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Seasons Changing
Songs like
Seasons Changing
by
Charles Bolt
Based on a tempo of (+/- 10%) and a similar genre
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Charles Bolt
Seasons Changing
110 bpm • D Maj • 02:19 • -24.33db
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Charlie Key
My Inner Peace
110 bpm • A Maj • 02:19 • -22.35db
32% Popularity • 69% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 24% Positiveness
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Zoé de Vera
In Bloom
110 bpm • A min • 02:59 • -23db
45% Popularity • 64% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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Fabrizio Paterlini
Soffia la notte
110 bpm • E min • 03:24 • -16.08db
53% Popularity • 30% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
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James Spiteri
Travelling
110 bpm • D# min • 03:57 • -19.33db
50% Popularity • 40% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Jacob David
Judith
111 bpm • G min • 02:55 • -26db
39% Popularity • 42% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Gabriel Parker
Intervention
111 bpm • D Maj • 02:19 • -17.61db
38% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Eric Badanti
Vals De Rodrigues
111 bpm • B min • 02:41 • -24.3db
47% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Algoth Holmes
Winter Birds
112 bpm • C# min • 02:50 • -21.01db
36% Popularity • 52% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
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Shaunta Coburn
Grateful
112 bpm • C Maj • 02:25 • -26db
34% Popularity • 56% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Dimitri Stöckl
Leave Me
112 bpm • G# min • 02:49 • -25.46db
21% Popularity • 49% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Charlie Key
Staying Safe
112 bpm • G min • 03:18 • -24.52db
37% Popularity • 46% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Piano Novel
Fendre l'écorce
112 bpm • A# min • 03:23 • -18.7db
21% Popularity • 35% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Charles Bolt
Coming Home
112 bpm • D# Maj • 02:19 • -26.15db
26% Popularity • 54% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Mae Ji-Yoon
Vibrations
108 bpm • G# Maj • 02:53 • -23.98db
50% Popularity • 67% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Max Swan
Downstreams
107 bpm • A# min • 02:18 • -25.15db
38% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Elliot Ziegler
Keep Me
113 bpm • G Maj • 03:10 • -19.83db
41% Popularity • 40% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Charlie Key
Northern Leafs
108 bpm • D# Maj • 02:35 • -18.31db
30% Popularity • 42% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Una Luna
Send A Raven North
107 bpm • D# Maj • 02:33 • -29.22db
28% Popularity • 38% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Leonard Anderson
The Girl Plays
107 bpm • D# Maj • 03:08 • -25.19db
15% Popularity • 38% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
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Izumi Tanaka
Last Breath
114 bpm • D# min • 03:05 • -24.51db
21% Popularity • 36% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Peter Sandberg
Balm (Scaled Down Version)
107 bpm • B Maj • 02:06 • -22.77db
41% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Elliot Ziegler
Saône
113 bpm • F min • 01:31 • -20.09db
26% Popularity • 43% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Brian Crain
A Simple Life
114 bpm • C min • 04:03 • -16db
43% Popularity • 36% Danceability • 18% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
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Jorulf
Myrdal-Flam
106 bpm • A Maj • 01:58 • -23.13db
34% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Lars Meyer
Sustain
106 bpm • C min • 02:26 • -14.02db
36% Popularity • 36% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 8% Positiveness
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Ana Olgica
Sugarcane
114 bpm • C Maj • 02:24 • -27.86db
43% Popularity • 36% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 46% Positiveness
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Ivy Rue
Nucleus
106 bpm • G# min • 02:48 • -26.09db
34% Popularity • 41% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Oscar Sundberg
Suvi
114 bpm • F# Maj • 05:04 • -17db
16% Popularity • 32% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Franz Gordon
Breakfast on the Balcony
114 bpm • G Maj • 02:29 • -21db
36% Popularity • 43% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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SigrÃður
Interconnectivity
114 bpm • C Maj • 01:43 • -25.82db
38% Popularity • 29% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Tomasz Kraal
Lava
114 bpm • F# min • 03:30 • -21.19db
19% Popularity • 34% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Eagle Lake
Approaching Dusk
105 bpm • C Maj • 01:45 • -24.43db
42% Popularity • 52% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
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Michael Forster
Forces of Attraction
105 bpm • G Maj • 01:58 • -24db
33% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Andy Gbormittah
Help
115 bpm • G# Maj • 01:34 • -25.76db
36% Popularity • 45% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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S.J Morgan
A Peaceful Mind
105 bpm • B min • 02:27 • -29db
26% Popularity • 59% Danceability • 12% Energy • 38% Liveness
86% Instrumentalness • 46% Positiveness
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Luke Howard
In Metaphor, Solace
116 bpm • A# min • 02:33 • -22.3db
39% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Józef Gatysik
Evolutionistically yours
116 bpm • F Maj • 02:40 • -32db
24% Popularity • 32% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Aaron Lansing
Faded Dreams
116 bpm • A min • 01:51 • -33db
39% Popularity • 40% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Teodor Wolgers
reflections
116 bpm • G# Maj • 03:13 • -29.83db
33% Popularity • 52% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
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Ensemble Rivr Dane
Sugarcane
116 bpm • C Maj • 02:24 • -21.43db
41% Popularity • 38% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 31% Positiveness
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Rand Aldo
Aim For The Stars
116 bpm • D# Maj • 02:22 • -17db
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Piotr Miteska
Ready Set Love
104 bpm • G min • 01:29 • -25db
39% Popularity • 60% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Arelius
Carillon
116 bpm • F# Maj • 02:14 • -24.7db
32% Popularity • 41% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Fabrizio Paterlini
Five thirty am
116 bpm • D Maj • 03:35 • -19.8db
27% Popularity • 39% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Ever So Blue
At Dawn
116 bpm • D Maj • 02:16 • -25db
52% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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In Amber
A Walk Down the Aisle
104 bpm • D# Maj • 02:42 • -24.02db
34% Popularity • 53% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
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Dominique Charpentier
La tendresse
117 bpm • D Maj • 02:24 • -20.73db
43% Popularity • 54% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Heinz Goldblatt
Traveling
117 bpm • A# Maj • 01:59 • -20db
33% Popularity • 43% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Matti Aalto
feather
117 bpm • F Maj • 02:50 • -27.68db
35% Popularity • 33% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Mewael Yemane
In your eyes
117 bpm • D# min • 02:16 • -25.46db
31% Popularity • 29% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Ryu Ito
Elderflowers
103 bpm • C# Maj • 02:09 • -28.38db
41% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Jaidy Thissen
schemering
103 bpm • G# Maj • 02:04 • -24.52db
40% Popularity • 30% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Michael Ottosson
A Place To Call Home
118 bpm • F Maj • 03:08 • -25.49db
34% Popularity • 44% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Samuel Lindon
Avant Les Vagues
118 bpm • C min • 03:22 • -20db
26% Popularity • 33% Danceability • 14% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Kylian Rebour
Fields
118 bpm • C min • 02:03 • -20.72db
31% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Mewael Yemane
Wishes
118 bpm • A min • 01:38 • -27.06db
45% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Una Luna
Il Vicolo
118 bpm • D# Maj • 03:20 • -25db
38% Popularity • 42% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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James Spiteri
The Forest
118 bpm • B Maj • 06:15 • -15.81db
36% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Charles Bolt
John's River
102 bpm • G min • 02:28 • -25.56db
24% Popularity • 53% Danceability • 3% Energy • 20% Liveness
95% Instrumentalness • 14% Positiveness
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Teodor Wolgers
interstices
101 bpm • G Maj • 02:13 • -30db
32% Popularity • 30% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Sophie Hutchings
Whisper To Closeness
118 bpm • D min • 04:16 • -22.97db
27% Popularity • 43% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Joaqin Trudet
Désabusé
120 bpm • D min • 02:27 • -24.51db
31% Popularity • 54% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Chad Lawson
Nocturne in a Minor
101 bpm • A min • 06:02 • -27.42db
50% Popularity • 19% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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James Spiteri
Easy To Let Go
118 bpm • C# Maj • 03:53 • -22.11db
38% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Charles Bolt
Far and Beyond (emotive version)
120 bpm • G# Maj • 02:13 • -24.91db
7% Popularity • 55% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Ivy Rue
Anima
101 bpm • F Maj • 03:32 • -23.59db
24% Popularity • 44% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 21% Positiveness
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Jef Martens
Wolf and Her
120 bpm • G# Maj • 02:07 • -31db
33% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Trevor Kowalski
Prelude
120 bpm • D# Maj • 02:49 • -20.03db
32% Popularity • 65% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Henrik Janson
Capri Interlude
120 bpm • C Maj • 01:43 • -13.18db
36% Popularity • 85% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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John Hanks
Hills And Horizons
120 bpm • D Maj • 02:36 • -18.06db
34% Popularity • 75% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
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Carl Bonet
Mantra for Piano
101 bpm • F# Maj • 03:18 • -22.21db
42% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Omer Bresler
Faded
120 bpm • A min • 02:14 • -24.06db
32% Popularity • 56% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Leo Finka
Sentimental
120 bpm • G min • 02:25 • -15.88db
21% Popularity • 70% Danceability • 12% Energy • 16% Liveness
92% Instrumentalness • 37% Positiveness
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Hushed
Lanterns
120 bpm • E Maj • 03:20 • -23.17db
38% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Jonas Holmes
Flying South
120 bpm • D# Maj • 02:02 • -28db
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Henrik Janson
Capri Interlude For Guitar and Strings
120 bpm • C Maj • 01:43 • -15.3db
44% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Silver Maple
This Delicate Place (Scaled Down Version...
120 bpm • G Maj • 02:40 • -25.64db
35% Popularity • 60% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Isaac Shepard
Campground Stargazing
120 bpm • F Maj • 04:46 • -24.62db
35% Popularity • 74% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Laura Frey
Acacia
100 bpm • A min • 01:35 • -19.19db
33% Popularity • 36% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Goratie
Holding on to Forever
121 bpm • A# Maj • 02:05 • -22.2db
44% Popularity • 40% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Matt Stewart-Evans
Becalm
100 bpm • E Maj • 02:29 • -22db
40% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
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Rebour
The Lonely Road
100 bpm • C Maj • 03:09 • -20.17db
27% Popularity • 32% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Ronald Emery
Little Talks
100 bpm • C# Maj • 03:36 • -22.36db
54% Popularity • 73% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 48% Positiveness
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Charlie Key
The Walk
100 bpm • G min • 03:23 • -17.94db
30% Popularity • 74% Danceability • 7% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
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Piano Novel
Enchantement
100 bpm • C min • 02:57 • -22.42db
33% Popularity • 35% Danceability • 6% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Ever So Blue
Progress
100 bpm • C Maj • 02:18 • -27.14db
48% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Martino Vergnaghi
Hopefully
121 bpm • C Maj • 04:16 • -17.29db
28% Popularity • 40% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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John A. Nilson
Carousel - Strings Version
100 bpm • G Maj • 02:18 • -19db
34% Popularity • 13% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Martin Greenbaum
Cloud Walk
122 bpm • C# Maj • 02:42 • -29db
29% Popularity • 33% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Kyran Martin
Belmont Street
122 bpm • B min • 02:29 • -21db
33% Popularity • 42% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Rita May
Colors of the Wind
99 bpm • C# Maj • 03:47 • -20db
53% Popularity • 72% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
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James Spiteri
May
122 bpm • G Maj • 06:08 • -19.11db
19% Popularity • 37% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Elliot Ziegler
Lyon
122 bpm • D min • 01:52 • -21.24db
36% Popularity • 52% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Jonas Holmes
Nature Calling
99 bpm • D Maj • 01:54 • -26.97db
43% Popularity • 57% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Charles Bolt
Deco
99 bpm • F# Maj • 01:32 • -29.92db
38% Popularity • 23% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Charlie Key
For the Loved Ones
98 bpm • A min • 03:14 • -25.02db
29% Popularity • 55% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Rick Jolt
One With You
124 bpm • D Maj • 02:13 • -26db
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Rhiannon Bannenberg
For Stormboy
123 bpm • G# min • 01:36 • -29.13db
51% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Martin Rapide
The Ones Left Behind
98 bpm • B min • 02:28 • -23.97db
29% Popularity • 44% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Seasons Changing