Songs like Search For and Capture Of Goopy and Bagha - Instrumental by Satyajit Ray
Based on a tempo of (+/- 10%) and a similar genre
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Sivamani
Ganesa
131 bpm • D Maj • 04:02 • -13db
7% Popularity • 61% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 76% Positiveness
7% Popularity • 61% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 76% Positiveness
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Usha Uthup
One Two Cha Cha Cha
130 bpm • G# Maj • 05:41 • -9.92db
17% Popularity • 71% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 71% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Rashid Khan
Raga Yaman
132 bpm • C# Maj • 10:00 • -19.17db
20% Popularity • 46% Danceability • 46% Energy • 13% Liveness
20% Instrumentalness • 52% Positiveness
20% Popularity • 46% Danceability • 46% Energy • 13% Liveness
20% Instrumentalness • 52% Positiveness
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Nitin Sawhney
The Namesake Reprise
130 bpm • D Maj • 05:04 • -11.61db
25% Popularity • 52% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 15% Positiveness
25% Popularity • 52% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 15% Positiveness
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Regic
Lonely one
130 bpm • G Maj • 02:10 • -18.26db
23% Popularity • 34% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
23% Popularity • 34% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Popol Vuh
Venus Principle
130 bpm • E min • 04:41 • -11.37db
12% Popularity • 49% Danceability • 66% Energy • 36% Liveness
86% Instrumentalness • 31% Positiveness
12% Popularity • 49% Danceability • 66% Energy • 36% Liveness
86% Instrumentalness • 31% Positiveness
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L. Subramaniam
Kṛiti by Saint Tyāgarāja - Rāgam: B...
133 bpm • B Maj • 06:17 • -29.98db
13% Popularity • 23% Danceability • 6% Energy • 16% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 23% Danceability • 6% Energy • 16% Liveness
90% Instrumentalness • 11% Positiveness
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Quraishi
Hope
133 bpm • G Maj • 06:08 • -10.62db
7% Popularity • 55% Danceability • 72% Energy • 6% Liveness
86% Instrumentalness • 84% Positiveness
7% Popularity • 55% Danceability • 72% Energy • 6% Liveness
86% Instrumentalness • 84% Positiveness
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Mychael Danna
Kalyani Leaves
133 bpm • A# Maj • 02:21 • -18.29db
10% Popularity • 17% Danceability • 14% Energy • 16% Liveness
60% Instrumentalness • 8% Positiveness
10% Popularity • 17% Danceability • 14% Energy • 16% Liveness
60% Instrumentalness • 8% Positiveness
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Ram Narayan
Raga Baïragi-Bhaïrav - Alap
129 bpm • A# min • 09:03 • -24.29db
15% Popularity • 26% Danceability • 6% Energy • 9% Liveness
6% Instrumentalness • 13% Positiveness
15% Popularity • 26% Danceability • 6% Energy • 9% Liveness
6% Instrumentalness • 13% Positiveness
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Terry Riley
In C: Part 01
129 bpm • C Maj • 05:03 • -19.8db
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Shivkumar Sharma
Raga Bhopali - Gat Composition In Ektal
129 bpm • G Maj • 03:59 • -13.51db
12% Popularity • 29% Danceability • 92% Energy • 70% Liveness
94% Instrumentalness • 56% Positiveness
12% Popularity • 29% Danceability • 92% Energy • 70% Liveness
94% Instrumentalness • 56% Positiveness
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Magnet
The Masks / The Hobby Horse
134 bpm • G Maj • 01:25 • -20.27db
15% Popularity • 32% Danceability • 21% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
15% Popularity • 32% Danceability • 21% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
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郭大誠
送君珠淚滴
128 bpm • A min • 02:32 • -21.18db
9% Popularity • 43% Danceability • 3% Energy • 11% Liveness
74% Instrumentalness • 51% Positiveness
9% Popularity • 43% Danceability • 3% Energy • 11% Liveness
74% Instrumentalness • 51% Positiveness
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Penguin Cafe Orchestra
Paul's Dance - Remastered 2008
134 bpm • D Maj • 01:46 • -15.43db
30% Popularity • 60% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
30% Popularity • 60% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
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Popol Vuh
Im Garten Der Gemeinschaft
128 bpm • G# Maj • 02:26 • -18.65db
8% Popularity • 23% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
8% Popularity • 23% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Ariel Kalma
Almora Sunrise
128 bpm • D Maj • 03:19 • -9.67db
8% Popularity • 17% Danceability • 41% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 41% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Shivkumar Sharma
Bhairavi Gat
128 bpm • A min • 07:27 • -13.97db
28% Popularity • 28% Danceability • 81% Energy • 21% Liveness
88% Instrumentalness • 63% Positiveness
28% Popularity • 28% Danceability • 81% Energy • 21% Liveness
88% Instrumentalness • 63% Positiveness
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Ronu Majumdar
Rag Bhupali - Alap & Gat in Rupak Tal
134 bpm • E Maj • 10:46 • -22.73db
11% Popularity • 56% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
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R. D. Burman
Hare Rama Hare Krishna, Pt. 1 - Instrume...
128 bpm • B min • 02:17 • -14.61db
12% Popularity • 54% Danceability • 46% Energy • 18% Liveness
74% Instrumentalness • 57% Positiveness
12% Popularity • 54% Danceability • 46% Energy • 18% Liveness
74% Instrumentalness • 57% Positiveness
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Nonesuch Explorer Series
Nhemamusasa: Instrumental Excerpt II
127 bpm • G min • 01:46 • -22.14db
22% Popularity • 64% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
22% Popularity • 64% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
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Mychael Danna
Fuse Box
128 bpm • B Maj • 02:33 • -13.6db
15% Popularity • 46% Danceability • 19% Energy • 15% Liveness
30% Instrumentalness • 11% Positiveness
15% Popularity • 46% Danceability • 19% Energy • 15% Liveness
30% Instrumentalness • 11% Positiveness
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Gamelan Orchestra of the Yogyakarta Royal Palace
Ladrang Semingin
135 bpm • G# Maj • 09:16 • -14.43db
14% Popularity • 52% Danceability • 42% Energy • 13% Liveness
14% Instrumentalness • 23% Positiveness
14% Popularity • 52% Danceability • 42% Energy • 13% Liveness
14% Instrumentalness • 23% Positiveness
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Nusrat Fateh Ali Khan
Avenue
127 bpm • C# Maj • 04:54 • -15.4db
16% Popularity • 38% Danceability • 59% Energy • 9% Liveness
66% Instrumentalness • 60% Positiveness
16% Popularity • 38% Danceability • 59% Energy • 9% Liveness
66% Instrumentalness • 60% Positiveness
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Jigme Drukpa
Yak Legbi Ihadar
127 bpm • C Maj • 03:12 • -18.72db
14% Popularity • 39% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 39% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Bickram Ghosh
The Unvanquished
135 bpm • C# Maj • 02:10 • -7.26db
22% Popularity • 61% Danceability • 49% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
22% Popularity • 61% Danceability • 49% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
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Penguin Cafe Orchestra
Numbers 1-4 - Remastered 2008
127 bpm • A Maj • 07:00 • -20.73db
27% Popularity • 31% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
27% Popularity • 31% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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bgcey
Nada Angklung - Acoustic
127 bpm • D Maj • 01:02 • -15.12db
8% Popularity • 66% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
8% Popularity • 66% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
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Alam Khan
Passage
127 bpm • G# Maj • 02:38 • -10.51db
33% Popularity • 58% Danceability • 66% Energy • 13% Liveness
98% Instrumentalness • 44% Positiveness
33% Popularity • 58% Danceability • 66% Energy • 13% Liveness
98% Instrumentalness • 44% Positiveness
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Ani The Queen
Think About September
135 bpm • A# min • 00:58 • -13.42db
9% Popularity • 42% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
9% Popularity • 42% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Trichy Sankaran
Kriti: Padavini with Vina and Mrdangam
135 bpm • G# Maj • 03:53 • -20.23db
15% Popularity • 61% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
15% Popularity • 61% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 89% Positiveness
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Bickram Ghosh
Lost Innocence
135 bpm • F# Maj • 01:24 • -9db
34% Popularity • 77% Danceability • 39% Energy • 11% Liveness
76% Instrumentalness • 25% Positiveness
34% Popularity • 77% Danceability • 39% Energy • 11% Liveness
76% Instrumentalness • 25% Positiveness
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Dad-ADog
Its the morning time
135 bpm • D min • 01:07 • -14.78db
31% Popularity • 67% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 67% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Shankar Jaikishan
Title Music from Merchant Ivory's film B...
127 bpm • G min • 02:32 • -10.65db
33% Popularity • 46% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 56% Positiveness
33% Popularity • 46% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 56% Positiveness
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Nusrat Fateh Ali Khan
Nothing Without You
127 bpm • F Maj • 05:07 • -17db
34% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Gulabi Sapera
Pyari Pankaru
126 bpm • G Maj • 04:53 • -8.13db
16% Popularity • 54% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 54% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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L. Subramaniam
Raga kirvani : Râgam
135 bpm • E Maj • 08:33 • -18.1db
19% Popularity • 26% Danceability • 18% Energy • 18% Liveness
21% Instrumentalness • 38% Positiveness
19% Popularity • 26% Danceability • 18% Energy • 18% Liveness
21% Instrumentalness • 38% Positiveness
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Nitin Sawhney
Shoes to America
136 bpm • G Maj • 01:00 • -13.21db
35% Popularity • 61% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
35% Popularity • 61% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Jayanthi Kumaresh
Mohanakalyani Thillana
136 bpm • E Maj • 06:30 • -11.01db
18% Popularity • 80% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
18% Popularity • 80% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
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Satyajit Ray
Ruku's Room from Satyajit Ray's film JOI...
127 bpm • D Maj • 00:48 • -15.79db
19% Popularity • 60% Danceability • 6% Energy • 18% Liveness
8% Instrumentalness • 25% Positiveness
19% Popularity • 60% Danceability • 6% Energy • 18% Liveness
8% Instrumentalness • 25% Positiveness
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Yasuaki Shimizu
Kono Yoni Yomeri (Sono 2)
126 bpm • C Maj • 02:20 • -24.8db
31% Popularity • 22% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 9% Positiveness
31% Popularity • 22% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 9% Positiveness
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Eden Ahbez
La Mar
126 bpm • D Maj • 02:43 • -18.24db
16% Popularity • 35% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 9% Positiveness
16% Popularity • 35% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 9% Positiveness
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Alejandro Jodorowsky
Starfish
136 bpm • A min • 02:19 • -17.85db
8% Popularity • 38% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
8% Popularity • 38% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
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Popol Vuh
Morgengruss II
126 bpm • E Maj • 02:55 • -14.46db
32% Popularity • 35% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
32% Popularity • 35% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
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Regic
The Lord heard him
136 bpm • G Maj • 02:15 • -19.39db
26% Popularity • 31% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 69% Positiveness
26% Popularity • 31% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 69% Positiveness
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Ram Narayan
Raga Madhuvanti - Alap
137 bpm • C Maj • 03:43 • -26db
24% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Ronu Majumdar
Kashmiri Dhun in Dadra Tal
137 bpm • E Maj • 04:55 • -26.44db
18% Popularity • 50% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
18% Popularity • 50% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
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Shivkumar Sharma
Raga Pahadi - Dogri Folk Dhun in Dipcand...
125 bpm • G Maj • 09:04 • -13db
23% Popularity • 50% Danceability • 47% Energy • 4% Liveness
74% Instrumentalness • 40% Positiveness
23% Popularity • 50% Danceability • 47% Energy • 4% Liveness
74% Instrumentalness • 40% Positiveness
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Nikhil Banerjee
Surdasi Malhar
137 bpm • D Maj • 05:42 • -17.92db
16% Popularity • 30% Danceability • 36% Energy • 13% Liveness
84% Instrumentalness • 53% Positiveness
16% Popularity • 30% Danceability • 36% Energy • 13% Liveness
84% Instrumentalness • 53% Positiveness
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Dracia
Sands of the Orient
137 bpm • A min • 01:58 • -9.25db
20% Popularity • 68% Danceability • 34% Energy • 13% Liveness
61% Instrumentalness • 71% Positiveness
20% Popularity • 68% Danceability • 34% Energy • 13% Liveness
61% Instrumentalness • 71% Positiveness
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Downing And Mayer
Agra
138 bpm • C Maj • 04:59 • -16db
34% Popularity • 55% Danceability • 47% Energy • 9% Liveness
52% Instrumentalness • 56% Positiveness
34% Popularity • 55% Danceability • 47% Energy • 9% Liveness
52% Instrumentalness • 56% Positiveness
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Carter Burwell
A Marvel
138 bpm • C min • 01:16 • -20.89db
9% Popularity • 22% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
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Alejandro Jodorowsky
Rich Man In a Fishbowl
138 bpm • G min • 04:09 • -13.88db
10% Popularity • 34% Danceability • 37% Energy • 10% Liveness
31% Instrumentalness • 13% Positiveness
10% Popularity • 34% Danceability • 37% Energy • 10% Liveness
31% Instrumentalness • 13% Positiveness
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Shivkumar Sharma
Raga Bhinna Kauns - Alap
137 bpm • G Maj • 09:48 • -20.9db
25% Popularity • 34% Danceability • 19% Energy • 12% Liveness
44% Instrumentalness • 5% Positiveness
25% Popularity • 34% Danceability • 19% Energy • 12% Liveness
44% Instrumentalness • 5% Positiveness
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Nikhil Banerjee
Bhimpalasri Fast Tintal
137 bpm • A Maj • 06:38 • -22.07db
21% Popularity • 35% Danceability • 42% Energy • 7% Liveness
32% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 42% Energy • 7% Liveness
32% Instrumentalness • 45% Positiveness
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Satyajit Ray
Arrival of the Troupe in the Rain
125 bpm • A min • 01:08 • -12.47db
3% Popularity • 33% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 39% Positiveness
3% Popularity • 33% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 39% Positiveness
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Baluji Shrivastav
Raga Dhani
124 bpm • C# Maj • 09:55 • -12db
24% Popularity • 37% Danceability • 48% Energy • 8% Liveness
3% Instrumentalness • 19% Positiveness
24% Popularity • 37% Danceability • 48% Energy • 8% Liveness
3% Instrumentalness • 19% Positiveness
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Nonesuch Explorer Series
Nhemamusasa: Instrumental Excerpt I
124 bpm • C# min • 02:36 • -20.44db
17% Popularity • 39% Danceability • 22% Energy • 30% Liveness
92% Instrumentalness • 61% Positiveness
17% Popularity • 39% Danceability • 22% Energy • 30% Liveness
92% Instrumentalness • 61% Positiveness
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Vishwa Mohan Bhatt
Dhun in Rag Pilu
139 bpm • D min • 09:18 • -22.42db
15% Popularity • 40% Danceability • 29% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
15% Popularity • 40% Danceability • 29% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
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Anindo Chatterjee
8.5 Beats
124 bpm • B min • 06:02 • -19db
10% Popularity • 42% Danceability • 65% Energy • 15% Liveness
92% Instrumentalness • 57% Positiveness
10% Popularity • 42% Danceability • 65% Energy • 15% Liveness
92% Instrumentalness • 57% Positiveness
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Popol Vuh
Mit Händen, Mit Füssen
123 bpm • D Maj • 02:42 • -15.09db
12% Popularity • 31% Danceability • 18% Energy • 16% Liveness
95% Instrumentalness • 7% Positiveness
12% Popularity • 31% Danceability • 18% Energy • 16% Liveness
95% Instrumentalness • 7% Positiveness
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Kalyanji-Anandji
Bairaag Theme - Instrumental
139 bpm • D# Maj • 02:10 • -14db
10% Popularity • 33% Danceability • 72% Energy • 18% Liveness
4% Instrumentalness • 71% Positiveness
10% Popularity • 33% Danceability • 72% Energy • 18% Liveness
4% Instrumentalness • 71% Positiveness
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Satyajit Ray
Mrinmoyee Sad (Samapti) - Instrumental
139 bpm • G# Maj • 01:11 • -24.34db
3% Popularity • 18% Danceability • 10% Energy • 22% Liveness
98% Instrumentalness • 11% Positiveness
3% Popularity • 18% Danceability • 10% Energy • 22% Liveness
98% Instrumentalness • 11% Positiveness
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Nonesuch Explorer Series
Ketawang: Puspawarna
139 bpm • C min • 04:44 • -20.83db
21% Popularity • 21% Danceability • 24% Energy • 33% Liveness
10% Instrumentalness • 23% Positiveness
21% Popularity • 21% Danceability • 24% Energy • 33% Liveness
10% Instrumentalness • 23% Positiveness
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Bickram Ghosh
Theme For Leela
140 bpm • C# Maj • 01:24 • -8.49db
27% Popularity • 51% Danceability • 42% Energy • 11% Liveness
18% Instrumentalness • 48% Positiveness
27% Popularity • 51% Danceability • 42% Energy • 11% Liveness
18% Instrumentalness • 48% Positiveness
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Lakshmi Shankar
Bhajan de Mira : Raga bhairavi
140 bpm • E Maj • 07:17 • -17.83db
19% Popularity • 36% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Eden Ahbez
Myna Bird
140 bpm • A Maj • 02:21 • -16db
24% Popularity • 26% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
24% Popularity • 26% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Gunild Keetman
Orff-Schulwerk: Spielstücke für Xyloph...
140 bpm • G min • 01:07 • -24.62db
23% Popularity • 61% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 94% Positiveness
23% Popularity • 61% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 94% Positiveness
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Mychael Danna
Chuyia Explores
140 bpm • G# Maj • 01:42 • -13.04db
8% Popularity • 66% Danceability • 28% Energy • 7% Liveness
38% Instrumentalness • 34% Positiveness
8% Popularity • 66% Danceability • 28% Energy • 7% Liveness
38% Instrumentalness • 34% Positiveness
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Jonny Greenwood
Convergence
140 bpm • G Maj • 04:26 • -12.13db
21% Popularity • 68% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Ashwin Batish
Bombay Boogie
140 bpm • C# min • 09:15 • -14.3db
10% Popularity • 58% Danceability • 75% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
10% Popularity • 58% Danceability • 75% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
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Lekha Rathnakumar
Santoor Solo
122 bpm • G Maj • 01:30 • -12db
21% Popularity • 61% Danceability • 82% Energy • 15% Liveness
79% Instrumentalness • 83% Positiveness
21% Popularity • 61% Danceability • 82% Energy • 15% Liveness
79% Instrumentalness • 83% Positiveness
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Alejandro Jodorowsky
Tarot Will Teach You/Burn Your Money
122 bpm • C Maj • 08:44 • -18.09db
19% Popularity • 33% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
19% Popularity • 33% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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T. N. Krishnan
Maha Ganapatim - Nata
122 bpm • A Maj • 07:28 • -21.4db
21% Popularity • 49% Danceability • 34% Energy • 40% Liveness
6% Instrumentalness • 30% Positiveness
21% Popularity • 49% Danceability • 34% Energy • 40% Liveness
6% Instrumentalness • 30% Positiveness
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Nishat Khan
Raga Gaoti
141 bpm • D Maj • 08:51 • -18.09db
11% Popularity • 25% Danceability • 38% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 38% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
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Shahid Parvez
Raga Bhairavi Drut
141 bpm • B Maj • 03:52 • -15.04db
20% Popularity • 36% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
20% Popularity • 36% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Satyajit Ray
Carla Begs Lizzie to Return to England
141 bpm • D Maj • 01:41 • -18.22db
4% Popularity • 30% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
4% Popularity • 30% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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DJ Magik
NonStop Sambal
122 bpm • F# Maj • 10:30 • -9.75db
7% Popularity • 48% Danceability • 64% Energy • 40% Liveness
86% Instrumentalness • 55% Positiveness
7% Popularity • 48% Danceability • 64% Energy • 40% Liveness
86% Instrumentalness • 55% Positiveness
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Branko Mataja
U Proletnje Jutro
141 bpm • C# Maj • 03:19 • -14.68db
14% Popularity • 31% Danceability • 22% Energy • 18% Liveness
87% Instrumentalness • 23% Positiveness
14% Popularity • 31% Danceability • 22% Energy • 18% Liveness
87% Instrumentalness • 23% Positiveness
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Paban Das Baul
Bhojpuri
121 bpm • F min • 02:37 • -22.17db
9% Popularity • 78% Danceability • 20% Energy • 17% Liveness
81% Instrumentalness • 81% Positiveness
9% Popularity • 78% Danceability • 20% Energy • 17% Liveness
81% Instrumentalness • 81% Positiveness
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陳勝田
母親您在何方
141 bpm • E Maj • 03:05 • -21.75db
8% Popularity • 33% Danceability • 5% Energy • 10% Liveness
77% Instrumentalness • 51% Positiveness
8% Popularity • 33% Danceability • 5% Energy • 10% Liveness
77% Instrumentalness • 51% Positiveness
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宿英
娱乐昇平
142 bpm • B min • 02:38 • -10.92db
9% Popularity • 41% Danceability • 46% Energy • 35% Liveness
86% Instrumentalness • 76% Positiveness
9% Popularity • 41% Danceability • 46% Energy • 35% Liveness
86% Instrumentalness • 76% Positiveness
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Satyajit Ray
Kanchanjangha Theme - Instrumental
141 bpm • C Maj • 02:11 • -17.89db
3% Popularity • 31% Danceability • 10% Energy • 29% Liveness
75% Instrumentalness • 4% Positiveness
3% Popularity • 31% Danceability • 10% Energy • 29% Liveness
75% Instrumentalness • 4% Positiveness
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Mychael Danna
Ladoo Dreams
142 bpm • A Maj • 01:11 • -15.93db
8% Popularity • 16% Danceability • 34% Energy • 20% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 34% Energy • 20% Liveness
84% Instrumentalness • 4% Positiveness
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Ram Narayan
Raga Kirvani - Alap
142 bpm • F min • 02:34 • -24.42db
31% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Popol Vuh
Morning Sun
121 bpm • D# Maj • 03:21 • -12.47db
14% Popularity • 65% Danceability • 35% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
14% Popularity • 65% Danceability • 35% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Enzo Corne
paper plane
120 bpm • A min • 01:10 • -33.14db
14% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
14% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
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Víg Mihály
Őskígyó
143 bpm • G Maj • 01:26 • -18.97db
26% Popularity • 46% Danceability • 31% Energy • 26% Liveness
72% Instrumentalness • 21% Positiveness
26% Popularity • 46% Danceability • 31% Energy • 26% Liveness
72% Instrumentalness • 21% Positiveness
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Satyajit Ray
Amal Leaves - Instrumental
142 bpm • D Maj • 01:33 • -22.01db
7% Popularity • 18% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Estelle Bajou
With the World Against Me
120 bpm • A min • 01:06 • -25.27db
18% Popularity • 75% Danceability • 2% Energy • 13% Liveness
87% Instrumentalness • 12% Positiveness
18% Popularity • 75% Danceability • 2% Energy • 13% Liveness
87% Instrumentalness • 12% Positiveness
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Bickram Ghosh
Avijatrik Theme
120 bpm • D Maj • 01:55 • -9.17db
27% Popularity • 61% Danceability • 46% Energy • 16% Liveness
41% Instrumentalness • 64% Positiveness
27% Popularity • 61% Danceability • 46% Energy • 16% Liveness
41% Instrumentalness • 64% Positiveness
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Hikaru Hayashi
Theme de l'eau
143 bpm • G min • 02:06 • -22db
28% Popularity • 26% Danceability • 10% Energy • 16% Liveness
78% Instrumentalness • 46% Positiveness
28% Popularity • 26% Danceability • 10% Energy • 16% Liveness
78% Instrumentalness • 46% Positiveness
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Ghazal
Snowy Mountains
143 bpm • D min • 08:55 • -8db
9% Popularity • 42% Danceability • 61% Energy • 12% Liveness
34% Instrumentalness • 59% Positiveness
9% Popularity • 42% Danceability • 61% Energy • 12% Liveness
34% Instrumentalness • 59% Positiveness
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Branko Mataja
Tesko Mi Je Zaboravit Tebe
143 bpm • G# Maj • 02:49 • -16.72db
30% Popularity • 29% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
30% Popularity • 29% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
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John Lurie
Canoe
143 bpm • F Maj • 01:05 • -20.66db
33% Popularity • 55% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
33% Popularity • 55% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
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Ustad Mohi Baha’Uddin Dagar
Sunset Malkauns
120 bpm • F# Maj • 05:18 • -17.14db
10% Popularity • 18% Danceability • 26% Energy • 10% Liveness
60% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 26% Energy • 10% Liveness
60% Instrumentalness • 5% Positiveness
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Bickram Ghosh
Theme For Nishchindipur
120 bpm • C# Maj • 01:44 • -7.93db
30% Popularity • 56% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
30% Popularity • 56% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Purbayan Chatterjee
RAGA SAHASRADEEP
119 bpm • A min • 10:40 • -8.53db
17% Popularity • 35% Danceability • 83% Energy • 13% Liveness
49% Instrumentalness • 56% Positiveness
17% Popularity • 35% Danceability • 83% Energy • 13% Liveness
49% Instrumentalness • 56% Positiveness
