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Second Time Around
Songs like
Second Time Around
by
Quinn XCII
Based on a tempo of (+/- 10%) and a similar genre
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Patrick Droney
Passerby
131 bpm • B Maj • 03:08 • -4db
26% Popularity • 46% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Quinn XCII
Second Time Around
131 bpm • C Maj • 03:57 • -9db
39% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jon Bellion
Blu
132 bpm • C Maj • 03:03 • -8.55db
54% Popularity • 38% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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YOG$
Alive
130 bpm • D# Maj • 03:15 • -6.7db
37% Popularity • 80% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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dempsey hope
commitment issues
130 bpm • F Maj • 02:50 • -11.64db
31% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Zachary Knowles
for life
130 bpm • F# Maj • 03:31 • -11.08db
31% Popularity • 70% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Patrick Droney
Glitter
130 bpm • G Maj • 03:35 • -9.84db
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Quinn XCII
U & Us
130 bpm • E Maj • 03:46 • -7.87db
51% Popularity • 60% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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lovelytheband
loneliness for love
133 bpm • E Maj • 03:55 • -5db
41% Popularity • 60% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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MAX
Love Me Less - Luca Lush Remix
128 bpm • F Maj • 02:22 • -6.96db
6% Popularity • 78% Danceability • 76% Energy • 6% Liveness
90% Instrumentalness • 49% Positiveness
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Lou
This Forever
128 bpm • C# Maj • 04:31 • -10db
29% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Zachary Knowles
blue bird
130 bpm • D# Maj • 03:41 • -8.97db
38% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Harry Hudson
Intimidating
134 bpm • G Maj • 03:13 • -8.51db
24% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Quinn XCII
Mad At Me
130 bpm • D Maj • 03:36 • -10db
35% Popularity • 64% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 21% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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somegirlnamedanna
kitchen table
128 bpm • G Maj • 02:22 • -10db
17% Popularity • 64% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Thomston
Acid Rain
135 bpm • G Maj • 03:09 • -12db
35% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Ragsdale
Blvd
135 bpm • G# Maj • 05:36 • -13.23db
31% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jeffrey James
Slow Right Down
135 bpm • D# Maj • 02:38 • -10.85db
12% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Quinn XCII
Sleep While I Drive
128 bpm • F min • 03:24 • -6.46db
45% Popularity • 72% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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push baby
thenineteenseventyfive
135 bpm • E Maj • 04:14 • -7db
41% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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badly
Run Awhile
135 bpm • A# Maj • 03:20 • -8.78db
26% Popularity • 62% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Quinn Lewis
Back Then
135 bpm • D Maj • 03:08 • -8.99db
12% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
46% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Areshi
After You
127 bpm • A# Maj • 03:52 • -8db
17% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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James Droll
Self Sacrifice
127 bpm • F# Maj • 03:30 • -9db
25% Popularity • 79% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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JP Saxe
The Few Things
136 bpm • G Maj • 04:04 • -12.83db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Andy Grammer
Some Girl
136 bpm • C# min • 02:55 • -7.41db
23% Popularity • 50% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Joel Blackmon
Get Over You
136 bpm • F Maj • 02:49 • -10.97db
11% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Austin Walker
Fuck Love
136 bpm • E Maj • 03:09 • -7.21db
25% Popularity • 73% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Matt Maeson
Cringe - Stripped
126 bpm • F Maj • 03:43 • -8.9db
51% Popularity • 75% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Louis Knight
Change
136 bpm • D Maj • 03:55 • -8db
22% Popularity • 53% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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BANNERS
Safe - Acoustic
126 bpm • A# Maj • 03:14 • -6.55db
18% Popularity • 75% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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LOS LEO
Take Your Time
126 bpm • D Maj • 03:46 • -6db
25% Popularity • 75% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Sody
Bedroom Ceiling
126 bpm • F# Maj • 03:00 • -7.7db
40% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Malia Civetz
Champagne Clouds - Acoustic
126 bpm • B Maj • 03:39 • -5db
24% Popularity • 72% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Quinn Lewis
Make It Right
126 bpm • D Maj • 03:12 • -7db
19% Popularity • 75% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Plested
The Least That I Could Do
126 bpm • C# min • 03:33 • -5db
28% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Alt Bloom
Sway
126 bpm • A min • 02:49 • -8.75db
32% Popularity • 44% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Greyson Chance
Holy Feeling
137 bpm • B Maj • 04:06 • -9db
23% Popularity • 55% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Quinn XCII
Straightjacket
137 bpm • F min • 03:26 • -6.81db
58% Popularity • 84% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Lauv
Invisible Things
125 bpm • G Maj • 03:17 • -7.41db
49% Popularity • 74% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Alec Bailey
Callin'
137 bpm • F# Maj • 03:08 • -8.43db
34% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Plested
Beautiful & Brutal
137 bpm • G Maj • 03:31 • -6.39db
34% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Anthony Ramos
Dear Diary
125 bpm • G Maj • 03:36 • -9.37db
34% Popularity • 47% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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JP Saxe
Sad Corny Fuck
125 bpm • D Maj • 03:40 • -15db
35% Popularity • 60% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Judah & the Lion
Pictures
125 bpm • D Maj • 04:13 • -7db
46% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Anthony Russo
Nobody To Love
138 bpm • G Maj • 03:33 • -7.29db
41% Popularity • 68% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 49% Positiveness
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Ian Logan
Color Me In
137 bpm • C Maj • 03:00 • -10db
22% Popularity • 56% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Jon Bellion
Stupid Deep
138 bpm • D Maj • 02:58 • -9.71db
54% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Harry Hudson
Closing Doors
138 bpm • G Maj • 02:26 • -8db
31% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Quinn Lewis
Unhuman
138 bpm • C Maj • 02:35 • -7.87db
17% Popularity • 78% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Andy Grammer
I Found You
138 bpm • C# Maj • 02:31 • -6.58db
39% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Blake Rose
Heavy Shit
138 bpm • C Maj • 03:15 • -4db
43% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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lovelytheband
i should be happy
124 bpm • E Maj • 04:03 • -17.42db
17% Popularity • 44% Danceability • 14% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
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Jon Bellion
Conversations with my Wife - Acoustic
124 bpm • F# Maj • 03:54 • -8.15db
36% Popularity • 41% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
42% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Joshua Speers
Happy Birthday You're Alone
124 bpm • C# Maj • 03:10 • -9.65db
19% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Nachbi
I'll Be Better Soon
138 bpm • C# Maj • 01:52 • -14.23db
34% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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LUMiN
2 BLiND HORSES
124 bpm • F# Maj • 03:31 • -8.72db
23% Popularity • 53% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Bryce Vine
It Falls Apart
139 bpm • D Maj • 02:21 • -5.89db
39% Popularity • 73% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jon Bellion
Conversations with my Wife
138 bpm • F# Maj • 03:26 • -7db
49% Popularity • 50% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Fischer
Everybody's Got Somebody
139 bpm • G Maj • 03:10 • -8db
25% Popularity • 57% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 41% Positiveness
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John K
happiness
123 bpm • B Maj • 03:16 • -4.04db
45% Popularity • 80% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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lovelytheband
broken - acoustic
123 bpm • D Maj • 03:22 • -10.43db
51% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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November Lights
Black and Blue
123 bpm • D Maj • 03:27 • -7db
17% Popularity • 36% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Mills
Fight Alone
140 bpm • G Maj • 03:54 • -11.97db
18% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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CAL
My Brother
140 bpm • D Maj • 03:01 • -4.96db
15% Popularity • 81% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Joshua Golden
used to
140 bpm • G min • 03:01 • -5db
42% Popularity • 62% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 44% Positiveness
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Blake Rose
Best of Me
140 bpm • G Maj • 03:33 • -7db
43% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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Lauv
Tell My Mama
140 bpm • C Maj • 02:46 • -7.02db
42% Popularity • 88% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sasha Alex Sloan
Keep On
140 bpm • G# Maj • 03:00 • -8.82db
48% Popularity • 76% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
67% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Grady
Open
140 bpm • E Maj • 03:32 • -11.88db
36% Popularity • 52% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Quinn XCII
Iron & Steel
140 bpm • F Maj • 03:23 • -5db
44% Popularity • 78% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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WESLEY
WISHES
122 bpm • D Maj • 02:44 • -6.82db
14% Popularity • 58% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Yoste
Flaws
122 bpm • A# Maj • 02:57 • -9.01db
33% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Lost Kings
Feather
141 bpm • D Maj • 03:31 • -6.6db
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Caleb James
I Wanna Be OK
122 bpm • C Maj • 03:47 • -8db
24% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Toddy Smith
Perfect Morning
141 bpm • B Maj • 02:34 • -8.47db
22% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
40% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Isaac Kitchen
See You Soon (Acoustic)
122 bpm • A# Maj • 02:03 • -8db
20% Popularity • 54% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Katelyn Tarver
Cynical
121 bpm • C Maj • 03:09 • -8.96db
24% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Isaac French
Better This Way
142 bpm • G Maj • 03:47 • -12.17db
15% Popularity • 60% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Nic D
Wayside
120 bpm • G# Maj • 03:04 • -11.21db
23% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Alex Di Leo
Underneath the Covers
120 bpm • A Maj • 02:50 • -6db
35% Popularity • 59% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Dean Lewis
Hold Of Me
143 bpm • F Maj • 03:22 • -7.86db
49% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Quinn XCII
Don't You
120 bpm • D Maj • 03:52 • -9.26db
36% Popularity • 87% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Elijah Midjord
Good Ol' Days
120 bpm • A# Maj • 05:19 • -9db
23% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The National Parks
1953
120 bpm • E Maj • 03:39 • -10.73db
39% Popularity • 56% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan Rockoff
Competition
120 bpm • D Maj • 02:45 • -10.85db
25% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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SafetySuit
Stuck to You
120 bpm • C Maj • 03:48 • -7.44db
21% Popularity • 57% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Julian
sydney
120 bpm • E Maj • 03:24 • -10.3db
27% Popularity • 60% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
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Quinn XCII
Worst
143 bpm • E Maj • 03:15 • -8.35db
44% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Quinn Lewis
One of Us
143 bpm • C Maj • 03:25 • -6.76db
19% Popularity • 42% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Rhys Lewis
When Was The Last Time?
120 bpm • A Maj • 03:36 • -12.09db
19% Popularity • 66% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Nic D
Trust Your Insides
143 bpm • A# min • 02:53 • -12.16db
14% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Second Time Around