Songs like Sea Song by Robert Wyatt
Based on a tempo of (+/- 10%) and a similar genre
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Robert Wyatt
Grass
109 bpm • G Maj • 02:39 • -20.41db
0% Popularity • 57% Danceability • 33% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
0% Popularity • 57% Danceability • 33% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
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Annette Peacock
Blood
109 bpm • C Maj • 02:01 • -12.93db
14% Popularity • 57% Danceability • 11% Energy • 12% Liveness
44% Instrumentalness • 26% Positiveness
14% Popularity • 57% Danceability • 11% Energy • 12% Liveness
44% Instrumentalness • 26% Positiveness
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Matching Mole
O'Caroline - Single Version
109 bpm • C# Maj • 03:33 • -15.34db
9% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Faust
It's A Rainy Day Sunshine Girl
109 bpm • C Maj • 07:27 • -10.57db
19% Popularity • 66% Danceability • 68% Energy • 7% Liveness
55% Instrumentalness • 96% Positiveness
19% Popularity • 66% Danceability • 68% Energy • 7% Liveness
55% Instrumentalness • 96% Positiveness
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Tuxedomoon
Fifth Column
108 bpm • E min • 02:57 • -19.74db
15% Popularity • 31% Danceability • 22% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
15% Popularity • 31% Danceability • 22% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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David Sylvian
Brilliant Trees
110 bpm • F# min • 08:42 • -13.85db
26% Popularity • 36% Danceability • 28% Energy • 9% Liveness
33% Instrumentalness • 8% Positiveness
26% Popularity • 36% Danceability • 28% Energy • 9% Liveness
33% Instrumentalness • 8% Positiveness
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Robert Wyatt
Sea Song
110 bpm • F# min • 06:31 • -14.62db
30% Popularity • 35% Danceability • 27% Energy • 21% Liveness
2% Instrumentalness • 6% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 21% Liveness
2% Instrumentalness • 6% Positiveness
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Nico
Secret Side
108 bpm • E min • 04:08 • -13.44db
11% Popularity • 18% Danceability • 19% Energy • 38% Liveness
1% Instrumentalness • 18% Positiveness
11% Popularity • 18% Danceability • 19% Energy • 38% Liveness
1% Instrumentalness • 18% Positiveness
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Matching Mole
O'Caroline
109 bpm • C# Maj • 05:06 • -18db
24% Popularity • 44% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 15% Positiveness
24% Popularity • 44% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 15% Positiveness
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John Martyn
Solid Air
108 bpm • C min • 05:44 • -15.57db
41% Popularity • 60% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 34% Positiveness
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Kevin Ayers
Puis Je? - 2003 Remaster
108 bpm • C Maj • 03:39 • -17db
18% Popularity • 50% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 28% Positiveness
18% Popularity • 50% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 28% Positiveness
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Tindersticks
El Diablo En El Ojo
110 bpm • A Maj • 03:32 • -17db
33% Popularity • 30% Danceability • 20% Energy • 15% Liveness
80% Instrumentalness • 10% Positiveness
33% Popularity • 30% Danceability • 20% Energy • 15% Liveness
80% Instrumentalness • 10% Positiveness
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Bertrand Burgalat
This Summer Night
108 bpm • D min • 04:14 • -6.51db
6% Popularity • 69% Danceability • 80% Energy • 21% Liveness
26% Instrumentalness • 89% Positiveness
6% Popularity • 69% Danceability • 80% Energy • 21% Liveness
26% Instrumentalness • 89% Positiveness
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Roxy Music
Manifesto
108 bpm • E Maj • 05:29 • -8.1db
31% Popularity • 64% Danceability • 61% Energy • 69% Liveness
35% Instrumentalness • 56% Positiveness
31% Popularity • 64% Danceability • 61% Energy • 69% Liveness
35% Instrumentalness • 56% Positiveness
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Robert Wyatt
Alife
108 bpm • E Maj • 06:31 • -16.6db
1% Popularity • 30% Danceability • 48% Energy • 16% Liveness
17% Instrumentalness • 13% Positiveness
1% Popularity • 30% Danceability • 48% Energy • 16% Liveness
17% Instrumentalness • 13% Positiveness
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Linda Perhacs
Parallelograms
110 bpm • F Maj • 04:33 • -17.2db
34% Popularity • 37% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
34% Popularity • 37% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Kevin Ayers
May I? - 2003 Remaster
108 bpm • C Maj • 04:01 • -17db
30% Popularity • 54% Danceability • 35% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
30% Popularity • 54% Danceability • 35% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Brian Eno
No One Receiving - 2004 Digital Remaster
108 bpm • A Maj • 03:52 • -13db
31% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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![This Summer Night (Solenzara Mix) [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e02486e96c1257325e4d98091fd)
Bertrand Burgalat
This Summer Night (Solenzara Mix) [Bonus...
108 bpm • C Maj • 03:56 • -6.81db
0% Popularity • 73% Danceability • 80% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
0% Popularity • 73% Danceability • 80% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
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Laurie Anderson
Kokoku
107 bpm • C# Maj • 07:08 • -22db
20% Popularity • 58% Danceability • 19% Energy • 5% Liveness
8% Instrumentalness • 47% Positiveness
20% Popularity • 58% Danceability • 19% Energy • 5% Liveness
8% Instrumentalness • 47% Positiveness
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Robert Wyatt
Strange Fruit
108 bpm • A# min • 03:38 • -26.25db
14% Popularity • 37% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
14% Popularity • 37% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Lou Reed
Kicks
107 bpm • A Maj • 06:01 • -8.91db
34% Popularity • 56% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 56% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Soft Machine
Why Are We Sleeping?
111 bpm • E Maj • 05:31 • -12.38db
28% Popularity • 39% Danceability • 50% Energy • 34% Liveness
84% Instrumentalness • 55% Positiveness
28% Popularity • 39% Danceability • 50% Energy • 34% Liveness
84% Instrumentalness • 55% Positiveness
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Brian Eno
The Belldog
111 bpm • B Maj • 06:19 • -12.83db
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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David Sylvian
Let The Happiness In
107 bpm • B Maj • 05:37 • -14.89db
30% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Laurie Anderson
From the Air
111 bpm • G# Maj • 04:33 • -10db
35% Popularity • 81% Danceability • 52% Energy • 4% Liveness
13% Instrumentalness • 97% Positiveness
35% Popularity • 81% Danceability • 52% Energy • 4% Liveness
13% Instrumentalness • 97% Positiveness
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Robert Wyatt
Chairman Mao
111 bpm • F# Maj • 06:15 • -9.91db
11% Popularity • 38% Danceability • 27% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
11% Popularity • 38% Danceability • 27% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
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Faust
It's A Bit Of A Pain - 2006 Digital Rema...
111 bpm • E Maj • 03:08 • -15.34db
24% Popularity • 35% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 23% Positiveness
24% Popularity • 35% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 23% Positiveness
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Bruno Coulais
Eia Mater, Fons Amoris
112 bpm • D# min • 01:16 • -21.54db
2% Popularity • 21% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 21% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Kevin Ayers
Song for Insane Times - 2003 Remaster
112 bpm • C Maj • 04:01 • -13db
29% Popularity • 60% Danceability • 57% Energy • 29% Liveness
24% Instrumentalness • 78% Positiveness
29% Popularity • 60% Danceability • 57% Energy • 29% Liveness
24% Instrumentalness • 78% Positiveness
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Pearls Before Swine
Another Time
107 bpm • G Maj • 03:06 • -18.69db
32% Popularity • 60% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 60% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Young Marble Giants
The Taxi
112 bpm • E min • 02:07 • -12.31db
28% Popularity • 63% Danceability • 32% Energy • 5% Liveness
76% Instrumentalness • 87% Positiveness
28% Popularity • 63% Danceability • 32% Energy • 5% Liveness
76% Instrumentalness • 87% Positiveness
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Robert Wyatt
Born Again Cretin
106 bpm • F# Maj • 03:11 • -15db
1% Popularity • 43% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
1% Popularity • 43% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Television
The Dream's Dream - 2003 Remaster
106 bpm • D# Maj • 06:36 • -10db
26% Popularity • 61% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 42% Positiveness
26% Popularity • 61% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 42% Positiveness
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White Noise
Your Hidden Dreams
112 bpm • E min • 04:55 • -12.66db
16% Popularity • 46% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
16% Popularity • 46% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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The Future Eve
04.03
112 bpm • F min • 08:27 • -20.28db
1% Popularity • 18% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Vincent Gallo
When
112 bpm • C Maj • 04:35 • -19.18db
29% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Psychic TV
Just Drifting
112 bpm • C Maj • 03:40 • -10.7db
31% Popularity • 52% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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Robert Wyatt
The Whole Point Of No Return
112 bpm • A min • 01:25 • -18.49db
31% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Nico
Camera Obscura
106 bpm • A# min • 03:48 • -12.88db
15% Popularity • 92% Danceability • 45% Energy • 6% Liveness
28% Instrumentalness • 75% Positiveness
15% Popularity • 92% Danceability • 45% Energy • 6% Liveness
28% Instrumentalness • 75% Positiveness
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Paul Giovanni
Willow's Song
106 bpm • B min • 04:42 • -18.86db
35% Popularity • 42% Danceability • 24% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
35% Popularity • 42% Danceability • 24% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Brian Eno
Everything Merges With The Night - 2004 ...
105 bpm • A Maj • 03:59 • -15.1db
34% Popularity • 28% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 28% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 1
113 bpm • F min • 05:19 • -12.56db
26% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Popol Vuh
King Minos II
113 bpm • C Maj • 01:55 • -14.41db
32% Popularity • 68% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
32% Popularity • 68% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
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Robert Wyatt
Soup Song
113 bpm • G Maj • 04:03 • -12.93db
0% Popularity • 46% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
0% Popularity • 46% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Sonny Sharrock
Blind Willie
113 bpm • E Maj • 03:10 • -15db
27% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
27% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Captain Beefheart & His Magic Band
My Head Is My Only House Unless It Rains
113 bpm • D Maj • 02:55 • -20.04db
38% Popularity • 84% Danceability • 26% Energy • 7% Liveness
28% Instrumentalness • 61% Positiveness
38% Popularity • 84% Danceability • 26% Energy • 7% Liveness
28% Instrumentalness • 61% Positiveness
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Julian Cope
Jellypop Perky Jean
113 bpm • G Maj • 02:07 • -18db
30% Popularity • 60% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 60% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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The Incredible String Band
The Half-Remarkable Question - 2010 Rema...
105 bpm • D Maj • 05:03 • -12.51db
17% Popularity • 42% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 42% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Scott Walker
Hero Of The War
114 bpm • F Maj • 02:25 • -18db
30% Popularity • 54% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 54% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Robert Wyatt
At Last I Am Free
114 bpm • F min • 04:17 • -11db
33% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Annette Peacock
My Mama Never Taught Me How to Cook
114 bpm • C Maj • 05:31 • -13.81db
18% Popularity • 59% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
18% Popularity • 59% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
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Nico
Chelsea Girls
104 bpm • G min • 07:22 • -18db
35% Popularity • 38% Danceability • 10% Energy • 13% Liveness
7% Instrumentalness • 24% Positiveness
35% Popularity • 38% Danceability • 10% Energy • 13% Liveness
7% Instrumentalness • 24% Positiveness
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Cluster
Ho Renomo
114 bpm • D Maj • 05:11 • -17.29db
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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The Incredible String Band
Air - 2010 Remaster
114 bpm • C Maj • 03:14 • -19db
28% Popularity • 21% Danceability • 12% Energy • 12% Liveness
34% Instrumentalness • 7% Positiveness
28% Popularity • 21% Danceability • 12% Energy • 12% Liveness
34% Instrumentalness • 7% Positiveness
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Tim Buckley
Pleasant Street
104 bpm • E min • 05:17 • -10db
36% Popularity • 39% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 39% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Captain Beefheart & His Magic Band
Harry Irene
104 bpm • G Maj • 03:42 • -13.73db
16% Popularity • 68% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 68% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Mantler
What Can We Do?
114 bpm • C# Maj • 04:20 • -14.65db
0% Popularity • 44% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 44% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Nico
Prelude
114 bpm • D Maj • 00:59 • -36.21db
31% Popularity • 30% Danceability • 1% Energy • 16% Liveness
88% Instrumentalness • 5% Positiveness
31% Popularity • 30% Danceability • 1% Energy • 16% Liveness
88% Instrumentalness • 5% Positiveness
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Tuxedomoon
Litebulb Overkill
114 bpm • G# Maj • 03:12 • -22db
14% Popularity • 68% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
14% Popularity • 68% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Aphrodite's Child
Loud, Loud, Loud
114 bpm • C# Maj • 02:42 • -18.15db
31% Popularity • 41% Danceability • 14% Energy • 49% Liveness
2% Instrumentalness • 12% Positiveness
31% Popularity • 41% Danceability • 14% Energy • 49% Liveness
2% Instrumentalness • 12% Positiveness
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Max Richter
Time Passing
104 bpm • B Maj • 01:51 • -31.95db
12% Popularity • 23% Danceability • 4% Energy • 16% Liveness
54% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 4% Energy • 16% Liveness
54% Instrumentalness • 4% Positiveness
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Captain Beefheart & His Magic Band
Flavor Bud Living - 2006 Digital Remaste...
114 bpm • A min • 01:00 • -24.28db
39% Popularity • 63% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
39% Popularity • 63% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
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Bert Jansch
Bittern
115 bpm • E min • 07:49 • -9.75db
12% Popularity • 45% Danceability • 45% Energy • 13% Liveness
68% Instrumentalness • 42% Positiveness
12% Popularity • 45% Danceability • 45% Energy • 13% Liveness
68% Instrumentalness • 42% Positiveness
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Nico
All That Is My Own
114 bpm • D min • 03:28 • -10.09db
23% Popularity • 26% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 26% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Mantler
Unsaid (4)
115 bpm • F min • 01:49 • -20.29db
0% Popularity • 37% Danceability • 10% Energy • 8% Liveness
29% Instrumentalness • 6% Positiveness
0% Popularity • 37% Danceability • 10% Energy • 8% Liveness
29% Instrumentalness • 6% Positiveness
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Matching Mole
Starting in the Middle of the Day We Can...
104 bpm • D Maj • 02:31 • -17.59db
12% Popularity • 21% Danceability • 21% Energy • 27% Liveness
89% Instrumentalness • 8% Positiveness
12% Popularity • 21% Danceability • 21% Energy • 27% Liveness
89% Instrumentalness • 8% Positiveness
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John Cage
Experiences No. 2
115 bpm • E min • 04:46 • -19.63db
12% Popularity • 37% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Robert Wyatt
East Timor
103 bpm • D min • 02:52 • -11.75db
14% Popularity • 60% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 54% Positiveness
14% Popularity • 60% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 54% Positiveness
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Faust
Giggy Smile
103 bpm • D Maj • 04:28 • -18.06db
17% Popularity • 71% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 32% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 32% Positiveness
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Arthur Russell
The Deer In The Forest Part 1
115 bpm • C Maj • 01:35 • -20.18db
40% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
40% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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John Martyn
Small Hours
103 bpm • G# Maj • 08:45 • -23.61db
33% Popularity • 25% Danceability • 4% Energy • 19% Liveness
60% Instrumentalness • 10% Positiveness
33% Popularity • 25% Danceability • 4% Energy • 19% Liveness
60% Instrumentalness • 10% Positiveness
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Young Marble Giants
The Man Amplifier
115 bpm • C Maj • 03:15 • -13.57db
20% Popularity • 54% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
20% Popularity • 54% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
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White Noise
My Game Of Loving
116 bpm • C Maj • 04:07 • -12db
19% Popularity • 42% Danceability • 63% Energy • 49% Liveness
9% Instrumentalness • 44% Positiveness
19% Popularity • 42% Danceability • 63% Energy • 49% Liveness
9% Instrumentalness • 44% Positiveness
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Robert Wyatt
The Duchess
115 bpm • F# min • 04:18 • -12.08db
17% Popularity • 61% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 52% Positiveness
17% Popularity • 61% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 52% Positiveness
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Hot Chip
Made In The Dark
103 bpm • D# Maj • 02:59 • -9.49db
2% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Future Eve
04.04
116 bpm • G Maj • 01:12 • -16.69db
6% Popularity • 30% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
6% Popularity • 30% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Laurie Anderson
Sharkey's Day
116 bpm • A# Maj • 07:47 • -18db
24% Popularity • 58% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
24% Popularity • 58% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Kevin Ayers
Girl on a Swing - 2003 Remaster
116 bpm • F Maj • 02:49 • -10.83db
22% Popularity • 52% Danceability • 49% Energy • 15% Liveness
76% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 49% Energy • 15% Liveness
76% Instrumentalness • 35% Positiveness
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Afterhours
Televisione (2014)
117 bpm • A Maj • 03:56 • -11.96db
6% Popularity • 40% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
6% Popularity • 40% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Robert Wyatt
Maryan
115 bpm • D Maj • 06:11 • -14.82db
24% Popularity • 48% Danceability • 32% Energy • 33% Liveness
37% Instrumentalness • 9% Positiveness
24% Popularity • 48% Danceability • 32% Energy • 33% Liveness
37% Instrumentalness • 9% Positiveness
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Arthur Russell
Ballad Of The Lights
117 bpm • G Maj • 05:36 • -11.41db
13% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Captain Beefheart & His Magic Band
A Carrot Is As Close As A Rabbit Gets To...
102 bpm • C Maj • 01:38 • -16.2db
37% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
37% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
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Tim Buckley
I Never Asked to Be Your Mountain
102 bpm • G# Maj • 06:04 • -13db
29% Popularity • 26% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 26% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Faust
Giggy Smile - 2006 Digital Remaster
102 bpm • C Maj • 07:46 • -10.53db
21% Popularity • 34% Danceability • 76% Energy • 24% Liveness
6% Instrumentalness • 71% Positiveness
21% Popularity • 34% Danceability • 76% Energy • 24% Liveness
6% Instrumentalness • 71% Positiveness
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Cluster
Halwa
117 bpm • G# Maj • 02:51 • -17.81db
24% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Wyatt
I Walk With My Girl
103 bpm • E Maj • 09:43 • -14.9db
1% Popularity • 37% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 37% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Arthur Russell
Soon-To-Be Innocent Fun/Let's See
101 bpm • C Maj • 09:35 • -20.99db
32% Popularity • 54% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
32% Popularity • 54% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Bill Callahan
Javelin Unlanding
118 bpm • C min • 03:48 • -11.4db
35% Popularity • 59% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
35% Popularity • 59% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
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Mark Hollis
A Life (1895 - 1915)
101 bpm • B min • 08:10 • -26.58db
25% Popularity • 36% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
25% Popularity • 36% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Talk Talk
Wealth - 1997 Remaster
101 bpm • F# Maj • 06:43 • -32.92db
33% Popularity • 15% Danceability • 1% Energy • 16% Liveness
48% Instrumentalness • 6% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 16% Liveness
48% Instrumentalness • 6% Positiveness
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Kevin Ayers
Decadence - 2003 Remaster
118 bpm • D Maj • 08:04 • -10.68db
23% Popularity • 46% Danceability • 55% Energy • 20% Liveness
26% Instrumentalness • 14% Positiveness
23% Popularity • 46% Danceability • 55% Energy • 20% Liveness
26% Instrumentalness • 14% Positiveness
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Robert Wyatt
Sometimes I See People
102 bpm • A# Maj • 04:11 • -14.75db
1% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ivor Cutler
Beautiful Cosmos
118 bpm • C# Maj • 02:10 • -13.58db
16% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Faust
Picnic On A Frozen River, Deuxieme Table...
101 bpm • C Maj • 07:45 • -11.12db
17% Popularity • 34% Danceability • 72% Energy • 31% Liveness
2% Instrumentalness • 65% Positiveness
17% Popularity • 34% Danceability • 72% Energy • 31% Liveness
2% Instrumentalness • 65% Positiveness
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Mark Hollis
The Daily Planet
118 bpm • A min • 07:19 • -16.43db
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Amon Düül II
She Came Through the Chimney
118 bpm • A# Maj • 02:57 • -15.78db
27% Popularity • 42% Danceability • 35% Energy • 10% Liveness
70% Instrumentalness • 43% Positiveness
27% Popularity • 42% Danceability • 35% Energy • 10% Liveness
70% Instrumentalness • 43% Positiveness
