Songs like School Day Blues by Jamie Coe
Based on a tempo of (+/- 10%) and a similar genre
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Jamie Coe
School Day Blues
106 bpm • F# min • 01:50 • -6.93db
2% Popularity • 73% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
2% Popularity • 73% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Ray Smith
That's All Right
106 bpm • C# Maj • 02:00 • -4.52db
14% Popularity • 60% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 60% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmy Clanton
It Takes a Long, Long Time
106 bpm • A# Maj • 02:16 • -3.52db
12% Popularity • 57% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 57% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Kidd & The Pirates
If You Were The Only Girl In The World A...
105 bpm • B Maj • 02:38 • -8.36db
7% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Snooks Eaglin
Would You
106 bpm • D Maj • 02:10 • -7.98db
18% Popularity • 72% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 72% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Buddy Knox
Devil Woman
105 bpm • D Maj • 02:12 • -9db
26% Popularity • 72% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 72% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Jamie Coe
Little Dear, Little Darling
106 bpm • E Maj • 02:00 • -3.5db
0% Popularity • 62% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 62% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Kodaks
My Baby and Me
105 bpm • C# Maj • 01:55 • -9.35db
6% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
6% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Smith
Break Up
105 bpm • F Maj • 01:52 • -8.56db
29% Popularity • 64% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 64% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Helen Shapiro
Daddy Couldn't Get Me One of Those
105 bpm • G# Maj • 02:26 • -7.42db
10% Popularity • 48% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 48% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmie Rodgers
Woman from Liberia
105 bpm • C# Maj • 02:06 • -4.15db
11% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Dorsey Burnette
Great Shakin' Fever
105 bpm • E Maj • 02:06 • -7.88db
18% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Jamie Coe
School Day Blues
106 bpm • F# min • 01:50 • -9.92db
0% Popularity • 69% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 69% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Little Willie John
Leave My Kitten Alone
105 bpm • G# Maj • 02:30 • -13.03db
7% Popularity • 50% Danceability • 60% Energy • 40% Liveness
1% Instrumentalness • 89% Positiveness
7% Popularity • 50% Danceability • 60% Energy • 40% Liveness
1% Instrumentalness • 89% Positiveness
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Al Ferrier
Let's Go Boppin' Tonight
104 bpm • E Maj • 02:15 • -10.74db
15% Popularity • 42% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 42% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Dion & The Belmonts
I Got The Blues
108 bpm • E Maj • 02:47 • -5db
24% Popularity • 54% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 54% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Danny & The Juniors
I Feel So Lonely
108 bpm • D Maj • 02:40 • -7.63db
20% Popularity • 68% Danceability • 70% Energy • 89% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 68% Danceability • 70% Energy • 89% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Smith
Breakup
104 bpm • A# Maj • 01:53 • -4db
13% Popularity • 67% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 67% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Charlie Gracie
Dressin' Up
104 bpm • F min • 02:17 • -6.45db
8% Popularity • 69% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 69% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Billy Fury
Play It Cool
108 bpm • C Maj • 02:01 • -7.73db
10% Popularity • 51% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 51% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Dale Wright
She's Neat
108 bpm • F# Maj • 02:05 • -7.32db
11% Popularity • 67% Danceability • 85% Energy • 85% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 67% Danceability • 85% Energy • 85% Liveness
0% Instrumentalness • 96% Positiveness
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The Crystalairs
Tomorrow
104 bpm • G Maj • 02:26 • -8.49db
7% Popularity • 68% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 68% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Robins
White Cliffs of Dover
103 bpm • A Maj • 02:29 • -8.76db
3% Popularity • 63% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 63% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Gene Vincent & His Blue Caps
Double Talkin' Baby
103 bpm • A Maj • 02:12 • -7.03db
23% Popularity • 52% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 52% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Jamie Coe
I Was the One
109 bpm • G# min • 02:39 • -3.84db
1% Popularity • 50% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 50% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmy Jones
A Wonderous Place
103 bpm • G Maj • 02:22 • -8.45db
8% Popularity • 42% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 42% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Ray Sharpe
That's the Way I Feel
110 bpm • D min • 01:54 • -7db
16% Popularity • 76% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 76% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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The Crystalairs
Stranger Girl
102 bpm • E Maj • 02:15 • -11db
12% Popularity • 65% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 65% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
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Jack Scott
Baby Baby - Remastered
110 bpm • E Maj • 01:43 • -11.72db
19% Popularity • 62% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 62% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Ronnie Self
I Ain't Goin' Nowhere
110 bpm • F Maj • 02:42 • -10.46db
8% Popularity • 70% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 70% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Preston
Sitting Here Crying
102 bpm • C# Maj • 02:06 • -9.4db
26% Popularity • 60% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 60% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Glen Glenn
Baby Let's Play House
101 bpm • E Maj • 02:24 • -8.51db
9% Popularity • 45% Danceability • 75% Energy • 13% Liveness
40% Instrumentalness • 87% Positiveness
9% Popularity • 45% Danceability • 75% Energy • 13% Liveness
40% Instrumentalness • 87% Positiveness
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Jamie Coe
Say You
100 bpm • D Maj • 02:14 • -10.16db
0% Popularity • 72% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 72% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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The Crystalairs
Do I Love You
112 bpm • E Maj • 02:20 • -8.12db
16% Popularity • 64% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 64% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Carl Mann
Rockin' Love
112 bpm • A Maj • 02:30 • -7.27db
12% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Chanters
No, No, No
113 bpm • F Maj • 02:15 • -6.16db
14% Popularity • 65% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 65% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Kalin Twins
Three O' Clock Thrill
113 bpm • E min • 02:27 • -9.24db
15% Popularity • 77% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 77% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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Gene Maltais
Crazy Baby
100 bpm • D min • 02:00 • -4.28db
8% Popularity • 67% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 67% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Jamie Coe
Goodbye, My Love, Goodbye
112 bpm • D Maj • 02:00 • -3.92db
0% Popularity • 70% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
0% Popularity • 70% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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The Roomates
I Want a Little Girl
100 bpm • A Maj • 02:23 • -8db
8% Popularity • 49% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 49% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Phil Phillips
Verdie Mae
113 bpm • F# Maj • 02:21 • -9.19db
9% Popularity • 76% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 76% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Little Eva
Sharing You
113 bpm • C Maj • 01:57 • -9.79db
14% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Clarence "Frogman" Henry
Just My Baby and Me
113 bpm • A# Maj • 02:39 • 1.59db
13% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Continentals
Picture of Love
113 bpm • G Maj • 02:46 • -10.73db
6% Popularity • 62% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
6% Popularity • 62% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Jamie Coe
Say You
100 bpm • D Maj • 02:13 • -7.52db
0% Popularity • 73% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 73% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmy Clanton
I'm Gonna Try
114 bpm • D min • 02:40 • -4.09db
12% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Atmospheres
The Fickle Chicken
114 bpm • E Maj • 02:01 • -4db
16% Popularity • 46% Danceability • 97% Energy • 11% Liveness
36% Instrumentalness • 96% Positiveness
16% Popularity • 46% Danceability • 97% Energy • 11% Liveness
36% Instrumentalness • 96% Positiveness
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Carl Mann
Look at That Moon
98 bpm • E Maj • 01:36 • -8.15db
13% Popularity • 60% Danceability • 83% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 60% Danceability • 83% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
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Cliff Richard
Somebody Touched Me
99 bpm • A min • 02:01 • -8.85db
24% Popularity • 51% Danceability • 76% Energy • 80% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 51% Danceability • 76% Energy • 80% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmie Rodgers
Hey Little Baby
114 bpm • D Maj • 01:56 • -3.82db
16% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Jamie Coe
Goodbye, My Love, Goodbye
112 bpm • A Maj • 02:00 • -9.62db
0% Popularity • 66% Danceability • 80% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
0% Popularity • 66% Danceability • 80% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
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Clarence "Frogman" Henry
A Little Too Much
115 bpm • C Maj • 01:55 • -0.52db
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Buddy Knox
She's Gone
114 bpm • A Maj • 02:02 • -10db
14% Popularity • 67% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 67% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Dale Hawkins
Liza Jane
98 bpm • A Maj • 02:02 • -5.75db
16% Popularity • 52% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 52% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Otis
Ma (He's Makin' Eyes at Me)
115 bpm • F# Maj • 02:25 • -11.15db
13% Popularity • 49% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 49% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Ivory Joe Hunter
It's a Doggone Crying Shame
115 bpm • A# Maj • 02:39 • -9.54db
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Danny & The Juniors
Rock and Roll Is Here to Stay - Remaster...
98 bpm • G Maj • 02:26 • -7.22db
28% Popularity • 67% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 67% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Clarence "Frogman" Henry
Why Cant You - Remastered
115 bpm • A Maj • 01:21 • -8.94db
11% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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The Crickets
Someone Someone
115 bpm • D Maj • 02:52 • -12.34db
9% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Sammy Masters
Rockin' Red Wing
97 bpm • D Maj • 02:20 • -7db
11% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Velvet Candles
My Heart's Desire
97 bpm • A Maj • 02:04 • -6.25db
9% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jack Scott
Geraldine
97 bpm • D Maj • 02:04 • -11db
15% Popularity • 67% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 67% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Ray Smith
Rebound
97 bpm • A# Maj • 01:46 • -3.39db
22% Popularity • 62% Danceability • 90% Energy • 9% Liveness
7% Instrumentalness • 89% Positiveness
22% Popularity • 62% Danceability • 90% Energy • 9% Liveness
7% Instrumentalness • 89% Positiveness
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Larry Williams
Make A Little Love
97 bpm • D Maj • 02:03 • -12.15db
11% Popularity • 64% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 64% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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The Five Keys
It's a Groove
97 bpm • A# Maj • 01:49 • -11.63db
12% Popularity • 79% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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The Marcels
Really Need Your Love
116 bpm • A Maj • 02:27 • -11db
11% Popularity • 63% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 63% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Jamie Coe
A Long Time Ago
116 bpm • D Maj • 02:18 • -8.29db
0% Popularity • 74% Danceability • 72% Energy • 7% Liveness
64% Instrumentalness • 70% Positiveness
0% Popularity • 74% Danceability • 72% Energy • 7% Liveness
64% Instrumentalness • 70% Positiveness
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The Olympics
Hully Gully
117 bpm • G Maj • 02:04 • -14.22db
18% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
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Shirley & Lee
I Feel Good
96 bpm • C# Maj • 02:19 • -8.09db
10% Popularity • 71% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 71% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Larry Williams
Hey Now, Hey Now Aka Jockomo
97 bpm • C min • 01:57 • -8.48db
14% Popularity • 68% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 68% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny O'Keefe
Ready for You
117 bpm • F Maj • 02:15 • -6.63db
3% Popularity • 54% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
3% Popularity • 54% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Freddy Cannon
Buzz Buzz A-Diddle-It
117 bpm • C# Maj • 02:27 • -5db
13% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Jamie Coe
Good Enough for a King
117 bpm • D Maj • 02:41 • -5.01db
0% Popularity • 62% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 62% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Buzz Clifford
More Dead Than Alive
96 bpm • C Maj • 02:11 • -8.94db
7% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Carroll
Bandstand Doll
117 bpm • E min • 02:16 • -10.61db
11% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Ersel Hickey
You Never Can Tell
96 bpm • C# Maj • 01:52 • -7db
8% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Chuck Willis
My Baby
96 bpm • C min • 01:53 • -8db
12% Popularity • 70% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 70% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Freddy Cannon
Buzz Buzz A-Diddle-It
118 bpm • F min • 02:27 • -6.46db
11% Popularity • 37% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 37% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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The Big Bopper
The Clock
118 bpm • E Maj • 02:28 • -9.28db
15% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Brenda Lee
Organ Grinder's Swing
95 bpm • C Maj • 02:18 • -4.92db
12% Popularity • 61% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 61% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Dee Clark
Nobody but You - Bonus Track
118 bpm • C min • 02:23 • -11.62db
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
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Ral Donner
So Close to Heaven
118 bpm • C Maj • 02:57 • -11db
8% Popularity • 43% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 43% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Chuck Willis
My Crying Eyes
117 bpm • D# Maj • 02:33 • -8.51db
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Preston
Charming Billy
95 bpm • A Maj • 02:29 • -11.32db
31% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Warren Smith
Got Love If You Want It
118 bpm • A Maj • 02:10 • -9db
15% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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The Five Satins
I Got Time
118 bpm • D# min • 02:18 • -8.83db
7% Popularity • 61% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 61% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Lou Monte
Maybe
118 bpm • C# Maj • 02:30 • -8.8db
7% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Jamie Coe
Never Part
95 bpm • G Maj • 01:48 • -4.46db
0% Popularity • 61% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 61% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmie Rodgers
The Preacher
95 bpm • C# Maj • 02:24 • -5db
10% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Buddy Knox
Rock Your Little Baby to Sleep
118 bpm • A Maj • 02:24 • -9.23db
16% Popularity • 74% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 74% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
18% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Joyce Green
Black Cadillac
119 bpm • A Maj • 02:30 • -2db
12% Popularity • 56% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 56% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Billy Fury
Don't Knock Upon My Door
94 bpm • C Maj • 01:46 • -5.44db
12% Popularity • 56% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 56% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny & The Hurricanes
Crossfire
119 bpm • C Maj • 02:08 • -13.58db
17% Popularity • 64% Danceability • 45% Energy • 12% Liveness
64% Instrumentalness • 58% Positiveness
17% Popularity • 64% Danceability • 45% Energy • 12% Liveness
64% Instrumentalness • 58% Positiveness
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Ronnie Self
Big Town
120 bpm • A Maj • 02:14 • -9db
21% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Clovers
All About You
120 bpm • G# Maj • 02:30 • -11.18db
16% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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The El Dorados
Bim Bam Boom
94 bpm • G# Maj • 02:53 • -11.61db
22% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jamie Coe
Cleopatra
94 bpm • F Maj • 02:33 • -9.19db
0% Popularity • 39% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 39% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness