Songs like Segunda Parte - Llegada Al Toboso, Capítulo IX: Romance Del Conde Claros, "Media Noche…" (Francisco Salinas) by Montserrat Figueras
Based on a tempo of (+/- 10%) and a similar genre
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Gilles Binchois
Chansons: Filles a marier ne vous mariez...
149 bpm • C# Maj • 01:23 • -16.01db
11% Popularity • 35% Danceability • 26% Energy • 24% Liveness
8% Instrumentalness • 59% Positiveness
11% Popularity • 35% Danceability • 26% Energy • 24% Liveness
8% Instrumentalness • 59% Positiveness
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Michael Praetorius
Terpsichore*: Volte
149 bpm • C Maj • 01:30 • -13.7db
22% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
22% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
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Joan Ambrosio Dalza
Pavana alla venetiana
147 bpm • D Maj • 03:26 • -27.48db
24% Popularity • 42% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
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John Dowland
Mistresse Nichols Almand from Lachrimae,...
150 bpm • A# Maj • 01:23 • -24.25db
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
38% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
38% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Antonio MartÃn y Coll
La Purpura della Rosa: El Amor de Venus ...
151 bpm • A min • 03:42 • -33.85db
10% Popularity • 24% Danceability • 3% Energy • 13% Liveness
50% Instrumentalness • 21% Positiveness
10% Popularity • 24% Danceability • 3% Energy • 13% Liveness
50% Instrumentalness • 21% Positiveness
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Antonio de Cabezón
Diferencias Sobre el Canto de "La Dama l...
152 bpm • D# min • 02:40 • -30.54db
14% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
14% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
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Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
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EnrÃquez de Valderrábano
Soneto II
144 bpm • F Maj • 01:28 • -30db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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John Dowland
The Shoemaker's Wife. A Toy, P 58
151 bpm • D# Maj • 01:06 • -27.47db
33% Popularity • 29% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness
33% Popularity • 29% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness
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Edward Martin
Basse dance :La Magdalena: -Recoupe - To...
143 bpm • D min • 02:21 • -24db
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Marco Dall'Aquila
Saltarello, "La traditora"
153 bpm • B Maj • 01:12 • -24db
30% Popularity • 54% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 91% Positiveness
30% Popularity • 54% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 91% Positiveness
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Juan del Encina
Oy comamos y bebamos: Hoy comamos y beba...
142 bpm • D Maj • 04:07 • -17.66db
9% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Bartolino da Padova
Qual Lege Move
141 bpm • E Maj • 04:10 • -23.06db
8% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Tarquinio Merula
Sentirete una canzonetta
140 bpm • D Maj • 03:25 • -12.3db
9% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Hayne van Ghizeghem
Ghizeghem / Arr. Des Prez: De tous biens...
156 bpm • D min • 01:39 • -39db
17% Popularity • 11% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 36% Positiveness
17% Popularity • 11% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 36% Positiveness
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Francesco de la Torre
Danza alta
140 bpm • A min • 01:42 • -21db
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Sigismondo D'India
Sfere fermate
139 bpm • F# Maj • 01:30 • -15.73db
18% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Monsieur de Sainte-Colombe
Concert XLVIIIe siècle "Le Raporté": C...
157 bpm • F# min • 05:20 • -25.95db
13% Popularity • 13% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Oxford Camerata
Ego Flos Campi
139 bpm • F# Maj • 06:00 • -27.83db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
14% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
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Claudio Monteverdi
Hor che'l ciel, e la terra
138 bpm • A min • 04:40 • -20db
11% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Paolo Pandolfo
Anchor che col partire'
138 bpm • A min • 03:40 • -16db
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Eduardo Paniagua
Tastar da Corde
137 bpm • G min • 01:29 • -21.96db
16% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
16% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Berenguier de Palou
Tan m'abelis
137 bpm • C# Maj • 05:26 • -24db
14% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Gaspar Sanz
Marionas
137 bpm • A min • 03:57 • -20.23db
13% Popularity • 54% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 21% Positiveness
13% Popularity • 54% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 21% Positiveness
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Girolamo Fantini
All'imperio d'Amore: 1. Toccata "La Renu...
137 bpm • D Maj • 01:47 • -14db
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
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Diego Ortiz
Romanesca & Passamezzo (Instr.) (Diego O...
137 bpm • C Maj • 02:29 • -27db
16% Popularity • 35% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 72% Positiveness
16% Popularity • 35% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 72% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Vosaltres Tots Que ...
136 bpm • G min • 02:53 • -22.04db
10% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Mit Fried und Freud ich fahr dahin, BuxW...
136 bpm • C Maj • 07:15 • -29db
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
12% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
12% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
12% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Cartin Codax
Cantiga De Amigo V: Quantas Sabedes Amar...
136 bpm • A min • 04:33 • -22.84db
9% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
35% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Anonymous
Tarantela D'Après Lucas Ruiz De Ribayaz...
136 bpm • A min • 04:58 • -25.38db
9% Popularity • 32% Danceability • 8% Energy • 6% Liveness
86% Instrumentalness • 19% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 6% Liveness
86% Instrumentalness • 19% Positiveness
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Joan Ambrosio Dalza
Tastar de corde, Recercar dietro
134 bpm • G min • 02:13 • -32.85db
21% Popularity • 40% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
21% Popularity • 40% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Francesco da Milano
Spagna Contrapunto
164 bpm • B min • 01:58 • -20db
13% Popularity • 36% Danceability • 53% Energy • 23% Liveness
96% Instrumentalness • 70% Positiveness
13% Popularity • 36% Danceability • 53% Energy • 23% Liveness
96% Instrumentalness • 70% Positiveness
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Thomas Tallis
The Lamentations Of Jeremiah: 1. Incipit...
133 bpm • D min • 08:44 • -23.06db
18% Popularity • 16% Danceability • 15% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 15% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Jordi Savall
Diferencias Sobre La Guaracha (Mexique S...
135 bpm • G Maj • 03:41 • -23.15db
14% Popularity • 42% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
14% Popularity • 42% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Juan de Araujo
Tleycantimo choquiliya
133 bpm • E Maj • 01:47 • -22.2db
5% Popularity • 33% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 33% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Montserrat Figueras
Ti Ricordi Che Giurasti
133 bpm • F min • 04:28 • -27db
2% Popularity • 35% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 35% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Carl Friedrich Abel
Arpeggiata (Prelude)
133 bpm • C# min • 02:27 • -32.7db
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Joan Ambrosio Dalza
Pavana alla venetiana
133 bpm • A Maj • 02:20 • -26.72db
9% Popularity • 33% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 77% Positiveness
9% Popularity • 33% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 77% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Sanctus
132 bpm • A min • 04:55 • -23db
17% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Montserrat Figueras
Primera Parte - Yo Soy La Locura, CapÃt...
133 bpm • A min • 02:31 • -17.56db
19% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
30% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
30% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Marc-Antoine Charpentier
Prélude pour le Magnificat à quatre vo...
166 bpm • B Maj • 01:05 • -23db
24% Popularity • 19% Danceability • 17% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
24% Popularity • 19% Danceability • 17% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
► Preview
Adam Jarzębski
Jarzebski: Concerto a 3 voci & continuo:...
132 bpm • D Maj • 02:28 • -12.05db
15% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
15% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
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Jaufre Rudel
Lanquan li jorn
132 bpm • B min • 05:22 • -20db
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Jordi Savall
Introduction (Ney Anbun)
132 bpm • F min • 01:35 • -24.08db
10% Popularity • 16% Danceability • 10% Energy • 14% Liveness
98% Instrumentalness • 12% Positiveness
10% Popularity • 16% Danceability • 10% Energy • 14% Liveness
98% Instrumentalness • 12% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
23% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
23% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Henry Purcell
O dive custos, Z. 504
132 bpm • B min • 07:35 • -24.9db
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Thomas Tallis
Libera Nos, Salva Nos à 5
131 bpm • C min • 01:52 • -27.11db
13% Popularity • 16% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
13% Popularity • 16% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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La Capella Reial De Catalunya
La Folia: Yo Soy la Locura
131 bpm • A min • 02:37 • -23db
19% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Diego Pisador
La mananna de San Juan
131 bpm • A min • 04:44 • -20.68db
8% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Maurizio Cazzati
Balletto Quarto: Adaggio
130 bpm • F# min • 04:00 • -24db
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
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Orlande de Lassus
Ola, o che bon eccho!
168 bpm • C Maj • 01:14 • -25.18db
23% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Jordi Savall
Postludium (Medieval Harp)
130 bpm • G min • 01:18 • -28.95db
8% Popularity • 61% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 55% Positiveness
8% Popularity • 61% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 55% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
22% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
22% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Cascun Cos S'Alma ...
131 bpm • F Maj • 02:42 • -27.15db
10% Popularity • 21% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 30, Resv...
169 bpm • E min • 05:26 • -20.14db
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
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Ensemble Gilles Binchois
Santa Maria Sennor
170 bpm • B min • 03:08 • -22db
20% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Claudio Monteverdi
Psalmus 109. dixit dominus
171 bpm • A min • 07:17 • -17db
25% Popularity • 18% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 18% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Entre ...
171 bpm • C Maj • 02:22 • -19db
18% Popularity • 23% Danceability • 8% Energy • 3% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 23% Danceability • 8% Energy • 3% Liveness
0% Instrumentalness • 25% Positiveness
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Mateo Flecha
La Bomba (DindirindÃn). Ensalada
128 bpm • C Maj • 02:56 • -16.05db
8% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Oswald von Wolkenstein
Es fügt sich: Movements I-III
171 bpm • G min • 06:32 • -27.29db
15% Popularity • 33% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 33% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ans Del Judici Tot...
128 bpm • F Maj • 02:23 • -29db
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Montserrat Figueras
Tono Humano: "Trompicávalas Amor"
128 bpm • C Maj • 03:02 • -14.82db
6% Popularity • 48% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
6% Popularity • 48% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Comtessa de Dia
A chantar m'er
171 bpm • A# min • 09:20 • -32db
9% Popularity • 16% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Hildegard von Bingen
Ave Maria: Ave, Maria, o auctrix vitae (...
128 bpm • F# min • 08:15 • -23db
11% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Spinacino
Rececar
127 bpm • A# Maj • 01:36 • -31.37db
22% Popularity • 42% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
22% Popularity • 42% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
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Michael Praetorius
Terpsichore*: Courante La Mouline
172 bpm • C Maj • 01:21 • -24db
19% Popularity • 48% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 50% Positiveness
19% Popularity • 48% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 50% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Gloria Tibi Domine ...
127 bpm • A min • 01:48 • -26.36db
15% Popularity • 19% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
26% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O virtus sapientiae (Antiphona)
128 bpm • G Maj • 02:47 • -25.26db
9% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Joan Ambrosio Dalza
Intabolatura de lauto, Book 4: Calata al...
126 bpm • A# Maj • 02:06 • -25.91db
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
