Songs like Secht's Leut'In, So War's Anno Dreissig by Karl Zeller
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Pablo Sorozábal
Katiuska - Noche hermosa
85 bpm • G Maj • 02:38 • -11db
12% Popularity • 29% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 29% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Emmerich Kálmán
Gräfin Mariza, IEK 4: Komm mit nach Var...
85 bpm • F Maj • 04:02 • -10.59db
10% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Carlos Galeffi
Dúo de Rosa y Pablo, Pt. 2
85 bpm • G Maj • 04:35 • -10db
7% Popularity • 31% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 31% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Jerry Bock
Anatevka: Schabbat-Gebet (Tevje, Golde)
85 bpm • F Maj • 02:52 • -14.3db
9% Popularity • 25% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Lya Dulizkaya
Sabbat-Gebet (Anatevka)
85 bpm • D# Maj • 02:37 • -16db
8% Popularity • 26% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 26% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Martin Frank
Presssacklied
85 bpm • D# Maj • 02:12 • -15.89db
15% Popularity • 35% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 35% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
La fanciulla del West, Act III: Ch'ella ...
86 bpm • F# Maj • 01:54 • -15.39db
8% Popularity • 24% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
8% Popularity • 24% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
John Adams
Adams: Girls of the Golden West, Act II ...
86 bpm • A Maj • 05:40 • -16.32db
7% Popularity • 39% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 39% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Professor van Dusen
Teil 5 - Folge 12: Stimmen aus dem Jense...
84 bpm • G# Maj • 03:07 • -18.22db
15% Popularity • 57% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 57% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Arthur Sullivan
The Gondoliers / Act 1: 5. Buon' giorno,...
84 bpm • G min • 01:56 • -16.86db
9% Popularity • 33% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 33% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Rudolf Schock
La Paloma (Mich rief es an Bord)
86 bpm • D# Maj • 04:38 • -15db
12% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Franz Lehár
Lehár: Zigeunerliebe: "Hör ich Cymbalk...
86 bpm • F min • 03:16 • -16.55db
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Giacomo Puccini
Turandot, Act III: Nessun dorma!
84 bpm • D Maj • 03:00 • -14.35db
24% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hans Christian Lumbye
Otto Allins Tromme-Polka (1864)
86 bpm • G Maj • 02:15 • -17.55db
22% Popularity • 42% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
22% Popularity • 42% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
► Preview
Georges Bizet
Les Pêcheurs de perles: Leïla!...Dieu ...
84 bpm • F min • 06:43 • -21.44db
9% Popularity • 22% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Arthur Sullivan
H.M.S. Pinafore / Act 2: Things are seld...
86 bpm • A# Maj • 04:21 • -24.5db
8% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • G Maj • 04:35 • -22db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Nicolai Gedda
Der Zigeunerbaron, Act I: Als flotter Ge...
84 bpm • C Maj • 02:56 • -13db
14% Popularity • 32% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 32% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Giacomo Puccini
A te, SC 8 (Arr. for Voice & Orchestra b...
86 bpm • D Maj • 03:36 • -16.73db
13% Popularity • 30% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 30% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess),...
86 bpm • D Maj • 02:40 • -12.52db
21% Popularity • 25% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 25% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Georges Bizet
Les Pêcheurs de perles: O lumière sain...
84 bpm • G Maj • 01:30 • -17.83db
11% Popularity • 20% Danceability • 27% Energy • 54% Liveness
50% Instrumentalness • 15% Positiveness
11% Popularity • 20% Danceability • 27% Energy • 54% Liveness
50% Instrumentalness • 15% Positiveness
► Preview
Arthur Sullivan
The Gondoliers / Act 1: 1. List and Lear...
86 bpm • D Maj • 03:00 • -16.61db
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Julius Fučík
Terpsichore, Op. 37 (Version for Orchest...
84 bpm • D Maj • 04:22 • -21.43db
13% Popularity • 50% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
13% Popularity • 50% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
► Preview
Vincenzo Bellini
Finestra che lucevi
83 bpm • A min • 03:33 • -12.75db
14% Popularity • 35% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 35% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Giacomo Puccini
Turandot, Act I: Non piangere, Liù!
84 bpm • D# min • 02:20 • -16.66db
9% Popularity • 20% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 3...
87 bpm • A Maj • 04:35 • -21.94db
10% Popularity • 36% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 36% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Sigvaldi Kaldalóns
Ave María
83 bpm • D# Maj • 04:36 • -15.8db
8% Popularity • 26% Danceability • 18% Energy • 69% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 69% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Rudolf Schock
Als flotter Geist – Ja, das alles auf ...
83 bpm • G Maj • 02:22 • -13.75db
16% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Luis Fernández de Sevilla
Golondrina de Madrid: "¡Otra Vez Juntos...
83 bpm • D Maj • 06:24 • -10db
2% Popularity • 34% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 34% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Arthur Sullivan
Patience / Act 1: If you're anxious for ...
87 bpm • D Maj • 02:30 • -23.8db
10% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Γιάννη Yang
Io Morro, Ma Lieto in Core
87 bpm • C# Maj • 03:01 • -5db
12% Popularity • 28% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 28% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ángeles Ottein
Escena final - Primer acto, Pt. 2
87 bpm • C Maj • 03:51 • -10.04db
7% Popularity • 35% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 35% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: V. Te per ...
87 bpm • D Maj • 03:40 • -28.53db
7% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Johannes Brahms
In stiller Nacht
83 bpm • G Maj • 02:27 • -26db
14% Popularity • 8% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 8% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Martin Frank
Arie 'Vesti la giubba' aus 'Pagliacci' v...
83 bpm • C# Maj • 01:55 • -10.14db
15% Popularity • 54% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 54% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
87 bpm • G Maj • 03:01 • -15db
21% Popularity • 23% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 23% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Act II: Finale: Polka
88 bpm • C Maj • 01:41 • -13.67db
13% Popularity • 58% Danceability • 40% Energy • 13% Liveness
83% Instrumentalness • 89% Positiveness
13% Popularity • 58% Danceability • 40% Energy • 13% Liveness
83% Instrumentalness • 89% Positiveness
► Preview
Arthur Sullivan
H.M.S. Pinafore / Act 1: Hail! Men o'war...
87 bpm • C Maj • 04:16 • -22.62db
12% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Georges Bizet
Les Pêcheurs de perles: C'est elle! Ell...
88 bpm • A Maj • 04:08 • -31db
13% Popularity • 13% Danceability • 2% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
13% Popularity • 13% Danceability • 2% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Jacinto Guerrero
La Rosa del Azafrán: Nocturno: "Ronda. ...
82 bpm • F# min • 01:43 • -20.33db
11% Popularity • 21% Danceability • 12% Energy • 31% Liveness
25% Instrumentalness • 7% Positiveness
11% Popularity • 21% Danceability • 12% Energy • 31% Liveness
25% Instrumentalness • 7% Positiveness
► Preview
Eduard Künneke
Der Vetter aus Dingsda: Strahlender Mond...
82 bpm • G Maj • 03:11 • -16db
15% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Angelita Durán
Maravilla: "Romanza de Manuela"
82 bpm • A# Maj • 02:59 • -7.68db
7% Popularity • 34% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 34% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: III. Glo...
82 bpm • C min • 01:17 • -14.04db
13% Popularity • 29% Danceability • 27% Energy • 15% Liveness
13% Instrumentalness • 43% Positiveness
13% Popularity • 29% Danceability • 27% Energy • 15% Liveness
13% Instrumentalness • 43% Positiveness
► Preview
Théodore Dubois
Seven Last Words - Second Word - Theodor...
88 bpm • A# Maj • 05:33 • -25db
8% Popularity • 19% Danceability • 9% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 9% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Carl Millöcker
Gasparone: "Liebe erhellt die ganze Welt...
82 bpm • C min • 01:23 • -16.46db
17% Popularity • 31% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 31% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Marko Simsa
Hänsel und Gretel: Der Hexenritt (Aussc...
88 bpm • A# Maj • 01:32 • -9.79db
3% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Der Fliegende Holländer: Steuermann, la...
82 bpm • G Maj • 02:43 • -13db
12% Popularity • 47% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
12% Popularity • 47% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Act I: Taubchen, das ent...
82 bpm • C Maj • 03:35 • -26.03db
7% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Jacques Offenbach
Offenbach: La vie parisienne, Act 4: Fin...
88 bpm • G Maj • 03:12 • -17.09db
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Andrew Lloyd Webber
Mehr Will Ich Nicht Von Dir - Global Edi...
82 bpm • C# Maj • 03:50 • -15.37db
9% Popularity • 25% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 25% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Wiener Operettenorchester
Schenkt man sich Rosen in Tirol
88 bpm • A# Maj • 03:15 • -9db
9% Popularity • 27% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 21% Positiveness
9% Popularity • 27% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 21% Positiveness
► Preview
Γιάννη Yang
From DonQuichotte a Dulcinee
88 bpm • F Maj • 07:05 • -5db
16% Popularity • 25% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 25% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Umberto Giordano
Andrea Chénier, Act IV: Come un bel dì...
82 bpm • F# min • 03:04 • -16.34db
8% Popularity • 17% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Thomas Dunn English
Ben Bolt
82 bpm • D# Maj • 02:12 • -21.93db
7% Popularity • 23% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 23% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Emmerich Kálmán
Gräfin Mariza, Act I: "Komm Zigány" (T...
89 bpm • E Maj • 01:27 • -11db
18% Popularity • 23% Danceability • 29% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 23% Danceability • 29% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Ervin Litkei
Il Trovatore - Ah Si Ben Mio
82 bpm • G# Maj • 03:17 • -11.01db
11% Popularity • 23% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 23% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Luis Sagi Vela
Maravilla: "Romanza de Rafael"
82 bpm • D# Maj • 03:11 • -7.78db
8% Popularity • 22% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 22% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Johann Strauss II
Die Fledermaus, Act III: No. 16, Finale....
81 bpm • D Maj • 02:39 • -16.21db
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Γιάννη Yang
Chanson Epique from DonQuichotte a Dulci...
89 bpm • F Maj • 02:35 • -4.83db
12% Popularity • 25% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Carl Millöcker
Gasparone: "Auch ich war einst ein junge...
81 bpm • C Maj • 01:46 • -16.52db
11% Popularity • 51% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 51% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
81 bpm • F Maj • 04:52 • -16.55db
8% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
89 bpm • A Maj • 04:37 • -25db
9% Popularity • 20% Danceability • 7% Energy • 25% Liveness
2% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 25% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Anneliese Rothenberger
Die Juliska Aus Budapest (aus Maske In B...
81 bpm • A min • 01:47 • -12db
12% Popularity • 52% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 52% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Martin Frank
Arie 'Dunkelrote Rosen' aus 'Gasparone' ...
89 bpm • C Maj • 02:30 • -10.23db
15% Popularity • 33% Danceability • 51% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 33% Danceability • 51% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Γιάννη Yang
Schöne Fremde
89 bpm • A Maj • 01:11 • -5db
19% Popularity • 38% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
19% Popularity • 38% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
► Preview
Umberto Giordano
Andrea Chénier, Act I: Colpito qui m'av...
81 bpm • A# Maj • 05:16 • -14.44db
8% Popularity • 18% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Stabat Mater, FP 148: X. Fac ut portem
89 bpm • A Maj • 03:29 • -20.59db
7% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
7% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Sadko, Scene 4: Song of the Hindu Mercha...
81 bpm • C Maj • 04:10 • -23db
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
12% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 8% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Johann Strauss II
Der Zigeunerbaron, Operetta in 3 Acts: O...
89 bpm • D min • 01:21 • -14db
8% Popularity • 17% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 17% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Emmerich Kálmán
Gräfin Mariza - Operetta in 3 Acts: Kom...
81 bpm • D Maj • 02:09 • -13.71db
17% Popularity • 52% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 52% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Gareth Jones
The Pirates of Penzance: Pour, Oh Pour, ...
81 bpm • D# Maj • 01:29 • -21db
10% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Felix Mendelssohn
Die erste Walpurgisnacht, Op. 60: Hilf, ...
89 bpm • C# Maj • 01:01 • -13.73db
4% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Pietro Mascagni
Iris, Act I: Apri la tua finestra!
81 bpm • C Maj • 02:23 • -18.4db
10% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Giacomo Puccini
Canto d'anime, SC 75 (Arr. for Voice & O...
81 bpm • A# Maj • 01:29 • -13.62db
15% Popularity • 27% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 27% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Franz Lehár
Lehár: Giuditta, Act 3: "Meine Lippen s...
81 bpm • E Maj • 05:16 • -8.28db
13% Popularity • 25% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 25% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
81 bpm • F Maj • 03:21 • -14.39db
7% Popularity • 24% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
89 bpm • F# Maj • 02:06 • -21.48db
8% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
8% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
► Preview
O. Nieto
Escena fina - Primer acto, Pt. 1
81 bpm • F Maj • 03:52 • -10.11db
7% Popularity • 39% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 39% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Arrigo Boito
Mefistofele, Act I, Scene 2: Dai campi, ...
81 bpm • F Maj • 02:06 • -18.06db
13% Popularity • 23% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Richard Strauss
8 Gedichte aus 'Letzte Blätter', Op. 10...
81 bpm • D# Maj • 03:13 • -22.78db
9% Popularity • 20% Danceability • 5% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
La Rondine, Act I: "Chi il bel sogno di ...
89 bpm • F Maj • 03:08 • -15.27db
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Franz Lehár
Lehár: Eva: "Wär es auch nichts als ei...
81 bpm • E Maj • 04:36 • -17.94db
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Arthur Sullivan
H.M.S. Pinafore / Act 1: A maiden fair t...
81 bpm • C Maj • 02:58 • -22.1db
11% Popularity • 38% Danceability • 21% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 38% Danceability • 21% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Johann Strauss II
Ja, das Schreiben und das Lesen
81 bpm • C Maj • 02:34 • -11db
8% Popularity • 50% Danceability • 37% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 50% Danceability • 37% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Rebecca Clarke
Shy One
90 bpm • F Maj • 01:47 • -16.28db
8% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Die Lombarden: O Signore, dal tetto nati...
80 bpm • C Maj • 03:46 • -22.25db
7% Popularity • 18% Danceability • 6% Energy • 7% Liveness
72% Instrumentalness • 11% Positiveness
7% Popularity • 18% Danceability • 6% Energy • 7% Liveness
72% Instrumentalness • 11% Positiveness
► Preview
Angel Mahler
Paquette y Claudio / Plaza de la Greve /...
80 bpm • E min • 09:25 • -11.61db
10% Popularity • 36% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 36% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Franz Lehár
Das Land des Lächelns: Meine Liebe, dei...
80 bpm • G Maj • 03:22 • -15.82db
9% Popularity • 44% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 44% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Rudolf Schock
Immer nur lächeln
80 bpm • D Maj • 04:57 • -18.18db
17% Popularity • 25% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 25% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Oscar Straus
Straus: Manon: "Ich bin eine Frau, die w...
80 bpm • D Maj • 02:24 • -16.05db
8% Popularity • 58% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 58% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
90 bpm • D Maj • 04:22 • -13.15db
10% Popularity • 25% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 25% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Antonín Dvořák
Stabat Mater, Op. 58, B. 71: II. Quis es...
80 bpm • E min • 09:51 • -22.53db
8% Popularity • 14% Danceability • 10% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 10% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Act I: Duet: Komm mit mi...
90 bpm • E Maj • 03:33 • -15.02db
7% Popularity • 43% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 43% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Luca Lupoli
Santa Lucia luntana
80 bpm • F Maj • 05:55 • -11.41db
9% Popularity • 13% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 10% Positiveness
9% Popularity • 13% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 10% Positiveness
► Preview
Anna Maria Kaufmann
Liebe du Himmel auf Erden
80 bpm • G Maj • 03:10 • -10.44db
9% Popularity • 17% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 17% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Der Fliegende Holländer: Summ und Brumm...
80 bpm • A Maj • 03:52 • -16db
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
