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Scarlett
Songs like
Scarlett
by
Holly Humberstone
Based on a tempo of (+/- 10%) and a similar genre
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Gatlin
Really Funny
143 bpm • C min • 03:21 • -7.72db
31% Popularity • 70% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
57% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
58% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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FLETCHER
Two Things Can Be True
144 bpm • G min • 02:45 • -9.32db
64% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Japanese House
You always get what you want
142 bpm • A# Maj • 02:48 • -9.14db
45% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Trousdale
Go There
144 bpm • E Maj • 03:22 • -7.54db
34% Popularity • 51% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Jelani Aryeh
I'm in Love
142 bpm • A Maj • 03:16 • -4.99db
56% Popularity • 66% Danceability • 79% Energy • 19% Liveness
8% Instrumentalness • 93% Positiveness
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Holly Humberstone
London Is Lonely
143 bpm • A# Maj • 03:54 • -7.22db
50% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Griff
Hole In My Pocket
144 bpm • E Maj • 02:40 • -6.17db
55% Popularity • 70% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Emelie Trahan
Meadow
142 bpm • F# Maj • 03:21 • -6.27db
28% Popularity • 62% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Quiet Houses
Kiss and Run
142 bpm • B Maj • 03:25 • -8.23db
18% Popularity • 68% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Middle Kids
Highlands
145 bpm • F Maj • 03:31 • -3.95db
38% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Cate
Rocket Science
145 bpm • A# Maj • 03:27 • -8.3db
47% Popularity • 63% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Holly Humberstone
London Is Lonely - Edit
142 bpm • A# Maj • 03:27 • -7db
26% Popularity • 44% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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The Aces
Always Get This Way
141 bpm • F# min • 02:54 • -6.09db
47% Popularity • 58% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
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Maggie Rogers
Don't Forget Me
145 bpm • G# Maj • 04:25 • -4.22db
60% Popularity • 49% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Alfie Jukes
Traffic Jams
145 bpm • D Maj • 03:11 • -5.95db
43% Popularity • 69% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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G Flip
Be Your Man
140 bpm • G# Maj • 03:32 • -3.11db
52% Popularity • 56% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Boyish
Kill Your Pain
146 bpm • C# Maj • 02:46 • -6.19db
52% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Etta Marcus
Theatre
140 bpm • C# Maj • 02:59 • -5.55db
49% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Alex Amor
Cherry Blossom Boy
146 bpm • C# min • 03:37 • -5.83db
30% Popularity • 59% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Emily James
London
140 bpm • A Maj • 02:48 • -10.06db
44% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
62% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Gatlin
Paris
140 bpm • C Maj • 02:47 • -7.36db
27% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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aleksiah
24
146 bpm • D Maj • 04:14 • -5.86db
43% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Laur Elle
Easy Way Out
140 bpm • E Maj • 02:39 • -8.01db
33% Popularity • 53% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Hazlett
Even If It’s Lonely
140 bpm • A Maj • 04:05 • -12db
49% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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FLETCHER
Lead Me On
148 bpm • F Maj • 02:53 • -4.78db
64% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Gatlin
Still Not Me
139 bpm • F# Maj • 02:32 • -8.63db
29% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Briston Maroney
Chaos Party
148 bpm • B Maj • 02:59 • -5.82db
43% Popularity • 54% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Eliza Harrison Smith
Back Of My Mind
148 bpm • E Maj • 03:30 • -6.15db
39% Popularity • 61% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Carlie Hanson
Covering Faces
138 bpm • G# Maj • 02:58 • -9.96db
46% Popularity • 69% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Trousdale
Out Of My Mind
138 bpm • B Maj • 04:41 • -9.2db
37% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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SISTRA
Never Change
138 bpm • G# Maj • 03:23 • -10.22db
32% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ryan Beatty
Ribbons
138 bpm • D# Maj • 03:17 • -13db
54% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Gracie Abrams
I should hate you
138 bpm • F Maj • 04:18 • -8.07db
63% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gatlin
Lonely Life
138 bpm • C Maj • 03:06 • -7.51db
25% Popularity • 57% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Angie McMahon
Fireball Whiskey
149 bpm • C Maj • 03:29 • -11.93db
48% Popularity • 36% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Tiny Habits
I Don't Have The Heart
148 bpm • D Maj • 03:37 • -6.85db
49% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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The Beaches
Shower Beer
149 bpm • E Maj • 03:11 • -3.24db
52% Popularity • 45% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Ryan Beatty
Andromeda
149 bpm • D Maj • 03:15 • -10.03db
48% Popularity • 35% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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Maggie Rogers
Overdrive
149 bpm • G Maj • 03:14 • -6.19db
55% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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little luna
wildflower woman
137 bpm • C# Maj • 02:59 • -6.37db
35% Popularity • 60% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Tiny Habits
Flicker
137 bpm • F# min • 03:44 • -8.32db
41% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Holly Humberstone
Easy Tiger
137 bpm • A# Maj • 04:37 • -9.86db
50% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Japanese House
Baby goes again
150 bpm • C Maj • 03:31 • -10.34db
45% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Charli Adams
how do u know how to love me
150 bpm • G# Maj • 03:21 • -9.76db
24% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Elle Coves
Born To Lose
150 bpm • E Maj • 03:00 • -3.51db
45% Popularity • 56% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Bleachers
Modern Girl
150 bpm • A# Maj • 03:43 • -6.77db
64% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Taylor Swift
peace
150 bpm • F Maj • 03:54 • -12.91db
70% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Holly Humberstone
Fake Plastic Trees
150 bpm • C Maj • 04:20 • -9.91db
41% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
60% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
43% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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G Flip
The Worst Person Alive
136 bpm • G Maj • 03:30 • -3.57db
58% Popularity • 59% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Rosie Shaw
Car Crash Romance
136 bpm • G Maj • 03:18 • -4.53db
19% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rachel Chinouriri
Ribs
136 bpm • D# Maj • 02:50 • -5.54db
38% Popularity • 59% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Holly Humberstone
Flatlining
150 bpm • D Maj • 03:02 • -11.16db
42% Popularity • 51% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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The Beaches
Kismet
136 bpm • B Maj • 03:03 • -5.19db
50% Popularity • 57% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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OSTON
Burton St.
136 bpm • A Maj • 03:16 • -4.16db
56% Popularity • 58% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Wild Rivers
Cave
151 bpm • E Maj • 02:58 • -5.67db
61% Popularity • 66% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Nieve Ella
Your Room
135 bpm • F Maj • 03:21 • -7.17db
32% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Trousdale
Any Day Now
135 bpm • D Maj • 03:21 • -6.51db
45% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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FLETCHER
Pretending
135 bpm • A Maj • 03:02 • -5.22db
68% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Japanese House
Morning Pages
135 bpm • A Maj • 03:47 • -10.41db
51% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Leith
To Hell With You
135 bpm • D Maj • 03:51 • -16.18db
30% Popularity • 63% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Katie Gregson-MacLeod
September
135 bpm • F Maj • 03:24 • -3.86db
36% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Tommy Lefroy
Jericho Beach
152 bpm • A Maj • 02:56 • -10db
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
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Holly Humberstone
Kissing In Swimming Pools
152 bpm • E Maj • 04:47 • -8.37db
53% Popularity • 38% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Josie Oliver
Glued
152 bpm • G min • 03:16 • -9.61db
29% Popularity • 56% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Bleachers
We're Gonna Know Each Other Forever
152 bpm • E Maj • 03:02 • -10.85db
52% Popularity • 45% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Sarah Thompson
emotional capacity
134 bpm • G Maj • 03:14 • -8.79db
40% Popularity • 60% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Del Water Gap
Coping on Unemployment
134 bpm • B Maj • 03:48 • -7.17db
46% Popularity • 58% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Gracie Abrams
Cedar
134 bpm • G Maj • 04:12 • -8.65db
61% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Elle Coves
Lost Cowboy
133 bpm • G# Maj • 02:36 • -3.97db
41% Popularity • 70% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Paris Paloma
my mind (now)
154 bpm • C# Maj • 02:56 • -7.05db
58% Popularity • 25% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.26db
62% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Alfie Jukes
Cigarette
154 bpm • F min • 03:24 • -4.76db
53% Popularity • 55% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
61% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
59% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Annika Bennett
Madwoman
154 bpm • C Maj • 03:17 • -8.7db
34% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
76% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Katie Gregson-MacLeod
Your Ex
155 bpm • C Maj • 03:37 • -5.15db
40% Popularity • 55% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Medium Build
Crying Over U
132 bpm • F Maj • 03:54 • -8.69db
48% Popularity • 57% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Nieve Ella
Car Park
133 bpm • E Maj • 03:04 • -5.08db
40% Popularity • 53% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
55% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Rachel Chinouriri
Never Need Me - Acoustic
132 bpm • E Maj • 04:01 • -7.15db
35% Popularity • 76% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan Beatty
Bruises Off The Peach
132 bpm • B Maj • 03:12 • -8.8db
56% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Holly Humberstone
Down Swinging
156 bpm • B Maj • 02:56 • -6.91db
62% Popularity • 60% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
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Nieve Ella
The Things We Say
132 bpm • B min • 03:18 • -5.02db
49% Popularity • 46% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Scarlett