Songs like Schönfeld-Marsch op.422 - Arr. Martin Uhl by Carl Michael Ziehrer
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Glazunov
The Seasons, Op. 67, Pt. 4 "L'automne": ...
123 bpm • F Maj • 01:24 • -20.83db
18% Popularity • 28% Danceability • 8% Energy • 60% Liveness
11% Instrumentalness • 42% Positiveness
18% Popularity • 28% Danceability • 8% Energy • 60% Liveness
11% Instrumentalness • 42% Positiveness
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Carl Michael Ziehrer
Introduktion und Marsch nach Melodien de...
123 bpm • G Maj • 02:25 • -15.97db
3% Popularity • 54% Danceability • 21% Energy • 6% Liveness
5% Instrumentalness • 68% Positiveness
3% Popularity • 54% Danceability • 21% Energy • 6% Liveness
5% Instrumentalness • 68% Positiveness
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Johann Strauss Orchester
Fatinitza Marsch
123 bpm • G Maj • 02:17 • -13db
9% Popularity • 67% Danceability • 43% Energy • 23% Liveness
92% Instrumentalness • 87% Positiveness
9% Popularity • 67% Danceability • 43% Energy • 23% Liveness
92% Instrumentalness • 87% Positiveness
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Johann Schrammel
Wien bleibt Wien, Marsch
122 bpm • D Maj • 03:24 • -15.59db
20% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
20% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
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Georges Bizet
Carmen Suite No. 2: 4. La garde montante
124 bpm • D min • 03:37 • -27.15db
16% Popularity • 72% Danceability • 11% Energy • 13% Liveness
7% Instrumentalness • 42% Positiveness
16% Popularity • 72% Danceability • 11% Energy • 13% Liveness
7% Instrumentalness • 42% Positiveness
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Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
124 bpm • E min • 04:49 • -19.33db
5% Popularity • 34% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 16% Positiveness
5% Popularity • 34% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 16% Positiveness
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Robert Stolz
UNO - Marsch
122 bpm • E min • 03:28 • -9db
17% Popularity • 44% Danceability • 74% Energy • 72% Liveness
92% Instrumentalness • 40% Positiveness
17% Popularity • 44% Danceability • 74% Energy • 72% Liveness
92% Instrumentalness • 40% Positiveness
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Carl Michael Ziehrer
Die Landstreicher: Overture
124 bpm • D# Maj • 04:55 • -13db
14% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
14% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
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Richard Strauss
Horn Concerto No. 1 in E-Flat Major, Op....
122 bpm • D# Maj • 05:33 • -17.39db
7% Popularity • 35% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
7% Popularity • 35% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Franz Lehár
Zwanzinette
124 bpm • F Maj • 02:56 • -17db
11% Popularity • 71% Danceability • 31% Energy • 7% Liveness
74% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 31% Energy • 7% Liveness
74% Instrumentalness • 74% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Julius Fučík
Triglav, Op. 72
122 bpm • G Maj • 01:38 • -15.04db
27% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
27% Popularity • 48% Danceability • 45% Energy • 30% Liveness
88% Instrumentalness • 78% Positiveness
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Paul Lincke
Frau Luna: Berliner Luft - Live
122 bpm • D# Maj • 03:48 • -13.42db
8% Popularity • 56% Danceability • 54% Energy • 74% Liveness
97% Instrumentalness • 70% Positiveness
8% Popularity • 56% Danceability • 54% Energy • 74% Liveness
97% Instrumentalness • 70% Positiveness
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Carl Michael Ziehrer
Poesie und Prosa Polka-Mazurka, op.156
122 bpm • G Maj • 04:04 • -21.39db
1% Popularity • 43% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
1% Popularity • 43% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
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Haydn Wood
Serenade to Youth
121 bpm • D Maj • 02:51 • -25db
22% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
22% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Georges Bizet
Carmen, WD 31: Overture (Prelude)
125 bpm • A Maj • 02:15 • -15.9db
10% Popularity • 31% Danceability • 41% Energy • 38% Liveness
54% Instrumentalness • 66% Positiveness
10% Popularity • 31% Danceability • 41% Energy • 38% Liveness
54% Instrumentalness • 66% Positiveness
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Michał Kleofas Ogiński
Quadrille No. 1 in F Minor
121 bpm • F min • 01:30 • -14.49db
16% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
16% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
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Julius Fučík
Fucik : Florentiner-Marsch Op.214
125 bpm • F Maj • 05:03 • -15.27db
9% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
9% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
125 bpm • C Maj • 01:58 • -20db
18% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
18% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
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Carl Michael Ziehrer
Die Landstreicher, Act I: Halt da! Der H...
122 bpm • A# Maj • 04:32 • -11.14db
0% Popularity • 42% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 42% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Giuseppe Verdi
Verdi: Il trovatore, Act 2: Coro di zing...
121 bpm • G Maj • 06:37 • -19.79db
20% Popularity • 41% Danceability • 13% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
20% Popularity • 41% Danceability • 13% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
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John Philip Sousa
Chris and the Wonderful Lamp: Jack Tar
121 bpm • G Maj • 02:25 • -19.99db
5% Popularity • 49% Danceability • 22% Energy • 11% Liveness
80% Instrumentalness • 76% Positiveness
5% Popularity • 49% Danceability • 22% Energy • 11% Liveness
80% Instrumentalness • 76% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 11 H...
126 bpm • G Maj • 02:08 • -16.26db
13% Popularity • 52% Danceability • 27% Energy • 18% Liveness
71% Instrumentalness • 62% Positiveness
13% Popularity • 52% Danceability • 27% Energy • 18% Liveness
71% Instrumentalness • 62% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Byron McKay
Step By Step
120 bpm • G Maj • 01:31 • -21.38db
12% Popularity • 72% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
12% Popularity • 72% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Carl Michael Ziehrer
Schönfeld March, Op. 422
121 bpm • D Maj • 02:56 • -15.89db
0% Popularity • 55% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 49% Positiveness
0% Popularity • 55% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 49% Positiveness
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Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
126 bpm • G Maj • 04:47 • -16.25db
10% Popularity • 50% Danceability • 19% Energy • 8% Liveness
70% Instrumentalness • 63% Positiveness
10% Popularity • 50% Danceability • 19% Energy • 8% Liveness
70% Instrumentalness • 63% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture
120 bpm • G min • 01:31 • -21.4db
15% Popularity • 65% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
15% Popularity • 65% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Oscar Straus
Bulgaren-marsch
120 bpm • A Maj • 03:11 • -17.49db
9% Popularity • 72% Danceability • 40% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
9% Popularity • 72% Danceability • 40% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
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Julius Fučík
Einzug der Gladiatoren, Op. 68 "Triumph ...
120 bpm • C Maj • 02:44 • -12.58db
12% Popularity • 49% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 49% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Georges Bizet
Carmen Suite No. 2: Danse bohème
120 bpm • C Maj • 04:45 • -20db
22% Popularity • 35% Danceability • 9% Energy • 6% Liveness
8% Instrumentalness • 11% Positiveness
22% Popularity • 35% Danceability • 9% Energy • 6% Liveness
8% Instrumentalness • 11% Positiveness
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Carl Michael Ziehrer
Fesche Geiste: Overture
120 bpm • F Maj • 06:18 • -19.12db
0% Popularity • 42% Danceability • 25% Energy • 12% Liveness
76% Instrumentalness • 19% Positiveness
0% Popularity • 42% Danceability • 25% Energy • 12% Liveness
76% Instrumentalness • 19% Positiveness
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Rundfunkorchester des Südwestfunks Kaiserslautern
Frau Luna: Folies-Bergère-Marsch
127 bpm • C Maj • 03:09 • -12db
9% Popularity • 44% Danceability • 49% Energy • 22% Liveness
10% Instrumentalness • 84% Positiveness
9% Popularity • 44% Danceability • 49% Energy • 22% Liveness
10% Instrumentalness • 84% Positiveness
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Pyotr Ilyich Tchaikovsky
Casse-Noisette suite, Op. 71a ; TH 35: I...
127 bpm • F Maj • 01:05 • -12.64db
18% Popularity • 44% Danceability • 48% Energy • 8% Liveness
75% Instrumentalness • 71% Positiveness
18% Popularity • 44% Danceability • 48% Energy • 8% Liveness
75% Instrumentalness • 71% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 46: No. 2 in E mi...
127 bpm • G Maj • 05:25 • -23.55db
9% Popularity • 24% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
9% Popularity • 24% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Carl Zeller
The Bird Seller: "Ich bin der Prodecan" ...
128 bpm • A# Maj • 02:19 • -18.85db
2% Popularity • 56% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 64% Positiveness
2% Popularity • 56% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 64% Positiveness
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Georges Bizet
Carmen Suite No. 1: Entr'acte (Act III)
128 bpm • D Maj • 02:11 • -17db
12% Popularity • 39% Danceability • 41% Energy • 34% Liveness
90% Instrumentalness • 76% Positiveness
12% Popularity • 39% Danceability • 41% Energy • 34% Liveness
90% Instrumentalness • 76% Positiveness
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Giacomo Puccini
Le Villi: Act I - La Tregenda
128 bpm • C min • 04:48 • -20.42db
10% Popularity • 48% Danceability • 13% Energy • 47% Liveness
6% Instrumentalness • 33% Positiveness
10% Popularity • 48% Danceability • 13% Energy • 47% Liveness
6% Instrumentalness • 33% Positiveness
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Carl Michael Ziehrer
Schönfeld-Marsch, Op. 422
120 bpm • D Maj • 02:54 • -12.32db
13% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
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Ludwig Minkus
La Bayadère / Act 3: No. 41 Alla marcia...
128 bpm • D Maj • 02:22 • -19.34db
8% Popularity • 42% Danceability • 24% Energy • 18% Liveness
88% Instrumentalness • 27% Positiveness
8% Popularity • 42% Danceability • 24% Energy • 18% Liveness
88% Instrumentalness • 27% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
118 bpm • D Maj • 02:37 • -15.08db
8% Popularity • 50% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 50% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Slovak Radio Symphony Orchestra
Bullets And Bayonets
128 bpm • F Maj • 03:21 • -19.39db
13% Popularity • 45% Danceability • 28% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
13% Popularity • 45% Danceability • 28% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 46: No. 1 in C (P...
128 bpm • D Maj • 04:10 • -20db
11% Popularity • 36% Danceability • 13% Energy • 22% Liveness
89% Instrumentalness • 25% Positiveness
11% Popularity • 36% Danceability • 13% Energy • 22% Liveness
89% Instrumentalness • 25% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 1 Al...
128 bpm • D Maj • 00:53 • -24.84db
11% Popularity • 66% Danceability • 11% Energy • 18% Liveness
65% Instrumentalness • 29% Positiveness
11% Popularity • 66% Danceability • 11% Energy • 18% Liveness
65% Instrumentalness • 29% Positiveness
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Carl Michael Ziehrer
Schönfeld-Marsch, Op. 422
120 bpm • D Maj • 02:58 • -16.34db
21% Popularity • 55% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
21% Popularity • 55% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
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Franz von Suppé
Leichte Kavallerie: Overture
128 bpm • E Maj • 06:40 • -17db
11% Popularity • 32% Danceability • 30% Energy • 4% Liveness
87% Instrumentalness • 11% Positiveness
11% Popularity • 32% Danceability • 30% Energy • 4% Liveness
87% Instrumentalness • 11% Positiveness
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蔡榮吉
世界名曲:土耳其進行曲
118 bpm • A# Maj • 01:43 • -13.7db
9% Popularity • 63% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 63% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Émile Waldteufel
Espana, Waltz, Op. 236
118 bpm • F Maj • 06:25 • -14.33db
20% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
20% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 2 for four ...
129 bpm • D Maj • 01:29 • -22.75db
19% Popularity • 49% Danceability • 5% Energy • 34% Liveness
54% Instrumentalness • 43% Positiveness
19% Popularity • 49% Danceability • 5% Energy • 34% Liveness
54% Instrumentalness • 43% Positiveness
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Dick Walter
Mini Hungarian 5
129 bpm • G min • 01:01 • -14.04db
15% Popularity • 33% Danceability • 29% Energy • 29% Liveness
63% Instrumentalness • 65% Positiveness
15% Popularity • 33% Danceability • 29% Energy • 29% Liveness
63% Instrumentalness • 65% Positiveness
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Carl Michael Ziehrer
Ihr zu lieb, OP. 280: Polka-Mazur
127 bpm • F Maj • 04:26 • -22.37db
3% Popularity • 42% Danceability • 4% Energy • 7% Liveness
38% Instrumentalness • 30% Positiveness
3% Popularity • 42% Danceability • 4% Energy • 7% Liveness
38% Instrumentalness • 30% Positiveness
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Emmanuel Chabrier
España: Espana
117 bpm • F Maj • 06:44 • -16db
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
129 bpm • B Maj • 03:20 • -20.23db
20% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
20% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
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Johann Strauss Orchester
Persischer Marsch
117 bpm • G min • 02:45 • -12.02db
10% Popularity • 60% Danceability • 33% Energy • 17% Liveness
21% Instrumentalness • 79% Positiveness
10% Popularity • 60% Danceability • 33% Energy • 17% Liveness
21% Instrumentalness • 79% Positiveness
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Franz von Suppé
Fatinitza-Marsch
117 bpm • G Maj • 03:04 • -13.3db
16% Popularity • 66% Danceability • 40% Energy • 29% Liveness
90% Instrumentalness • 67% Positiveness
16% Popularity • 66% Danceability • 40% Energy • 29% Liveness
90% Instrumentalness • 67% Positiveness
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Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
14% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
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Carl Michael Ziehrer
Die Landstreicher, Act I: Schon naht her...
119 bpm • A# Maj • 03:14 • -13.65db
0% Popularity • 40% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
0% Popularity • 40% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
► Preview
RTE Concert Orchestra
The Irish Washerwoman
130 bpm • A Maj • 03:13 • -18.32db
10% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
10% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
► Preview
Franz von Suppé
Light Cavalry
130 bpm • A Maj • 06:59 • -13db
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
► Preview
Karl Komzàk, Sr.
Erzherzog Albrecht-Marsch, Op. 136
116 bpm • A Maj • 02:40 • -11.09db
12% Popularity • 50% Danceability • 46% Energy • 38% Liveness
89% Instrumentalness • 62% Positiveness
12% Popularity • 50% Danceability • 46% Energy • 38% Liveness
89% Instrumentalness • 62% Positiveness
► Preview
Carl Michael Ziehrer
Heimliche Liebe, OP. 109: Polka-Mazur
117 bpm • F Maj • 03:50 • -18.62db
2% Popularity • 51% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
2% Popularity • 51% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
► Preview
Joseph Hellmesberger, Jr.
Gavotte
130 bpm • A Maj • 05:10 • -25.37db
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
► Preview
Frédéric Chopin
Les Sylphides: 8. Valse
116 bpm • G# Maj • 05:43 • -14db
18% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
18% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
► Preview
Antonín Dvořák
8 Slavonic Dances, Op. 46: No. 7 in C mi...
131 bpm • C min • 03:43 • -22.75db
7% Popularity • 35% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
7% Popularity • 35% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
► Preview
Banda dell'orgoglio nazionale
Repubblica Ceca - Kde Domov Můj? - Inno...
116 bpm • D# Maj • 01:06 • -14.84db
16% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
16% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
► Preview
Carl Michael Ziehrer
Freundlich leuchten unsere Sterne-Lied u...
116 bpm • D Maj • 07:11 • -15.13db
1% Popularity • 35% Danceability • 23% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
1% Popularity • 35% Danceability • 23% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Joseph Hellmesberger, Jr.
Ball Scene
116 bpm • B Maj • 06:41 • -19.41db
12% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
12% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Gioachino Rossini
The Barber of Seville: "Largo al factotu...
115 bpm • C Maj • 04:50 • -11db
12% Popularity • 35% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 35% Positiveness
12% Popularity • 35% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 35% Positiveness
► Preview
Franz Lehár
Wiener Burger
115 bpm • C Maj • 06:05 • -20.15db
0% Popularity • 36% Danceability • 19% Energy • 5% Liveness
92% Instrumentalness • 29% Positiveness
0% Popularity • 36% Danceability • 19% Energy • 5% Liveness
92% Instrumentalness • 29% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH.13: Intr...
115 bpm • B Maj • 03:03 • -18db
4% Popularity • 27% Danceability • 19% Energy • 15% Liveness
59% Instrumentalness • 15% Positiveness
4% Popularity • 27% Danceability • 19% Energy • 15% Liveness
59% Instrumentalness • 15% Positiveness
► Preview
Émile Waldteufel
España, Walzer, Op. 236
115 bpm • F Maj • 05:49 • -13.31db
14% Popularity • 37% Danceability • 39% Energy • 67% Liveness
72% Instrumentalness • 50% Positiveness
14% Popularity • 37% Danceability • 39% Energy • 67% Liveness
72% Instrumentalness • 50% Positiveness
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![Macbeth: The Favorite March in [Purcell’s] Bonduca cover art](https://i.scdn.co/image/ab67616d00001e0240f8ef8ce5f0c8b77b3886c0)
Samuel Arnold
Macbeth: The Favorite March in [Purcell�...
115 bpm • D Maj • 01:18 • -13.5db
19% Popularity • 60% Danceability • 31% Energy • 13% Liveness
77% Instrumentalness • 71% Positiveness
19% Popularity • 60% Danceability • 31% Energy • 13% Liveness
77% Instrumentalness • 71% Positiveness
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Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
132 bpm • C min • 03:39 • -17.55db
10% Popularity • 47% Danceability • 19% Energy • 3% Liveness
33% Instrumentalness • 54% Positiveness
10% Popularity • 47% Danceability • 19% Energy • 3% Liveness
33% Instrumentalness • 54% Positiveness
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Adelaide Symphony Orchestra
Soirées Musicales, Op. 9 (After Rossini...
115 bpm • A# Maj • 01:36 • -20.59db
18% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
18% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
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Wiener Symphoniker
Die Fledermaus Waltz
132 bpm • D Maj • 02:04 • -12.49db
11% Popularity • 42% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
11% Popularity • 42% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
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Franz von Suppé
Caballeria Ligera - Obertura
115 bpm • G Maj • 01:34 • -12.02db
38% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
38% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
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Émile Waldteufel
Dans les bois, Polka-mazurka, Op. 119
115 bpm • D Maj • 03:26 • -20db
14% Popularity • 59% Danceability • 5% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
14% Popularity • 59% Danceability • 5% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
114 bpm • G Maj • 01:58 • -28db
15% Popularity • 60% Danceability • 7% Energy • 56% Liveness
7% Instrumentalness • 53% Positiveness
15% Popularity • 60% Danceability • 7% Energy • 56% Liveness
7% Instrumentalness • 53% Positiveness
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Carl Michael Ziehrer
Wiener Bürger Waltz, Op. 419
114 bpm • C Maj • 06:06 • -17.44db
1% Popularity • 38% Danceability • 24% Energy • 8% Liveness
82% Instrumentalness • 28% Positiveness
1% Popularity • 38% Danceability • 24% Energy • 8% Liveness
82% Instrumentalness • 28% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Julius Fučík
Florentine March Op. 214
114 bpm • F Maj • 05:24 • -14db
7% Popularity • 38% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
7% Popularity • 38% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Eugene Onegin, Op. 24, Act ...
114 bpm • D Maj • 06:04 • -18db
18% Popularity • 41% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 50% Positiveness
18% Popularity • 41% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 50% Positiveness
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Nico Dostal
Dostal: Clivia - Ich bin verliebt
114 bpm • G min • 03:07 • -14.47db
8% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Shanghai Philharmonic Orchestra
Evening Party
133 bpm • D Maj • 01:54 • -19.01db
18% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
18% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 2
133 bpm • F Maj • 00:54 • -19db
16% Popularity • 76% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 75% Positiveness
16% Popularity • 76% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 75% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31: Prélude
133 bpm • D min • 03:19 • -19.26db
14% Popularity • 28% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
14% Popularity • 28% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Wiener Salonorchester
Blondin: Polka schnell op. 22
133 bpm • G Maj • 02:53 • -20.8db
7% Popularity • 44% Danceability • 23% Energy • 27% Liveness
81% Instrumentalness • 80% Positiveness
7% Popularity • 44% Danceability • 23% Energy • 27% Liveness
81% Instrumentalness • 80% Positiveness
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Arthur Fiedler
Carmen Votre toast, je peux vous le rend...
113 bpm • F Maj • 02:31 • -12.97db
15% Popularity • 42% Danceability • 28% Energy • 21% Liveness
36% Instrumentalness • 44% Positiveness
15% Popularity • 42% Danceability • 28% Energy • 21% Liveness
36% Instrumentalness • 44% Positiveness
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Jacques Offenbach
Gaîté parisienne: Allegro brillante
113 bpm • G Maj • 01:15 • -17.64db
18% Popularity • 66% Danceability • 36% Energy • 6% Liveness
62% Instrumentalness • 96% Positiveness
18% Popularity • 66% Danceability • 36% Energy • 6% Liveness
62% Instrumentalness • 96% Positiveness
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Hans Christian Lumbye
Deborah Polka-Mazurka (1857)
134 bpm • E min • 02:48 • -17.46db
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
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Ferdinand Hérold
Hérold & Lanchbery: La fille mal gardé...
134 bpm • D# Maj • 03:35 • -28db
8% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
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Adolphe Adam
Giselle: Act II: Allegro moderato: Coda
134 bpm • G# Maj • 02:01 • -19.01db
11% Popularity • 40% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 36% Positiveness
11% Popularity • 40% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 36% Positiveness
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Carl Michael Ziehrer
Amor auf dem Balle, OP. 228: Bravour-Pol...
134 bpm • A# Maj • 03:11 • -20.51db
5% Popularity • 48% Danceability • 8% Energy • 20% Liveness
57% Instrumentalness • 35% Positiveness
5% Popularity • 48% Danceability • 8% Energy • 20% Liveness
57% Instrumentalness • 35% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 2...
113 bpm • D Maj • 04:34 • -29.49db
21% Popularity • 19% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
135 bpm • G Maj • 05:17 • -18.2db
10% Popularity • 25% Danceability • 15% Energy • 11% Liveness
61% Instrumentalness • 20% Positiveness
10% Popularity • 25% Danceability • 15% Energy • 11% Liveness
61% Instrumentalness • 20% Positiveness
