Songs like Screaming Underwater by Alex Warren
Based on a tempo of (+/- 10%) and a similar genre
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Nox Holloway
Machinery
107 bpm • C# Maj • 03:21 • -6.17db
16% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Lillian Hepler
Easy
107 bpm • C min • 03:11 • -7.55db
45% Popularity • 74% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 74% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Mack
Perfect on Me
107 bpm • C Maj • 02:44 • -9db
40% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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elijah woods
matthew
107 bpm • A Maj • 03:13 • -12.13db
52% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Jamie Miller
Last Call
107 bpm • D Maj • 02:31 • -3.86db
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Alex Warren
Screaming Underwater
107 bpm • E min • 02:26 • -6.29db
51% Popularity • 55% Danceability • 62% Energy • 41% Liveness
1% Instrumentalness • 71% Positiveness
51% Popularity • 55% Danceability • 62% Energy • 41% Liveness
1% Instrumentalness • 71% Positiveness
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Alec Benjamin
One Wrong Turn
108 bpm • G min • 02:46 • -5.19db
53% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Francis Karel
Like All My Friends
106 bpm • G Maj • 03:07 • -8db
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Andi
Made Up Story
108 bpm • G# Maj • 03:08 • -7.29db
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Wrabel
hurts like hell
106 bpm • C Maj • 03:59 • -7db
37% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Suriel Hess
Mr. Nice Guy
108 bpm • A Maj • 02:44 • -8.25db
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Jenna Raine
2%
106 bpm • D Maj • 03:27 • -5.34db
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Benson Boone
Cry
108 bpm • A# Maj • 03:06 • -5.25db
68% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jared Benjamin
Hooked
106 bpm • E min • 02:28 • -9.88db
48% Popularity • 90% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 90% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Andi
Devil's Work
108 bpm • D# Maj • 03:30 • -8db
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Zach Hood
I Miss My Friends
108 bpm • F# Maj • 03:17 • -5db
34% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Rachel Grae
Bad Timing
105 bpm • D Maj • 02:45 • -9.57db
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mark Ambor
Hair Toss, Arms Crossed
109 bpm • F# Maj • 02:37 • -6.15db
56% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Austin Giorgio
Lips of a Witch
105 bpm • G# Maj • 02:40 • -6.26db
46% Popularity • 67% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 67% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Here At Last
Like The 90s
105 bpm • C Maj • 02:30 • -7.3db
32% Popularity • 79% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 79% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Mack
She Wins, I Lose
105 bpm • D Maj • 02:57 • -6db
41% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Haley Joelle
Two Places at Once
105 bpm • D Maj • 03:19 • -9.96db
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Ambor
The Long Way
105 bpm • E Maj • 02:15 • -3.86db
52% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Natalie Jane
Plastic Hearts
109 bpm • F# min • 03:09 • -7.78db
45% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Austin Giorgio
Automatic
105 bpm • F# min • 02:37 • -7.53db
11% Popularity • 78% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 78% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Benson Boone
Let Me Go
105 bpm • G Maj • 02:39 • -6db
66% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
66% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Clinton Kane
14
105 bpm • D Maj • 02:20 • -6db
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Andi
Get Your Attention
110 bpm • F min • 03:17 • -7db
36% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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ROSIE
Social Stamina
110 bpm • D# Maj • 02:34 • -9db
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jake Banfield
Can't Let Go
110 bpm • D Maj • 02:52 • -9.25db
31% Popularity • 67% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 67% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Austin Giorgio
Never Seen a Girl Like You +
105 bpm • B min • 02:24 • -8.02db
4% Popularity • 69% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 69% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Kylie Muse
all in my head
104 bpm • E Maj • 03:01 • -10.05db
27% Popularity • 50% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 50% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Reagan Beem
Fit In
110 bpm • A# min • 03:01 • -6.73db
33% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Bickett
Just My Type
110 bpm • D Maj • 03:08 • -7.82db
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Braden Bales
Mr. HYDE
104 bpm • A# Maj • 02:10 • -6.08db
38% Popularity • 77% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 77% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Jessica Baio
crossed the line
110 bpm • B min • 02:43 • -4.27db
49% Popularity • 81% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 81% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Zach Hood
Isabelle
110 bpm • A# Maj • 02:15 • -4.4db
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Suriel Hess
Feel Love
110 bpm • G Maj • 02:36 • -8db
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jared Benjamin
Superhero
110 bpm • C# Maj • 02:50 • -8.23db
41% Popularity • 77% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 77% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Jillian Rossi
Like A Boy
104 bpm • C# Maj • 02:43 • -8.3db
44% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Zoe Clark
Wrong Time
104 bpm • C Maj • 03:11 • -8.09db
38% Popularity • 78% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 78% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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ROSIE
Something I Hate
103 bpm • A# Maj • 02:51 • -10db
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dean Lewis
Looks Like Me
111 bpm • B Maj • 03:10 • -5db
65% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Suriel Hess
Love Like That (Words from Her)
103 bpm • G Maj • 02:54 • -10.86db
53% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Jessie Murph
Look Who's Cryin' Now
103 bpm • G Maj • 02:21 • -4.72db
61% Popularity • 69% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 69% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Camylio
sometimes
103 bpm • C# Maj • 02:36 • -8.73db
53% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Frawley
Middle Of Nowhere
103 bpm • E Maj • 02:33 • -6db
45% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ashley Kutcher
Strangers
103 bpm • C min • 02:27 • -6.1db
44% Popularity • 42% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 42% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Natalie Jane
Kind of Love - Acoustic
102 bpm • G# min • 03:52 • -6.8db
31% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jonah Kagen
graveyard shift
112 bpm • C# Maj • 02:27 • -8db
38% Popularity • 58% Danceability • 71% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 58% Danceability • 71% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Jessie Murph
Sobriety
111 bpm • E Maj • 02:06 • -7.16db
60% Popularity • 81% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 81% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Haley Joelle
idk
102 bpm • E Maj • 03:30 • -7.83db
39% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Here At Last
Tongue
112 bpm • D Maj • 02:42 • -4.88db
33% Popularity • 85% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 85% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Mike Waters
I'm Doing Fine
112 bpm • C Maj • 03:25 • -5.81db
42% Popularity • 43% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 43% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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New Rules
Cheers
112 bpm • C Maj • 02:29 • -5.96db
43% Popularity • 71% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 71% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Jade LeMac
Same Place
112 bpm • C# Maj • 03:42 • -6db
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Dasha
Nervous
112 bpm • C Maj • 02:42 • -12.87db
29% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 69% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Ryan Mack
Sleepyhead
102 bpm • F# Maj • 02:06 • -7.45db
56% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Zoe Clark
Zero Feelings
102 bpm • C Maj • 02:34 • -6db
55% Popularity • 74% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 74% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Eric Punzo
Nauseous
102 bpm • A# min • 02:53 • -5.27db
33% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dylan Conrique
down from the high
113 bpm • B min • 03:53 • -4.79db
36% Popularity • 67% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 67% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Lauren Spencer Smith
Narcissist
113 bpm • D# Maj • 02:52 • -6.63db
63% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Braden Bales
PICK ME UP
113 bpm • C# min • 01:55 • -7.45db
43% Popularity • 68% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 68% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Vwillz
Overboard
102 bpm • B Maj • 02:30 • -8db
47% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Cate
Funny Story
114 bpm • F# Maj • 02:55 • -5.76db
39% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Day
Wildflower - Acoustic
114 bpm • C Maj • 02:39 • -8.45db
30% Popularity • 74% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 74% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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JESSIA
Nobody Hates You
114 bpm • E Maj • 02:46 • -7.17db
46% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Alex Sampson
Magnet
100 bpm • E min • 02:25 • -6db
30% Popularity • 59% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 59% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Mack
Sad Fuck
100 bpm • F min • 02:08 • -6.25db
60% Popularity • 82% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 82% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Day
Wildflower
114 bpm • C Maj • 02:41 • -5db
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jenna Raine
NOT AGAIN
100 bpm • F# Maj • 03:36 • -6.24db
32% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Alexa Cappelli
Imposter Syndrome
100 bpm • D Maj • 02:27 • -4.7db
40% Popularity • 88% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 88% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Britton
EAGER
100 bpm • E min • 02:10 • -5.93db
49% Popularity • 73% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 73% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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VOILÀ
Long Story Short
100 bpm • G Maj • 03:37 • -8.55db
49% Popularity • 65% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 65% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Zach Hood
neon skies
100 bpm • E min • 02:31 • -7.62db
46% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Suriel Hess
Good Thing
100 bpm • D Maj • 02:39 • -6.75db
52% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Will Linley
i don't wanna be yours
100 bpm • F# Maj • 02:39 • -4.4db
40% Popularity • 82% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 82% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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TAELA
i don't cry when i'm high
100 bpm • A Maj • 02:45 • -5.98db
45% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Elias.
Hope We Live
115 bpm • C Maj • 03:01 • -10.91db
31% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Alexa Cappelli
SAY SOMETHING
100 bpm • C# Maj • 02:55 • -5db
40% Popularity • 80% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 80% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Brent Morgan
The Fixer
115 bpm • F# Maj • 03:08 • -11.55db
48% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Andrea Russett
Get Out Alive
115 bpm • F# min • 02:35 • -6.09db
44% Popularity • 85% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 85% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Will Linley
Last Call
115 bpm • C# Maj • 02:54 • -3db
60% Popularity • 65% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
60% Popularity • 65% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Robert Grace
Deep End
115 bpm • D Maj • 02:27 • -10.89db
30% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Benson Boone
GHOST TOWN - campfire version
115 bpm • C Maj • 03:01 • -7.44db
47% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Haiden Henderson
Can't Hurt Me
115 bpm • B min • 03:08 • -8.07db
39% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Frawley
Kiss And Tell
116 bpm • D min • 02:32 • -7db
42% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Alec Benjamin
Speakers
99 bpm • F# Maj • 02:39 • -5.78db
47% Popularity • 42% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 42% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Lauren Spencer Smith
For Granted
99 bpm • C Maj • 03:12 • -3.84db
52% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Dylan Conrique
pieces
98 bpm • D Maj • 02:27 • -7.86db
47% Popularity • 59% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 59% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
