Songs like Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo by Arnold Schoenberg
Based on a tempo of (+/- 10%) and a similar genre
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Arnold Schoenberg
Moses und Aron / Act II: Vierzig Tage li...
125 bpm • C min • 03:22 • -21.08db
1% Popularity • 33% Danceability • 20% Energy • 70% Liveness
1% Instrumentalness • 17% Positiveness
1% Popularity • 33% Danceability • 20% Energy • 70% Liveness
1% Instrumentalness • 17% Positiveness
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César Franck
Symphony In D Minor: 3. Allegro non trop...
125 bpm • G Maj • 09:15 • -15db
2% Popularity • 18% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
2% Popularity • 18% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Percy Grainger
La Scandinavie: III. Polska norvégien
126 bpm • D# Maj • 02:54 • -22.83db
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Symphony No. 1 in F Minor, Op. 10: I. Al...
125 bpm • A# min • 09:27 • -23.95db
14% Popularity • 38% Danceability • 4% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
14% Popularity • 38% Danceability • 4% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116: IV. Int...
126 bpm • B Maj • 04:02 • -28db
20% Popularity • 22% Danceability • 4% Energy • 38% Liveness
78% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 4% Energy • 38% Liveness
78% Instrumentalness • 6% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: Vc. Songe ...
123 bpm • G Maj • 02:46 • -18db
18% Popularity • 33% Danceability • 37% Energy • 57% Liveness
87% Instrumentalness • 26% Positiveness
18% Popularity • 33% Danceability • 37% Energy • 57% Liveness
87% Instrumentalness • 26% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: V. ...
125 bpm • E min • 04:53 • -23db
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
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Dmitri Shostakovich
Bolt, Op. 27a (Ballet Suite No. 5): I. O...
124 bpm • F min • 05:05 • -18db
22% Popularity • 35% Danceability • 19% Energy • 30% Liveness
91% Instrumentalness • 14% Positiveness
22% Popularity • 35% Danceability • 19% Energy • 30% Liveness
91% Instrumentalness • 14% Positiveness
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Alexander Borodin
String Quartet No.2 in D Major
127 bpm • F Maj • 04:47 • -19.22db
17% Popularity • 34% Danceability • 19% Energy • 21% Liveness
65% Instrumentalness • 37% Positiveness
17% Popularity • 34% Danceability • 19% Energy • 21% Liveness
65% Instrumentalness • 37% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116: V. Fina...
127 bpm • G# Maj • 09:24 • -17db
21% Popularity • 29% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
21% Popularity • 29% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: IV. Alborada del ...
123 bpm • D Maj • 07:40 • -23.95db
20% Popularity • 28% Danceability • 4% Energy • 4% Liveness
46% Instrumentalness • 15% Positiveness
20% Popularity • 28% Danceability • 4% Energy • 4% Liveness
46% Instrumentalness • 15% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Ec...
127 bpm • A min • 03:36 • -27.49db
32% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
122 bpm • A Maj • 07:11 • -24.48db
10% Popularity • 54% Danceability • 12% Energy • 7% Liveness
36% Instrumentalness • 47% Positiveness
10% Popularity • 54% Danceability • 12% Energy • 7% Liveness
36% Instrumentalness • 47% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
127 bpm • C min • 06:03 • -21.48db
14% Popularity • 44% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 42% Positiveness
14% Popularity • 44% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 42% Positiveness
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Witold Lutosławski
Lutoslawski : Concerto for Orchestra : I...
128 bpm • F# min • 07:17 • -26db
13% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
13% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
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Alban Berg
3 Pieces for Orchestra, Op. 6: No. 1, Pr...
128 bpm • F min • 04:45 • -20.42db
3% Popularity • 17% Danceability • 14% Energy • 34% Liveness
96% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 14% Energy • 34% Liveness
96% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
122 bpm • C# min • 12:42 • -18.02db
29% Popularity • 21% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
29% Popularity • 21% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Franz Liszt
Scherzo
128 bpm • A# Maj • 06:14 • -21.42db
15% Popularity • 45% Danceability • 19% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
15% Popularity • 45% Danceability • 19% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
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Amy Beach
Symphony in E Minor, Op. 32, "Gaelic Sym...
122 bpm • F Maj • 07:26 • -28db
16% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Symphony No. 9 in E-Flat Major, Op. 70: ...
128 bpm • G# Maj • 05:27 • -18.71db
9% Popularity • 55% Danceability • 31% Energy • 20% Liveness
86% Instrumentalness • 41% Positiveness
9% Popularity • 55% Danceability • 31% Energy • 20% Liveness
86% Instrumentalness • 41% Positiveness
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Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
129 bpm • A# Maj • 08:59 • -22.23db
10% Popularity • 18% Danceability • 8% Energy • 19% Liveness
60% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 19% Liveness
60% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46: No. 1 in C (P...
129 bpm • C Maj • 04:07 • -17.38db
14% Popularity • 43% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
14% Popularity • 43% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
122 bpm • F# Maj • 06:30 • -33db
21% Popularity • 17% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: 5. Joie du sang ...
121 bpm • D# min • 06:41 • -18.55db
14% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10: IV. T...
121 bpm • G Maj • 07:26 • -18.16db
0% Popularity • 31% Danceability • 20% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
0% Popularity • 31% Danceability • 20% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
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Maurice Ravel
Alborada del gracioso, M. 43: Assez vif
121 bpm • D Maj • 07:30 • -24db
19% Popularity • 25% Danceability • 6% Energy • 49% Liveness
70% Instrumentalness • 13% Positiveness
19% Popularity • 25% Danceability • 6% Energy • 49% Liveness
70% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
120 bpm • F Maj • 00:48 • -25.12db
24% Popularity • 18% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
121 bpm • C Maj • 05:10 • -17.49db
16% Popularity • 34% Danceability • 22% Energy • 6% Liveness
45% Instrumentalness • 37% Positiveness
16% Popularity • 34% Danceability • 22% Energy • 6% Liveness
45% Instrumentalness • 37% Positiveness
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Francis Poulenc
Poulenc: Piano Concerto in C-Sharp Minor...
130 bpm • G min • 07:57 • -24.93db
11% Popularity • 38% Danceability • 10% Energy • 32% Liveness
87% Instrumentalness • 7% Positiveness
11% Popularity • 38% Danceability • 10% Energy • 32% Liveness
87% Instrumentalness • 7% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116, BB 123:...
130 bpm • C# Maj • 10:01 • -21.13db
14% Popularity • 20% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10: I. An...
121 bpm • D min • 06:25 • -22db
2% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
2% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
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Domenico Scarlatti
Sonata in E Major, Kk. 20: Presto
130 bpm • E Maj • 03:31 • -28db
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: III. Abîm...
131 bpm • G Maj • 08:09 • -22db
19% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
19% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46: No. 8 in G mi...
131 bpm • G Maj • 04:30 • -18.58db
13% Popularity • 46% Danceability • 16% Energy • 39% Liveness
82% Instrumentalness • 55% Positiveness
13% Popularity • 46% Danceability • 16% Energy • 39% Liveness
82% Instrumentalness • 55% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116, BB 123:...
120 bpm • A# min • 04:14 • -23db
8% Popularity • 22% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 3. Menuetto I...
119 bpm • D Maj • 02:08 • -19db
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
131 bpm • C Maj • 09:30 • -17.58db
14% Popularity • 32% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 29% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 29% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
132 bpm • C min • 02:07 • -27.63db
34% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
34% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: III. In...
132 bpm • E min • 03:55 • -18.89db
24% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
24% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: X. La cathé...
132 bpm • C Maj • 07:05 • -22db
18% Popularity • 52% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
18% Popularity • 52% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
132 bpm • G# Maj • 01:27 • -13.52db
26% Popularity • 20% Danceability • 49% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
26% Popularity • 20% Danceability • 49% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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Maurice Ravel
Ravel: String Quartet, M. 35: I. Allegro...
118 bpm • F Maj • 08:50 • -23.88db
28% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Scythian Suite, Op. 20: II. The Enemy of...
118 bpm • C Maj • 03:11 • -18.6db
23% Popularity • 54% Danceability • 34% Energy • 58% Liveness
73% Instrumentalness • 31% Positiveness
23% Popularity • 54% Danceability • 34% Energy • 58% Liveness
73% Instrumentalness • 31% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Des He...
133 bpm • D# Maj • 09:39 • -15.37db
17% Popularity • 19% Danceability • 38% Energy • 24% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 19% Danceability • 38% Energy • 24% Liveness
90% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 5 in E Minor, ...
133 bpm • E Maj • 11:42 • -18.28db
15% Popularity • 28% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 28% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Julian Scriabin
Prelude in C Major, Op. 2: II. Prelude i...
117 bpm • B Maj • 01:15 • -28db
39% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
39% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: VII. Fouil...
134 bpm • E Maj • 07:28 • -17db
15% Popularity • 27% Danceability • 21% Energy • 4% Liveness
30% Instrumentalness • 3% Positiveness
15% Popularity • 27% Danceability • 21% Energy • 4% Liveness
30% Instrumentalness • 3% Positiveness
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Richard Strauss
Concerto for Oboe and Small Orchestra in...
133 bpm • D Maj • 08:29 • -17db
21% Popularity • 26% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 18% Positiveness
21% Popularity • 26% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 18% Positiveness
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Alban Berg
Schließe mir die Augen beide
117 bpm • C Maj • 01:08 • -23db
23% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
23% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 4 in F Minor, Op. 36: II. A...
134 bpm • A# min • 10:07 • -20.89db
22% Popularity • 18% Danceability • 5% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 5% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
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Claude Debussy
La mer, L. 109: I. De l'aube à midi sur...
134 bpm • F# Maj • 08:45 • -28.9db
14% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
134 bpm • A# Maj • 08:07 • -32.9db
14% Popularity • 41% Danceability • 0% Energy • 14% Liveness
79% Instrumentalness • 8% Positiveness
14% Popularity • 41% Danceability • 0% Energy • 14% Liveness
79% Instrumentalness • 8% Positiveness
► Preview
Igor Stravinsky
Pulcinella, Ballet in One Act After Perg...
116 bpm • G Maj • 03:03 • -21.11db
28% Popularity • 44% Danceability • 8% Energy • 16% Liveness
35% Instrumentalness • 58% Positiveness
28% Popularity • 44% Danceability • 8% Energy • 16% Liveness
35% Instrumentalness • 58% Positiveness
► Preview
Alfred Schnittke
Concerto grosso no.1 (1976-77): 2. Tocca...
134 bpm • D Maj • 04:25 • -15db
19% Popularity • 46% Danceability • 46% Energy • 13% Liveness
79% Instrumentalness • 48% Positiveness
19% Popularity • 46% Danceability • 46% Energy • 13% Liveness
79% Instrumentalness • 48% Positiveness
► Preview
Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Violin Concerto No. 1 in A...
116 bpm • F Maj • 06:49 • -17.23db
18% Popularity • 53% Danceability • 25% Energy • 6% Liveness
65% Instrumentalness • 46% Positiveness
18% Popularity • 53% Danceability • 25% Energy • 6% Liveness
65% Instrumentalness • 46% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
116 bpm • A min • 10:01 • -12db
11% Popularity • 26% Danceability • 18% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 18% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Gurre-Lieder, Pt. 1: "O, wen...
116 bpm • B Maj • 03:12 • -27db
13% Popularity • 22% Danceability • 6% Energy • 43% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 43% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: V. Laideronnette,...
116 bpm • G# min • 05:08 • -30.93db
21% Popularity • 20% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 5% Positiveness
21% Popularity • 20% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 5% Positiveness
► Preview
Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
115 bpm • A min • 06:14 • -23db
20% Popularity • 35% Danceability • 9% Energy • 7% Liveness
16% Instrumentalness • 23% Positiveness
20% Popularity • 35% Danceability • 9% Energy • 7% Liveness
16% Instrumentalness • 23% Positiveness
► Preview
Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
135 bpm • A# Maj • 16:28 • -21.73db
13% Popularity • 24% Danceability • 15% Energy • 32% Liveness
67% Instrumentalness • 5% Positiveness
13% Popularity • 24% Danceability • 15% Energy • 32% Liveness
67% Instrumentalness • 5% Positiveness
► Preview
César Franck
Franck: Cello Sonata in A Major, FWV 8: ...
136 bpm • A Maj • 06:52 • -15.23db
12% Popularity • 27% Danceability • 16% Energy • 5% Liveness
88% Instrumentalness • 23% Positiveness
12% Popularity • 27% Danceability • 16% Energy • 5% Liveness
88% Instrumentalness • 23% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • A Maj • 01:35 • -12.19db
25% Popularity • 49% Danceability • 58% Energy • 18% Liveness
81% Instrumentalness • 25% Positiveness
25% Popularity • 49% Danceability • 58% Energy • 18% Liveness
81% Instrumentalness • 25% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 13 in G-Flat Ma...
136 bpm • F# Maj • 01:45 • -32db
38% Popularity • 37% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
38% Popularity • 37% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Sergei Rachmaninoff
10 Preludes, Op. 23: No. 4 in D Major (A...
136 bpm • D Maj • 05:36 • -29.67db
9% Popularity • 37% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
9% Popularity • 37% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Des He...
136 bpm • A# Maj • 06:49 • -34db
14% Popularity • 19% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
Hungarian Dance No. 3 in F - Orchestrate...
137 bpm • F Maj • 02:32 • -31.31db
12% Popularity • 41% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
12% Popularity • 41% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
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Dmitri Shostakovich
Concerto for Piano, Trumpet and String o...
137 bpm • C Maj • 08:30 • -23.6db
12% Popularity • 22% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 6 in B Minor, ...
137 bpm • E min • 09:42 • -17.79db
4% Popularity • 15% Danceability • 9% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 9% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 39 in E Flat Major, K.543: ...
137 bpm • D# Maj • 05:28 • -20.09db
2% Popularity • 38% Danceability • 25% Energy • 35% Liveness
76% Instrumentalness • 43% Positiveness
2% Popularity • 38% Danceability • 25% Energy • 35% Liveness
76% Instrumentalness • 43% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
114 bpm • F min • 06:43 • -15.17db
20% Popularity • 17% Danceability • 25% Energy • 31% Liveness
21% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 25% Energy • 31% Liveness
21% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Sinfonia In D Major, Wq. 183/1, H. 663 :...
137 bpm • D# Maj • 01:38 • -32.89db
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
93% Instrumentalness • 13% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
93% Instrumentalness • 13% Positiveness
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Arnold Schoenberg
Gurrelieder, Pt. 3: No. 14, Deckel des S...
138 bpm • D Maj • 03:06 • -19.99db
6% Popularity • 30% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
6% Popularity • 30% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Bolt, Op. 27a (Ballet Suite No. 5): VI. ...
138 bpm • A min • 03:41 • -37.21db
18% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Samuel Golden...
113 bpm • C# Maj • 02:23 • -23.55db
26% Popularity • 30% Danceability • 10% Energy • 42% Liveness
83% Instrumentalness • 5% Positiveness
26% Popularity • 30% Danceability • 10% Energy • 42% Liveness
83% Instrumentalness • 5% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10: III. ...
113 bpm • F# Maj • 08:18 • -27db
3% Popularity • 17% Danceability • 2% Energy • 5% Liveness
53% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 2% Energy • 5% Liveness
53% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 - Part One:...
139 bpm • E min • 08:00 • -16.88db
29% Popularity • 18% Danceability • 27% Energy • 9% Liveness
69% Instrumentalness • 16% Positiveness
29% Popularity • 18% Danceability • 27% Energy • 9% Liveness
69% Instrumentalness • 16% Positiveness
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George Gershwin
An American In Paris - Revised By F. Cam...
139 bpm • C Maj • 05:42 • -13.26db
11% Popularity • 29% Danceability • 41% Energy • 13% Liveness
84% Instrumentalness • 20% Positiveness
11% Popularity • 29% Danceability • 41% Energy • 13% Liveness
84% Instrumentalness • 20% Positiveness
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Franz Liszt
A Faust Symphony, S.108: 1. Faust
139 bpm • C Maj • 28:13 • -20.7db
8% Popularity • 18% Danceability • 6% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
112 bpm • A# min • 02:25 • -26db
13% Popularity • 42% Danceability • 7% Energy • 25% Liveness
95% Instrumentalness • 14% Positiveness
13% Popularity • 42% Danceability • 7% Energy • 25% Liveness
95% Instrumentalness • 14% Positiveness
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Béla Bartók
Sonata For 2 Pianos And Percussion, Sz. ...
140 bpm • A Maj • 06:15 • -22db
13% Popularity • 41% Danceability • 30% Energy • 23% Liveness
78% Instrumentalness • 35% Positiveness
13% Popularity • 41% Danceability • 30% Energy • 23% Liveness
78% Instrumentalness • 35% Positiveness
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Claude Debussy
Debussy: String Quartet in G Minor, Op. ...
112 bpm • D# Maj • 06:21 • -20db
29% Popularity • 29% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 10% Positiveness
29% Popularity • 29% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 10% Positiveness
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Janos Sebestyen
Prelude In F Major, BWV 928 : Prelude In...
140 bpm • F Maj • 01:26 • -23.98db
56% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
56% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: 4. Jupiter, The Bri...
141 bpm • C min • 07:33 • -14db
8% Popularity • 26% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
8% Popularity • 26% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
141 bpm • D min • 04:36 • -39db
25% Popularity • 14% Danceability • 0% Energy • 16% Liveness
14% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 0% Energy • 16% Liveness
14% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Moses und Aron / Act I: Allmächtiger, m...
140 bpm • C min • 04:05 • -21.93db
1% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: II....
141 bpm • C# Maj • 03:04 • -18db
15% Popularity • 46% Danceability • 26% Energy • 8% Liveness
80% Instrumentalness • 49% Positiveness
15% Popularity • 46% Danceability • 26% Energy • 8% Liveness
80% Instrumentalness • 49% Positiveness
► Preview
Claude Debussy
Pelléas et Mélisande, CD 93, Suite (Ar...
141 bpm • D min • 08:05 • -30.16db
17% Popularity • 14% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness