Songs like Sechs Hölderlin-Fragmente, Op. 61: Die Jugend by Benjamin Britten
Based on a tempo of (+/- 10%) and a similar genre
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Benjamin Britten
Britten: Serenade, Op. 31: No. 4, Elegy
99 bpm • F Maj • 03:52 • -25db
8% Popularity • 14% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • A min • 05:20 • -19db
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Traditional
The Foggy Foggy Dew
98 bpm • G# Maj • 02:31 • -24.61db
7% Popularity • 44% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 44% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
33% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 3 i...
98 bpm • G# Maj • 04:39 • -17.18db
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
98 bpm • C# Maj • 00:53 • -32.64db
27% Popularity • 38% Danceability • 3% Energy • 11% Liveness
58% Instrumentalness • 56% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 11% Liveness
58% Instrumentalness • 56% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 2 in F, BWV 104...
97 bpm • F Maj • 02:57 • -13.08db
21% Popularity • 69% Danceability • 44% Energy • 13% Liveness
87% Instrumentalness • 93% Positiveness
21% Popularity • 69% Danceability • 44% Energy • 13% Liveness
87% Instrumentalness • 93% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: VIII. D...
100 bpm • C Maj • 07:59 • -15.22db
23% Popularity • 19% Danceability • 23% Energy • 66% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 23% Energy • 66% Liveness
91% Instrumentalness • 4% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
101 bpm • E Maj • 02:31 • -23.19db
17% Popularity • 46% Danceability • 10% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 46% Danceability • 10% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
97 bpm • D# min • 01:05 • -26.62db
42% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
42% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
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Maurice Ravel
Mother Goose: V. The Fairy Garden
101 bpm • C Maj • 03:37 • -29.14db
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
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Benjamin Britten
War Requiem, Op. 66: VI. Libera me: c. L...
101 bpm • A Maj • 05:37 • -26.2db
8% Popularity • 19% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
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Claude Debussy
Sonata in D Minor for Cello & Piano, L.1...
96 bpm • D min • 05:05 • -26.81db
5% Popularity • 15% Danceability • 2% Energy • 10% Liveness
60% Instrumentalness • 12% Positiveness
5% Popularity • 15% Danceability • 2% Energy • 10% Liveness
60% Instrumentalness • 12% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
101 bpm • E Maj • 04:35 • -16.96db
11% Popularity • 24% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 1. The Pines Of V...
102 bpm • F Maj • 02:56 • -16db
24% Popularity • 32% Danceability • 34% Energy • 87% Liveness
97% Instrumentalness • 46% Positiveness
24% Popularity • 32% Danceability • 34% Energy • 87% Liveness
97% Instrumentalness • 46% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria, FP 144: V. Domine Deus, Agnus De...
95 bpm • E Maj • 05:55 • -23.16db
20% Popularity • 18% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Frederick Delius
A Walk To The Paradise Garden
103 bpm • E Maj • 10:14 • -27db
10% Popularity • 14% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Benjamin Britten
War Requiem, Op. 66: ii. Requiem Aeterna...
101 bpm • C Maj • 03:00 • -43db
14% Popularity • 14% Danceability • 0% Energy • 16% Liveness
6% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 0% Energy • 16% Liveness
6% Instrumentalness • 3% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Gustav Holst
Double Concerto for 2 Violins, Op. 49: I...
104 bpm • C min • 05:16 • -18.44db
10% Popularity • 28% Danceability • 12% Energy • 6% Liveness
83% Instrumentalness • 13% Positiveness
10% Popularity • 28% Danceability • 12% Energy • 6% Liveness
83% Instrumentalness • 13% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
94 bpm • A Maj • 09:59 • -18.08db
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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Benjamin Britten
Nocturne, Op. 60: IV. Midnight's Bell Go...
102 bpm • C min • 02:08 • -32.85db
8% Popularity • 34% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
104 bpm • A Maj • 04:09 • -29.1db
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
94 bpm • G# Maj • 07:26 • -18db
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
104 bpm • F Maj • 03:34 • -21db
22% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
22% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Benjamin Britten
Peter Grimes, Op. 33 / Act 1: Interlude ...
102 bpm • E Maj • 04:08 • -16.44db
10% Popularity • 24% Danceability • 42% Energy • 31% Liveness
89% Instrumentalness • 16% Positiveness
10% Popularity • 24% Danceability • 42% Energy • 31% Liveness
89% Instrumentalness • 16% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: III. Vo...
105 bpm • G Maj • 02:07 • -16db
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
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Robert Schumann
5 Stücke im Volkston, Op. 102: 1. Vanit...
105 bpm • F Maj • 03:29 • -20db
2% Popularity • 40% Danceability • 8% Energy • 15% Liveness
71% Instrumentalness • 45% Positiveness
2% Popularity • 40% Danceability • 8% Energy • 15% Liveness
71% Instrumentalness • 45% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: I. Moderato
105 bpm • D Maj • 02:03 • -21db
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
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Aaron Copland
Appalachian Spring: VIII. Coda. Moderato
106 bpm • C Maj • 03:40 • -31db
29% Popularity • 15% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Benjamin Britten
Peter Grimes, Prologue: "Peter Grimes!"
104 bpm • A# Maj • 07:20 • -25.66db
4% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
48% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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George Frideric Handel
Ode for Saint Cecilia's Day, HWV 76: The...
93 bpm • D Maj • 03:48 • -12.99db
0% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
25% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part III: Fair ...
94 bpm • B min • 02:04 • -25.47db
10% Popularity • 38% Danceability • 9% Energy • 64% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 38% Danceability • 9% Energy • 64% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Aaron Copland
Appalachian Spring: V. Subito allegro
92 bpm • C Maj • 03:43 • -15.28db
28% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
28% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
106 bpm • C# min • 02:13 • -24.2db
38% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Peter Grimes, Op. 33 / Prologue: "Peter ...
104 bpm • G Maj • 01:27 • -22.98db
10% Popularity • 51% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 51% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Valery Gergiev
Death of Usurer: Adagio
108 bpm • C min • 02:23 • -28.22db
21% Popularity • 17% Danceability • 5% Energy • 16% Liveness
75% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 5% Energy • 16% Liveness
75% Instrumentalness • 5% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: II. Ceremonial D...
108 bpm • C# Maj • 01:33 • -21db
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
► Preview
Benjamin Britten
Britten: Simple Symphony, Op. 4: III. Se...
93 bpm • G min • 07:08 • -21.88db
1% Popularity • 11% Danceability • 6% Energy • 32% Liveness
92% Instrumentalness • 5% Positiveness
1% Popularity • 11% Danceability • 6% Energy • 32% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Robert Schumann
5 Stücke im Volkston, Op. 102: 2. Langs...
90 bpm • F Maj • 03:32 • -24.16db
1% Popularity • 12% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 11% Positiveness
1% Popularity • 12% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 11% Positiveness
► Preview
Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Zoltán Kodály
Hary Janos Suite: Háry János Suite: V....
109 bpm • D min • 05:01 • -22.3db
12% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
108 bpm • C Maj • 01:59 • -27.02db
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
28% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
28% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Benjamin Britten
Sinfonia da Requiem, Op. 20: I. Lacrymos...
106 bpm • A# Maj • 08:01 • -21.86db
21% Popularity • 16% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Seattle Symphony Orchestra
Symphony in C Major, Op. 46: II. Sehr la...
90 bpm • F Maj • 04:02 • -32.93db
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
5 Stücke im Volkston, Op. 102: 4. Nicht...
90 bpm • D Maj • 02:31 • -18.32db
1% Popularity • 29% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
1% Popularity • 29% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Herbert Howells
Elegy for Solo Viola, String Quartet and...
90 bpm • C min • 10:44 • -23.39db
12% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 6 in B flat, BW...
109 bpm • A# Maj • 06:15 • -22.54db
27% Popularity • 53% Danceability • 12% Energy • 13% Liveness
65% Instrumentalness • 61% Positiveness
27% Popularity • 53% Danceability • 12% Energy • 13% Liveness
65% Instrumentalness • 61% Positiveness
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Benjamin Britten
Suite for Violin and Piano, Op. 6: IV. L...
92 bpm • F min • 05:23 • -30.83db
8% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116: I. Intr...
109 bpm • A# min • 09:39 • -21db
22% Popularity • 21% Danceability • 6% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 6% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
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Edward Elgar
The Crown of India, Op. 66: March of the...
90 bpm • B min • 03:59 • -13.1db
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
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Claude Debussy
Nocturnes, L.91: I. Nuages
90 bpm • C Maj • 06:15 • -38db
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
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Gerald Finzi
Prelude
109 bpm • F min • 05:07 • -22.94db
9% Popularity • 16% Danceability • 5% Energy • 22% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 22% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act 1
90 bpm • A Maj • 09:46 • -29.14db
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
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Benjamin Britten
Violin Concerto, Op. 15: I. Moderato con...
106 bpm • G min • 10:05 • -23.47db
17% Popularity • 28% Danceability • 13% Energy • 8% Liveness
31% Instrumentalness • 8% Positiveness
17% Popularity • 28% Danceability • 13% Energy • 8% Liveness
31% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Francis Poulenc
Gloria, FP 144: I. Gloria
109 bpm • C Maj • 02:25 • -14.52db
24% Popularity • 29% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
24% Popularity • 29% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
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Gerald Finzi
Come away, come away death, Op.18, No.1 ...
109 bpm • E min • 03:43 • -24db
13% Popularity • 16% Danceability • 7% Energy • 23% Liveness
13% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 23% Liveness
13% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
109 bpm • G# Maj • 09:07 • -21.19db
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
79% Instrumentalness • 13% Positiveness
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
79% Instrumentalness • 13% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
106 bpm • A min • 03:29 • -16.75db
21% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
21% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 2 in F, BWV 104...
89 bpm • F Maj • 05:24 • -12.65db
22% Popularity • 69% Danceability • 40% Energy • 15% Liveness
63% Instrumentalness • 79% Positiveness
22% Popularity • 69% Danceability • 40% Energy • 15% Liveness
63% Instrumentalness • 79% Positiveness
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Ottorino Respighi
Respighi: Fontane di Roma, P. 106: IV. L...
89 bpm • F# min • 06:11 • -37.72db
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
89 bpm • G min • 07:35 • -20.1db
10% Popularity • 41% Danceability • 25% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
10% Popularity • 41% Danceability • 25% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: Boisterous Bourr...
106 bpm • D min • 03:20 • -26.33db
11% Popularity • 38% Danceability • 4% Energy • 9% Liveness
39% Instrumentalness • 39% Positiveness
11% Popularity • 38% Danceability • 4% Energy • 9% Liveness
39% Instrumentalness • 39% Positiveness
