Songs like Second Prelude by Paul Lipson
Based on a tempo of (+/- 10%) and a similar genre
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Doyle W. Donehoo
Assemble the Fleet
135 bpm • G Maj • 03:13 • -20db
21% Popularity • 49% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
21% Popularity • 49% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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Yoann Laulan
Prisoner's Awakening
135 bpm • G# Maj • 04:37 • -18.57db
39% Popularity • 56% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 44% Positiveness
39% Popularity • 56% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 44% Positiveness
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Yuka Kitamura
E.S. Cinder 'Orchestra' [Soul of Cinder...
135 bpm • A# min • 04:20 • -7db
26% Popularity • 18% Danceability • 62% Energy • 15% Liveness
91% Instrumentalness • 13% Positiveness
26% Popularity • 18% Danceability • 62% Energy • 15% Liveness
91% Instrumentalness • 13% Positiveness
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Curtis Schweitzer
Atlas
135 bpm • C min • 04:06 • -17db
30% Popularity • 42% Danceability • 20% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
30% Popularity • 42% Danceability • 20% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Cris Velasco
Battle With Abaddon
135 bpm • D Maj • 03:32 • -14.18db
12% Popularity • 49% Danceability • 63% Energy • 20% Liveness
86% Instrumentalness • 23% Positiveness
12% Popularity • 49% Danceability • 63% Energy • 20% Liveness
86% Instrumentalness • 23% Positiveness
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Gerard Marino
Poseidon's Wrath
135 bpm • B min • 02:32 • -8db
41% Popularity • 40% Danceability • 77% Energy • 34% Liveness
90% Instrumentalness • 26% Positiveness
41% Popularity • 40% Danceability • 77% Energy • 34% Liveness
90% Instrumentalness • 26% Positiveness
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Doyle W. Donehoo
Brace for Impact
135 bpm • A Maj • 03:08 • -18db
28% Popularity • 55% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 55% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Russell Brower
And The Heavens Shall Tremble
135 bpm • F Maj • 02:23 • -11.81db
29% Popularity • 26% Danceability • 27% Energy • 22% Liveness
97% Instrumentalness • 7% Positiveness
29% Popularity • 26% Danceability • 27% Energy • 22% Liveness
97% Instrumentalness • 7% Positiveness
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Johan Söderqvist
The Red Horse
134 bpm • B min • 01:04 • -14.32db
21% Popularity • 25% Danceability • 89% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 89% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Halo
Trapped In Amber
136 bpm • G# min • 02:26 • -9.53db
39% Popularity • 60% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 64% Positiveness
39% Popularity • 60% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 64% Positiveness
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Manami Ogura
The March to Survive
134 bpm • A Maj • 04:44 • -13.9db
27% Popularity • 64% Danceability • 37% Energy • 35% Liveness
84% Instrumentalness • 38% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 35% Liveness
84% Instrumentalness • 38% Positiveness
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Todd Masten
Bass Bag
136 bpm • D min • 04:00 • -15.25db
27% Popularity • 47% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
27% Popularity • 47% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
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Ron Fish
Depths of Hades
136 bpm • F# Maj • 02:54 • -9.19db
29% Popularity • 29% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
29% Popularity • 29% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Stuart Chatwood
The Final Combat
136 bpm • G# Maj • 05:21 • -8db
37% Popularity • 55% Danceability • 85% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
37% Popularity • 55% Danceability • 85% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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SIE Sound Team
Ebrietas, Daughter of the Cosmos
134 bpm • A Maj • 03:57 • -9.36db
36% Popularity • 17% Danceability • 56% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
36% Popularity • 17% Danceability • 56% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Halo
Arise In Valor
134 bpm • A# min • 03:09 • -17.15db
29% Popularity • 22% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
29% Popularity • 22% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Jason Hayes
Orgrimmar
134 bpm • F Maj • 02:15 • -14.91db
36% Popularity • 33% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
36% Popularity • 33% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
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Hans Zimmer
Seige
134 bpm • D min • 04:05 • -13.64db
35% Popularity • 16% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Shunsuke Kida
Let Strength Be Granted [One Who Craves...
133 bpm • F min • 05:20 • -12.95db
21% Popularity • 16% Danceability • 30% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 30% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Father & Son
138 bpm • G# Maj • 02:31 • -17.48db
29% Popularity • 16% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Nick Arundel
It's Initiation Time
132 bpm • C Maj • 01:59 • -12.94db
25% Popularity • 49% Danceability • 70% Energy • 13% Liveness
90% Instrumentalness • 28% Positiveness
25% Popularity • 49% Danceability • 70% Energy • 13% Liveness
90% Instrumentalness • 28% Positiveness
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Halo
Second Prelude
133 bpm • F Maj • 01:50 • -18.26db
32% Popularity • 16% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Patrik Jarlestam
Out For A Sailing Adventure
138 bpm • C# Maj • 04:33 • -14.81db
29% Popularity • 36% Danceability • 51% Energy • 11% Liveness
98% Instrumentalness • 33% Positiveness
29% Popularity • 36% Danceability • 51% Energy • 11% Liveness
98% Instrumentalness • 33% Positiveness
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Johan Söderqvist
Get Us Out Of Here
138 bpm • C# Maj • 02:56 • -13db
25% Popularity • 48% Danceability • 82% Energy • 26% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 48% Danceability • 82% Energy • 26% Liveness
94% Instrumentalness • 5% Positiveness
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Ryan Amon
Moonlit Beast [Cleric Beast & Dark Real...
138 bpm • C# min • 04:16 • -8.85db
25% Popularity • 17% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
25% Popularity • 17% Danceability • 41% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Henry Jackman
Brother's Keeper
132 bpm • G min • 03:59 • -13.03db
29% Popularity • 22% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
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Clark Aboud
Battle With the Champ
138 bpm • G# Maj • 02:17 • -11.15db
33% Popularity • 50% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
33% Popularity • 50% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Halo
Promise the Girl
133 bpm • D# Maj • 01:07 • -21.83db
43% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
43% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Cris Velasco
All for Nothing
139 bpm • A min • 02:22 • -10.95db
26% Popularity • 19% Danceability • 48% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
26% Popularity • 19% Danceability • 48% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
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Johan Söderqvist
The Fear of Everything
138 bpm • F min • 02:37 • -12.78db
22% Popularity • 66% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
22% Popularity • 66% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
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Greg Edmonson
The City's Secret
131 bpm • F min • 03:32 • -20.08db
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sam Hulick
I'm Proud Of You
139 bpm • A min • 01:17 • -13db
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Sean Murray
Deviant
140 bpm • F min • 04:44 • -11.37db
21% Popularity • 24% Danceability • 30% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
21% Popularity • 24% Danceability • 30% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
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Halo
Tip of the Spear
140 bpm • G Maj • 06:05 • -12.64db
44% Popularity • 39% Danceability • 51% Energy • 13% Liveness
79% Instrumentalness • 25% Positiveness
44% Popularity • 39% Danceability • 51% Energy • 13% Liveness
79% Instrumentalness • 25% Positiveness
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Jeff Rona
Duel with Hades
130 bpm • A Maj • 01:44 • -9.84db
31% Popularity • 44% Danceability • 74% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
31% Popularity • 44% Danceability • 74% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
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Cris Velasco
Prelude To War
140 bpm • D# Maj • 02:58 • -13db
30% Popularity • 31% Danceability • 52% Energy • 5% Liveness
96% Instrumentalness • 10% Positiveness
30% Popularity • 31% Danceability • 52% Energy • 5% Liveness
96% Instrumentalness • 10% Positiveness
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Christopher Drake
Arkham Origins Suite
140 bpm • G min • 02:16 • -10.21db
35% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
35% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Hans Zimmer
Guerrilla Tactics
140 bpm • D Maj • 02:58 • -13.49db
37% Popularity • 58% Danceability • 72% Energy • 42% Liveness
90% Instrumentalness • 29% Positiveness
37% Popularity • 58% Danceability • 72% Energy • 42% Liveness
90% Instrumentalness • 29% Positiveness
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Sean Murray
Punch Through
140 bpm • C# Maj • 04:54 • -13.02db
20% Popularity • 38% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
20% Popularity • 38% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Stuart Chatwood
Dark Mitochondria
140 bpm • F min • 03:46 • -10db
36% Popularity • 56% Danceability • 79% Energy • 48% Liveness
95% Instrumentalness • 54% Positiveness
36% Popularity • 56% Danceability • 79% Energy • 48% Liveness
95% Instrumentalness • 54% Positiveness
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Pawel Blaszczak
Decline
140 bpm • F Maj • 05:06 • -16.96db
23% Popularity • 57% Danceability • 30% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
23% Popularity • 57% Danceability • 30% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
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Yoann Laulan
Prison Rooftop
140 bpm • C min • 06:51 • -19.1db
25% Popularity • 54% Danceability • 43% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
25% Popularity • 54% Danceability • 43% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
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Frank Klepacki
Uprising
140 bpm • A# Maj • 02:46 • -13.03db
23% Popularity • 57% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
23% Popularity • 57% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Halo
Zealous Champion
140 bpm • G Maj • 02:33 • -11db
33% Popularity • 73% Danceability • 58% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
33% Popularity • 73% Danceability • 58% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Cris Velasco
Lynchwood Sheriff Combat
140 bpm • A# Maj • 03:52 • -16db
2% Popularity • 55% Danceability • 86% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
2% Popularity • 55% Danceability • 86% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
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Stuart Chatwood
The Senescence
140 bpm • C# Maj • 03:48 • -11db
29% Popularity • 56% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 67% Positiveness
29% Popularity • 56% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 67% Positiveness
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Lorne Balfe
Modern Assassin
140 bpm • C# Maj • 03:05 • -11.63db
29% Popularity • 68% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
29% Popularity • 68% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Kevin Riepl
Attack of the Drones
140 bpm • A# min • 02:05 • -14.66db
19% Popularity • 50% Danceability • 37% Energy • 47% Liveness
76% Instrumentalness • 8% Positiveness
19% Popularity • 50% Danceability • 37% Energy • 47% Liveness
76% Instrumentalness • 8% Positiveness
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Frank Klepacki
In the Field
140 bpm • F min • 03:10 • -20.79db
23% Popularity • 58% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
23% Popularity • 58% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Sam Hulick
The Normandy
140 bpm • E min • 01:33 • -17db
37% Popularity • 54% Danceability • 52% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
37% Popularity • 54% Danceability • 52% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Video Games Live
Shadow of the Colossus®
130 bpm • E min • 03:02 • -9.91db
38% Popularity • 40% Danceability • 57% Energy • 20% Liveness
95% Instrumentalness • 11% Positiveness
38% Popularity • 40% Danceability • 57% Energy • 20% Liveness
95% Instrumentalness • 11% Positiveness
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Jose Pavli
Professional Execution
140 bpm • G Maj • 02:33 • -9db
26% Popularity • 65% Danceability • 96% Energy • 8% Liveness
46% Instrumentalness • 77% Positiveness
26% Popularity • 65% Danceability • 96% Energy • 8% Liveness
46% Instrumentalness • 77% Positiveness
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Stuart Chatwood
The Chloroplast of Cosmarium
140 bpm • C# Maj • 03:49 • -12.12db
28% Popularity • 44% Danceability • 79% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
28% Popularity • 44% Danceability • 79% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Joel Nielsen
Blast Pit 3
130 bpm • C min • 01:32 • -8.99db
28% Popularity • 27% Danceability • 25% Energy • 32% Liveness
86% Instrumentalness • 4% Positiveness
28% Popularity • 27% Danceability • 25% Energy • 32% Liveness
86% Instrumentalness • 4% Positiveness
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Jason Graves
Adventure Found Me
140 bpm • G Maj • 01:02 • -17.04db
36% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
36% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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John Paesano
A Trail of Hope
130 bpm • F min • 02:44 • -15.73db
27% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Mike Reagan
In the Face of Fear
140 bpm • D min • 02:00 • -8.49db
29% Popularity • 41% Danceability • 72% Energy • 21% Liveness
93% Instrumentalness • 27% Positiveness
29% Popularity • 41% Danceability • 72% Energy • 21% Liveness
93% Instrumentalness • 27% Positiveness
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Frank Klepacki
Search and Destroy
140 bpm • F# min • 03:21 • -14db
29% Popularity • 71% Danceability • 55% Energy • 35% Liveness
78% Instrumentalness • 65% Positiveness
29% Popularity • 71% Danceability • 55% Energy • 35% Liveness
78% Instrumentalness • 65% Positiveness
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Stuart Chatwood
Bloodletting of the Crimson Court
140 bpm • D Maj • 05:44 • -10db
28% Popularity • 47% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 21% Positiveness
28% Popularity • 47% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 21% Positiveness
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Nick Arundel
I Think You Should Do As He Says
140 bpm • C min • 02:35 • -12db
35% Popularity • 60% Danceability • 63% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
35% Popularity • 60% Danceability • 63% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
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Sascha Dikiciyan
Vog Chamber - Original OST
130 bpm • F min • 03:30 • -15.76db
18% Popularity • 57% Danceability • 61% Energy • 10% Liveness
75% Instrumentalness • 36% Positiveness
18% Popularity • 57% Danceability • 61% Energy • 10% Liveness
75% Instrumentalness • 36% Positiveness
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Sean Murray
Eagle Claw, Pt. 1
130 bpm • G# Maj • 04:14 • -11.79db
25% Popularity • 39% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
25% Popularity • 39% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
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Johan Söderqvist
They Shall Not Pass
130 bpm • F min • 02:51 • -15db
25% Popularity • 39% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
25% Popularity • 39% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Paradox Interactive
Nemesis Main Theme
130 bpm • C min • 04:01 • -13.04db
27% Popularity • 60% Danceability • 86% Energy • 12% Liveness
72% Instrumentalness • 34% Positiveness
27% Popularity • 60% Danceability • 86% Energy • 12% Liveness
72% Instrumentalness • 34% Positiveness
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Stuart Chatwood
All Things Must Come
140 bpm • G# Maj • 03:48 • -11db
32% Popularity • 45% Danceability • 80% Energy • 42% Liveness
89% Instrumentalness • 36% Positiveness
32% Popularity • 45% Danceability • 80% Energy • 42% Liveness
89% Instrumentalness • 36% Positiveness
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Jose Pavli
Kings
130 bpm • A min • 07:04 • -11.45db
39% Popularity • 42% Danceability • 88% Energy • 48% Liveness
45% Instrumentalness • 24% Positiveness
39% Popularity • 42% Danceability • 88% Energy • 48% Liveness
45% Instrumentalness • 24% Positiveness
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Christopher Lennertz
Combat Troops
130 bpm • C Maj • 01:32 • -13.59db
28% Popularity • 57% Danceability • 80% Energy • 41% Liveness
92% Instrumentalness • 26% Positiveness
28% Popularity • 57% Danceability • 80% Energy • 41% Liveness
92% Instrumentalness • 26% Positiveness
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Keith Power
Wings of War
130 bpm • G Maj • 02:32 • -11.83db
22% Popularity • 38% Danceability • 95% Energy • 14% Liveness
66% Instrumentalness • 22% Positiveness
22% Popularity • 38% Danceability • 95% Energy • 14% Liveness
66% Instrumentalness • 22% Positiveness
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Johan Söderqvist
The Jungle/Waves Of Darkness
130 bpm • C Maj • 04:49 • -13.36db
18% Popularity • 52% Danceability • 66% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
18% Popularity • 52% Danceability • 66% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Sam Hulick
Battle at Eden Prime
130 bpm • E min • 01:22 • -15.1db
29% Popularity • 55% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 55% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Sean Murray
Blackbird
130 bpm • A Maj • 03:11 • -11.33db
28% Popularity • 39% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
28% Popularity • 39% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Chris Tilton
Chase by Chase Basis
130 bpm • D min • 02:28 • -17.23db
27% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
27% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Sascha Dikiciyan
Removing the Bandit Threat
130 bpm • F# Maj • 01:35 • -15.35db
19% Popularity • 45% Danceability • 57% Energy • 35% Liveness
90% Instrumentalness • 23% Positiveness
19% Popularity • 45% Danceability • 57% Energy • 35% Liveness
90% Instrumentalness • 23% Positiveness
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Harry Gregson-Williams
Guns of the Patriots
141 bpm • E Maj • 04:07 • -18.31db
16% Popularity • 23% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
16% Popularity • 23% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Greg Edmonson
Atlantis of the Sands
141 bpm • D Maj • 02:33 • -11db
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
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Frank Klepacki
Our Day Has Come
129 bpm • C# Maj • 03:39 • -16.23db
23% Popularity • 60% Danceability • 42% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
23% Popularity • 60% Danceability • 42% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Daniel Licht
Dishonored 2 Main Theme
141 bpm • C min • 02:30 • -17.31db
42% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Hans Zimmer
Coup de Grace
142 bpm • A min • 03:21 • -12.54db
40% Popularity • 17% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 13% Positiveness
40% Popularity • 17% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 13% Positiveness
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The Flight
Years of Training - Part 1 - Motherland
142 bpm • G Maj • 02:22 • -17db
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Yuka Kitamura
Premonition
142 bpm • C min • 02:06 • -26.41db
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Greg Edmonson
Grave Robbing
141 bpm • A Maj • 02:01 • -17.89db
19% Popularity • 15% Danceability • 23% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
19% Popularity • 15% Danceability • 23% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
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Ola Strandh
Prologue
128 bpm • E Maj • 02:18 • -17.72db
28% Popularity • 39% Danceability • 42% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 39% Danceability • 42% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
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Ludvig Forssell
Parasites
143 bpm • G# Maj • 03:20 • -17.52db
19% Popularity • 45% Danceability • 65% Energy • 39% Liveness
84% Instrumentalness • 18% Positiveness
19% Popularity • 45% Danceability • 65% Energy • 39% Liveness
84% Instrumentalness • 18% Positiveness
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Hans Zimmer
Retreat and Reveille
142 bpm • B min • 02:57 • -11db
37% Popularity • 55% Danceability • 55% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
37% Popularity • 55% Danceability • 55% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
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Johan Söderqvist
Verdun
127 bpm • C# Maj • 03:35 • -19.54db
23% Popularity • 28% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
23% Popularity • 28% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Justin E. Bell
Phineas Escapes
143 bpm • A Maj • 01:07 • -13.9db
36% Popularity • 34% Danceability • 35% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 34% Danceability • 35% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Greg Edmonson
Sir Francis Drake
128 bpm • G min • 01:07 • -16.44db
25% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
25% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Mick Gordon
Zellenblock B-2
127 bpm • B min • 02:09 • -13db
37% Popularity • 60% Danceability • 66% Energy • 16% Liveness
84% Instrumentalness • 10% Positiveness
37% Popularity • 60% Danceability • 66% Energy • 16% Liveness
84% Instrumentalness • 10% Positiveness
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Brain
Martial Law
144 bpm • D Maj • 03:31 • -7.19db
17% Popularity • 41% Danceability • 90% Energy • 23% Liveness
77% Instrumentalness • 26% Positiveness
17% Popularity • 41% Danceability • 90% Energy • 23% Liveness
77% Instrumentalness • 26% Positiveness
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Stuart Chatwood
Town in Chaos
144 bpm • A Maj • 06:08 • -10db
39% Popularity • 51% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 23% Positiveness
39% Popularity • 51% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 23% Positiveness
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Johan Söderqvist
Facing North
126 bpm • B min • 01:52 • -12.32db
22% Popularity • 51% Danceability • 74% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
22% Popularity • 51% Danceability • 74% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Christopher Lennertz
Stand Strong, Stand Together
126 bpm • G# Maj • 01:55 • -11db
32% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Yugo Kanno
Alchemists II
144 bpm • D min • 02:24 • -8.03db
16% Popularity • 26% Danceability • 83% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
16% Popularity • 26% Danceability • 83% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Jason Hayes
My Life for Aiur
126 bpm • C min • 02:15 • -12.71db
22% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Sean Murray
Invictus
145 bpm • G# Maj • 02:17 • -12.25db
25% Popularity • 45% Danceability • 67% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
25% Popularity • 45% Danceability • 67% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - High Intensity...
145 bpm • C min • 01:00 • -12.14db
15% Popularity • 35% Danceability • 69% Energy • 11% Liveness
98% Instrumentalness • 7% Positiveness
15% Popularity • 35% Danceability • 69% Energy • 11% Liveness
98% Instrumentalness • 7% Positiveness
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Cris Velasco
Crater Lake
145 bpm • D Maj • 02:26 • -17.68db
1% Popularity • 49% Danceability • 73% Energy • 15% Liveness
85% Instrumentalness • 15% Positiveness
1% Popularity • 49% Danceability • 73% Energy • 15% Liveness
85% Instrumentalness • 15% Positiveness
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Nick Arundel
Wham. Gotcha!
145 bpm • B min • 03:28 • -14.28db
25% Popularity • 47% Danceability • 69% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 47% Danceability • 69% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
