Songs like Sei nun wieder zufrieden by Johann Bach
Based on a tempo of (+/- 10%) and a similar genre
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Carl Friedrich Abel
Arpeggiata (Prelude)
133 bpm • C# min • 02:27 • -32.7db
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
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Henry Purcell
Fantasy Upon One Note
133 bpm • E Maj • 02:45 • -20db
13% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
31% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
31% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Johann Bach
French Suite No 2 in C BWV 813
132 bpm • C min • 07:13 • -14.09db
3% Popularity • 28% Danceability • 44% Energy • 15% Liveness
92% Instrumentalness • 81% Positiveness
3% Popularity • 28% Danceability • 44% Energy • 15% Liveness
92% Instrumentalness • 81% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Sanctus
134 bpm • A Maj • 05:59 • -27.64db
23% Popularity • 16% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
23% Popularity • 16% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Geistliche Chor-Music, Op. 11: No. 23, S...
132 bpm • G Maj • 04:11 • -23.19db
21% Popularity • 18% Danceability • 6% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 6% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
43% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
43% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
131 bpm • G Maj • 02:50 • -19.95db
17% Popularity • 23% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 23% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Johann Bach
Suite No. 3 In D Major: II. Air
134 bpm • D Maj • 03:29 • -13.13db
0% Popularity • 25% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
0% Popularity • 25% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Giovanni Pierluigi da Palestrina
Masses, Book 2: Missa Papae Marcelli: Sa...
132 bpm • A Maj • 08:48 • -24.27db
7% Popularity • 19% Danceability • 5% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 5% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Henry Purcell
O dive custos, Z. 504
132 bpm • B min • 07:35 • -24.9db
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Johann Bach
French Suite No 2 in C BWV 813 IV Air
134 bpm • D# Maj • 00:59 • -13.91db
2% Popularity • 51% Danceability • 68% Energy • 13% Liveness
97% Instrumentalness • 99% Positiveness
2% Popularity • 51% Danceability • 68% Energy • 13% Liveness
97% Instrumentalness • 99% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
25% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
12% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Johann Bach
Motette: Sei nun wieder zufrieden meine ...
131 bpm • A min • 03:32 • -24.23db
1% Popularity • 26% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 26% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Heinrich Schmelzer
Ciaccona in A Major
135 bpm • G# Maj • 09:02 • -17db
13% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
27% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
27% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
18% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
18% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Bach
French Suite No 3 in B BWV 814
131 bpm • B min • 07:34 • -14.11db
3% Popularity • 27% Danceability • 57% Energy • 14% Liveness
94% Instrumentalness • 90% Positiveness
3% Popularity • 27% Danceability • 57% Energy • 14% Liveness
94% Instrumentalness • 90% Positiveness
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Dietrich Buxtehude
Mit Fried und Freud ich fahr dahin, BuxW...
136 bpm • C Maj • 07:15 • -29db
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
12% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
26% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
26% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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Johann Bach
Prelude And Fugue, BWV 862
136 bpm • G# Maj • 02:06 • -12.39db
6% Popularity • 34% Danceability • 46% Energy • 7% Liveness
97% Instrumentalness • 92% Positiveness
6% Popularity • 34% Danceability • 46% Energy • 7% Liveness
97% Instrumentalness • 92% Positiveness
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Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Henry Purcell
12 Sonatas of III parts Z790-801: Sonata...
137 bpm • F# min • 07:03 • -22.09db
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: I. Kyrie
130 bpm • A Maj • 03:33 • -25.43db
32% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
32% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Johann Bach
French Suite No 2 in C BWV 813 II Couran...
136 bpm • C min • 01:15 • -14.5db
1% Popularity • 48% Danceability • 73% Energy • 19% Liveness
94% Instrumentalness • 98% Positiveness
1% Popularity • 48% Danceability • 73% Energy • 19% Liveness
94% Instrumentalness • 98% Positiveness
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Heinrich Schütz
Herr, nun lässest du deinen Diener in F...
138 bpm • A min • 03:18 • -21.46db
18% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
18% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
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Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
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John Blow
Lovely Selina
128 bpm • F# Maj • 02:12 • -27db
23% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Arcangelo Corelli
Flute Sonata in E Minor, Op. 5, No. 8: I...
128 bpm • D min • 01:52 • -19db
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Johann Bach
French Suite No 4 in Eb BWV 815
129 bpm • D# Maj • 07:13 • -14.43db
2% Popularity • 25% Danceability • 56% Energy • 12% Liveness
84% Instrumentalness • 90% Positiveness
2% Popularity • 25% Danceability • 56% Energy • 12% Liveness
84% Instrumentalness • 90% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Johann Michael Bach
Herr, wenn ich nur dich habe
128 bpm • A# Maj • 03:14 • -24db
13% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: I. Mag...
128 bpm • F# min • 01:17 • -19db
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Anton Bruckner
Locus iste, WAB 23
139 bpm • C Maj • 03:30 • -23.34db
20% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
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Johann Bach
Prelude And Fugue, BWV 864
128 bpm • F# min • 01:35 • -11.03db
2% Popularity • 36% Danceability • 57% Energy • 8% Liveness
14% Instrumentalness • 91% Positiveness
2% Popularity • 36% Danceability • 57% Energy • 8% Liveness
14% Instrumentalness • 91% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
![Sonata sesta for violino solo: VI. Allegro [2] cover art](https://i.scdn.co/image/ab67616d00001e02327a8ecd78d1bd9a98479fdf)
Daniel Purcell
Sonata sesta for violino solo: VI. Alleg...
139 bpm • E min • 01:08 • -18.89db
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
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Antonio Caldara
Stabat Mater: II. Cujus animam gementem
139 bpm • B min • 01:53 • -23.79db
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
► Preview
Johann Bach
French Suite No 1 in D BWV 812 IV Menuet
128 bpm • D min • 01:35 • -14.47db
4% Popularity • 47% Danceability • 61% Energy • 37% Liveness
98% Instrumentalness • 97% Positiveness
4% Popularity • 47% Danceability • 61% Energy • 37% Liveness
98% Instrumentalness • 97% Positiveness
► Preview
Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
47% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
47% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
► Preview
Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Jesu, meines Lebens Leben in D Minor, Bu...
126 bpm • D min • 00:47 • -24db
16% Popularity • 23% Danceability • 7% Energy • 31% Liveness
20% Instrumentalness • 13% Positiveness
16% Popularity • 23% Danceability • 7% Energy • 31% Liveness
20% Instrumentalness • 13% Positiveness
► Preview
Jean-François Dandrieu
Sonate en Sol Mineur, Op. 1 No. 3: IV. G...
140 bpm • F# min • 01:13 • -13db
24% Popularity • 48% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 61% Positiveness
24% Popularity • 48% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 61% Positiveness
► Preview
Johann Bach
French Suite No 1 in D BWV 812 I Alleman...
126 bpm • D min • 01:34 • -14.27db
0% Popularity • 53% Danceability • 65% Energy • 30% Liveness
95% Instrumentalness • 98% Positiveness
0% Popularity • 53% Danceability • 65% Energy • 30% Liveness
95% Instrumentalness • 98% Positiveness
► Preview
Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Jean-Baptiste Lully
Phaéton Opera in 5 acts with prologue: ...
140 bpm • F# Maj • 04:22 • -15db
15% Popularity • 20% Danceability • 14% Energy • 21% Liveness
81% Instrumentalness • 14% Positiveness
15% Popularity • 20% Danceability • 14% Energy • 21% Liveness
81% Instrumentalness • 14% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
126 bpm • F Maj • 01:16 • -19.41db
16% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
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Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
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Diego Ortiz
Recercada tercera sobre tenores Italiano...
126 bpm • E Maj • 02:13 • -33db
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
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Johann Bach
French Suite No 1 in D BWV 812 II Couran...
126 bpm • D min • 01:12 • -14.39db
1% Popularity • 52% Danceability • 69% Energy • 22% Liveness
96% Instrumentalness • 98% Positiveness
1% Popularity • 52% Danceability • 69% Energy • 22% Liveness
96% Instrumentalness • 98% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Dixit Dominus: Allegro
125 bpm • C# Maj • 02:00 • -20.74db
22% Popularity • 44% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 44% Positiveness
22% Popularity • 44% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 44% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
55% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
55% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Giovanni Pierluigi da Palestrina
Song of Songs: No. 16 Surge, amica mea, ...
125 bpm • A# Maj • 02:32 • -28.69db
18% Popularity • 20% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Bach
Unser Leben ist ein Schatten
125 bpm • D Maj • 06:13 • -15.61db
1% Popularity • 33% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 33% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
22% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
22% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
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Johann Christoph Bach
Der Gerechte, ob er gleich zu zeitlich s...
124 bpm • F Maj • 04:51 • -21.08db
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
22% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
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Johann Bach
French Suite No 1 in D BWV 812
124 bpm • D min • 07:20 • -14.27db
4% Popularity • 29% Danceability • 48% Energy • 28% Liveness
94% Instrumentalness • 70% Positiveness
4% Popularity • 29% Danceability • 48% Energy • 28% Liveness
94% Instrumentalness • 70% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Rondeau
124 bpm • A Maj • 01:40 • -22db
27% Popularity • 23% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 23% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: I. ...
143 bpm • G min • 08:10 • -19db
30% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Élisabeth Jacquet de La Guerre
Les Pièces de clavecin, Premier livre, ...
123 bpm • G# Maj • 02:07 • -32.25db
9% Popularity • 27% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 46% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 46% Positiveness
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Carlos Seixas
Harpsichord Concerto in A Major: I. Alle...
123 bpm • G# Maj • 01:52 • -21db
8% Popularity • 34% Danceability • 20% Energy • 16% Liveness
24% Instrumentalness • 95% Positiveness
8% Popularity • 34% Danceability • 20% Energy • 16% Liveness
24% Instrumentalness • 95% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Johann Michael Bach
Ich weiss, dass mein Erlöser lebet
123 bpm • G Maj • 02:50 • -25.84db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Hymn...
123 bpm • G Maj • 09:28 • -25.9db
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
William Byrd
Mass for Four Voices: V. Agnus Dei
123 bpm • F min • 04:03 • -24.89db
19% Popularity • 18% Danceability • 6% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 6% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
