Songs like Scenes from the Poet's Dreams: No. 1, Racing Through Stars by Jennifer Higdon
Based on a tempo of (+/- 10%) and a similar genre
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Jennifer Higdon
Scenes from the Poet's Dreams: No. 1, Ra...
77 bpm • C# Maj • 02:09 • -19.56db
1% Popularity • 44% Danceability • 24% Energy • 26% Liveness
36% Instrumentalness • 39% Positiveness
1% Popularity • 44% Danceability • 24% Energy • 26% Liveness
36% Instrumentalness • 39% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51 (arr. Rogal-Levitsky): ...
77 bpm • D# Maj • 03:56 • -37db
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Muses Trio
Pale Yellow
77 bpm • F# min • 08:48 • -19.29db
0% Popularity • 26% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Vittorio Rieti
Sonatina: Impetuoso
77 bpm • F min • 01:29 • -15.25db
0% Popularity • 50% Danceability • 32% Energy • 16% Liveness
72% Instrumentalness • 11% Positiveness
0% Popularity • 50% Danceability • 32% Energy • 16% Liveness
72% Instrumentalness • 11% Positiveness
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Sofia Gubaidulina
String Quartet No. 2
77 bpm • D Maj • 08:11 • -23db
10% Popularity • 14% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
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Jennifer Higdon
Cold Mountain, Act I: Act I Scene 5: We ...
77 bpm • F min • 06:44 • -20.04db
0% Popularity • 33% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 33% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Koechlin
Sonate, Op. 71: II. Nocturne – Presque...
77 bpm • D# Maj • 03:00 • -26db
8% Popularity • 17% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Jacques Ibert
Ibert: 3 Pièces brèves: III. Assez len...
78 bpm • B Maj • 02:48 • -21db
7% Popularity • 21% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 13% Positiveness
7% Popularity • 21% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 13% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: VI. M...
78 bpm • A min • 02:20 • -34db
34% Popularity • 21% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: Gaily, but not quick
76 bpm • D Maj • 02:04 • -22.45db
30% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
30% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
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Claude Debussy
Nocturnes: No. 1. Nuages
76 bpm • C Maj • 08:17 • -43db
34% Popularity • 10% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
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Jennifer Higdon
Cold Mountain, Act I: Act I Scene 8: Loo...
76 bpm • C Maj • 06:07 • -23.54db
0% Popularity • 32% Danceability • 19% Energy • 63% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 32% Danceability • 19% Energy • 63% Liveness
0% Instrumentalness • 29% Positiveness
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Pierre Boulez
Boulez : Notations : 1 - Modéré - Fant...
78 bpm • C# Maj • 02:34 • -32db
7% Popularity • 20% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Benjamin Britten
Britten: Holiday Diary, Op. 5: II. Saili...
76 bpm • D Maj • 05:14 • -28.42db
5% Popularity • 46% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
5% Popularity • 46% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Alexander von Zemlinsky
String Quartet No. 4, Op. 25, "Suite": I...
76 bpm • D# min • 03:10 • -26db
13% Popularity • 7% Danceability • 3% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 3% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
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Edward Elgar
Soliloquy for Oboe and Orchestra (Orch. ...
76 bpm • A min • 04:13 • -29db
22% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
78 bpm • A# Maj • 01:56 • -25.9db
27% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
27% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
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Jennifer Higdon
Dance Card: No. 2, Breeze Serenade
76 bpm • C# min • 06:37 • -18.15db
3% Popularity • 10% Danceability • 19% Energy • 36% Liveness
21% Instrumentalness • 6% Positiveness
3% Popularity • 10% Danceability • 19% Energy • 36% Liveness
21% Instrumentalness • 6% Positiveness
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Charles Ives
The Unanswered Question
78 bpm • C Maj • 06:18 • -42.28db
1% Popularity • 13% Danceability • 0% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 0% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite (1919 Version): Final...
78 bpm • E Maj • 03:28 • -12db
17% Popularity • 14% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Claude Debussy
Debussy: Première rapsodie in B-Flat Ma...
78 bpm • D# min • 08:29 • -24.49db
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
78 bpm • E min • 04:19 • -32db
21% Popularity • 10% Danceability • 1% Energy • 14% Liveness
9% Instrumentalness • 3% Positiveness
21% Popularity • 10% Danceability • 1% Energy • 14% Liveness
9% Instrumentalness • 3% Positiveness
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Thomas Adès
Arcadiana: VI. O Albion
78 bpm • D# Maj • 03:26 • -43db
32% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • D# Maj • 04:23 • -27.17db
13% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: IV. Finale
76 bpm • E min • 04:49 • -22.27db
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Aaron Copland
Appalachian Spring: I. Very Slowly
78 bpm • A Maj • 02:42 • -31db
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VIII. Loua...
76 bpm • E Maj • 07:23 • -24.35db
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ravel / Arr Jones: Le tombeau de Couperi...
78 bpm • G Maj • 03:17 • -20db
7% Popularity • 25% Danceability • 10% Energy • 35% Liveness
94% Instrumentalness • 9% Positiveness
7% Popularity • 25% Danceability • 10% Energy • 35% Liveness
94% Instrumentalness • 9% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: III. Molto...
76 bpm • C min • 03:06 • -19db
12% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
12% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
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Pierre Boulez
12 Notations pour piano: I Fantasque - M...
79 bpm • C# Maj • 01:06 • -36.93db
23% Popularity • 50% Danceability • 0% Energy • 6% Liveness
9% Instrumentalness • 43% Positiveness
23% Popularity • 50% Danceability • 0% Energy • 6% Liveness
9% Instrumentalness • 43% Positiveness
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VÃtÄ›zslav Novák
Slovak Suite, Op. 32: III. The Lovers. A...
76 bpm • D# Maj • 04:16 • -24.12db
13% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Rebecca Clarke
Viola Sonata: I. Impetuoso
79 bpm • F Maj • 08:54 • -21db
17% Popularity • 19% Danceability • 9% Energy • 19% Liveness
45% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 9% Energy • 19% Liveness
45% Instrumentalness • 3% Positiveness
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Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Jennifer Higdon
Cold Mountain, Act I: Act I Scene 2: Wha...
79 bpm • G# Maj • 06:08 • -28.89db
0% Popularity • 20% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 20% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
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John Ireland
A Downland Suite (Arr. for String Orches...
79 bpm • D# Maj • 06:04 • -27db
8% Popularity • 7% Danceability • 5% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 5% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
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Maurice Ravel
String Quartet In F Major, M.35: 2. Asse...
79 bpm • A min • 05:58 • -29db
5% Popularity • 31% Danceability • 3% Energy • 10% Liveness
70% Instrumentalness • 14% Positiveness
5% Popularity • 31% Danceability • 3% Energy • 10% Liveness
70% Instrumentalness • 14% Positiveness
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Béla Bartók
String Quartet No. 4, BB 95: III. Non tr...
79 bpm • G Maj • 06:04 • -28db
10% Popularity • 12% Danceability • 3% Energy • 43% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 3% Energy • 43% Liveness
87% Instrumentalness • 4% Positiveness
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Igor Stravinsky
3 Pieces for String Quartet: No. 2
75 bpm • D min • 02:11 • -26db
11% Popularity • 48% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 48% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Charles Ives
3 Places in New England: No. 1 The "St. ...
75 bpm • A min • 09:00 • -34.51db
8% Popularity • 7% Danceability • 1% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 1% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Charles Griffes
3 Tone-Pictures, Op. 5 (version for orch...
79 bpm • D# Maj • 02:52 • -36db
12% Popularity • 7% Danceability • 1% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 1% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
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Uuno Klami
Sea Pictures: IV. Nocturne (Song of the ...
75 bpm • D min • 02:59 • -43db
9% Popularity • 13% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
9% Popularity • 13% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Francis Poulenc
Poulenc: Flute Sonata, FP 164: I. Allegr...
79 bpm • C Maj • 04:38 • -31db
22% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
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Jennifer Higdon
Cold Mountain, Act I: Act I Scene 9: Ari...
75 bpm • C# Maj • 03:37 • -24.02db
0% Popularity • 36% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 36% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
75 bpm • G# Maj • 01:23 • -28.96db
26% Popularity • 17% Danceability • 5% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
26% Popularity • 17% Danceability • 5% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: II. Andante c...
75 bpm • D# Maj • 07:12 • -23.61db
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
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Witold Lutosławski
3 Fragmente: II. Ulysse en Itaque
80 bpm • G min • 01:33 • -27db
20% Popularity • 19% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 19% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Franz Schreker
Schubert / Orch. Mahler: String Quartet ...
80 bpm • A Maj • 06:33 • -27db
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Turangalîla-Symphonie: X. Final
80 bpm • C# Maj • 07:32 • -14db
11% Popularity • 30% Danceability • 47% Energy • 8% Liveness
50% Instrumentalness • 26% Positiveness
11% Popularity • 30% Danceability • 47% Energy • 8% Liveness
50% Instrumentalness • 26% Positiveness
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Takashi Yoshimatsu
Saxophone Concerto, Op. 59 "Cyber-bird":...
80 bpm • F Maj • 08:47 • -21.57db
16% Popularity • 19% Danceability • 18% Energy • 7% Liveness
61% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 7% Liveness
61% Instrumentalness • 10% Positiveness
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Maurice Ravel
Ravel: String Quartet, M. 35: III. Très...
80 bpm • B Maj • 09:47 • -29.61db
25% Popularity • 10% Danceability • 1% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
25% Popularity • 10% Danceability • 1% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Jennifer Higdon
Trumpet Songs: V. Threaded
74 bpm • D# Maj • 01:14 • -32.98db
2% Popularity • 23% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
2% Popularity • 23% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
► Preview
Gerald Finzi
Five Bagatelles, Op. 23 - Arr. Ashmore, ...
80 bpm • A# Maj • 02:05 • -24.38db
12% Popularity • 8% Danceability • 5% Energy • 32% Liveness
72% Instrumentalness • 27% Positiveness
12% Popularity • 8% Danceability • 5% Energy • 32% Liveness
72% Instrumentalness • 27% Positiveness
► Preview
Valentin Silvestrov
Abschiedsserenade: II
80 bpm • C# Maj • 02:52 • -43.44db
10% Popularity • 12% Danceability • 0% Energy • 7% Liveness
67% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 0% Energy • 7% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Cello Concerto in E Minor, Op. 85: II. L...
80 bpm • E min • 04:33 • -21.57db
8% Popularity • 35% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
8% Popularity • 35% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
John Adams
Adams: City Noir: II. The Song is for Yo...
80 bpm • G min • 09:22 • -20.91db
7% Popularity • 8% Danceability • 9% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 9% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Debussy: Sonata for Flute, Viola and Har...
80 bpm • F Maj • 06:54 • -29db
14% Popularity • 14% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
30% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Jennifer Higdon
Cold Mountain, Act I: Act I Scene 1: Pea...
80 bpm • F# min • 04:33 • -20.46db
1% Popularity • 42% Danceability • 21% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 42% Danceability • 21% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Maurice Ravel
Le tombeau de Couperin (version for orch...
80 bpm • G Maj • 03:09 • -30.78db
31% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
31% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
► Preview
Vittorio Rieti
Sonatina: Senza tempo - lento a piacere
81 bpm • C# Maj • 01:44 • -28.61db
0% Popularity • 32% Danceability • 1% Energy • 10% Liveness
70% Instrumentalness • 8% Positiveness
0% Popularity • 32% Danceability • 1% Energy • 10% Liveness
70% Instrumentalness • 8% Positiveness
► Preview
William Grant Still
Suite for Violin & Piano: No. 2, Mother ...
81 bpm • C# min • 06:20 • -19.58db
9% Popularity • 15% Danceability • 12% Energy • 28% Liveness
3% Instrumentalness • 11% Positiveness
9% Popularity • 15% Danceability • 12% Energy • 28% Liveness
3% Instrumentalness • 11% Positiveness
► Preview
Béla Bartók
Bartók / Arr. Székely: 3 Hungarian Fol...
73 bpm • D min • 01:36 • -24db
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Jennifer Higdon
Smoky Mountain Air
81 bpm • D min • 03:51 • -23.4db
4% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
4% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
73 bpm • A# Maj • 07:10 • -15db
23% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Jean Sibelius
Belshazzar's Feast, JS 48: Act II: Prelu...
81 bpm • C# Maj • 03:48 • -37db
24% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
William Grant Still
Symphony No. 1, "Afro-American": I. Long...
81 bpm • G# Maj • 07:33 • -28db
19% Popularity • 14% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
19% Popularity • 14% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
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Gerald Finzi
5 Bagatelles for clarinet and piano, Op....
81 bpm • C Maj • 03:53 • -23db
14% Popularity • 22% Danceability • 7% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
14% Popularity • 22% Danceability • 7% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Jennifer Higdon
Cold Mountain, Act I: Act I Scene 7: Mis...
81 bpm • E Maj • 02:36 • -15.85db
0% Popularity • 49% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 49% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: Adagio (Takt 22...
73 bpm • F# Maj • 09:36 • -25db
9% Popularity • 7% Danceability • 6% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 6% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
81 bpm • C min • 06:37 • -30db
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Claude Debussy
Marche écossaise sur un thème populair...
81 bpm • C Maj • 06:42 • -21.54db
8% Popularity • 19% Danceability • 6% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
Oboe Concerto: I. Rondo Pastorale. Alleg...
73 bpm • E min • 07:52 • -30.02db
7% Popularity • 16% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
7% Popularity • 16% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
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Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35, TH. ...
73 bpm • G Maj • 07:57 • -24.35db
11% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Jennifer Higdon
Dance Card: No. 4, Celestial Blue
81 bpm • F Maj • 07:58 • -17.8db
1% Popularity • 9% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Alan Hovhaness
Symphony No. 2, Op. 132, "Mysterious Mou...
73 bpm • A min • 05:35 • -23.52db
11% Popularity • 12% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
11% Popularity • 12% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
82 bpm • A# min • 06:48 • -30db
15% Popularity • 15% Danceability • 3% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Oboe Concerto in A Minor: I. Rondo Pasto...
82 bpm • E min • 08:17 • -23db
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Emma Johnson
Violin Sonata (version for clarinet and ...
73 bpm • D# Maj • 06:08 • -27db
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Jennifer Higdon
Southern Harmony: III. Gentle Waltz
81 bpm • F Maj • 05:51 • -17.68db
0% Popularity • 13% Danceability • 18% Energy • 8% Liveness
51% Instrumentalness • 12% Positiveness
0% Popularity • 13% Danceability • 18% Energy • 8% Liveness
51% Instrumentalness • 12% Positiveness
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György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
15% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
15% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
26% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Charles Ives
Piano Sonata No. 2 ("Concord, Mass., 184...
72 bpm • D# Maj • 05:39 • -24db
15% Popularity • 30% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 30% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Le sacre du printemps / Pt. 1: L'Adorati...
82 bpm • G# min • 03:33 • -28.95db
20% Popularity • 10% Danceability • 3% Energy • 6% Liveness
68% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 6% Liveness
68% Instrumentalness • 4% Positiveness
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Johannes Brahms
Strings of Heaven
72 bpm • F Maj • 02:26 • -32.84db
11% Popularity • 25% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Jennifer Higdon
Southern Harmony: I. Soft Summers
82 bpm • F# min • 05:53 • -17.4db
0% Popularity • 8% Danceability • 18% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 18% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Aaron Copland
Copland: Symphony No. 3: I. Molto modera...
82 bpm • A Maj • 10:08 • -18.97db
14% Popularity • 9% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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Francis Poulenc
Sinfonietta, FP 141: I. Allegro con fuoc...
72 bpm • F Maj • 07:54 • -21db
11% Popularity • 12% Danceability • 8% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
