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Say You Do
Songs like
Say You Do
by
Dierks Bentley
Based on a tempo of (+/- 10%) and a similar genre
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Dierks Bentley
Why Do I Feel
148 bpm • B min • 03:58 • -9.71db
31% Popularity • 68% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Kane Brown
Used to Love You Sober
148 bpm • C# Maj • 03:01 • -6db
55% Popularity • 52% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Ray
Run Away With You
148 bpm • D# min • 03:40 • -4db
30% Popularity • 50% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
53% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Dierks Bentley
The Mountain
148 bpm • A# min • 04:44 • -5.46db
39% Popularity • 47% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Brett Young
You Ain't Here To Kiss Me
148 bpm • C Maj • 03:37 • -7db
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Clay Walker
This Woman and This Man
148 bpm • F# min • 04:22 • -9.44db
49% Popularity • 59% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Sara Evans
A Little Bit Stronger
148 bpm • D Maj • 05:01 • -5.6db
60% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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James Barker Band
New Old Trucks
148 bpm • G Maj • 03:11 • -3.74db
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Dierks Bentley
Pick Up
148 bpm • C Maj • 03:33 • -5.7db
40% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Farr
Withdrawals
148 bpm • D# Maj • 03:44 • -3.87db
36% Popularity • 48% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Cagle
Miss Me Baby
148 bpm • C# Maj • 03:54 • -6db
41% Popularity • 53% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Easton Corbin
Are You With Me
148 bpm • G# Maj • 03:40 • -7db
48% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Craig Morgan
This Ain't Nothin'
150 bpm • F# Maj • 04:02 • -5.32db
46% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Dierks Bentley
Say You Do
148 bpm • D# Maj • 03:39 • -8db
48% Popularity • 48% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Cole Swindell
Dozen Roses & a Six-Pack
150 bpm • G# Maj • 04:29 • -4.01db
36% Popularity • 46% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Big & Rich
Lost in This Moment
148 bpm • B Maj • 03:30 • -7db
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Cagle
Look At What I've Done
148 bpm • A Maj • 04:55 • -9.55db
38% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ashley McBryde
A Little Dive Bar in Dahlonega
146 bpm • C# Maj • 03:29 • -6.19db
53% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
64% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Cagle
Wal-Mart Parking Lot
147 bpm • F# Maj • 04:22 • -6.3db
35% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Rodney Atkins
Cleaning This Gun (Come On In Boy)
146 bpm • D Maj • 03:46 • -3.67db
55% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Chase Rice
How She Rolls
146 bpm • E Maj • 02:59 • -5.27db
23% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
50% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Lane
For Her
150 bpm • F# Maj • 03:31 • -4db
49% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Brad Paisley
Beat This Summer
150 bpm • F# Maj • 04:41 • -5db
45% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
70% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Josh Abbott Band
Oh, Tonight
150 bpm • B Maj • 03:25 • -4.84db
55% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Bryan
Fast
146 bpm • C min • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Ryan
New Hometown
146 bpm • C Maj • 03:17 • -4.49db
45% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Tyler Farr
I Don't Even Want This Beer
146 bpm • B min • 03:13 • -5.71db
39% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Kip Moore
Dirt Road
150 bpm • C Maj • 03:23 • -5.21db
45% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Canaan Smith
Love You Like That
145 bpm • B Maj • 03:23 • -5db
58% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Abbott Band
Amnesia
150 bpm • C Maj • 03:33 • -5db
35% Popularity • 52% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Young
Who I Am With You
150 bpm • C Maj • 03:11 • -4.31db
57% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Tyler Farr
Redneck Crazy
146 bpm • G min • 03:36 • -4.22db
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Brad Paisley
Then
145 bpm • C Maj • 05:21 • -5.19db
60% Popularity • 49% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Cole Swindell
Hope You Get Lonely Tonight
152 bpm • A# Maj • 03:47 • -4db
51% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bryan
Crash My Party
144 bpm • G Maj • 03:54 • -4db
61% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
68% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Ronnie Dunn
Ain't No Trucks In Texas
152 bpm • G# Maj • 03:20 • -3.89db
36% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Chase Rice
50 Shades of Crazy
152 bpm • D# min • 03:10 • -5db
18% Popularity • 52% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
46% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
66% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Thompson
Cold Beer With Your Name On It
153 bpm • C Maj • 03:21 • -4.46db
43% Popularity • 59% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Dierks Bentley
Pretty Girls
144 bpm • C# min • 03:38 • -7.48db
38% Popularity • 57% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Jerrod Niemann
What Do You Want
153 bpm • E Maj • 03:34 • -10.12db
42% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
53% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Dierks Bentley
Sounds Of Summer
154 bpm • E Maj • 03:21 • -6.94db
36% Popularity • 53% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Keith Urban
Cop Car
154 bpm • C# Maj • 04:16 • -6.32db
57% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Cole Swindell
Making My Way to You
154 bpm • D Maj • 03:27 • -4db
41% Popularity • 41% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Montgomery Gentry
Roll with Me
142 bpm • D Maj • 03:53 • -7db
39% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Steven Lee Olsen
Raised by a Good Time
142 bpm • D Maj • 03:12 • -4.5db
43% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Brothers Osborne
Pushing Up Daisies (Love Alive)
142 bpm • A Maj • 03:39 • -7db
50% Popularity • 61% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
52% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Brad Paisley
Alcohol
142 bpm • B Maj • 04:50 • -6db
52% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Kenny Chesney
Save It for a Rainy Day
155 bpm • G Maj • 03:02 • -5.48db
58% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dierks Bentley
Can't Be Replaced
155 bpm • D Maj • 05:40 • -7.4db
31% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
72% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Brad Paisley
Remind Me
141 bpm • F Maj • 04:31 • -4.2db
58% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Chase Rice
Ready Set Roll
156 bpm • C Maj • 03:10 • -5.3db
40% Popularity • 51% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Dierks Bentley
Breathe You In
156 bpm • F Maj • 03:47 • -8.12db
28% Popularity • 56% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Kip Moore
Running For You
156 bpm • D Maj • 03:32 • -5.92db
43% Popularity • 67% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Abbott Band
She's Like Texas
156 bpm • D Maj • 03:55 • -6.91db
56% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Carrie Underwood
Heartbeat
140 bpm • C# Maj • 03:29 • -4.48db
53% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
51% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Cole Swindell
Broke Down
140 bpm • A Maj • 03:23 • -4db
40% Popularity • 46% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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HIXTAPE
Hometown Boys
140 bpm • C Maj • 03:44 • -3.78db
40% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Eric Church
Homeboy
140 bpm • F# Maj • 03:47 • -4.91db
58% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 04:32 • -9.54db
35% Popularity • 61% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Farr
I Should Go to Church Sometime
140 bpm • D Maj • 03:08 • -5.06db
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lady A
Love Don't Live Here
140 bpm • C# Maj • 03:50 • -3.83db
52% Popularity • 65% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Randy Houser
Anything Goes
140 bpm • C Maj • 03:04 • -4.77db
38% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
61% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Brad Paisley
Little Moments
157 bpm • A Maj • 03:39 • -9.17db
50% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Say You Do