Songs like Scots Wha Hae by Scocha
Based on a tempo of (+/- 10%) and a similar genre
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Planxty
Follow Me Up To Carlow
142 bpm • E min • 02:24 • -9.38db
39% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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David Kincaid
Two Brothers Mastersons
142 bpm • E Maj • 06:11 • -12.62db
10% Popularity • 34% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 34% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Brendan Bowyer
The West's Awake
142 bpm • C Maj • 03:25 • -19.26db
26% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Scocha
Scots Wha Hae
142 bpm • F# Maj • 02:47 • -7.97db
30% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Alastair McDonald and Leo Maguire
Over the Sea
141 bpm • E min • 04:23 • -17.64db
19% Popularity • 51% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 51% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Gaberlunzie
Wild Mountain Thyme
141 bpm • E Maj • 03:18 • -10.12db
15% Popularity • 36% Danceability • 57% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 36% Danceability • 57% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
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The Celtic Connection
The Last Shanty
140 bpm • E Maj • 02:44 • -9.46db
15% Popularity • 79% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 79% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Face The West
Cardiac Ceilidh
140 bpm • E Maj • 02:32 • -6.88db
31% Popularity • 68% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 68% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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The Countrymen
Cornwall My True Love
140 bpm • E Maj • 04:31 • -5.51db
25% Popularity • 57% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 57% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Scocha
Killiekrankie
143 bpm • D# Maj • 04:11 • -5.29db
22% Popularity • 29% Danceability • 94% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 29% Danceability • 94% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
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Alastair McDonald and Leo Maguire
Silver Darlings
140 bpm • D Maj • 03:07 • -18.69db
16% Popularity • 59% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 59% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Gaelic Storm
Back to the Pub
140 bpm • G Maj • 02:52 • -3.22db
34% Popularity • 73% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 73% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Blair Douglas
The Skye Glen Waltz
140 bpm • G Maj • 03:08 • -13.47db
13% Popularity • 40% Danceability • 31% Energy • 16% Liveness
4% Instrumentalness • 77% Positiveness
13% Popularity • 40% Danceability • 31% Energy • 16% Liveness
4% Instrumentalness • 77% Positiveness
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Goats Don’t Shave
Mary Mary
140 bpm • G Maj • 02:24 • -6.73db
26% Popularity • 51% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 51% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Calum Kennedy
Brochan Lom.
140 bpm • G# Maj • 01:59 • -7.89db
19% Popularity • 46% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 46% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Scocha
The Ballad of Geordie Burns
141 bpm • G min • 05:02 • -9.1db
4% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
4% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Shamróg
The Boys of the Old Brigade
140 bpm • G Maj • 02:32 • -12.44db
27% Popularity • 42% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 42% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Tide Lines
Another Day
140 bpm • A Maj • 03:44 • -8.32db
32% Popularity • 57% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 57% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Davy Steele
O Once I Lov'd a Bonnie Lass
145 bpm • D Maj • 03:27 • -16.09db
28% Popularity • 28% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 28% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Old Blind Dogs
The Bonnie Lass O' Fyvie
140 bpm • A Maj • 03:26 • -16.49db
16% Popularity • 56% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 56% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Black Irish Band
Spanish Ladies
139 bpm • D min • 02:31 • -12.03db
16% Popularity • 67% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 67% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Scocha
A Man’s a Man for a That
145 bpm • G Maj • 03:10 • -11.16db
2% Popularity • 50% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 50% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Scottish Fiddle Orchestra
Irish Washerwoman (Medley)
139 bpm • D Maj • 02:33 • -4.07db
14% Popularity • 28% Danceability • 97% Energy • 80% Liveness
37% Instrumentalness • 57% Positiveness
14% Popularity • 28% Danceability • 97% Energy • 80% Liveness
37% Instrumentalness • 57% Positiveness
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Tide Lines
Fortunes of the Fearless
145 bpm • D Maj • 03:46 • -9.35db
38% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Face The West
The Bat
147 bpm • D Maj • 05:02 • -6.47db
13% Popularity • 34% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 34% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Mick Moloney
My Uncle Dan McCann
146 bpm • F Maj • 03:40 • -9.88db
25% Popularity • 55% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 55% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Gordon Kelly
Here's a health to them - Here's a healt...
137 bpm • A Maj • 02:24 • -7.76db
9% Popularity • 46% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 46% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Alastair McDonald and Leo Maguire
Loch Lomond
147 bpm • D# Maj • 03:36 • -18.39db
37% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Paddy Noonan and His Grand Band
Mcnamara's Band
136 bpm • B min • 01:46 • -10.09db
29% Popularity • 62% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 62% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 91% Positiveness
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North Sea Gas
Kishorn Commandos
136 bpm • E Maj • 02:58 • -9.62db
27% Popularity • 61% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 61% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Scocha
Fray Of Support
148 bpm • E min • 04:51 • -7.81db
1% Popularity • 55% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
1% Popularity • 55% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Calum Kennedy
Dark Loch Nagar
148 bpm • G Maj • 03:17 • -12.12db
10% Popularity • 18% Danceability • 36% Energy • 27% Liveness
9% Instrumentalness • 29% Positiveness
10% Popularity • 18% Danceability • 36% Energy • 27% Liveness
9% Instrumentalness • 29% Positiveness
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Face The West
Crossing the Minch
150 bpm • D Maj • 04:41 • -8.04db
17% Popularity • 40% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
17% Popularity • 40% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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The Corries
The Massacre Of Glencoe
149 bpm • G Maj • 03:27 • -19.6db
30% Popularity • 53% Danceability • 13% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 53% Danceability • 13% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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MÃ nran
The Fishing Boat
150 bpm • D Maj • 04:38 • -8.05db
27% Popularity • 51% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 51% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Robbie O'Connell
Kilkelly/ Leaving
135 bpm • E min • 06:51 • -12.78db
17% Popularity • 47% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 47% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Kilfenora Céilà Band
Come by the Hills
150 bpm • G Maj • 03:20 • -9.97db
25% Popularity • 41% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 41% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Dolores Keane
My Own Dear Galway Bay
150 bpm • F Maj • 03:36 • -13db
37% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Scocha
Sound the Pibroch
134 bpm • G Maj • 04:51 • -11.47db
4% Popularity • 42% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
4% Popularity • 42% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Goats Don’t Shave
Biddy from Sligo/Connaught Man's Rambles
151 bpm • G Maj • 02:04 • -9.24db
23% Popularity • 47% Danceability • 73% Energy • 44% Liveness
82% Instrumentalness • 91% Positiveness
23% Popularity • 47% Danceability • 73% Energy • 44% Liveness
82% Instrumentalness • 91% Positiveness
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The Blarney Lads
Bold O'Donaghue
134 bpm • G Maj • 01:34 • -10.71db
24% Popularity • 75% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 75% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Andy Stewart
Tunes of Glory
151 bpm • A Maj • 02:10 • -13.48db
19% Popularity • 63% Danceability • 51% Energy • 17% Liveness
6% Instrumentalness • 92% Positiveness
19% Popularity • 63% Danceability • 51% Energy • 17% Liveness
6% Instrumentalness • 92% Positiveness
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Mick Moloney
Clancy's Wooden Wedding
151 bpm • D Maj • 03:02 • -9.87db
12% Popularity • 64% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 64% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Cailean McLean
A Man's a’ Man For A’ That
134 bpm • E Maj • 02:53 • -11db
12% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Scocha
The Reivers
134 bpm • G Maj • 04:46 • -7.05db
2% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Shamróg
Sean South of Garyowen
133 bpm • G Maj • 02:12 • -9.55db
33% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Old Blind Dogs
MacPherson's Rant / the Winging
134 bpm • A Maj • 04:45 • -14.82db
28% Popularity • 42% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 42% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Trail West
The Mermaid
133 bpm • D Maj • 03:39 • -6.59db
31% Popularity • 52% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
31% Popularity • 52% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
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Mick Moloney
Has Anybody Here Seen Kelly?
152 bpm • D Maj • 03:13 • -8.28db
12% Popularity • 43% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 43% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Mark's Men
Man from Mullingar
133 bpm • D Maj • 02:24 • -8db
17% Popularity • 54% Danceability • 83% Energy • 84% Liveness
1% Instrumentalness • 86% Positiveness
17% Popularity • 54% Danceability • 83% Energy • 84% Liveness
1% Instrumentalness • 86% Positiveness
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Scocha
Wild Mountain Thyme
151 bpm • D# Maj • 04:31 • -7.05db
24% Popularity • 28% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 28% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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David Kincaid
Free and Green
152 bpm • G Maj • 04:15 • -12.33db
21% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Robin Laing
The Summer Of '46
132 bpm • C Maj • 03:09 • -15.87db
9% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Gunna Sound Ceilidh Band
Land Of Dreams
132 bpm • A# Maj • 03:54 • -11.01db
8% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Daoirà Farrell
Valley Of Knockanure
132 bpm • G Maj • 04:36 • -7.9db
33% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Cu Chulainn
Galway Races
132 bpm • D Maj • 03:22 • -7.04db
30% Popularity • 40% Danceability • 76% Energy • 11% Liveness
22% Instrumentalness • 96% Positiveness
30% Popularity • 40% Danceability • 76% Energy • 11% Liveness
22% Instrumentalness • 96% Positiveness
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Scocha
The Reivers
152 bpm • G Maj • 04:38 • -4.33db
4% Popularity • 26% Danceability • 93% Energy • 91% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 26% Danceability • 93% Energy • 91% Liveness
0% Instrumentalness • 49% Positiveness
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Skerryvore
Path To Home
132 bpm • A# Maj • 03:48 • -4.75db
35% Popularity • 51% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 51% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Mick Moloney
McNally's Row of Flats
132 bpm • A Maj • 03:51 • -6.31db
10% Popularity • 50% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 50% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Gunna Sound Ceilidh Band
Tell Me Ma Set
132 bpm • D Maj • 03:05 • -8.18db
10% Popularity • 67% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 67% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 88% Positiveness
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Trail West
Take Me Home
132 bpm • A# Maj • 04:21 • -9.23db
23% Popularity • 56% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 56% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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MÃ nran
Dhèanainn Sùgradh
132 bpm • D min • 03:23 • -5.63db
26% Popularity • 46% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 46% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Dolores Keane
Will Ye Go To Flanders
132 bpm • C Maj • 03:39 • -16db
21% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Clydesiders
Loch Lomond
132 bpm • D Maj • 03:32 • -14.3db
17% Popularity • 41% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 41% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Scocha
Dusty Road
153 bpm • E Maj • 04:39 • -10.97db
4% Popularity • 37% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 37% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Emmet Spiceland
BáidÃn FheidhlimÃ
132 bpm • C Maj • 02:22 • -7.19db
20% Popularity • 25% Danceability • 49% Energy • 14% Liveness
4% Instrumentalness • 61% Positiveness
20% Popularity • 25% Danceability • 49% Energy • 14% Liveness
4% Instrumentalness • 61% Positiveness
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The Town Pants
Johnson's Motorcar
132 bpm • A min • 02:15 • -8.5db
41% Popularity • 55% Danceability • 71% Energy • 49% Liveness
0% Instrumentalness • 83% Positiveness
41% Popularity • 55% Danceability • 71% Energy • 49% Liveness
0% Instrumentalness • 83% Positiveness
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Calum Kennedy
Here's to the Hills
132 bpm • C Maj • 01:31 • -8db
15% Popularity • 59% Danceability • 84% Energy • 97% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 59% Danceability • 84% Energy • 97% Liveness
0% Instrumentalness • 77% Positiveness
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Gunna Sound Ceilidh Band
The Ramblin Rover
131 bpm • D Maj • 02:35 • -7.48db
20% Popularity • 71% Danceability • 72% Energy • 1% Liveness
0% Instrumentalness • 98% Positiveness
20% Popularity • 71% Danceability • 72% Energy • 1% Liveness
0% Instrumentalness • 98% Positiveness
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MÃ nran
The Open Door
131 bpm • C Maj • 03:47 • -11.29db
32% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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David Kincaid
Paddy's Lamentation
131 bpm • E min • 05:26 • -12.09db
14% Popularity • 44% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 44% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Scocha
Boat To America
130 bpm • E Maj • 04:55 • -4.79db
6% Popularity • 40% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 40% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 70% Positiveness
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The Town Pants
O'Reilly's Daughter
131 bpm • C Maj • 02:30 • -8.06db
30% Popularity • 34% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 34% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 93% Positiveness
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The Tartan Lads
The Inveraray Inn
130 bpm • C Maj • 02:36 • -12.78db
14% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Trail West
South Australia
130 bpm • D Maj • 03:12 • -9.15db
30% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Fighting Men From Crossmaglen
Sniper's Promise
130 bpm • D Maj • 04:17 • -18.97db
32% Popularity • 44% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
32% Popularity • 44% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
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Blarney Folk
The British Army
130 bpm • B Maj • 01:58 • -9.25db
25% Popularity • 61% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 61% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Shamróg
A Nation Once Again
130 bpm • G Maj • 02:51 • -11db
20% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Barnbrack
I'll Tell Me Ma
129 bpm • E Maj • 00:50 • -11db
25% Popularity • 68% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 68% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 95% Positiveness
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Gerry Carmichael
The Army of the People - The Official IR...
129 bpm • G# Maj • 02:18 • -5.85db
19% Popularity • 61% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 61% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Trail West
Close to Home
129 bpm • A# Maj • 05:18 • -10.32db
22% Popularity • 33% Danceability • 54% Energy • 14% Liveness
10% Instrumentalness • 31% Positiveness
22% Popularity • 33% Danceability • 54% Energy • 14% Liveness
10% Instrumentalness • 31% Positiveness
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Blair Douglas
Waltzing the Last Piper Home
156 bpm • A Maj • 04:13 • -7.9db
19% Popularity • 52% Danceability • 54% Energy • 7% Liveness
4% Instrumentalness • 66% Positiveness
19% Popularity • 52% Danceability • 54% Energy • 7% Liveness
4% Instrumentalness • 66% Positiveness
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Scocha
Braes Of Gala Hill
129 bpm • G Maj • 04:15 • -4.28db
15% Popularity • 38% Danceability • 94% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 38% Danceability • 94% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Shamróg
Black and Tans
130 bpm • B min • 02:25 • -13db
30% Popularity • 52% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Irish Lads Of Limerick
When Irish Eyes Are Smiling
129 bpm • A# Maj • 02:34 • -13.18db
25% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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The Town Pants
Home Boys Home
129 bpm • E Maj • 03:57 • -8db
42% Popularity • 45% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 45% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
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Andy Stewart
The Muckin' O' Geordie's Byre
129 bpm • G Maj • 01:58 • -13.04db
21% Popularity • 66% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 66% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Gunna Sound Ceilidh Band
Loch Maree Islands
129 bpm • B min • 03:10 • -8.73db
18% Popularity • 68% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 68% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Scocha
The Anvil Crew
129 bpm • C Maj • 05:58 • -4.08db
3% Popularity • 40% Danceability • 92% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
3% Popularity • 40% Danceability • 92% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
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Flying Column
Legion Of the Rearguard
129 bpm • C Maj • 02:52 • -8db
23% Popularity • 55% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 55% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Brian Dullaghan
Whistling Gypsy Rover
128 bpm • F Maj • 03:29 • -7db
30% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Blair Douglas
Kate Martin's Waltz
128 bpm • G Maj • 03:21 • -11db
21% Popularity • 46% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 46% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Goats Don’t Shave
Arranmore
157 bpm • G Maj • 04:46 • -9db
26% Popularity • 50% Danceability • 92% Energy • 34% Liveness
9% Instrumentalness • 94% Positiveness
26% Popularity • 50% Danceability • 92% Energy • 34% Liveness
9% Instrumentalness • 94% Positiveness
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Face The West
Edge of Reason
128 bpm • D Maj • 05:13 • -8db
8% Popularity • 44% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 44% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Barleycorn
God Save Ireland
128 bpm • A# Maj • 02:10 • -11db
19% Popularity • 56% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 56% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Trail West
Take Her In Your Arms
128 bpm • F Maj • 03:31 • -8.38db
38% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Andy Stewart
The Muckin' O' Geordie's Byre
127 bpm • G Maj • 02:00 • -14.82db
18% Popularity • 65% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 65% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Flying Column
Johnston's Motor Car
128 bpm • D Maj • 01:41 • -8db
34% Popularity • 67% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 67% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
