Songs like Say Something by Melinda Doolittle
Based on a tempo of (+/- 10%) and a similar genre
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Keala Settle
Neither One of Us
140 bpm • G Maj • 04:20 • -8.28db
12% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Mica Paris
The Struggle
140 bpm • D min • 03:16 • -3.76db
9% Popularity • 51% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 51% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jeremy Jordan
Maybe I'm Amazed
140 bpm • G Maj • 03:17 • -9.02db
37% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Transcendence Gospel Choir
Maybe God's Trying To Tell You Something
140 bpm • C# Maj • 04:31 • -11.01db
7% Popularity • 35% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 35% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 32% Positiveness
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Whitney Houston
Jesus Loves Me / He's Got The Whole Worl...
140 bpm • G Maj • 10:38 • -14.11db
25% Popularity • 50% Danceability • 28% Energy • 95% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 50% Danceability • 28% Energy • 95% Liveness
0% Instrumentalness • 37% Positiveness
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Melinda Doolittle
Say Something
140 bpm • F Maj • 03:54 • -7.52db
12% Popularity • 36% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 36% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Jermaine Dolly
Serve
139 bpm • D Maj • 06:37 • -9db
15% Popularity • 37% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 37% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Zella Jackson Price
I'm His Child
139 bpm • D# Maj • 03:44 • -9.68db
11% Popularity • 52% Danceability • 74% Energy • 96% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 52% Danceability • 74% Energy • 96% Liveness
0% Instrumentalness • 59% Positiveness
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Jordin Sparks
I Wish We'd All Been Ready
139 bpm • G Maj • 03:03 • -7.52db
17% Popularity • 29% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 29% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Andra Day
Stand up for Something
141 bpm • G# min • 03:44 • -4.84db
32% Popularity • 40% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 40% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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JJ Hairston
After This
141 bpm • B min • 06:40 • -6.22db
31% Popularity • 61% Danceability • 91% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 61% Danceability • 91% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
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Scott Bradlee's Postmodern Jukebox
Zombie
138 bpm • E min • 04:47 • -8.82db
27% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Chris McDonald Jazz Orchestra
What the World Needs Now
138 bpm • G# Maj • 03:48 • -9.94db
0% Popularity • 36% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 36% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Lauren Daigle
Remember
142 bpm • C Maj • 03:58 • -6.96db
54% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Miriam Webster
Fall Upon Your Knees
138 bpm • C Maj • 05:16 • -10.76db
11% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Mica Paris
Human
142 bpm • C# Maj • 03:31 • -5.88db
12% Popularity • 69% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 69% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Dolly Parton
He's Everything
138 bpm • A# Maj • 04:57 • -7db
32% Popularity • 50% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 50% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Andrae Crouch
Yes Lord
142 bpm • F min • 05:02 • -8.68db
11% Popularity • 76% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 76% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Tata Vega
Oh It Is Jesus
142 bpm • C# Maj • 05:04 • -11.02db
15% Popularity • 37% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 37% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Deborah Joy Winans
Healing
138 bpm • G# Maj • 04:26 • -10.1db
9% Popularity • 33% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 33% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Melinda Doolittle
Lift Every Voice And Sing
138 bpm • G Maj • 06:06 • -18.84db
20% Popularity • 37% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 37% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Brent Jones & The T.P Mobb
Midnight - Beautiful Album Version
143 bpm • C# Maj • 07:03 • -7db
30% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mali Music
Sit Down For This
143 bpm • G Maj • 02:29 • -8.6db
22% Popularity • 53% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 53% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Patti LaBelle
Changed
143 bpm • G# Maj • 03:04 • -8.82db
16% Popularity • 32% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 32% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Bryan Andrew Wilson
Turning Away
144 bpm • C# Maj • 03:36 • -8db
28% Popularity • 52% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 52% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Israel & New Breed
It's Not Over (When God Is In It) - Orig...
136 bpm • G# Maj • 07:33 • -14.61db
7% Popularity • 51% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
7% Popularity • 51% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Melinda Doolittle
If I'm Not In Love With You
144 bpm • G Maj • 04:30 • -9.61db
3% Popularity • 54% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 54% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Deborah Joy Winans
Testimony
136 bpm • F min • 03:21 • -4.47db
13% Popularity • 71% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 71% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Sarà yah
Drown In My Own Tears - The Voice Perfor...
136 bpm • G Maj • 03:34 • -4.64db
11% Popularity • 43% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 43% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Isaac Carree
Uncommon Me
136 bpm • G# Maj • 04:24 • -5.86db
24% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lauren Daigle
Hold On To Me
136 bpm • D Maj • 03:11 • -8.82db
42% Popularity • 38% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 38% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Lexi
Burn It All Down - Single
136 bpm • F# Maj • 04:59 • -5.25db
12% Popularity • 50% Danceability • 65% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 50% Danceability • 65% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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Melinda Doolittle
Give
136 bpm • D Maj • 04:06 • -6.36db
0% Popularity • 38% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 38% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Smokie Norful
I Need A Word
135 bpm • A# Maj • 04:04 • -4.91db
38% Popularity • 34% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 34% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Leon Timbo
King of My Heart
135 bpm • G Maj • 05:19 • -8.51db
9% Popularity • 45% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 45% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Kurt Carr
Bless Somebody Else (Dorothy's Song)
145 bpm • F min • 04:36 • -4db
37% Popularity • 32% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 32% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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Carter Heath
I Am Ready
145 bpm • B Maj • 02:19 • -9.71db
10% Popularity • 41% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 41% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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MAJOR.
Way of the World
145 bpm • C Maj • 04:15 • -10.78db
15% Popularity • 83% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 83% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Melinda Doolittle
O Southland
135 bpm • C Maj • 03:37 • -20.52db
0% Popularity • 33% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 33% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Brandon Holt
Anyway
135 bpm • D Maj • 04:25 • -9.47db
12% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jim Brickman
What The World Needs Now Is Love
146 bpm • C Maj • 04:50 • -6db
23% Popularity • 29% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 29% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Whitney Houston
Jesus Loves Me
134 bpm • G Maj • 05:12 • -13.22db
46% Popularity • 53% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 53% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Vicki Yohe
Nobody Knows Me Better - I Just Want You...
146 bpm • A Maj • 03:55 • -6.09db
26% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Forever Jones
7x77
146 bpm • A Maj • 03:19 • -5.05db
42% Popularity • 46% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 46% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Smokie Norful
Same Sad Song
146 bpm • E Maj • 04:37 • -8.83db
21% Popularity • 44% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 44% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Joybells
Hallelujah, Salvation and Glory
134 bpm • C# Maj • 06:04 • -11.1db
15% Popularity • 25% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 25% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
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Scott Alan
Grateful
146 bpm • B Maj • 03:24 • -10.89db
0% Popularity • 25% Danceability • 39% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 25% Danceability • 39% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Troy Sneed
My Heart Says Yes
147 bpm • A min • 03:52 • -5.47db
31% Popularity • 41% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 41% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Leela James
Fall for You
147 bpm • C# Maj • 03:21 • -9.76db
49% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Oleta Adams
Wash, O God, Our Sons & Daughters
134 bpm • F Maj • 03:29 • -10.82db
14% Popularity • 27% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Clint Brown
I'll Be Loving You
133 bpm • G# Maj • 04:02 • -16.2db
11% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Juanita Bynum
Show Me Your Face (Recitation)
133 bpm • D# Maj • 03:13 • -8.71db
17% Popularity • 36% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 36% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Deborah Joy Winans
River
133 bpm • F Maj • 03:25 • -7.97db
22% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Fantasia
The Blood Will Never Lose Its Power
147 bpm • G Maj • 07:47 • -8.32db
23% Popularity • 29% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 29% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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George Huff
You Know Me
148 bpm • C# Maj • 05:03 • -9.59db
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Ivan Kelley, Jr.
That's The Way God Planned It
148 bpm • F Maj • 03:45 • -6.91db
27% Popularity • 39% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 39% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bri Babineaux
I'll Be the One
148 bpm • C min • 06:26 • -6.03db
25% Popularity • 56% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 56% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Janice Gaines
Lead Me
132 bpm • D Maj • 04:40 • -7.24db
21% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Trin-I-Tee 5:7
With A Kiss
132 bpm • A min • 04:16 • -6.33db
12% Popularity • 67% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 67% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Tasha Page-Lockhart
Different
132 bpm • F Maj • 03:56 • -4db
38% Popularity • 84% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 84% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Deborah Joy Winans
Take Me To the Water
132 bpm • G# Maj • 04:24 • -12.33db
19% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Kelly Price
Faith That Conquers
132 bpm • G# Maj • 04:32 • -5.98db
17% Popularity • 33% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 33% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Jerard & Jovaun
The Potter's House
132 bpm • C# Maj • 04:42 • -7.42db
15% Popularity • 60% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 60% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Tribe of Benjamin
Your Love Is Extravagant
132 bpm • E Maj • 05:10 • -14.37db
10% Popularity • 56% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 56% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Tremaine Hawkins
I Never Lost My Praise - Live
132 bpm • G Maj • 08:36 • -5.94db
17% Popularity • 45% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 45% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 27% Positiveness
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Melinda Doolittle
You Go Your Way And I'll Go Mine
149 bpm • D# Maj • 03:12 • -16.89db
0% Popularity • 58% Danceability • 14% Energy • 64% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 58% Danceability • 14% Energy • 64% Liveness
0% Instrumentalness • 55% Positiveness
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Deborah Joy Winans
The Master's Calling
132 bpm • D# Maj • 04:52 • -8.81db
29% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Scott Bradlee's Postmodern Jukebox
Don't Let Me Down
149 bpm • G Maj • 04:32 • -8.34db
23% Popularity • 32% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 32% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Crystal Nicole
I Don't Belong to You
150 bpm • G# min • 04:30 • -4.04db
11% Popularity • 55% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 55% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Darlene McCoy
I Shall Live and Not Die (Bonus)
150 bpm • D# Maj • 04:05 • -11db
23% Popularity • 52% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 52% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Soweto Gospel Choir
Bridge Over Troubled Waters
150 bpm • A# Maj • 06:23 • -8.04db
14% Popularity • 37% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 37% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Blanca
Real Love
150 bpm • E min • 03:52 • -6.65db
36% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Deborah Joy Winans
(God Bless the) Broken Road
131 bpm • D# Maj • 03:57 • -8.35db
29% Popularity • 53% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 53% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Odell Staggers & The Staggs Renaissance Group
Remember Me
130 bpm • A# Maj • 03:41 • -6.7db
26% Popularity • 50% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 50% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Shara Mckee
Ride on King Jesus
130 bpm • G# Maj • 05:12 • -2.25db
24% Popularity • 63% Danceability • 90% Energy • 98% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 63% Danceability • 90% Energy • 98% Liveness
0% Instrumentalness • 51% Positiveness
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Gene Moore
Not There Yet
130 bpm • F# min • 04:29 • -6db
12% Popularity • 41% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 41% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Wayne Perry & Friends
Forgive Me
130 bpm • C Maj • 03:41 • -12.31db
13% Popularity • 68% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 68% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Sound Of The New Breed
Alpha and Omega
151 bpm • C# Maj • 07:27 • -7.73db
9% Popularity • 30% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 30% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 23% Positiveness
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Tarralyn Ramsey
Up Against All Odds
130 bpm • D# Maj • 03:28 • -5.99db
9% Popularity • 62% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 62% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Scott Bradlee's Postmodern Jukebox
Don't Stop Me Now
151 bpm • G Maj • 04:00 • -4db
38% Popularity • 50% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 50% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Melinda Doolittle
Save It For Me!
130 bpm • A Maj • 02:29 • -17.58db
0% Popularity • 63% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 63% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Gene Moore
Recover
129 bpm • G Maj • 05:35 • -5.39db
18% Popularity • 39% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 39% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Cheryl Fortune
Figure It Out
152 bpm • A Maj • 03:47 • -5.52db
7% Popularity • 55% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 55% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Smokie Norful
Run Til I Finish
129 bpm • C# Maj • 03:07 • -7.73db
30% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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John P. Kee
Colorblind
152 bpm • G# Maj • 04:23 • -6.94db
12% Popularity • 39% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 39% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Tasha Page-Lockhart
Tears
153 bpm • A# Maj • 04:47 • -4.62db
9% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Scott Bradlee's Postmodern Jukebox
Halo
152 bpm • E Maj • 04:08 • -6db
40% Popularity • 42% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 42% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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LaShun Pace
I Know I've Been Changed
128 bpm • G# Maj • 03:40 • -10.77db
10% Popularity • 43% Danceability • 48% Energy • 96% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 43% Danceability • 48% Energy • 96% Liveness
0% Instrumentalness • 31% Positiveness
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Kurt Carr, And Friends Featuring Tamela Mann
God's Got It All In Control
128 bpm • D# Maj • 03:22 • -7.29db
28% Popularity • 47% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 47% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Prince Tai
Keep the Fight in Me
128 bpm • F Maj • 03:48 • -7.77db
13% Popularity • 47% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 47% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Vicki Yohe
He's Been Faithful
128 bpm • A# Maj • 07:10 • -4.76db
18% Popularity • 32% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 32% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Queen Naija
War Cry
128 bpm • G# min • 05:06 • -3.21db
35% Popularity • 58% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 58% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Andrae Crouch
Faith
128 bpm • D# min • 07:12 • -9.24db
19% Popularity • 30% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 30% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Melinda Doolittle
When It's All Goin' Out, And Nothin' Com...
127 bpm • D Maj • 03:46 • -16.91db
0% Popularity • 69% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 69% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Lexi
Wherever I Go
128 bpm • D Maj • 05:20 • -4.67db
27% Popularity • 54% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 54% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Glenna Dunlap
Take Heart
154 bpm • E min • 02:19 • -13.67db
9% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Rachael Lampa
Blessed
127 bpm • B min • 04:09 • -7.95db
24% Popularity • 37% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 37% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Bri Babineaux
Jacob's Song
154 bpm • E min • 05:50 • -4.85db
30% Popularity • 34% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 34% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
