Songs like Selecta by DRB Lasgidi
Based on a tempo of (+/- 10%) and a similar genre
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Ayüü
Sonia
125 bpm • A# min • 02:06 • -8.17db
14% Popularity • 80% Danceability • 54% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 80% Danceability • 54% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
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Solana
Badder
125 bpm • F# min • 02:35 • -5.03db
26% Popularity • 84% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 84% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Hannymoon
Commando
125 bpm • F min • 01:49 • -13.48db
34% Popularity • 88% Danceability • 29% Energy • 9% Liveness
22% Instrumentalness • 76% Positiveness
34% Popularity • 88% Danceability • 29% Energy • 9% Liveness
22% Instrumentalness • 76% Positiveness
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Prettyboy D-O
Toyin Tomato
125 bpm • B min • 02:48 • -7.48db
19% Popularity • 89% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 89% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Ragz Originale
rearrange
126 bpm • D# min • 02:40 • -8.69db
25% Popularity • 71% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 71% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Wande Coal
Again
126 bpm • C# min • 02:36 • -9.86db
70% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
70% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Killertunes
All My Days
126 bpm • F# min • 03:06 • -7.06db
27% Popularity • 57% Danceability • 68% Energy • 26% Liveness
11% Instrumentalness • 76% Positiveness
27% Popularity • 57% Danceability • 68% Energy • 26% Liveness
11% Instrumentalness • 76% Positiveness
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Tems
Replay
124 bpm • A Maj • 02:59 • -8.19db
67% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
67% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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MisterKay
Ltf
126 bpm • F# min • 01:35 • -9.82db
28% Popularity • 67% Danceability • 48% Energy • 9% Liveness
35% Instrumentalness • 48% Positiveness
28% Popularity • 67% Danceability • 48% Energy • 9% Liveness
35% Instrumentalness • 48% Positiveness
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Victony
Many Man - A COLORS SHOW
124 bpm • A# Maj • 03:10 • -6.42db
57% Popularity • 69% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 69% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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WSTRN
Never Find
126 bpm • C min • 03:25 • -6.03db
48% Popularity • 57% Danceability • 63% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
48% Popularity • 57% Danceability • 63% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
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Fasina
Mixed Signals
127 bpm • F# min • 03:42 • -10.63db
28% Popularity • 81% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 34% Positiveness
28% Popularity • 81% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 34% Positiveness
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Timaya
The Mood
127 bpm • E min • 02:41 • -5.7db
54% Popularity • 61% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 61% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Tems
Interference
126 bpm • D# Maj • 02:55 • -13.39db
56% Popularity • 61% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 61% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Omah Lay
i'm a mess
123 bpm • E Maj • 02:33 • -6.21db
63% Popularity • 68% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 60% Positiveness
63% Popularity • 68% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 60% Positiveness
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Fave
Baby Riddim
127 bpm • B Maj • 03:10 • -5.09db
66% Popularity • 55% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 55% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Gabzy
As Friends
127 bpm • F# min • 03:32 • -8.5db
49% Popularity • 59% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 59% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Kizz Daniel
Pour Me Water
127 bpm • G# Maj • 02:26 • -6db
62% Popularity • 70% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
62% Popularity • 70% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Myssa More
Late Nightshades
128 bpm • D min • 03:14 • -6.78db
18% Popularity • 58% Danceability • 60% Energy • 13% Liveness
10% Instrumentalness • 64% Positiveness
18% Popularity • 58% Danceability • 60% Energy • 13% Liveness
10% Instrumentalness • 64% Positiveness
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Suté Iwar
Pulp Fiction
123 bpm • A# min • 03:26 • -9.5db
18% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Rotimi
Fiction
128 bpm • F# Maj • 03:26 • -6db
45% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Yinka Bernie
Bounce
128 bpm • E min • 02:45 • -8db
19% Popularity • 64% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 46% Positiveness
19% Popularity • 64% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 46% Positiveness
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Tomi Agape
Seasons
128 bpm • E min • 03:12 • -7db
29% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Wande Coal
Naughty Girl
128 bpm • A min • 02:45 • -9db
30% Popularity • 81% Danceability • 76% Energy • 26% Liveness
2% Instrumentalness • 83% Positiveness
30% Popularity • 81% Danceability • 76% Energy • 26% Liveness
2% Instrumentalness • 83% Positiveness
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Nissi
JUDI
122 bpm • F min • 03:06 • -8.52db
22% Popularity • 81% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 81% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Zamir
Ordre du Jour
122 bpm • C Maj • 03:06 • -4.67db
11% Popularity • 82% Danceability • 78% Energy • 12% Liveness
86% Instrumentalness • 51% Positiveness
11% Popularity • 82% Danceability • 78% Energy • 12% Liveness
86% Instrumentalness • 51% Positiveness
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Omah Lay
purple song
122 bpm • C Maj • 02:25 • -8.76db
40% Popularity • 55% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
40% Popularity • 55% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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DRB Lasgidi
Amebo
122 bpm • E min • 03:24 • -6.04db
1% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
1% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Tems
Damages
128 bpm • C# Maj • 02:49 • -8.11db
67% Popularity • 71% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 71% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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SGaWD
Rude
128 bpm • C# min • 02:32 • -10.21db
17% Popularity • 64% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
17% Popularity • 64% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
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Basketmouth
Listen
122 bpm • F Maj • 02:32 • -7.76db
38% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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July Drama
FOUR
129 bpm • D Maj • 03:37 • -8.53db
17% Popularity • 53% Danceability • 49% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
17% Popularity • 53% Danceability • 49% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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Tunji Ige
Proper Enjoyment
121 bpm • C Maj • 03:45 • -9.87db
13% Popularity • 75% Danceability • 61% Energy • 11% Liveness
41% Instrumentalness • 69% Positiveness
13% Popularity • 75% Danceability • 61% Energy • 11% Liveness
41% Instrumentalness • 69% Positiveness
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melvitto
Come Over
121 bpm • A# Maj • 04:08 • -11.4db
55% Popularity • 68% Danceability • 23% Energy • 64% Liveness
20% Instrumentalness • 49% Positiveness
55% Popularity • 68% Danceability • 23% Energy • 64% Liveness
20% Instrumentalness • 49% Positiveness
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Naira Marley
Coming
121 bpm • C# Maj • 04:07 • -3db
41% Popularity • 83% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 83% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Ragz Originale
brush u
121 bpm • A Maj • 01:51 • -9db
44% Popularity • 50% Danceability • 53% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
44% Popularity • 50% Danceability • 53% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
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MAUIMØON
Sweeta
120 bpm • B min • 02:47 • -8.24db
29% Popularity • 65% Danceability • 43% Energy • 11% Liveness
18% Instrumentalness • 71% Positiveness
29% Popularity • 65% Danceability • 43% Energy • 11% Liveness
18% Instrumentalness • 71% Positiveness
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Minz
WO WO
130 bpm • A min • 02:35 • -5db
55% Popularity • 60% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 60% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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DRB Lasgidi
Shakara
120 bpm • A# Maj • 04:18 • -7.17db
3% Popularity • 68% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
3% Popularity • 68% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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BenjiFlow
My Bag
120 bpm • F# Maj • 02:58 • -8.73db
14% Popularity • 70% Danceability • 74% Energy • 13% Liveness
4% Instrumentalness • 53% Positiveness
14% Popularity • 70% Danceability • 74% Energy • 13% Liveness
4% Instrumentalness • 53% Positiveness
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Asake
Joha
120 bpm • C# min • 02:28 • -8.22db
67% Popularity • 82% Danceability • 82% Energy • 28% Liveness
20% Instrumentalness • 77% Positiveness
67% Popularity • 82% Danceability • 82% Energy • 28% Liveness
20% Instrumentalness • 77% Positiveness
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Olamide
Loading
120 bpm • D min • 03:14 • -4.77db
58% Popularity • 94% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 94% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Chop Daily
My Touch
120 bpm • F# min • 02:59 • -6db
52% Popularity • 85% Danceability • 82% Energy • 10% Liveness
26% Instrumentalness • 68% Positiveness
52% Popularity • 85% Danceability • 82% Energy • 10% Liveness
26% Instrumentalness • 68% Positiveness
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Prettyboy D-O
Pata Pata (No Drama)
120 bpm • E min • 04:02 • -13.04db
20% Popularity • 65% Danceability • 46% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
20% Popularity • 65% Danceability • 46% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
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Ayüü
2Müch
120 bpm • F Maj • 01:05 • -7.09db
28% Popularity • 91% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 91% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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DJ Hol Up
Reckless
119 bpm • G Maj • 02:10 • -8.86db
21% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Asake
Muse
130 bpm • C min • 01:57 • -7.07db
54% Popularity • 54% Danceability • 50% Energy • 22% Liveness
5% Instrumentalness • 74% Positiveness
54% Popularity • 54% Danceability • 50% Energy • 22% Liveness
5% Instrumentalness • 74% Positiveness
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melvitto
Girls Like Me
119 bpm • F min • 03:31 • -6.64db
49% Popularity • 94% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
49% Popularity • 94% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Chop Daily
Water
132 bpm • F min • 02:29 • -10db
54% Popularity • 74% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 44% Positiveness
54% Popularity • 74% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 44% Positiveness
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Prettyboy D-O
Wetin You Smoke
119 bpm • G# Maj • 03:55 • -6.41db
25% Popularity • 86% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 86% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Masego
Yebo/Sema
118 bpm • F min • 03:48 • -6.46db
51% Popularity • 88% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
51% Popularity • 88% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Sarz
Good Morning Riddim
118 bpm • F min • 03:35 • -5db
37% Popularity • 85% Danceability • 76% Energy • 12% Liveness
5% Instrumentalness • 32% Positiveness
37% Popularity • 85% Danceability • 76% Energy • 12% Liveness
5% Instrumentalness • 32% Positiveness
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Asake
Ototo
131 bpm • C min • 02:36 • -7.92db
64% Popularity • 80% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 80% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Cruel Santino
Sparky
133 bpm • D# min • 02:24 • -6.7db
43% Popularity • 67% Danceability • 42% Energy • 11% Liveness
53% Instrumentalness • 64% Positiveness
43% Popularity • 67% Danceability • 42% Energy • 11% Liveness
53% Instrumentalness • 64% Positiveness
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Chop Daily
Yanna
118 bpm • A# min • 02:13 • -12db
66% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Gyakie
Forever (Remix)
133 bpm • C# Maj • 03:21 • -6db
60% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Prettyboy D-O
Falling
132 bpm • C# min • 03:26 • -6db
28% Popularity • 84% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 84% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Zinoleesky
Naira Marley
117 bpm • G# Maj • 02:13 • -7.13db
47% Popularity • 81% Danceability • 70% Energy • 31% Liveness
3% Instrumentalness • 44% Positiveness
47% Popularity • 81% Danceability • 70% Energy • 31% Liveness
3% Instrumentalness • 44% Positiveness
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Asake
2:30
118 bpm • G# Maj • 02:18 • -8.97db
66% Popularity • 87% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 87% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Dami Oniru
Soft Life
117 bpm • D Maj • 02:48 • -9.68db
28% Popularity • 75% Danceability • 60% Energy • 13% Liveness
38% Instrumentalness • 55% Positiveness
28% Popularity • 75% Danceability • 60% Energy • 13% Liveness
38% Instrumentalness • 55% Positiveness
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Hurricane
999
134 bpm • A min • 03:15 • -7.1db
13% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Scribz Riley
On My Sleeve
117 bpm • F min • 03:02 • -8.95db
34% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tems
Ice T
134 bpm • C min • 04:07 • -8.79db
57% Popularity • 68% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 68% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Zinoleesky
Gone Far
117 bpm • F# min • 02:28 • -4.34db
44% Popularity • 80% Danceability • 81% Energy • 8% Liveness
31% Instrumentalness • 83% Positiveness
44% Popularity • 80% Danceability • 81% Energy • 8% Liveness
31% Instrumentalness • 83% Positiveness
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Highlyy
Soldier
117 bpm • D# min • 02:30 • -11.12db
59% Popularity • 79% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 79% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Asake
Terminator
117 bpm • C Maj • 02:35 • -7db
68% Popularity • 80% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
68% Popularity • 80% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Raybekah
Finger Down
116 bpm • E min • 02:40 • -7.4db
30% Popularity • 65% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 65% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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melvitto
Trouble
116 bpm • C# Maj • 03:43 • -6.6db
64% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Jordy
Feel Right Now
116 bpm • E min • 03:28 • -8.22db
24% Popularity • 79% Danceability • 56% Energy • 16% Liveness
13% Instrumentalness • 54% Positiveness
24% Popularity • 79% Danceability • 56% Energy • 16% Liveness
13% Instrumentalness • 54% Positiveness
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Nao
Drive and Disconnect
116 bpm • G min • 03:30 • -8.17db
58% Popularity • 82% Danceability • 74% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
58% Popularity • 82% Danceability • 74% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
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Mayorkun
Holy Father
116 bpm • B min • 03:04 • -5.68db
50% Popularity • 78% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 78% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Asake
Peace Be Unto You (PBUY)
116 bpm • G min • 02:33 • -7.21db
66% Popularity • 81% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
66% Popularity • 81% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Victony
Apollo
116 bpm • A min • 02:50 • -5.68db
64% Popularity • 83% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 83% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Teezee
Manhattan
116 bpm • A# min • 02:41 • -8.07db
29% Popularity • 78% Danceability • 62% Energy • 8% Liveness
16% Instrumentalness • 34% Positiveness
29% Popularity • 78% Danceability • 62% Energy • 8% Liveness
16% Instrumentalness • 34% Positiveness
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Blaq Jerzee
Right Here
135 bpm • F# Maj • 03:32 • -4db
45% Popularity • 50% Danceability • 56% Energy • 12% Liveness
5% Instrumentalness • 57% Positiveness
45% Popularity • 50% Danceability • 56% Energy • 12% Liveness
5% Instrumentalness • 57% Positiveness
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Hoosh
Kabasa
115 bpm • F# min • 02:47 • -10.17db
32% Popularity • 81% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 81% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Karen Nyame KG
Koko
115 bpm • G# Maj • 02:52 • -8.95db
38% Popularity • 81% Danceability • 72% Energy • 8% Liveness
57% Instrumentalness • 62% Positiveness
38% Popularity • 81% Danceability • 72% Energy • 8% Liveness
57% Instrumentalness • 62% Positiveness
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Asake
Basquiat
116 bpm • F Maj • 02:14 • -7.89db
68% Popularity • 82% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
68% Popularity • 82% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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KDDO
eWallet
115 bpm • D# min • 02:53 • -9.2db
34% Popularity • 81% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 81% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Tyla
Getting Late
115 bpm • G min • 04:14 • -10.62db
56% Popularity • 76% Danceability • 63% Energy • 13% Liveness
2% Instrumentalness • 36% Positiveness
56% Popularity • 76% Danceability • 63% Energy • 13% Liveness
2% Instrumentalness • 36% Positiveness
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Crayon
Ijo (Laba Laba)
115 bpm • G# min • 03:06 • -11.38db
55% Popularity • 82% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 82% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Korede Bello
Bella
115 bpm • C min • 02:26 • -6.81db
50% Popularity • 86% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
50% Popularity • 86% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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TSCRPT
Be On It
114 bpm • C min • 03:36 • -6.63db
25% Popularity • 58% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 58% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Wavy The Creator
H.I.G.H. (Her In Greater Heights)
114 bpm • C min • 03:26 • -7.84db
18% Popularity • 78% Danceability • 71% Energy • 6% Liveness
18% Instrumentalness • 78% Positiveness
18% Popularity • 78% Danceability • 71% Energy • 6% Liveness
18% Instrumentalness • 78% Positiveness
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Straffitti
EVERYWHERE
114 bpm • F min • 03:12 • -8db
9% Popularity • 84% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 84% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Bad Boy Timz
One in Town
114 bpm • E min • 02:17 • -4.44db
48% Popularity • 80% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
48% Popularity • 80% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Asake
Sunmomi
114 bpm • A Maj • 02:48 • -7.31db
50% Popularity • 86% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
50% Popularity • 86% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
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SDK
SPOIL MY BABY
114 bpm • D min • 03:19 • -6.08db
14% Popularity • 89% Danceability • 71% Energy • 34% Liveness
6% Instrumentalness • 74% Positiveness
14% Popularity • 89% Danceability • 71% Energy • 34% Liveness
6% Instrumentalness • 74% Positiveness
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Naira Marley
o'dun
114 bpm • G min • 02:35 • -6db
41% Popularity • 78% Danceability • 83% Energy • 7% Liveness
15% Instrumentalness • 87% Positiveness
41% Popularity • 78% Danceability • 83% Energy • 7% Liveness
15% Instrumentalness • 87% Positiveness
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Tomi Agape
Full Moon
113 bpm • G min • 02:28 • -5.42db
22% Popularity • 77% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 77% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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DRB Lasgidi
LXIX
138 bpm • F min • 04:27 • -6.16db
1% Popularity • 66% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
1% Popularity • 66% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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melvitto
Fallin For Me
137 bpm • B Maj • 03:09 • -7.06db
40% Popularity • 74% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 74% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Asake
Organise
113 bpm • A min • 02:03 • -6db
69% Popularity • 78% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 78% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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Tems
Looku Looku
113 bpm • C# min • 03:47 • -10db
43% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Black Sherif
Second Sermon
138 bpm • C# Maj • 02:46 • -5db
42% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Prettyboy D-O
Same Energy
113 bpm • C# min • 02:54 • -9db
25% Popularity • 90% Danceability • 73% Energy • 28% Liveness
5% Instrumentalness • 97% Positiveness
25% Popularity • 90% Danceability • 73% Energy • 28% Liveness
5% Instrumentalness • 97% Positiveness
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WANI
Jezebel
113 bpm • A# min • 02:08 • -7.08db
20% Popularity • 70% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
20% Popularity • 70% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
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Ajebutter22
King of Parole
113 bpm • B min • 03:16 • -8.09db
28% Popularity • 96% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 96% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
