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Say Nothing
Songs like
Say Nothing
by
Baxter Dury
Based on a tempo of (+/- 10%) and a similar genre
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Baxter Dury
Say Nothing
106 bpm • E min • 02:45 • -5.84db
18% Popularity • 79% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Fat White Family
Feet - Edit
106 bpm • G Maj • 03:25 • -6.19db
15% Popularity • 60% Danceability • 90% Energy • 9% Liveness
37% Instrumentalness • 55% Positiveness
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Young Fathers
Border Girl - Single Version
105 bpm • G# Maj • 03:34 • -6.4db
23% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Lost Horizons
I Woke Up With An Open Heart
105 bpm • C# min • 05:14 • -7db
20% Popularity • 46% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Gruff Rhys
Pang! - Muzi Remix
105 bpm • D min • 02:47 • -10.78db
17% Popularity • 68% Danceability • 67% Energy • 27% Liveness
64% Instrumentalness • 74% Positiveness
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Alex Cameron
Mongrel
107 bpm • F# Maj • 03:37 • -9.02db
30% Popularity • 76% Danceability • 47% Energy • 11% Liveness
60% Instrumentalness • 65% Positiveness
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Helado Negro
Sound and Vision
105 bpm • G Maj • 03:21 • -14.07db
26% Popularity • 72% Danceability • 40% Energy • 22% Liveness
22% Instrumentalness • 28% Positiveness
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Fat White Family
Feet
106 bpm • G Maj • 05:19 • -7db
37% Popularity • 54% Danceability • 86% Energy • 9% Liveness
71% Instrumentalness • 52% Positiveness
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St Francis Hotel
Liar Liar Liar
107 bpm • E min • 03:13 • -5.74db
11% Popularity • 61% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Ian Brown
The Dream And The Dreamer
105 bpm • E min • 05:37 • -12.01db
24% Popularity • 69% Danceability • 69% Energy • 18% Liveness
3% Instrumentalness • 76% Positiveness
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Ghostpoet
Nowhere To Hide Now - Edit
107 bpm • E min • 03:10 • -7.1db
9% Popularity • 58% Danceability • 76% Energy • 92% Liveness
0% Instrumentalness • 34% Positiveness
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Drab City
Troubled Girl
105 bpm • G min • 03:23 • -12.45db
27% Popularity • 72% Danceability • 45% Energy • 12% Liveness
85% Instrumentalness • 62% Positiveness
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Warmduscher
Tiny Letters
108 bpm • F# min • 04:12 • -7.56db
20% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Fat White Family
Fringe Runner
107 bpm • C Maj • 04:32 • -5db
28% Popularity • 55% Danceability • 69% Energy • 10% Liveness
19% Instrumentalness • 23% Positiveness
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Gruff Rhys
Bae Bae Bae - Muzi Remix
108 bpm • B min • 04:11 • -11.14db
16% Popularity • 58% Danceability • 41% Energy • 9% Liveness
42% Instrumentalness • 46% Positiveness
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Phobophobes
Moustache Mike
108 bpm • A Maj • 04:05 • -6.38db
8% Popularity • 68% Danceability • 71% Energy • 2% Liveness
55% Instrumentalness • 57% Positiveness
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Ghostpoet
Nowhere To Hide Now
107 bpm • D Maj • 04:34 • -7.82db
25% Popularity • 59% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 45% Positiveness
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Alex Cameron
Miami Memory
104 bpm • D Maj • 04:25 • -6db
33% Popularity • 61% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Doherty
All At Sea
104 bpm • E Maj • 04:13 • -10.68db
27% Popularity • 56% Danceability • 52% Energy • 7% Liveness
15% Instrumentalness • 37% Positiveness
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Warmduscher
Summertime Tears
104 bpm • C Maj • 03:26 • -8.15db
21% Popularity • 76% Danceability • 61% Energy • 12% Liveness
9% Instrumentalness • 78% Positiveness
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Étienne de Crécy
Family
109 bpm • F min • 04:04 • -8.36db
32% Popularity • 68% Danceability • 70% Energy • 7% Liveness
41% Instrumentalness • 78% Positiveness
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Sons of Raphael
Siren Music
103 bpm • F# min • 03:08 • -5.25db
11% Popularity • 47% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Ghostpoet
Social Lacerations
109 bpm • C# Maj • 05:43 • -7.55db
10% Popularity • 58% Danceability • 77% Energy • 7% Liveness
59% Instrumentalness • 41% Positiveness
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Songhoy Blues
Bon Bon - Mike Lindsay Remix
103 bpm • G Maj • 04:53 • -8.95db
17% Popularity • 66% Danceability • 63% Energy • 10% Liveness
35% Instrumentalness • 40% Positiveness
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Peter Bjorn and John
Drama King
109 bpm • A# min • 03:46 • -9.25db
19% Popularity • 88% Danceability • 56% Energy • 29% Liveness
71% Instrumentalness • 48% Positiveness
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BODEGA
Knife On The Platter
103 bpm • G# Maj • 02:23 • -7.14db
33% Popularity • 69% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Future Islands
The Moon Is Blue
109 bpm • A min • 04:38 • -7.01db
27% Popularity • 58% Danceability • 80% Energy • 21% Liveness
1% Instrumentalness • 36% Positiveness
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Baxter Dury
Sister Sister
110 bpm • D# min • 04:41 • -8.12db
17% Popularity • 52% Danceability • 57% Energy • 13% Liveness
39% Instrumentalness • 47% Positiveness
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Elvis Costello
Newspaper Pane
102 bpm • D Maj • 04:10 • -9.85db
15% Popularity • 73% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 75% Positiveness
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Woods
Light of Day
110 bpm • C# min • 03:19 • -7.34db
13% Popularity • 72% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Moon Duo
Stars Are the Light
110 bpm • G Maj • 04:25 • -5.48db
30% Popularity • 60% Danceability • 99% Energy • 19% Liveness
93% Instrumentalness • 67% Positiveness
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C Duncan
Holiday Home
110 bpm • F min • 03:42 • -8.65db
12% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Fujiya & Miyagi
Fear of Missing Out
110 bpm • B Maj • 06:15 • -9.05db
15% Popularity • 72% Danceability • 63% Energy • 65% Liveness
46% Instrumentalness • 66% Positiveness
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Baxter Dury
I'm Not Your Dog
102 bpm • B Maj • 02:58 • -5.5db
42% Popularity • 54% Danceability • 79% Energy • 55% Liveness
28% Instrumentalness • 38% Positiveness
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Stealing Sheep
Show Love
110 bpm • F# Maj • 03:21 • -7.02db
13% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Doves
Carousels - Single Version
102 bpm • G Maj • 03:50 • -4.57db
24% Popularity • 24% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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PREGOBLIN
Anna (Flowers Won’t Grow)
102 bpm • G Maj • 02:37 • -7.74db
16% Popularity • 62% Danceability • 66% Energy • 31% Liveness
25% Instrumentalness • 46% Positiveness
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Clinic
Complex
102 bpm • F min • 02:39 • -7db
18% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Robin Kester
Sweat and Fright
102 bpm • C# min • 03:46 • -8.63db
12% Popularity • 62% Danceability • 81% Energy • 18% Liveness
71% Instrumentalness • 49% Positiveness
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Baxter Dury
Babies
110 bpm • B min • 03:51 • -9.33db
19% Popularity • 81% Danceability • 32% Energy • 12% Liveness
80% Instrumentalness • 45% Positiveness
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Africa Express
Become The Tiger
110 bpm • D Maj • 03:11 • -9db
29% Popularity • 60% Danceability • 44% Energy • 14% Liveness
44% Instrumentalness • 72% Positiveness
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The Orielles
Bobbi's Second World
111 bpm • C# min • 03:22 • -5.98db
13% Popularity • 58% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Goat Girl
Closing In
111 bpm • B min • 03:35 • -6.92db
22% Popularity • 68% Danceability • 77% Energy • 64% Liveness
2% Instrumentalness • 68% Positiveness
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Teleman
Submarine Life
111 bpm • G min • 05:31 • -6.4db
30% Popularity • 75% Danceability • 73% Energy • 10% Liveness
87% Instrumentalness • 64% Positiveness
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All We Are
Heart Attack
111 bpm • F# min • 04:03 • -7.97db
8% Popularity • 74% Danceability • 92% Energy • 6% Liveness
58% Instrumentalness • 93% Positiveness
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Baxter Dury
Miami
110 bpm • G Maj • 04:34 • -5.02db
42% Popularity • 74% Danceability • 80% Energy • 10% Liveness
30% Instrumentalness • 87% Positiveness
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Public Practice
Foundation
111 bpm • A Maj • 03:41 • -5.81db
11% Popularity • 72% Danceability • 68% Energy • 66% Liveness
70% Instrumentalness • 86% Positiveness
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The Orielles
Bobbi's Second World
111 bpm • C# min • 03:22 • -4.36db
28% Popularity • 57% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Fat White Family
Oh Sebastian
101 bpm • E Maj • 02:44 • -12.16db
23% Popularity • 34% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Woods
Next to You and the Sea
112 bpm • A min • 03:53 • -10.71db
18% Popularity • 77% Danceability • 61% Energy • 18% Liveness
11% Instrumentalness • 90% Positiveness
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Shaun Ryder
Electric Scales
112 bpm • F# Maj • 03:28 • -4.5db
8% Popularity • 73% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Baxter Dury
Daylight
102 bpm • D Maj • 02:42 • -10.24db
18% Popularity • 36% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 8% Positiveness
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Number
Face Down in Ecstasy
112 bpm • A# min • 04:38 • -6.34db
13% Popularity • 73% Danceability • 85% Energy • 9% Liveness
4% Instrumentalness • 72% Positiveness
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Jarvis Cocker
House Music All Night Long
112 bpm • A# min • 05:52 • -5.06db
25% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Teleman
Strange Combinations
112 bpm • G Maj • 03:18 • -9.43db
34% Popularity • 84% Danceability • 46% Energy • 9% Liveness
40% Instrumentalness • 79% Positiveness
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Snapped Ankles
Pestisound (Moving Out)
100 bpm • G Maj • 03:54 • -8.47db
11% Popularity • 65% Danceability • 83% Energy • 55% Liveness
1% Instrumentalness • 17% Positiveness
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Yard Act
Fixer Upper
100 bpm • G Maj • 02:57 • -6db
32% Popularity • 60% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Baxter Dury
Other Men's Girls
110 bpm • B min • 03:45 • -11db
38% Popularity • 71% Danceability • 44% Energy • 32% Liveness
57% Instrumentalness • 52% Positiveness
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Matthew Dear
Calling
100 bpm • D Maj • 03:27 • -6.81db
10% Popularity • 72% Danceability • 56% Energy • 41% Liveness
22% Instrumentalness • 56% Positiveness
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UNKLE
Do Yourself Some Good (Ronin Edit)
100 bpm • G Maj • 04:20 • -7.72db
19% Popularity • 58% Danceability • 75% Energy • 8% Liveness
50% Instrumentalness • 38% Positiveness
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W. H. Lung
Overnight Phenomenon
100 bpm • D Maj • 05:59 • -8.09db
10% Popularity • 62% Danceability • 54% Energy • 8% Liveness
38% Instrumentalness • 49% Positiveness
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Jane Weaver
Pyramid Schemes
100 bpm • G# Maj • 05:07 • -8.76db
16% Popularity • 70% Danceability • 63% Energy • 65% Liveness
0% Instrumentalness • 50% Positiveness
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Sorry
Right Round The Clock
100 bpm • E min • 04:04 • -5db
36% Popularity • 63% Danceability • 71% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
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Ghostpoet
Black Dog Got Silver Eyes
100 bpm • D Maj • 04:02 • -11.52db
11% Popularity • 61% Danceability • 38% Energy • 18% Liveness
56% Instrumentalness • 43% Positiveness
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Baxter Dury
Slumlord
100 bpm • A min • 03:24 • -5db
31% Popularity • 70% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Alex Cameron
Far From Born Again - Demo
113 bpm • C# min • 04:04 • -8.21db
13% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Nadine Shah
Trad
113 bpm • D Maj • 05:27 • -9.69db
16% Popularity • 58% Danceability • 69% Energy • 14% Liveness
63% Instrumentalness • 38% Positiveness
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The Divine Comedy
Infernal Machines
114 bpm • D Maj • 03:04 • -9.38db
14% Popularity • 68% Danceability • 80% Energy • 55% Liveness
6% Instrumentalness • 64% Positiveness
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Sophie Hunger
I Opened A Bar
114 bpm • G Maj • 03:52 • -8db
30% Popularity • 77% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Jacknife Lee
I'm Getting Tired
114 bpm • E min • 03:23 • -6.5db
11% Popularity • 68% Danceability • 91% Energy • 65% Liveness
49% Instrumentalness • 27% Positiveness
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Baxter Dury
Listen
99 bpm • E min • 03:03 • -4.76db
18% Popularity • 92% Danceability • 62% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
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Fujiya & Miyagi
Subliminal
114 bpm • A# min • 03:14 • -9db
14% Popularity • 86% Danceability • 42% Energy • 17% Liveness
68% Instrumentalness • 52% Positiveness
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BC Camplight
I'm In a Weird Place Now
114 bpm • B min • 04:32 • -7.47db
22% Popularity • 53% Danceability • 70% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
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U.S. Girls
4 American Dollars - Edit
98 bpm • D Maj • 03:32 • -4.93db
12% Popularity • 62% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Django Django
Kick the Devil Out - Fimber Bravo Remix
114 bpm • G Maj • 05:22 • -7.38db
8% Popularity • 82% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Donny Benét
Sex Tourist
115 bpm • D Maj • 05:28 • -9.4db
23% Popularity • 61% Danceability • 87% Energy • 31% Liveness
42% Instrumentalness • 47% Positiveness
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Baxter Dury
Oi
114 bpm • D Maj • 02:22 • -10.65db
19% Popularity • 64% Danceability • 63% Energy • 13% Liveness
43% Instrumentalness • 55% Positiveness
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Gruff Rhys
Oh Dear!
98 bpm • C# min • 03:16 • -6.92db
10% Popularity • 63% Danceability • 94% Energy • 13% Liveness
10% Instrumentalness • 72% Positiveness
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Fontaines D.C.
Starburster
98 bpm • A# Maj • 03:41 • -5.68db
0% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Snapped Ankles
The Prince Is Back
98 bpm • C# Maj • 03:20 • -11db
19% Popularity • 62% Danceability • 60% Energy • 37% Liveness
13% Instrumentalness • 21% Positiveness
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Django Django
Kick the Devil Out
114 bpm • G Maj • 03:19 • -6db
18% Popularity • 73% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
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Unloved
Heartbreak
115 bpm • D# min • 03:49 • -7.68db
23% Popularity • 48% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Baxter Dury
August
98 bpm • A min • 03:02 • -6.07db
25% Popularity • 72% Danceability • 72% Energy • 12% Liveness
12% Instrumentalness • 91% Positiveness
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BC Camplight
Deportation Blues
98 bpm • E Maj • 04:44 • -7.14db
14% Popularity • 36% Danceability • 44% Energy • 32% Liveness
3% Instrumentalness • 29% Positiveness
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Biche
Kepler, Kepler
115 bpm • G Maj • 04:15 • -6.8db
19% Popularity • 55% Danceability • 71% Energy • 8% Liveness
77% Instrumentalness • 66% Positiveness
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Klaus Johann Grobe
Out of Reach
115 bpm • A# min • 04:54 • -9db
23% Popularity • 61% Danceability • 89% Energy • 13% Liveness
73% Instrumentalness • 93% Positiveness
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The Wants
Clearly a Crisis
115 bpm • B Maj • 03:07 • -2.18db
10% Popularity • 72% Danceability • 68% Energy • 44% Liveness
33% Instrumentalness • 77% Positiveness
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Lanterns on the Lake
Baddies
98 bpm • A min • 02:57 • -10.6db
15% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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This Is The Kit
No Such Thing
97 bpm • G Maj • 04:40 • -9db
24% Popularity • 59% Danceability • 74% Energy • 14% Liveness
7% Instrumentalness • 66% Positiveness
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Public Practice
My Head
115 bpm • B min • 04:14 • -5.85db
13% Popularity • 87% Danceability • 72% Energy • 10% Liveness
20% Instrumentalness • 97% Positiveness
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TVAM
These Are Not Your Memories
116 bpm • E Maj • 03:20 • -5.88db
23% Popularity • 38% Danceability • 81% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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Deradoorian
Devil's Market
116 bpm • A min • 05:29 • -14db
10% Popularity • 77% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 78% Positiveness
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Baxter Dury
Porcelain
116 bpm • G min • 04:02 • -5.27db
27% Popularity • 68% Danceability • 64% Energy • 16% Liveness
45% Instrumentalness • 36% Positiveness
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Dry Cleaning
Leafy
116 bpm • G Maj • 03:08 • -10db
33% Popularity • 71% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
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Warpaint
Paralysed
116 bpm • B min • 02:51 • -9.88db
32% Popularity • 70% Danceability • 56% Energy • 14% Liveness
28% Instrumentalness • 71% Positiveness
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Django Django
Got Me Worried
116 bpm • A min • 03:36 • -6.27db
18% Popularity • 71% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
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The Orielles
The Square Eyed Pack
116 bpm • B min • 04:03 • -6.18db
10% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Nadine Shah
Kitchen Sink
96 bpm • A min • 03:36 • -8.61db
22% Popularity • 86% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 56% Positiveness
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Baxter Dury
Hello, I'm Sorry
116 bpm • A min • 02:21 • -3.96db
23% Popularity • 80% Danceability • 71% Energy • 20% Liveness
47% Instrumentalness • 66% Positiveness
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Shopping
Initiative
96 bpm • G Maj • 02:48 • -7.05db
16% Popularity • 67% Danceability • 70% Energy • 36% Liveness
4% Instrumentalness • 72% Positiveness
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Say Nothing