiveness
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The Libertines
Music When The Lights Go Out
111 bpm • C Maj • 03:02 • -6db
54% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Morrissey
Speedway - 2014 Remaster
111 bpm • E Maj • 04:27 • -7.53db
37% Popularity • 23% Danceability • 88% Energy • 26% Liveness
1% Instrumentalness • 53% Positiveness
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The Smile
The Opposite
95 bpm • D Maj • 03:06 • -7.05db
52% Popularity • 71% Danceability • 61% Energy • 8% Liveness
78% Instrumentalness • 96% Positiveness
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Interpol
Song Seven
110 bpm • B min • 04:52 • -3db
43% Popularity • 36% Danceability • 92% Energy • 11% Liveness
81% Instrumentalness • 50% Positiveness
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Pavement
Shady Lane
111 bpm • C Maj • 03:50 • -11.75db
47% Popularity • 48% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Pulp
Like A Friend
111 bpm • F Maj • 04:31 • -8.96db
47% Popularity • 30% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Arcade Fire
Reflektor
112 bpm • B min • 07:30 • -8.38db
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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Cloud Nothings
On The Chain
95 bpm • E min • 03:25 • -7.56db
7% Popularity • 38% Danceability • 78% Energy • 9% Liveness
35% Instrumentalness • 37% Positiveness
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The Smile
Thin Thing
95 bpm • B min • 04:30 • -5db
48% Popularity • 61% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 70% Positiveness
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The Cribs
Things You Should Be Knowing
112 bpm • G Maj • 02:33 • -5db
30% Popularity • 37% Danceability • 93% Energy • 11% Liveness
2% Instrumentalness • 79% Positiveness
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Interpol
Specialist - B-Side - 2012 Remaster
111 bpm • A min • 06:39 • -7.52db
43% Popularity • 35% Danceability • 84% Energy • 9% Liveness
4% Instrumentalness • 55% Positiveness
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Julian Casablancas
Out of the Blue
112 bpm • G# Maj • 04:41 • -3db
44% Popularity • 45% Danceability • 89% Energy • 6% Liveness
94% Instrumentalness • 57% Positiveness
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Albert Hammond Jr
Rocky's Late Night
95 bpm • C min • 04:16 • -6.43db
45% Popularity • 62% Danceability • 67% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
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The Smiths
Nowhere Fast - 2011 Remaster
112 bpm • B min • 02:37 • -5.91db
56% Popularity • 50% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Queens of the Stone Age
If I Had a Tail
112 bpm • B Maj • 04:55 • -6.6db
57% Popularity • 60% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Pixies
Mr. Grieves
112 bpm • B Maj • 02:05 • -14.41db
51% Popularity • 53% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Interpol
Pace Is The Trick
111 bpm • D min • 04:37 • -5db
50% Popularity • 47% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 30% Positiveness
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Franz Ferdinand
The Fallen
113 bpm • C Maj • 03:42 • -2.37db
48% Popularity • 49% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Pulp
I Want You - 2012 Remastered
93 bpm • E Maj • 04:39 • -11.35db
42% Popularity • 38% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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The Voidz
ALieNNatioN
93 bpm • F min • 04:39 • -5db
41% Popularity • 61% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
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Preoccupations
Continental Shelf
114 bpm • C Maj • 03:18 • -6.14db
36% Popularity • 42% Danceability • 91% Energy • 16% Liveness
93% Instrumentalness • 60% Positiveness
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The Smashing Pumpkins
Perfect
114 bpm • G Maj • 03:22 • -6.33db
61% Popularity • 64% Danceability • 91% Energy • 45% Liveness
65% Instrumentalness • 54% Positiveness
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Interpol
The New
113 bpm • G Maj • 06:07 • -6.83db
49% Popularity • 35% Danceability • 81% Energy • 25% Liveness
85% Instrumentalness • 27% Positiveness
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The Chameleons
Monkeyland
114 bpm • D# min • 05:17 • -9.72db
36% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Franz Ferdinand
The Dark Of The Matinée
114 bpm • F# min • 04:06 • -4.37db
59% Popularity • 45% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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shame
Concrete
93 bpm • D Maj • 03:34 • -4.69db
42% Popularity • 45% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Pavement
Here
92 bpm • A Maj • 03:56 • -6.7db
43% Popularity • 52% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Soviet Soviet
Royal Casino
93 bpm • A min • 03:39 • -5.61db
25% Popularity • 58% Danceability • 87% Energy • 11% Liveness
43% Instrumentalness • 48% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:27 • -6db
53% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
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Pixies
Gigantic - 2007 Remaster
115 bpm • G Maj • 03:55 • -11.78db
57% Popularity • 39% Danceability • 69% Energy • 8% Liveness
30% Instrumentalness • 80% Positiveness
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The Kills
Tape Song
116 bpm • A Maj • 03:37 • -4db
41% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Albert Hammond Jr
Set to Attack
116 bpm • C min • 03:28 • -4.46db
50% Popularity • 76% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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The Strokes
What Ever Happened?
116 bpm • B Maj • 02:49 • -6.04db
65% Popularity • 55% Danceability • 60% Energy • 27% Liveness
74% Instrumentalness • 58% Positiveness
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Franz Ferdinand
Come On Home
116 bpm • A min • 03:46 • -8.91db
43% Popularity • 58% Danceability • 87% Energy • 8% Liveness
22% Instrumentalness • 48% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:28 • -5.5db
39% Popularity • 42% Danceability • 84% Energy • 22% Liveness
81% Instrumentalness • 45% Positiveness
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Pixies
Bone Machine - 2007 Remaster
116 bpm • C Maj • 03:03 • -12.8db
54% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Sonic Youth
100%
117 bpm • G Maj • 02:29 • -9.89db
48% Popularity • 45% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Albert Hammond Jr
St. Justice
91 bpm • B Maj • 03:03 • -4.98db
36% Popularity • 68% Danceability • 89% Energy • 12% Liveness
12% Instrumentalness • 57% Positiveness
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Silversun Pickups
Kissing Families
117 bpm • C# min • 04:50 • -7.69db
48% Popularity • 60% Danceability • 67% Energy • 13% Liveness
43% Instrumentalness • 30% Positiveness
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Black Rebel Motorcycle Club
Love Burns
118 bpm • A Maj • 04:05 • -5.1db
40% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Interpol
Untitled
92 bpm • G# Maj • 03:56 • -5.34db
58% Popularity • 17% Danceability • 79% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
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Pixies
Monkey Gone to Heaven
117 bpm • F# min • 02:55 • -10.64db
65% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Cloud Nothings
Final Summer
90 bpm • F# min • 04:09 • -9.02db
11% Popularity • 42% Danceability • 95% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
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The Voidz
Leave It In My Dreams
119 bpm • E min • 03:59 • -4.7db
54% Popularity • 60% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Thom Yorke
The Eraser
119 bpm • E min • 04:55 • -11db
48% Popularity • 63% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
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Interpol
Obstacle 2
116 bpm • D Maj • 03:47 • -5.6db
48% Popularity • 40% Danceability • 92% Energy • 37% Liveness
76% Instrumentalness • 50% Positiveness
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Say Hello to the Angels