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Scaramella va alla guerra
Songs like
Scaramella va alla guerra
by
Hespèrion XXI
Based on a tempo of (+/- 10%) and a similar genre
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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John Playford
The English Dancing Master: An Italian R...
128 bpm • D# min • 01:42 • -20db
26% Popularity • 70% Danceability • 19% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
19% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Anonymous
Codex Las Huelgas: III. Eterni numinis (...
130 bpm • F Maj • 06:36 • -18.71db
11% Popularity • 27% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Montserrat Figueras
Canarios: No piense Menguilla (J. Marin)
130 bpm • F# Maj • 04:28 • -20.79db
5% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ans Del Judici Tot...
128 bpm • F Maj • 02:23 • -29db
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ave Maria: Ave, Maria, o auctrix vitae (...
128 bpm • F# min • 08:15 • -23db
11% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Maurizio Cazzati
Balletto Quarto: Adaggio
130 bpm • F# min • 04:00 • -24db
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
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Montserrat Figueras
Tono Humano: "Trompicávalas Amor"
128 bpm • C Maj • 03:02 • -14.82db
6% Popularity • 48% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Anonymous
Codex Las Huelgas: V. Gaude Virgo plena ...
127 bpm • C Maj • 05:06 • -20.25db
11% Popularity • 27% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Francesco Spinacino
Rececar
127 bpm • A# Maj • 01:36 • -31.37db
22% Popularity • 42% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
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Heinrich Isaac
I. 1459 El Tiempo de Maximiliano I (Rey ...
131 bpm • F Maj • 04:19 • -20.5db
10% Popularity • 16% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Thomas Tallis
Libera Nos, Salva Nos à 5
131 bpm • C min • 01:52 • -27.11db
12% Popularity • 16% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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La Capella Reial De Catalunya
La Folia: Yo Soy la Locura
131 bpm • A min • 02:37 • -23db
18% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Montserrat Figueras
Villancico: "Niña y Viña"
131 bpm • A Maj • 01:24 • -16.3db
2% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Anthony Holborne
I. - Galliard: Heigh Ho Holiday (Holborn...
127 bpm • G min • 02:29 • -20.67db
8% Popularity • 34% Danceability • 7% Energy • 29% Liveness
28% Instrumentalness • 44% Positiveness
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Orlando Gibbons
Fantasia in 3 parts (MB 48 No. 8)
131 bpm • F min • 02:46 • -19db
8% Popularity • 22% Danceability • 11% Energy • 28% Liveness
85% Instrumentalness • 30% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Jaufre Rudel
Lanquan li jorn
132 bpm • B min • 05:22 • -20db
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Joan Ambrosio Dalza
Intabolatura de lauto, Book 4: Calata al...
126 bpm • A# Maj • 02:06 • -25.91db
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
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Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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Adam Jarzębski
Jarzebski: Concerto a 3 voci & continuo:...
132 bpm • D Maj • 02:28 • -12.05db
15% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Sanctus
132 bpm • A min • 04:55 • -23db
17% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Diego Ortiz
Recercada tercera sobre tenores Italiano...
126 bpm • E Maj • 02:13 • -33db
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
35% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Carl Friedrich Abel
Arpeggiata (Prelude)
133 bpm • C# min • 02:27 • -32.7db
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Montserrat Figueras
Primera Parte - Yo Soy La Locura, CapÃt...
133 bpm • A min • 02:31 • -17.56db
19% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Hopkinson Smith
Marizapalos
133 bpm • G min • 04:25 • -29.39db
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
34% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Antoine Busnois
Amours amours amours
134 bpm • G Maj • 02:19 • -26.9db
36% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Joan Ambrosio Dalza
Tastar de corde, Recercar dietro
134 bpm • G min • 02:13 • -32.85db
21% Popularity • 40% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Alessandro Piccinini
Partita Sopra La Follia
134 bpm • F Maj • 03:34 • -28.11db
21% Popularity • 34% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Diego Ortiz
Passamezzo Moderno (Recercada II)
134 bpm • G Maj • 01:58 • -18.89db
15% Popularity • 50% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Gaspar Sanz
Canarios
135 bpm • C# Maj • 03:47 • -18.83db
7% Popularity • 52% Danceability • 23% Energy • 8% Liveness
21% Instrumentalness • 44% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
22% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Francesco da Milano
Fantasia sexta
123 bpm • F Maj • 02:00 • -30db
23% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
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Giovanni Zamboni
Suonata: Preludio
123 bpm • C min • 01:20 • -21db
22% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
37% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Monsieur de Sainte-Colombe
Les Couplets
123 bpm • C# min • 09:44 • -33.11db
10% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Giovanni Girolamo Kapsberger
Bergamasca
123 bpm • D Maj • 03:32 • -14.5db
15% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Diego Ortiz
Recercada settima La Romanesca
123 bpm • F# min • 01:31 • -17db
10% Popularity • 61% Danceability • 31% Energy • 22% Liveness
96% Instrumentalness • 92% Positiveness
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Tylman Susato
Danserye: Ronde: Il estoit une filette
123 bpm • F Maj • 01:36 • -25db
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Stefano Landi
Passacaglia della vita
122 bpm • G# min • 03:52 • -13db
16% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Pierre Attaingnant
Bransle de Poictou
136 bpm • E Maj • 03:01 • -22.86db
13% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Cuthbert Hely
Fantasia (I)
122 bpm • D# min • 04:03 • -31.65db
29% Popularity • 38% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Xavier Puertas
Planctus Caravaggio II (Jordi Savall)
136 bpm • G min • 04:13 • -19.55db
7% Popularity • 15% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Domenico da Piacenza
Ballo 'La Giloxia'
122 bpm • G Maj • 02:08 • -24db
28% Popularity • 39% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Traditionnel
Makam « Muhayyer pesrev » – Marche G...
122 bpm • F Maj • 01:15 • -31db
15% Popularity • 37% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 47% Positiveness
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Eduardo Paniagua
Tastar da Corde
137 bpm • G min • 01:29 • -21.96db
17% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Berenguier de Palou
Tan m'abelis
137 bpm • C# Maj • 05:26 • -24db
13% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Francesco Spinacino
Jay pris amours
137 bpm • A# Maj • 03:33 • -30db
23% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
17% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Paolo Pandolfo
Anchor che col partire'
138 bpm • A min • 03:40 • -16db
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Le Manuscrit du Roi
Danse [I]
120 bpm • E min • 04:03 • -20db
8% Popularity • 40% Danceability • 13% Energy • 20% Liveness
4% Instrumentalness • 30% Positiveness
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Antonio Bertali
Ciacona in C Major
120 bpm • B Maj • 09:04 • -20db
11% Popularity • 42% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 31% Positiveness
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Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Henry Villca suntura
Improvisation for Sikus, Bass and Guitar
138 bpm • B Maj • 02:53 • -26db
22% Popularity • 70% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 56% Positiveness
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Jan Garbarek
Beata viscera
138 bpm • G Maj • 06:34 • -26db
24% Popularity • 22% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
34% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Hildegard von Bingen
IV. O virtus Sapientiae
120 bpm • A min • 01:34 • -9.56db
12% Popularity • 26% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Carlo Gesualdo
Moro, lasso, al mio duolo
139 bpm • F Maj • 05:35 • -21db
14% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Marcabru
Lo vers comens
120 bpm • D# Maj • 06:11 • -26db
7% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Fabritio Caroso
Furioso alla Spagnuola
139 bpm • D Maj • 01:23 • -20db
14% Popularity • 49% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
24% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Jean-Baptiste Lully
Idylle sur la paix: Air pour Madame la D...
139 bpm • G# min • 02:06 • -15.31db
30% Popularity • 56% Danceability • 30% Energy • 14% Liveness
97% Instrumentalness • 45% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Hopkinson Smith
A Dream
119 bpm • G min • 04:03 • -23.94db
24% Popularity • 43% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Francis Pilkington
Eccho or Allmane
119 bpm • G Maj • 02:06 • -19db
35% Popularity • 55% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 63% Positiveness
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Clément Janequin
III. 1525 Batalla de PavÃa: Pavana "La ...
140 bpm • G# Maj • 02:07 • -20.52db
11% Popularity • 54% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Alonso Mudarra
Fantasia - Instrumental
119 bpm • F Maj • 01:34 • -24db
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Instru...
119 bpm • F Maj • 02:54 • -22db
24% Popularity • 20% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 24% Positiveness
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Monsieur de Sainte-Colombe
Concert XLI: Le Retour
119 bpm • C Maj • 06:32 • -23.63db
13% Popularity • 24% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Francesco de la Torre
Danza alta
140 bpm • A min • 01:42 • -21db
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Syntagma Musicum
L'Amor Donna, Ch'Io Te Porto (Anonymous)
119 bpm • A# Maj • 02:08 • -19db
8% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
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Hopkinson Smith
Frogg Galliard
119 bpm • G Maj • 02:44 • -22db
38% Popularity • 36% Danceability • 15% Energy • 17% Liveness
82% Instrumentalness • 44% Positiveness
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Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
19% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Jacopo da Bologna
Aspire refus contre doulce priere
140 bpm • C Maj • 04:17 • -23.91db
20% Popularity • 56% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
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Scaramella va alla guerra