Songs like Schoenberg: Gurre-Lieder, Pt. 3: "Der Hahn erhebt den Kopf zur Kraht" (Waldemars Mannen) by Arnold Schoenberg
Based on a tempo of (+/- 10%) and a similar genre
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Arnold Schoenberg
Suite, Op. 29: 4. Gigue
107 bpm • C# Maj • 06:13 • -17.84db
0% Popularity • 46% Danceability • 25% Energy • 11% Liveness
56% Instrumentalness • 36% Positiveness
0% Popularity • 46% Danceability • 25% Energy • 11% Liveness
56% Instrumentalness • 36% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
27% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
27% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
48% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Bach, JS / Orch. Marriner: Was mir behag...
109 bpm • A# Maj • 04:39 • -22.32db
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Arnold Schoenberg
Schoenberg: Gurre-Lieder, Pt. 3: "Der Ha...
107 bpm • F min • 06:30 • -36.42db
6% Popularity • 15% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
6% Popularity • 15% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Mieczysław Weinberg
Aria, Op. 9
103 bpm • A# Maj • 03:38 • -20.34db
35% Popularity • 15% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
35% Popularity • 15% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
103 bpm • A Maj • 05:02 • -22db
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Arnold Schoenberg
Moses und Aron / Act II: Orgie der Verni...
106 bpm • A min • 05:17 • -20.64db
0% Popularity • 29% Danceability • 51% Energy • 30% Liveness
86% Instrumentalness • 9% Positiveness
0% Popularity • 29% Danceability • 51% Energy • 30% Liveness
86% Instrumentalness • 9% Positiveness
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César Franck
Prélude, fugue et variation in B Minor,...
112 bpm • F# Maj • 00:59 • -30.77db
51% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
51% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Béla Bartók
44 Duos for 2 Violins, BB 104, Vol. 1: P...
112 bpm • B min • 00:53 • -24.71db
35% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
35% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
102 bpm • G Maj • 06:08 • -27.3db
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Gurrelieder, Pt. 3: No. 15, Gegrüsst, o...
108 bpm • D Maj • 05:47 • -17.02db
6% Popularity • 21% Danceability • 47% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
6% Popularity • 21% Danceability • 47% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Six Romances, Op. 6, TH 93: VI. None but...
101 bpm • C# Maj • 03:03 • -21.8db
28% Popularity • 22% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Arnold Schoenberg
Brettl-Lieder: No. 4. Jedem das Seine
109 bpm • F Maj • 04:09 • -22.04db
2% Popularity • 48% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
2% Popularity • 48% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
56% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
56% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Paul Hindemith
In einer Nacht, Op. 15: No. 2, Sehr lang...
100 bpm • C# min • 01:24 • -34db
42% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
42% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
32% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Arnold Schoenberg
Suite for Piano, Op. 25: I. Präludium
105 bpm • A# Maj • 00:54 • -21db
25% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
25% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
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Leonard Bernstein
5 Anniversaries: No. 5, For Susanna Kyle
98 bpm • C Maj • 01:56 • -41db
49% Popularity • 40% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 54% Positiveness
49% Popularity • 40% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 54% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Alban Berg
Schließe mir die Augen beide
117 bpm • C Maj • 01:08 • -23db
23% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
23% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Arnold Schoenberg
Gurrelieder, Pt. 3: No. 19, Der Hahn erh...
109 bpm • G# Maj • 04:13 • -33.4db
5% Popularity • 16% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
39% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: String Quartet, M. 35: I. Allegro...
118 bpm • F Maj • 08:50 • -23.88db
28% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Gabriel Fauré
3 Songs, Op. 7: I. Après un rêve (Vers...
98 bpm • F min • 03:13 • -15.26db
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Arnold Schoenberg
Suite, Op. 29: 1. Ouverture. Allegretto....
105 bpm • D Maj • 07:01 • -19.9db
0% Popularity • 44% Danceability • 15% Energy • 40% Liveness
20% Instrumentalness • 29% Positiveness
0% Popularity • 44% Danceability • 15% Energy • 40% Liveness
20% Instrumentalness • 29% Positiveness
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
34% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
48% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
48% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un Rêve Op. 7, No. 1
96 bpm • F min • 03:22 • -26.28db
28% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: V. Adagio (Arr....
109 bpm • E min • 04:37 • -27.33db
10% Popularity • 16% Danceability • 5% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
55% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
37% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Arnold Schoenberg
Brettl-Lieder: No. 2. Einfaltiges Lied
104 bpm • G Maj • 02:29 • -21.61db
0% Popularity • 49% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 49% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hans Abrahamsen
Schoenberg - 4 Pieces from 6 Kleine Klav...
95 bpm • C Maj • 00:54 • -37.67db
7% Popularity • 41% Danceability • 0% Energy • 6% Liveness
1% Instrumentalness • 14% Positiveness
7% Popularity • 41% Danceability • 0% Energy • 6% Liveness
1% Instrumentalness • 14% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
► Preview
Arnold Schoenberg
Seht, die Sonne
110 bpm • C Maj • 05:37 • -12.53db
5% Popularity • 16% Danceability • 31% Energy • 32% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 31% Energy • 32% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
► Preview
Kurt Atterberg
Suite No. 3, Op. 19, No. 1 (version for ...
94 bpm • C# min • 02:33 • -18db
18% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Three Piano Pieces, Op. 11 (1909): III. ...
103 bpm • C# Maj • 02:33 • -18.8db
5% Popularity • 48% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 19% Positiveness
5% Popularity • 48% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
18% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
46% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
46% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
38% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
38% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Arnold Schoenberg
String Trio, Op. 45: Part II
103 bpm • C Maj • 03:05 • -32.93db
4% Popularity • 35% Danceability • 2% Energy • 35% Liveness
1% Instrumentalness • 9% Positiveness
4% Popularity • 35% Danceability • 2% Energy • 35% Liveness
1% Instrumentalness • 9% Positiveness
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Claude Debussy
6 Épigraphes antiques, L. 131: I. Pour ...
93 bpm • D min • 02:43 • -32.38db
9% Popularity • 12% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
9% Popularity • 12% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
30% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Gurre-Lieder (version for voice and pian...
111 bpm • C# Maj • 02:22 • -13.53db
0% Popularity • 46% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 46% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Einojuhani Rautavaara
Deux Sérénades (Written for Hilary Hah...
92 bpm • A min • 07:50 • -25.19db
17% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Suite für Klavier, Op. 25: IIb. Musette...
103 bpm • G# Maj • 01:10 • -22.73db
5% Popularity • 48% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
5% Popularity • 48% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
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Claude Debussy
Beau soir, L. 6 (L. 84) (Arr. Heifetz fo...
92 bpm • F# min • 02:14 • -28.57db
47% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
23% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
23% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
126 bpm • A Maj • 03:34 • -17db
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Percy Grainger
La Scandinavie: III. Polska norvégien
126 bpm • D# Maj • 02:54 • -22.83db
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Arnold Schoenberg
Gurrelieder / Pt. 3: 19. Waldemar's Men:...
103 bpm • F min • 05:18 • -33.88db
2% Popularity • 14% Danceability • 2% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
2% Popularity • 14% Danceability • 2% Energy • 17% Liveness
6% Instrumentalness • 4% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Arnold Schoenberg
Piano Quartet No. 1 in G Minor, Op. 25 (...
112 bpm • D# Maj • 08:40 • -19.5db
7% Popularity • 29% Danceability • 14% Energy • 26% Liveness
69% Instrumentalness • 16% Positiveness
7% Popularity • 29% Danceability • 14% Energy • 26% Liveness
69% Instrumentalness • 16% Positiveness
