Songs like Seize The Day (feat. Phoebe Bridgers) by Paul McCartney
Based on a tempo of (+/- 10%) and a similar genre
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Paul McCartney
Seize The Day
178 bpm • C# min • 03:29 • -10.54db
36% Popularity • 21% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
36% Popularity • 21% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Phoebe Bridgers
Sidelines
180 bpm • A# Maj • 04:24 • -9.45db
59% Popularity • 40% Danceability • 54% Energy • 14% Liveness
39% Instrumentalness • 4% Positiveness
59% Popularity • 40% Danceability • 54% Energy • 14% Liveness
39% Instrumentalness • 4% Positiveness
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boygenius
We're In Love
176 bpm • A# Maj • 04:54 • -16.33db
59% Popularity • 38% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 38% Danceability • 7% Energy • 55% Liveness
0% Instrumentalness • 32% Positiveness
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The National
This Isn't Helping
180 bpm • A# Maj • 04:04 • -9.87db
50% Popularity • 38% Danceability • 56% Energy • 9% Liveness
38% Instrumentalness • 58% Positiveness
50% Popularity • 38% Danceability • 56% Energy • 9% Liveness
38% Instrumentalness • 58% Positiveness
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Big Red Machine
Magnolia
180 bpm • A Maj • 03:55 • -11.28db
29% Popularity • 59% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
29% Popularity • 59% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Lord Huron
The Night We Met
174 bpm • A Maj • 03:29 • -11.11db
68% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
68% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
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Suki Waterhouse
My Fun
174 bpm • E Maj • 02:42 • -5.22db
61% Popularity • 44% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 44% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Phoebe Bridgers
Punisher (Copycat Killer Version)
174 bpm • C# Maj • 02:56 • -13db
39% Popularity • 27% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 27% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Lucy Dacus
Triple Dog Dare
174 bpm • C Maj • 07:44 • -9db
48% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Holly Humberstone
Haunted House
173 bpm • A Maj • 02:13 • -10.01db
49% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Paul McCartney
Jenny Wren
173 bpm • F min • 03:46 • -12db
41% Popularity • 46% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 46% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Sharon Van Etten
On Your Way Now
184 bpm • B Maj • 02:54 • -12.28db
30% Popularity • 47% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Leith Ross
Grown Up
172 bpm • G# Maj • 03:47 • -16db
36% Popularity • 39% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 39% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Soccer Mommy
bloodstream
172 bpm • A Maj • 05:37 • -6db
43% Popularity • 59% Danceability • 65% Energy • 14% Liveness
7% Instrumentalness • 62% Positiveness
43% Popularity • 59% Danceability • 65% Energy • 14% Liveness
7% Instrumentalness • 62% Positiveness
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Lucy Dacus
Going Going Gone
173 bpm • B Maj • 03:13 • -12.63db
45% Popularity • 48% Danceability • 22% Energy • 47% Liveness
6% Instrumentalness • 57% Positiveness
45% Popularity • 48% Danceability • 22% Energy • 47% Liveness
6% Instrumentalness • 57% Positiveness
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The Shins
The Great Divide - Flipped
172 bpm • G Maj • 04:01 • -6.11db
24% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Paul McCartney
Let Me Roll It - 2010 Remaster
173 bpm • E Maj • 04:49 • -8.51db
56% Popularity • 34% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 34% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Skullcrusher
Storm in Summer
172 bpm • D# Maj • 04:20 • -6db
26% Popularity • 39% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 39% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Big Red Machine
New Auburn
170 bpm • A Maj • 03:24 • -13db
32% Popularity • 35% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 35% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Indigo De Souza
Pretty Pictures
170 bpm • D Maj • 02:58 • -10.45db
45% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 72% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Soccer Mommy
Kissing In The Rain
186 bpm • B min • 03:15 • -6.2db
29% Popularity • 43% Danceability • 81% Energy • 31% Liveness
6% Instrumentalness • 80% Positiveness
29% Popularity • 43% Danceability • 81% Energy • 31% Liveness
6% Instrumentalness • 80% Positiveness
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Madi Diaz
Woman In My Heart
170 bpm • G Maj • 02:59 • -7db
24% Popularity • 37% Danceability • 57% Energy • 7% Liveness
2% Instrumentalness • 18% Positiveness
24% Popularity • 37% Danceability • 57% Energy • 7% Liveness
2% Instrumentalness • 18% Positiveness
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Paul McCartney
Heart Of The Country - 2012 Remaster
172 bpm • D min • 02:23 • -12.4db
56% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Faye Webster
Cheers
170 bpm • F# min • 03:15 • -9db
48% Popularity • 61% Danceability • 37% Energy • 15% Liveness
36% Instrumentalness • 50% Positiveness
48% Popularity • 61% Danceability • 37% Energy • 15% Liveness
36% Instrumentalness • 50% Positiveness
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Ethan Gruska
Enough for Now
169 bpm • B Maj • 03:16 • -8.6db
37% Popularity • 52% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 52% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Staves
Failure
169 bpm • D Maj • 04:07 • -7.7db
35% Popularity • 35% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 35% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Soccer Mommy
circle the drain
169 bpm • A Maj • 04:40 • -5.22db
55% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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HAIM
Hallelujah - Bonus Track
188 bpm • G# Maj • 03:10 • -6.88db
49% Popularity • 26% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 26% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Paul McCartney
English Tea
172 bpm • G Maj • 02:12 • -9db
33% Popularity • 51% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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IAN SWEET
Yellow
168 bpm • B Maj • 03:40 • -9.12db
25% Popularity • 27% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 27% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Skullcrusher
Lift
168 bpm • G Maj • 03:47 • -9db
28% Popularity • 28% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
28% Popularity • 28% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Adam Melchor
Light Year
168 bpm • D# Maj • 03:08 • -9.09db
48% Popularity • 40% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 52% Positiveness
48% Popularity • 40% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 52% Positiveness
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Lana Del Rey
Not All Who Wander Are Lost
168 bpm • G Maj • 04:05 • -14.87db
58% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Big Red Machine
Renegade
168 bpm • C Maj • 04:14 • -8.14db
72% Popularity • 53% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
72% Popularity • 53% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
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Paul McCartney
Great Day - 2020 Remaster
171 bpm • A Maj • 02:09 • -16.1db
48% Popularity • 41% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 41% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Hamilton Leithauser
Isabella
168 bpm • A Maj • 04:13 • -5db
27% Popularity • 50% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 50% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Flock of Dimes
Hard Way
167 bpm • G Maj • 03:13 • -15.18db
16% Popularity • 42% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 42% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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![The Hardest Part [Feat. Tennis] cover art](https://i.scdn.co/image/ab67616d00001e02c7afccf53aa5991fd99e4183)
Overcoats
The Hardest Part [Tennis]
167 bpm • E Maj • 03:42 • -6db
25% Popularity • 35% Danceability • 70% Energy • 12% Liveness
23% Instrumentalness • 80% Positiveness
25% Popularity • 35% Danceability • 70% Energy • 12% Liveness
23% Instrumentalness • 80% Positiveness
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boygenius
Stay Down
166 bpm • G Maj • 04:00 • -9.32db
54% Popularity • 34% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 34% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Flyte
Sometimes
166 bpm • D Maj • 02:39 • -8.39db
34% Popularity • 56% Danceability • 60% Energy • 11% Liveness
6% Instrumentalness • 50% Positiveness
34% Popularity • 56% Danceability • 60% Energy • 11% Liveness
6% Instrumentalness • 50% Positiveness
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Paul McCartney
The Kiss Of Venus
186 bpm • A Maj • 03:06 • -11.37db
32% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Fleet Foxes
Cradling Mother, Cradling Woman
165 bpm • D# Maj • 05:10 • -10.08db
29% Popularity • 36% Danceability • 75% Energy • 33% Liveness
41% Instrumentalness • 57% Positiveness
29% Popularity • 36% Danceability • 75% Energy • 33% Liveness
41% Instrumentalness • 57% Positiveness
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IAN SWEET
Drink The Lake
164 bpm • C Maj • 03:15 • -6.56db
21% Popularity • 48% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 48% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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King Princess
Little Bother
164 bpm • E Maj • 02:41 • -6db
45% Popularity • 44% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 44% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Hayley Williams
Just A Lover
160 bpm • C Maj • 03:03 • -9db
42% Popularity • 51% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
42% Popularity • 51% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
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Soccer Mommy
yellow is the color of her eyes
161 bpm • B Maj • 07:15 • -7db
51% Popularity • 37% Danceability • 51% Energy • 14% Liveness
12% Instrumentalness • 19% Positiveness
51% Popularity • 37% Danceability • 51% Energy • 14% Liveness
12% Instrumentalness • 19% Positiveness
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Paul McCartney
Long Haired Lady - Remastered 2012
168 bpm • C Maj • 06:05 • -8.06db
47% Popularity • 29% Danceability • 58% Energy • 56% Liveness
9% Instrumentalness • 55% Positiveness
47% Popularity • 29% Danceability • 58% Energy • 56% Liveness
9% Instrumentalness • 55% Positiveness
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Fleet Foxes
A Long Way Past The Past
160 bpm • C Maj • 03:59 • -8.95db
38% Popularity • 51% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
38% Popularity • 51% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
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St. Vincent
The Melting Of The Sun
160 bpm • A# Maj • 04:17 • -10db
43% Popularity • 52% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 52% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Angelo De Augustine
Blue
160 bpm • D Maj • 02:36 • -15db
40% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Lorde
Dominoes
159 bpm • G Maj • 02:03 • -13.81db
50% Popularity • 64% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 64% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Paul McCartney
Pretty Boys
168 bpm • G Maj • 03:00 • -8.97db
28% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Big Red Machine
A Crime
156 bpm • F# min • 02:50 • -4.17db
24% Popularity • 26% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 26% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Japanese Breakfast
Kokomo, IN
202 bpm • A Maj • 03:38 • -6.37db
58% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Flyte
There's A Woman
203 bpm • C Maj • 02:47 • -6.86db
23% Popularity • 26% Danceability • 66% Energy • 15% Liveness
9% Instrumentalness • 49% Positiveness
23% Popularity • 26% Danceability • 66% Energy • 15% Liveness
9% Instrumentalness • 49% Positiveness
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Tristen
Complex
156 bpm • F Maj • 03:48 • -9.41db
24% Popularity • 58% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 58% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Julien Baker
Faith Healer
156 bpm • E Maj • 02:54 • -7db
48% Popularity • 40% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 40% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Paul McCartney
Long Tailed Winter Bird
162 bpm • D Maj • 05:16 • -6.88db
35% Popularity • 62% Danceability • 82% Energy • 48% Liveness
77% Instrumentalness • 82% Positiveness
35% Popularity • 62% Danceability • 82% Energy • 48% Liveness
77% Instrumentalness • 82% Positiveness
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Big Red Machine
June's a River
156 bpm • F min • 04:27 • -13db
38% Popularity • 74% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 70% Positiveness
38% Popularity • 74% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 70% Positiveness
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Lorde
Hold No Grudge - Bonus Track
155 bpm • G Maj • 04:28 • -12.94db
50% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Orla Gartland
Madison
205 bpm • F Maj • 03:44 • -7.63db
38% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Fleet Foxes
Can I Believe You - Solstice Version
154 bpm • B Maj • 03:59 • -8.52db
32% Popularity • 43% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 43% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Joy Oladokun
wish you the best
154 bpm • D Maj • 03:12 • -13db
29% Popularity • 29% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 29% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Paul McCartney
Lavatory Lil
154 bpm • E min • 02:22 • -6.37db
28% Popularity • 66% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 66% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Flyte
Love is an Accident
153 bpm • F# Maj • 03:05 • -8.64db
40% Popularity • 65% Danceability • 42% Energy • 13% Liveness
26% Instrumentalness • 67% Positiveness
40% Popularity • 65% Danceability • 42% Energy • 13% Liveness
26% Instrumentalness • 67% Positiveness
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Half Waif
Party's Over
153 bpm • C# Maj • 03:23 • -8.55db
19% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Bleachers
91
208 bpm • D Maj • 02:59 • -11.48db
42% Popularity • 33% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 33% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Fleet Foxes
Featherweight - Acoustic Version
153 bpm • C min • 03:41 • -13.7db
28% Popularity • 48% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
28% Popularity • 48% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Middle Kids
Bad Neighbours
152 bpm • G# Maj • 03:10 • -11.1db
27% Popularity • 46% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Paul McCartney
When Winter Comes - Anderson .Paak Remix
153 bpm • A Maj • 02:21 • -9db
29% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Flyte
I've Got A Girl
152 bpm • A min • 03:29 • -6.19db
39% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Mitski
The Only Heartbreaker
151 bpm • B Maj • 03:04 • -7.19db
60% Popularity • 48% Danceability • 75% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
60% Popularity • 48% Danceability • 75% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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St. Vincent
Down And Out Downtown
152 bpm • F# Maj • 03:42 • -8.41db
38% Popularity • 61% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
38% Popularity • 61% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
