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See It Was Like This When...
Songs like
See It Was Like This When...
by
Lawrence Ferlinghetti
Based on a tempo of (+/- 10%) and a similar genre
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William S. Burroughs
Dr Benway Operates
114 bpm • G Maj • 02:44 • -17.75db
13% Popularity • 74% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Madeline Jeames
Hell
114 bpm • G Maj • 01:43 • -33.58db
25% Popularity • 42% Danceability • 1% Energy • 7% Liveness
18% Instrumentalness • 53% Positiveness
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Robert Frost
Desert Places
114 bpm • G Maj • 01:00 • -23.9db
13% Popularity • 76% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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maXbangZ
Man wit da plan
114 bpm • G Maj • 01:37 • -29.58db
30% Popularity • 77% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Zion Pentecostal Moreton's Hr. NL
Psalm 4
114 bpm • F Maj • 01:12 • -17.89db
17% Popularity • 74% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Billy Collins
nightclub
115 bpm • G# Maj • 03:12 • -19.45db
8% Popularity • 65% Danceability • 24% Energy • 71% Liveness
0% Instrumentalness • 33% Positiveness
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Lawrence Ferlinghetti
Coney Island of the Mind , Pt. 2
115 bpm • D Maj • 01:54 • -17.06db
1% Popularity • 54% Danceability • 18% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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Gene Kalmes
Dark Places
113 bpm • C min • 04:23 • -9.69db
10% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Damian Mayor
In Time
115 bpm • C# min • 01:40 • -15.06db
9% Popularity • 81% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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Derek & Clive
Joan Crawford
115 bpm • C# Maj • 05:05 • -30.96db
9% Popularity • 67% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Swear Cooing
Schedule Stranger
115 bpm • D Maj • 01:02 • -11db
17% Popularity • 52% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Harris
Introduction to Calvin's Freedom
113 bpm • A# min • 01:26 • -20.25db
17% Popularity • 71% Danceability • 35% Energy • 85% Liveness
0% Instrumentalness • 17% Positiveness
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Lawrence Ferlinghetti
Coney Island of the Mind , Pt. 11
115 bpm • C# min • 02:05 • -17.98db
0% Popularity • 52% Danceability • 22% Energy • 12% Liveness
72% Instrumentalness • 39% Positiveness
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Juiced
Obease (Freestyle)
115 bpm • D Maj • 01:32 • -30.37db
7% Popularity • 59% Danceability • 10% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
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JC45
Hit the road
113 bpm • D Maj • 01:14 • -11.5db
17% Popularity • 60% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Derek & Clive
Endangered Species
113 bpm • C# Maj • 05:21 • -21.05db
10% Popularity • 71% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Shel Silverstein
Forgotten Language
115 bpm • G Maj • 00:55 • -24.13db
14% Popularity • 56% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Partch
Barstow - Eight Hitchhiker Inscriptions ...
112 bpm • G# Maj • 09:20 • -15.61db
11% Popularity • 56% Danceability • 32% Energy • 73% Liveness
0% Instrumentalness • 31% Positiveness
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Lawrence Ferlinghetti
Coney Island of the Mind , Pt. 26
113 bpm • C# Maj • 00:40 • -17.09db
0% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Robert Frost
Tree at My Window
116 bpm • A Maj • 00:54 • -23db
11% Popularity • 72% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Noam Chomsky
Hysteria Among the Masters
116 bpm • A min • 01:59 • -21.81db
8% Popularity • 72% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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koulouri comedy
kabourmas
112 bpm • G# Maj • 00:53 • -25.2db
28% Popularity • 77% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Kerouac
Mcdougal Street Blues
116 bpm • A min • 03:23 • -21.75db
13% Popularity • 66% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Load Broken
Regain Priority
112 bpm • B Maj • 03:23 • -15.43db
17% Popularity • 50% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Lawrence Ferlinghetti
Coney Island of the Mind , Pt. 22
115 bpm • D Maj • 00:51 • -16.62db
0% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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WiseRap
Uncle Paulie Intro
112 bpm • G# Maj • 01:02 • -19.77db
8% Popularity • 57% Danceability • 38% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
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Derek & Clive
Celebrity Suicide
112 bpm • C# Maj • 02:57 • -23.75db
8% Popularity • 66% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Arthur Russell
Ballad Of The Lights
117 bpm • G Maj • 05:36 • -11.41db
13% Popularity • 34% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jack Kerouac
Mexico City Blues Excerpt, Pt. 2
112 bpm • A# Maj • 01:01 • -22.83db
12% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Big Juke
Beam
117 bpm • A# min • 01:14 • -10.4db
24% Popularity • 58% Danceability • 71% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
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Lawrence Ferlinghetti
Coney Island of the Mind , Pt. 18
112 bpm • A Maj • 01:01 • -19.69db
0% Popularity • 71% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Noam Chomsky
A Real War
117 bpm • C Maj • 02:18 • -24db
10% Popularity • 70% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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The Holy Modal Rounders
Blues In The Bottle
111 bpm • G Maj • 03:24 • -8.89db
9% Popularity • 67% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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GRANDAD HOLT.
Too Many Questions
111 bpm • B min • 02:17 • -16.17db
15% Popularity • 57% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Robert Frost
Neither out Far nor in Deep
117 bpm • G min • 00:47 • -20.94db
9% Popularity • 80% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Jack Kerouac
San Francisco Scene - The Beat Generatio...
111 bpm • B min • 03:13 • -18db
14% Popularity • 71% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Lawrence Ferlinghetti
Love Comes Harder to the Aged
117 bpm • C# Maj • 01:36 • -25.38db
0% Popularity • 71% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Cyril Cusack
The Second Coming
111 bpm • A min • 01:35 • -11db
13% Popularity • 63% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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SolaBaby
Always be like this
110 bpm • C# Maj • 01:06 • -9.19db
10% Popularity • 40% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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YBN Sleazy
Honda
118 bpm • E Maj • 01:14 • -11.53db
12% Popularity • 51% Danceability • 75% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Ivor Cutler
Beautiful Cosmos
118 bpm • C# Maj • 02:10 • -13.58db
16% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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E.E. Cummings
I Carry Your Heart With Me (I Carry It I...
118 bpm • F Maj • 01:39 • -30.18db
16% Popularity • 61% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lawrence Ferlinghetti
Coney Island of the Mind , Pt. 20
111 bpm • G# Maj • 00:54 • -17.69db
0% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Zion Pentecostal Moreton's Hr. NL
John14:1-7
110 bpm • A# Maj • 01:03 • -17.43db
13% Popularity • 78% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Quinn Crotty
Priests Of Pegana
118 bpm • A Maj • 01:10 • -12.86db
13% Popularity • 56% Danceability • 48% Energy • 51% Liveness
0% Instrumentalness • 84% Positiveness
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John S Comeaux
We Are Free
110 bpm • A# Maj • 04:13 • -21.38db
10% Popularity • 56% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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William S. Burroughs
Last Words With Ras I. Zulu
119 bpm • C# Maj • 01:02 • -20.14db
9% Popularity • 86% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Jerred
The Meaning
109 bpm • A min • 03:00 • -13.93db
8% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Old Testament
The Infant Moses
119 bpm • A min • 01:27 • -29.92db
8% Popularity • 51% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Zion Pentecostal Moreton's Hr. NL
Psalm 14
119 bpm • A# min • 01:10 • -18.1db
17% Popularity • 72% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Ivor Cutler
Goozeberries And Bilberries
119 bpm • D# Maj • 01:01 • -15.82db
9% Popularity • 71% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Italian Languagepod
Learn Italian While Sleeping with Peacef...
119 bpm • D min • 00:53 • -17.09db
12% Popularity • 72% Danceability • 37% Energy • 80% Liveness
0% Instrumentalness • 62% Positiveness
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Ken Nordine
What Time Is It?
109 bpm • A# min • 03:48 • -22.55db
12% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Charles Bukowski
The Creation Of The Morning Line
109 bpm • A# min • 03:24 • -20.25db
13% Popularity • 48% Danceability • 68% Energy • 18% Liveness
42% Instrumentalness • 5% Positiveness
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Gigiloo Maan
Diddy do it
109 bpm • G Maj • 01:12 • -12.55db
22% Popularity • 58% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Kurt Vonnegut
Slaughterhouse 5, Pt. 4
120 bpm • A# Maj • 06:13 • -22db
12% Popularity • 72% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Allen Ginsberg
A Supermarket In California - Live / 1/2...
109 bpm • B min • 02:17 • -22.33db
13% Popularity • 69% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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MALKOLM
Michael Row the Boat Ashore
120 bpm • G Maj • 02:33 • -11.48db
7% Popularity • 50% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Ken Nordine
Chartreuse
120 bpm • C# Maj • 01:33 • -17.16db
12% Popularity • 70% Danceability • 43% Energy • 6% Liveness
13% Instrumentalness • 62% Positiveness
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Shel Silverstein
The Yipiyuk
120 bpm • G min • 01:40 • -22.84db
20% Popularity • 73% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Rik God
Ya yup
120 bpm • G min • 03:08 • -34.17db
8% Popularity • 62% Danceability • 7% Energy • 63% Liveness
0% Instrumentalness • 50% Positiveness
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Basil Rathbone
Annabel Lee
108 bpm • G Maj • 02:09 • -31db
12% Popularity • 57% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Lawrence Ferlinghetti
Underwear
108 bpm • C# Maj • 03:32 • -14.9db
2% Popularity • 69% Danceability • 20% Energy • 89% Liveness
0% Instrumentalness • 45% Positiveness
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John Trudell
The Cleansing / Red Earth Song
108 bpm • G# Maj • 06:33 • -11.29db
7% Popularity • 49% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Noam Chomsky
Propaganda
120 bpm • A# min • 01:09 • -23.01db
13% Popularity • 75% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Jack Kerouac
I Had a Slouch Hat Too One Time
108 bpm • F Maj • 06:10 • -22db
13% Popularity • 67% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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JV productions
O
120 bpm • C# Maj • 01:02 • -24.64db
23% Popularity • 72% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 69% Positiveness
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CJ Borosque
Space Boy - Poem
108 bpm • A min • 01:07 • -18.11db
10% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lawrence Ferlinghetti
Coney Island of the Mind , Pt. 24
120 bpm • C# Maj • 01:30 • -17.07db
0% Popularity • 60% Danceability • 26% Energy • 12% Liveness
62% Instrumentalness • 62% Positiveness
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MR Kingpin
Diary Entry #1
121 bpm • D# Maj • 00:57 • -26.72db
17% Popularity • 69% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
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Charles Bukowski
Trouble - Live
121 bpm • A# min • 02:15 • -21.61db
8% Popularity • 57% Danceability • 52% Energy • 81% Liveness
0% Instrumentalness • 37% Positiveness
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Bernie Mackintosh
All The Time
107 bpm • G min • 03:18 • -11.86db
29% Popularity • 54% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Ivor Cutler
A Doughnut in My Hand
108 bpm • D Maj • 02:04 • -8db
11% Popularity • 72% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Seamus Heaney
Clearances 3
107 bpm • F min • 01:02 • -26.72db
12% Popularity • 71% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Lawrence Ferlinghetti
Pennycandyhorse
108 bpm • C# Maj • 01:10 • -26.37db
0% Popularity • 70% Danceability • 2% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Kurtis Devore
Diary Of An Unborn Child
121 bpm • B Maj • 08:37 • -41.35db
10% Popularity • 44% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Robert Frost
On Looking up by Chance at the Constella...
107 bpm • D# min • 01:07 • -13.67db
14% Popularity • 75% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Schickele
Introduction to Bach Portrait
107 bpm • G Maj • 01:12 • -27.62db
9% Popularity • 70% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Alfred Hitchcock
Intro to The Haunted and the Hunters
107 bpm • A min • 02:37 • -31.83db
8% Popularity • 65% Danceability • 3% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Jack Kerouac
Desolation Angels
107 bpm • C min • 03:15 • -20.1db
10% Popularity • 73% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Moneyman2x
Shots fired
107 bpm • E Maj • 01:16 • -14.04db
22% Popularity • 62% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Sauve2x
Famous criminal
122 bpm • D Maj • 01:14 • -12.43db
16% Popularity • 63% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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William Shakespeare
Chapter 4 - Macbeth
106 bpm • A min • 03:07 • -18.06db
7% Popularity • 68% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Peggy Seeger
Snake Baked a Hoecake
122 bpm • F Maj • 01:06 • -25.36db
20% Popularity • 68% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Zion Pentecostal Moreton's Hr. NL
Psalm 10
106 bpm • G min • 02:23 • -20.56db
11% Popularity • 70% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Jack Kerouac
Lucien Midnight: The Sounds Of The Unive...
122 bpm • C# min • 04:22 • -15.88db
13% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Woody Guthrie
The Great Dust Storm (Dust Storm Disaste...
106 bpm • E Maj • 03:19 • -14db
7% Popularity • 62% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sylint
Garden
106 bpm • F# Maj • 01:10 • -16.68db
20% Popularity • 61% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Rudyard Kipling
The Way Through the Woods
106 bpm • F min • 01:05 • -31db
16% Popularity • 75% Danceability • 12% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
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Watch Nippy
Rush Internet
106 bpm • G Maj • 02:41 • -18.63db
16% Popularity • 41% Danceability • 9% Energy • 19% Liveness
7% Instrumentalness • 19% Positiveness
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Derek & Clive
Having a Wank
123 bpm • C# Maj • 11:34 • -37.71db
17% Popularity • 62% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Rich Youngin2x
4 the streets
105 bpm • E Maj • 01:14 • -12.46db
22% Popularity • 69% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Megatron2x
Bands
105 bpm • G Maj • 01:16 • -11.94db
23% Popularity • 53% Danceability • 65% Energy • 49% Liveness
0% Instrumentalness • 51% Positiveness
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Quotes Real
Exhausted
124 bpm • F Maj • 02:20 • -18.38db
8% Popularity • 62% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
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The Tiny Tax Band
Firewall
124 bpm • A# Maj • 01:36 • -10.55db
22% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Lawrence Ferlinghetti
Coney Island of the Mind , Pt. 6
124 bpm • B Maj • 01:46 • -18.06db
0% Popularity • 50% Danceability • 32% Energy • 19% Liveness
6% Instrumentalness • 65% Positiveness
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Caiglizzy4x
Beef baby
124 bpm • G Maj • 01:14 • -19.95db
23% Popularity • 49% Danceability • 32% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
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David Orth Music
Count down breath work to fall asleep fa...
105 bpm • F Maj • 01:04 • -26.1db
36% Popularity • 68% Danceability • 5% Energy • 50% Liveness
0% Instrumentalness • 48% Positiveness
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YLN Jay
Kehlani
105 bpm • D# min • 01:14 • -13.73db
23% Popularity • 53% Danceability • 55% Energy • 76% Liveness
0% Instrumentalness • 71% Positiveness
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Allen Ginsberg
America
105 bpm • A# min • 04:49 • -22.81db
16% Popularity • 65% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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See It Was Like This When...