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Secret Sounds
Songs like
Secret Sounds
by
The Last Gang
Based on a tempo of (+/- 10%) and a similar genre
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The Last Gang
Secret Sounds
155 bpm • G Maj • 03:24 • -8.07db
12% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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F.O.D.
Crew You
155 bpm • G# Maj • 01:51 • -2.99db
33% Popularity • 42% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Not On Tour
Saw It Coming
155 bpm • G Maj • 01:53 • -3.15db
12% Popularity • 37% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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NOFX
Bye Bye Biopsy Girl
155 bpm • F Maj • 02:00 • -4.24db
26% Popularity • 63% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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The Potato Pirates
Port to Port
155 bpm • D# Maj • 02:04 • -4.2db
7% Popularity • 36% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Street Dogs
Other Ones
154 bpm • G Maj • 02:52 • -4.91db
14% Popularity • 36% Danceability • 92% Energy • 30% Liveness
39% Instrumentalness • 73% Positiveness
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The Last Gang
I'm the Disease (Demo)
155 bpm • D Maj • 02:08 • -7.88db
4% Popularity • 32% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Mobina Galore
Skeletons
156 bpm • F# min • 02:51 • -3.28db
15% Popularity • 27% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Consumed
What Would Cliff Burton Do?
156 bpm • C# min • 03:33 • -6.05db
14% Popularity • 38% Danceability • 99% Energy • 35% Liveness
7% Instrumentalness • 77% Positiveness
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Dan Vapid & the Cheats
Cold and Rainy Days
154 bpm • D Maj • 02:22 • -4.21db
12% Popularity • 43% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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The Bombpops
Breathe
156 bpm • C# Maj • 03:14 • -3.53db
30% Popularity • 40% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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NOFX
Leaving Jesusland
156 bpm • C Maj • 02:54 • -4.89db
43% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Mahones
Last One to Die
156 bpm • G Maj • 02:23 • -3.5db
9% Popularity • 27% Danceability • 96% Energy • 56% Liveness
3% Instrumentalness • 40% Positiveness
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The Lawrence Arms
Like a Record Player
154 bpm • C Maj • 02:02 • -5db
37% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Last Gang
Karla
153 bpm • C Maj • 03:26 • -4.18db
11% Popularity • 42% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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North Alone
Sk8
153 bpm • G Maj • 03:16 • -4.05db
22% Popularity • 41% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Dear Landlord
Three to the Beach
157 bpm • B Maj • 02:26 • -4.59db
23% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Street Dogs
Not Without a Purpose
157 bpm • C Maj • 03:15 • -2.69db
37% Popularity • 43% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Bombshell Rocks
Microphone
158 bpm • D Maj • 01:47 • -4.34db
33% Popularity • 25% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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Teen Idols
Porno Shop
158 bpm • C Maj • 01:37 • -3.67db
23% Popularity • 40% Danceability • 98% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
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The Interrupters
Outrage
158 bpm • A Maj • 01:51 • -3.56db
32% Popularity • 41% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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The Rabble
Start Again
158 bpm • D Maj • 04:39 • -3.06db
16% Popularity • 43% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Chaser
The Show
152 bpm • D Maj • 01:40 • -3.2db
27% Popularity • 50% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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88 Fingers Louie
Advice Column
158 bpm • E min • 03:08 • -4.05db
29% Popularity • 40% Danceability • 99% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Not On Tour
Therapy
152 bpm • G# Maj • 01:39 • -1.93db
23% Popularity • 39% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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The Lawrence Arms
Quincentuple Your Money
158 bpm • G Maj • 03:01 • -6.97db
32% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Teen Idols
When I Hear Your Name
152 bpm • A Maj • 01:30 • -4.23db
22% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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The Last Gang
The Original - Bonus Track
158 bpm • C Maj • 02:22 • -5.69db
4% Popularity • 30% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Rabble
The Journey
151 bpm • G# Maj • 03:22 • -2.74db
17% Popularity • 44% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Diesel Boy
Punk Rock Girl
151 bpm • C Maj • 02:28 • -3.93db
22% Popularity • 25% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Queers
Punk Rock Girls
150 bpm • G Maj • 02:37 • -4.61db
31% Popularity • 47% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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The Bar Stool Preachers
When This World Ends
160 bpm • G Maj • 03:26 • -7.05db
13% Popularity • 50% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Street Dogs
Fading American Dream
160 bpm • D# Maj • 02:54 • -2.75db
37% Popularity • 41% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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The Last Gang
Please, Please
151 bpm • D min • 04:23 • -7.52db
2% Popularity • 29% Danceability • 95% Energy • 23% Liveness
22% Instrumentalness • 51% Positiveness
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Cobra Skulls
One Day I'll Never
160 bpm • C Maj • 02:25 • -7.79db
27% Popularity • 59% Danceability • 61% Energy • 16% Liveness
6% Instrumentalness • 64% Positiveness
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Death By Horse
Werewolf
160 bpm • C Maj • 02:56 • -7.2db
9% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Have Nots
Freedom of Recession
160 bpm • G Maj • 02:10 • -3.15db
13% Popularity • 49% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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NOFX
I'm a Transvest-Lite
160 bpm • C Maj • 02:16 • -4db
29% Popularity • 64% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Landfill Crew
Youth Revolt
160 bpm • C Maj • 02:14 • -6.49db
14% Popularity • 59% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
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The Last Gang
Leave Me My Freedom
150 bpm • A Maj • 03:11 • -6.1db
4% Popularity • 18% Danceability • 86% Energy • 34% Liveness
49% Instrumentalness • 60% Positiveness
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The Interrupters
Loyal
150 bpm • G Maj • 02:07 • -3.57db
28% Popularity • 53% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Down By Law
At the Redoubt
160 bpm • C# Maj • 03:31 • -7.07db
14% Popularity • 57% Danceability • 77% Energy • 10% Liveness
26% Instrumentalness • 60% Positiveness
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The Raging Nathans
Dayton
160 bpm • A Maj • 02:12 • -3.44db
17% Popularity • 21% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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NOFX
Oxy Moronic
160 bpm • D Maj • 03:56 • -4.71db
36% Popularity • 51% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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The Briggs
Panic!
150 bpm • C Maj • 04:42 • -4.45db
24% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Death By Horse
Dear Jim
160 bpm • A min • 04:12 • -3.57db
11% Popularity • 35% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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The Rabble
Sing with Me
150 bpm • G Maj • 02:09 • -4.96db
17% Popularity • 59% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Ducky Boys
Pass You By
150 bpm • C# Maj • 01:43 • -2.28db
15% Popularity • 43% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Elway
Albuquerque Low
150 bpm • D Maj • 03:45 • -6db
19% Popularity • 52% Danceability • 88% Energy • 18% Liveness
3% Instrumentalness • 83% Positiveness
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Masked Intruder
Why Don't You Love Me in Real Life
149 bpm • A Maj • 02:46 • -6.56db
19% Popularity • 39% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Last Gang
Panic Dreaming
161 bpm • F Maj • 02:15 • -7.1db
14% Popularity • 35% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Decline
You Call This A Happy Meal?
150 bpm • G# min • 01:56 • -3.53db
29% Popularity • 46% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Riverboat Gamblers
Black Nothing Of A Cat
162 bpm • D Maj • 03:37 • -3.96db
15% Popularity • 19% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
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Dead To Me
A Day Without a War
148 bpm • D Maj • 02:29 • -5db
23% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Briggs
Back to Higher Ground
162 bpm • C# Maj • 02:46 • -2.75db
33% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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American Steel
State of Grace
148 bpm • B Maj • 03:24 • -4.58db
14% Popularity • 44% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Street Dogs
These Ain't The Old Days
148 bpm • E Maj • 03:15 • -4.94db
12% Popularity • 50% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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True Rivals
Liar
162 bpm • F# min • 03:15 • -3.98db
11% Popularity • 46% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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The Shoplifters
Ghost Band (Bonus Track)
148 bpm • D# Maj • 02:25 • -6.56db
8% Popularity • 39% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Masked Intruder
Please Come Back To Me
147 bpm • D Maj • 02:13 • -3.89db
16% Popularity • 51% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Interrupters
Room With a View
163 bpm • G# Maj • 02:34 • -4.77db
31% Popularity • 48% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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The Lawrence Arms
Belly of the Whale
163 bpm • C Maj • 01:59 • -5.44db
23% Popularity • 48% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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North Alone
Punk Is Dad
147 bpm • C Maj • 02:26 • -4.1db
16% Popularity • 34% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Copyrights
The World Is Such a Drag
164 bpm • G Maj • 02:24 • -5.91db
15% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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The Falcon
The La-Z-Boy 500
164 bpm • C Maj • 02:53 • -7.33db
29% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Lippies
302
164 bpm • E Maj • 03:39 • -5.68db
24% Popularity • 44% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Have Nots
One in Four
164 bpm • A Maj • 02:19 • -5.6db
12% Popularity • 44% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Old Man Markley
Reeko
165 bpm • F# min • 02:49 • -3.45db
14% Popularity • 29% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Last Gang
Affairs to Remember
165 bpm • A min • 03:21 • -5.57db
10% Popularity • 45% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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The Bombpops
Ca in July
146 bpm • B min • 02:00 • -5db
38% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Bigwig
A War Inside
165 bpm • B min • 02:10 • -5db
35% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Pour Habit
Head in the Clouds (Danny's Song)
145 bpm • A min • 03:23 • -2.39db
11% Popularity • 56% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Have Nots
Jackson Dawn
146 bpm • E Maj • 03:14 • -3.38db
7% Popularity • 24% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Tilt
War Room
146 bpm • D# min • 02:26 • -5.79db
21% Popularity • 33% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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88 Fingers Louie
Our Tired Vices
166 bpm • G Maj • 03:12 • -3.38db
11% Popularity • 36% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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The Bombpops
Watch Me Fold
166 bpm • C Maj • 02:31 • -3.91db
22% Popularity • 40% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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The Bar Stool Preachers
Since You
144 bpm • C# Maj • 04:55 • -7.27db
11% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Street Dogs
Common People
166 bpm • F Maj • 04:07 • -2.12db
19% Popularity • 35% Danceability • 99% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
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American Steel
Love and Logic
144 bpm • B min • 02:44 • -6db
13% Popularity • 41% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
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North Alone
Next Stop CA
143 bpm • G Maj • 02:07 • -3.39db
20% Popularity • 39% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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The Interrupters
Haven't Seen The Last Of Me
168 bpm • C# min • 02:15 • -0.38db
39% Popularity • 56% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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The Bombpops
Blood Pact
144 bpm • B min • 02:08 • -3.93db
19% Popularity • 45% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dead To Me
Fear Is the New Bliss
168 bpm • A Maj • 03:38 • -4.28db
22% Popularity • 28% Danceability • 99% Energy • 36% Liveness
4% Instrumentalness • 16% Positiveness
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The Briggs
Gridlocked
143 bpm • D Maj • 02:38 • -4.93db
12% Popularity • 37% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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The Methadones
Self Destruct
168 bpm • D Maj • 03:44 • -4.78db
11% Popularity • 40% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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The Venomous Pinks
We Do It Better
168 bpm • A Maj • 02:53 • -6.18db
20% Popularity • 25% Danceability • 94% Energy • 46% Liveness
24% Instrumentalness • 61% Positiveness
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Banner Pilot
Modern Shakes
169 bpm • E Maj • 02:28 • -3.34db
31% Popularity • 41% Danceability • 99% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
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The Potato Pirates
Hyena
142 bpm • G min • 02:43 • -4.45db
16% Popularity • 48% Danceability • 96% Energy • 54% Liveness
0% Instrumentalness • 72% Positiveness
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The Last Gang
Pleaser
169 bpm • C Maj • 03:05 • -3.64db
14% Popularity • 40% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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The Bar Stool Preachers
Grazie Governo
170 bpm • B Maj • 03:11 • -6.76db
15% Popularity • 53% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Methadones
Bored of Television
168 bpm • F Maj • 03:19 • -5db
13% Popularity • 30% Danceability • 92% Energy • 72% Liveness
2% Instrumentalness • 49% Positiveness
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Time Again
Cold Concrete
170 bpm • A Maj • 02:14 • -2.86db
24% Popularity • 34% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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U.S. Bombs
Riot Sirens
170 bpm • C# Maj • 02:41 • -5.15db
30% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Madcap And The Distractions
Daly City Train
170 bpm • C Maj • 03:49 • -5.42db
12% Popularity • 49% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 87% Positiveness
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Enemy You
Adios (To You)
170 bpm • G Maj • 02:33 • -6db
14% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Interrupters
Babylon
170 bpm • C Maj • 03:16 • -4.25db
40% Popularity • 57% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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The Last Gang
Believe in the Poet
170 bpm • D# Maj • 03:18 • -4.33db
14% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Time Again
The Stories Are True
170 bpm • D Maj • 03:18 • -3.8db
32% Popularity • 49% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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The Briggs
Devil's Playground
170 bpm • C Maj • 03:12 • -5.63db
31% Popularity • 47% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Smoke Or Fire
Integrity
170 bpm • G Maj • 02:15 • -4.6db
27% Popularity • 46% Danceability • 85% Energy • 7% Liveness
44% Instrumentalness • 74% Positiveness
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Secret Sounds