Songs like Secret Agent Man by Mel Tormé
Based on a tempo of (+/- 10%) and a similar genre
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Chick Webb
A-Tisket, A-Tasket
166 bpm • G# Maj • 02:37 • -12.77db
27% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Dorsey
Amapola
166 bpm • G min • 03:26 • -9.73db
21% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Bobby Troup
Snootie Little Curtie
166 bpm • G# Maj • 02:12 • -11.28db
24% Popularity • 51% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 51% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Lorez Alexandria
I'm Through With Love
165 bpm • A# Maj • 05:25 • -17.64db
37% Popularity • 38% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
37% Popularity • 38% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
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Benny Goodman Quartet
Sweet Sue - Just You
167 bpm • G Maj • 03:18 • -14.56db
26% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
26% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
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Cab Calloway & His Orchestra
Take the 'A' Train
167 bpm • C# Maj • 03:01 • -11.8db
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
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The Andrews Sisters
Boogie Woogie Bugle Boy
167 bpm • G Maj • 02:41 • -11.55db
51% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Kat Edmonson
Mountain Greenery
168 bpm • E min • 02:30 • -13db
49% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Doris Day
Blue Skies
164 bpm • C Maj • 01:47 • -16.11db
43% Popularity • 52% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 52% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Carmen McRae
Take Five - Single Version
164 bpm • C min • 02:17 • -12.45db
46% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Mel Tormé
Top Hat, White Tie and Tails (2012 - Rem...
163 bpm • C Maj • 03:10 • -10.07db
12% Popularity • 50% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 50% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmy Dorsey & His Orchestra
Don't Be That Way
170 bpm • C min • 03:00 • -10.24db
23% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
23% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
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The Andrews Sisters
Bei Mir Bist Du Schoen - 1937 Single Ver...
164 bpm • C Maj • 03:06 • -9.79db
38% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Woody Herman
Woodchoppers Ball
163 bpm • C# Maj • 04:28 • -19db
5% Popularity • 37% Danceability • 28% Energy • 26% Liveness
5% Instrumentalness • 65% Positiveness
5% Popularity • 37% Danceability • 28% Energy • 26% Liveness
5% Instrumentalness • 65% Positiveness
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Fats Waller
Spring Cleaning
170 bpm • F min • 02:27 • -14db
42% Popularity • 64% Danceability • 30% Energy • 50% Liveness
23% Instrumentalness • 81% Positiveness
42% Popularity • 64% Danceability • 30% Energy • 50% Liveness
23% Instrumentalness • 81% Positiveness
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Morgana King
If You Could See Me Now
170 bpm • G# Maj • 03:24 • -17.71db
35% Popularity • 25% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 25% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Cab Calloway & His Orchestra
A Chicken Ain't Nothing but a Bird
162 bpm • D# Maj • 02:54 • -10.14db
14% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Eckstine
My Foolish Heart
171 bpm • A Maj • 03:03 • -13.34db
31% Popularity • 22% Danceability • 19% Energy • 38% Liveness
14% Instrumentalness • 11% Positiveness
31% Popularity • 22% Danceability • 19% Energy • 38% Liveness
14% Instrumentalness • 11% Positiveness
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The Andrews Sisters
Rum And Coca Cola
161 bpm • A# Maj • 03:03 • -14db
31% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Frankie Randall
A Wonderful Day Like Today
161 bpm • F Maj • 02:00 • -10db
25% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
41% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
41% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Benny Goodman Trio
At Sundown
161 bpm • A# Maj • 02:27 • -13.63db
33% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
33% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Jane Monheit
Honeysuckle Rose
172 bpm • G# Maj • 03:37 • -10.44db
31% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Mel Tormé
We Think the West Coast Is the Best
173 bpm • G# Maj • 01:42 • -6.98db
13% Popularity • 38% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 38% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Benny Goodman Quartet
Sweet Georgia Brown - 1996 Remastered
173 bpm • F min • 03:04 • -11.87db
28% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
28% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
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Earl Hines
Jelly Roll
157 bpm • G# Maj • 02:51 • -9.04db
36% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Jane Monheit
Taking a Chance on Love
173 bpm • A# min • 03:18 • -6.71db
45% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Buddy Greco
I'm in Love
175 bpm • C Maj • 01:31 • -11.49db
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Mel Tormé
The Way You Look Tonight (2012 - Remaste...
158 bpm • F min • 02:22 • -6.11db
9% Popularity • 32% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 32% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Tony Bennett
The Good Life
176 bpm • A# Maj • 02:14 • -13.71db
55% Popularity • 18% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 18% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 21% Positiveness
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Madeleine Peyroux
Back in Your Own Back Yard
176 bpm • A# Maj • 02:32 • -10db
54% Popularity • 50% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 50% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Benny Goodman Trio
When You're Smiling (The Whole World Smi...
157 bpm • D# Maj • 02:36 • -14.55db
41% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
41% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
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Perry Como
It's A Lovely Day Today
156 bpm • G Maj • 02:40 • -12.8db
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Dianne Reeves
TV Is The Thing This Year
155 bpm • G# min • 01:42 • -6.08db
12% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Mel Tormé
At The Crossroads (Malaguena)
176 bpm • A# Maj • 02:34 • -8.82db
10% Popularity • 38% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 38% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Fats Waller
Honeysuckle Rose
155 bpm • F Maj • 02:38 • -17db
36% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
36% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
33% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
33% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Benny Goodman Trio
Blue (And Broken Hearted)
180 bpm • A# Maj • 02:58 • -16.57db
28% Popularity • 53% Danceability • 25% Energy • 24% Liveness
90% Instrumentalness • 75% Positiveness
28% Popularity • 53% Danceability • 25% Energy • 24% Liveness
90% Instrumentalness • 75% Positiveness
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Bobby Darin
More - Remastered 2004
152 bpm • F min • 02:25 • -8.74db
62% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
20% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Mel Tormé
Blue Moon
177 bpm • F Maj • 03:46 • -17db
25% Popularity • 22% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 22% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Cab Calloway & His Orchestra
Everybody Eats When They Come to My Hous...
152 bpm • C Maj • 02:44 • -7.94db
23% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
33% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
33% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Barry Manilow
Big City Blues
182 bpm • F Maj • 04:13 • -13.87db
15% Popularity • 32% Danceability • 19% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
15% Popularity • 32% Danceability • 19% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Nat King Cole
Almost Like Being In Love - Remastered
183 bpm • G Maj • 01:53 • -6.78db
54% Popularity • 45% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 45% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Buddy Greco
Roses Of Picardy
183 bpm • G min • 02:25 • -11.27db
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 41% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Mel Tormé
It's De-Lovely
182 bpm • G Maj • 02:43 • -14.45db
12% Popularity • 52% Danceability • 30% Energy • 58% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 52% Danceability • 30% Energy • 58% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Durante
Old Man Time
151 bpm • C# Maj • 02:39 • -14.36db
16% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Julia Lee And Her Boyfriends
King Size Papa
149 bpm • G# Maj • 02:40 • -12db
32% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
32% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
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Anita O'Day
I Could Write A Book
148 bpm • D min • 02:09 • -11db
50% Popularity • 49% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 49% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Sammy Davis Jr.
Love Me Or Leave Me
148 bpm • A Maj • 02:58 • -9db
34% Popularity • 50% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 50% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Buddy Greco
Around the World
184 bpm • C Maj • 02:25 • -11db
33% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Mel Tormé
No Moon At All
148 bpm • E Maj • 02:39 • -15.81db
16% Popularity • 54% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 54% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Django Reinhardt
Farewell Blues
186 bpm • A# Maj • 03:14 • -10db
30% Popularity • 58% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
30% Popularity • 58% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
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Frank Sinatra Jr.
Feeling Good
147 bpm • C Maj • 03:07 • -10.14db
17% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
55% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Benny Goodman Quartet
Bei Mir Bist Du Schoen, Part 1 - 1996 Re...
188 bpm • E min • 03:21 • -12db
17% Popularity • 62% Danceability • 36% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
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Stan Getz
Let's Fall In Love
147 bpm • F Maj • 06:29 • -14.23db
42% Popularity • 43% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 43% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Mel Tormé
What Is This Thing Called Love
147 bpm • C Maj • 02:55 • -17.54db
13% Popularity • 61% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 61% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Barbara Morrison
I Am Beginning to See the Light
146 bpm • D# Maj • 02:13 • -19.43db
22% Popularity • 55% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
22% Popularity • 55% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Frank Sinatra Jr.
Cry Me a River
147 bpm • F Maj • 05:43 • -12.16db
21% Popularity • 33% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 33% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Django Reinhardt
Honeysuckle Rose
189 bpm • F Maj • 02:46 • -8db
39% Popularity • 55% Danceability • 51% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
39% Popularity • 55% Danceability • 51% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
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Lorez Alexandria
Get Me To The Church On Time
146 bpm • D# Maj • 04:00 • -11.64db
22% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Guy Lombardo
Enjoy Yourself (It's Later Than You Thin...
146 bpm • A# Maj • 03:20 • -11.09db
34% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 78% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Benny Goodman Trio
Stompin' At The Savoy - Instrumental
189 bpm • C# Maj • 02:51 • -16.4db
34% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
34% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
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Mel Tormé
Putting on the Ritz
145 bpm • F# Maj • 02:24 • -18db
46% Popularity • 45% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 45% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Mathis
Wonderful! Wonderful! - Single Version
144 bpm • G min • 02:47 • -11db
33% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Annie Ross
Gipsy in My Soul
143 bpm • G# Maj • 02:38 • -12db
13% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Catherine Russell
I'm Shooting High
143 bpm • C# Maj • 02:31 • -9.15db
24% Popularity • 75% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 75% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Boswell Sisters
Everybody Loves My Baby
143 bpm • G min • 02:24 • -11db
27% Popularity • 69% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 69% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Morgana King
Body And Soul
142 bpm • F min • 04:05 • -18.75db
33% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Mel Tormé
Comin' Home Baby
143 bpm • G min • 02:45 • -14.9db
58% Popularity • 63% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 63% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Sammy Davis Jr.
All Of You
143 bpm • C# Maj • 02:44 • -11db
48% Popularity • 39% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 39% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Andrews Sisters
In the Mood
142 bpm • G# Maj • 02:53 • -7.82db
30% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Brenda Lee
Danke Schoen
142 bpm • B min • 02:39 • -10.68db
45% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Fats Waller
All That Meat And No Potatoes
142 bpm • C Maj • 02:45 • -18.82db
23% Popularity • 85% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 85% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Nancy Wilson
The Boy From Ipanema
141 bpm • C min • 02:14 • -11db
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Mel Tormé
A Fine Romance (2012 - Remaster)
143 bpm • C Maj • 03:02 • -8.67db
11% Popularity • 47% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 47% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Frank Sinatra Jr.
I'm Afraid the Masquerade Is Over
141 bpm • C Maj • 03:44 • -10.61db
23% Popularity • 48% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 48% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Cab Calloway
Boo-Wah Boo-Wah
198 bpm • D# Maj • 02:46 • -8.64db
24% Popularity • 45% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 45% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Sammy Davis Jr.
I Ain't Got Nobody
200 bpm • C Maj • 02:24 • -10.28db
38% Popularity • 53% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 53% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Larry Clinton & His Orchestra
I Double Dare You
201 bpm • E min • 02:48 • -21.2db
28% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
28% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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Dianne Reeves
One For My Baby
206 bpm • G Maj • 03:50 • -14.79db
32% Popularity • 49% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 49% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
