Songs like Selective Memory by Eels
Based on a tempo of (+/- 10%) and a similar genre
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The Lemonheads
Mrs. Robinson - Remastered
107 bpm • E min • 03:44 • -7db
61% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
39% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Vedder
No Ceiling
107 bpm • D# Maj • 01:34 • -6.87db
60% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Belle and Sebastian
Dress Up in You
108 bpm • C# Maj • 04:23 • -8db
40% Popularity • 68% Danceability • 40% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
40% Popularity • 68% Danceability • 40% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
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Midlake
Young Bride
106 bpm • F min • 04:51 • -10db
39% Popularity • 51% Danceability • 54% Energy • 23% Liveness
2% Instrumentalness • 56% Positiveness
39% Popularity • 51% Danceability • 54% Energy • 23% Liveness
2% Instrumentalness • 56% Positiveness
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Bright Eyes
At the Bottom of Everything
106 bpm • C Maj • 04:33 • -9.77db
50% Popularity • 51% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 51% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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The Flaming Lips
The Yeah Yeah Yeah Song
108 bpm • E Maj • 03:52 • -4db
35% Popularity • 64% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 64% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Shearwater
Rooks
108 bpm • G min • 03:21 • -8db
37% Popularity • 64% Danceability • 54% Energy • 13% Liveness
32% Instrumentalness • 38% Positiveness
37% Popularity • 64% Danceability • 54% Energy • 13% Liveness
32% Instrumentalness • 38% Positiveness
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The Velvet Underground
Sunday Morning
106 bpm • F min • 02:55 • -13.27db
67% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Green
Tropical Island
106 bpm • C# Maj • 02:18 • -8.51db
25% Popularity • 83% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 83% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Dandy Warhols
We Used To Be Friends
105 bpm • F# min • 03:19 • -4.88db
57% Popularity • 71% Danceability • 66% Energy • 31% Liveness
19% Instrumentalness • 59% Positiveness
57% Popularity • 71% Danceability • 66% Energy • 31% Liveness
19% Instrumentalness • 59% Positiveness
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Grandaddy
I'm On Standby
105 bpm • C Maj • 03:12 • -8.46db
31% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
53% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
53% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Shearwater
My Good Deed
108 bpm • G Maj • 05:52 • -10.63db
11% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Waterboys
This Is the Sea - 2004 Remaster
109 bpm • E Maj • 06:29 • -7.28db
46% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Doves
Kingdom Of Rust
105 bpm • G min • 05:11 • -9db
46% Popularity • 45% Danceability • 67% Energy • 8% Liveness
74% Instrumentalness • 44% Positiveness
46% Popularity • 45% Danceability • 67% Energy • 8% Liveness
74% Instrumentalness • 44% Positiveness
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The National
About Today - 2021 Remaster
105 bpm • A min • 04:10 • -13.7db
59% Popularity • 55% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 42% Positiveness
59% Popularity • 55% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 42% Positiveness
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Grandaddy
Hewletts Daughter
105 bpm • D Maj • 03:05 • -9db
34% Popularity • 61% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 61% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Nick Cave & The Bad Seeds
Bring It On
109 bpm • A min • 05:23 • -7db
44% Popularity • 33% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 33% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Morphine
Cure for Pain
109 bpm • D Maj • 03:14 • -9db
49% Popularity • 58% Danceability • 57% Energy • 26% Liveness
15% Instrumentalness • 53% Positiveness
49% Popularity • 58% Danceability • 57% Energy • 26% Liveness
15% Instrumentalness • 53% Positiveness
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Wilco
Jesus, Etc. - 2022 Remaster
109 bpm • F Maj • 03:51 • -13db
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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Okkervil River
Lost Coastlines
110 bpm • A Maj • 05:31 • -5db
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Grinderman
Palaces of Montezuma
104 bpm • E Maj • 03:32 • -7.45db
44% Popularity • 39% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 39% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Lou Reed
This Magic Moment
110 bpm • E Maj • 03:23 • -8.45db
47% Popularity • 47% Danceability • 62% Energy • 12% Liveness
40% Instrumentalness • 25% Positiveness
47% Popularity • 47% Danceability • 62% Energy • 12% Liveness
40% Instrumentalness • 25% Positiveness
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Feist
1234
110 bpm • D Maj • 03:03 • -7.42db
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Damien Jurado
Sheets
110 bpm • F# Maj • 04:16 • -10db
46% Popularity • 72% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
46% Popularity • 72% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Eels
The Longing
110 bpm • C Maj • 04:22 • -11.99db
27% Popularity • 60% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
27% Popularity • 60% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Doves
There Goes The Fear
110 bpm • F Maj • 06:54 • -4.5db
47% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
47% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
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Beirut
Postcards from Italy
110 bpm • D min • 04:17 • -7.32db
58% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
58% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Turin Brakes
Sea Change
110 bpm • E min • 04:02 • -10db
26% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
26% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Adam Green
Just To Make Me Feel Good
110 bpm • D Maj • 03:18 • -6.77db
24% Popularity • 65% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 65% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Badly Drawn Boy
Silent Sigh
104 bpm • C Maj • 04:44 • -9.54db
44% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Damon Albarn
Heavy Seas of Love
104 bpm • D min • 03:44 • -11db
36% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Damien Jurado
Museum Of Flight
110 bpm • C# Maj • 02:50 • -9.84db
37% Popularity • 61% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
37% Popularity • 61% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Pearl Jam
Man of the Hour
110 bpm • C Maj • 03:43 • -8db
49% Popularity • 53% Danceability • 42% Energy • 12% Liveness
13% Instrumentalness • 7% Positiveness
49% Popularity • 53% Danceability • 42% Energy • 12% Liveness
13% Instrumentalness • 7% Positiveness
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Billy Bragg
California Stars
110 bpm • A Maj • 04:58 • -9db
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Eels
Last Stop: This Town
104 bpm • E Maj • 03:27 • -8.64db
43% Popularity • 65% Danceability • 73% Energy • 32% Liveness
54% Instrumentalness • 75% Positiveness
43% Popularity • 65% Danceability • 73% Energy • 32% Liveness
54% Instrumentalness • 75% Positiveness
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Pavement
Cut Your Hair
111 bpm • E min • 03:06 • -9.82db
57% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 47% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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The Shins
Pink Bullets - 2023 Remaster
111 bpm • G min • 03:52 • -8.92db
45% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Supergrass
Moving
111 bpm • G Maj • 04:26 • -6.66db
49% Popularity • 47% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 47% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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The Libertines
Music When The Lights Go Out
111 bpm • C Maj • 03:02 • -6db
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Babyshambles
Lost Art of Murder
103 bpm • F Maj • 04:37 • -8.06db
28% Popularity • 48% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 48% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Eels
Things the Grandchildren Should Know
111 bpm • C Maj • 05:22 • -11.67db
25% Popularity • 59% Danceability • 48% Energy • 7% Liveness
8% Instrumentalness • 51% Positiveness
25% Popularity • 59% Danceability • 48% Energy • 7% Liveness
8% Instrumentalness • 51% Positiveness
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The Dandy Warhols
Godless
111 bpm • G Maj • 05:19 • -8.5db
47% Popularity • 47% Danceability • 70% Energy • 18% Liveness
86% Instrumentalness • 13% Positiveness
47% Popularity • 47% Danceability • 70% Energy • 18% Liveness
86% Instrumentalness • 13% Positiveness
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The White Stripes
In The Cold, Cold Night
111 bpm • D Maj • 02:58 • -15db
48% Popularity • 49% Danceability • 18% Energy • 14% Liveness
5% Instrumentalness • 14% Positiveness
48% Popularity • 49% Danceability • 18% Energy • 14% Liveness
5% Instrumentalness • 14% Positiveness
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Badly Drawn Boy
Pissing in the Wind
111 bpm • C Maj • 04:19 • -6db
29% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Pulp
Like A Friend
111 bpm • F Maj • 04:31 • -8.96db
46% Popularity • 30% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 30% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Waits
Little Drop Of Poison
112 bpm • C# Maj • 03:09 • -12.97db
48% Popularity • 62% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 62% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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John Frusciante
The Past Recedes
103 bpm • G Maj • 03:53 • -11.36db
48% Popularity • 38% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 38% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 17% Positiveness
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The Dandy Warhols
Mohammed
102 bpm • C Maj • 05:20 • -8.27db
35% Popularity • 52% Danceability • 70% Energy • 20% Liveness
80% Instrumentalness • 24% Positiveness
35% Popularity • 52% Danceability • 70% Energy • 20% Liveness
80% Instrumentalness • 24% Positiveness
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Peter Doherty
I Don't Love Anyone (but You're Not Just...
102 bpm • D# min • 03:26 • -8.94db
33% Popularity • 63% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
33% Popularity • 63% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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M. Ward
Poison Cup
112 bpm • C Maj • 02:40 • -9db
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Tindersticks
Travelling Light
112 bpm • D Maj • 04:51 • -18db
36% Popularity • 49% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
36% Popularity • 49% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
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The National
Fake Empire
102 bpm • C Maj • 03:25 • -6.79db
59% Popularity • 32% Danceability • 77% Energy • 7% Liveness
91% Instrumentalness • 31% Positiveness
59% Popularity • 32% Danceability • 77% Energy • 7% Liveness
91% Instrumentalness • 31% Positiveness
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Benji Hughes
Waiting for an Invitation
102 bpm • B min • 04:15 • -11.76db
41% Popularity • 66% Danceability • 45% Energy • 56% Liveness
29% Instrumentalness • 42% Positiveness
41% Popularity • 66% Danceability • 45% Energy • 56% Liveness
29% Instrumentalness • 42% Positiveness
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PJ Harvey
This Is Love
112 bpm • C Maj • 03:46 • -5.22db
49% Popularity • 59% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 59% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Eels
Your Lucky Day In Hell
102 bpm • C Maj • 04:26 • -12.15db
44% Popularity • 70% Danceability • 39% Energy • 7% Liveness
8% Instrumentalness • 48% Positiveness
44% Popularity • 70% Danceability • 39% Energy • 7% Liveness
8% Instrumentalness • 48% Positiveness
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The Breeders
Cannonball
112 bpm • D# Maj • 03:33 • -9.76db
65% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
65% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
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Badly Drawn Boy
Four Leaf Clover
112 bpm • C Maj • 04:19 • -7.75db
25% Popularity • 52% Danceability • 43% Energy • 46% Liveness
6% Instrumentalness • 80% Positiveness
25% Popularity • 52% Danceability • 43% Energy • 46% Liveness
6% Instrumentalness • 80% Positiveness
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Elbow
The Fix
113 bpm • C min • 04:27 • -9.69db
37% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Pavement
Range Life
113 bpm • A Maj • 04:54 • -9.43db
49% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Babyshambles
Fuck Forever
113 bpm • B min • 04:37 • -3db
48% Popularity • 33% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 33% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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The Divine Comedy
Perfect Lovesong
113 bpm • G# Maj • 03:10 • -7.86db
28% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Bragg
When The Roses Bloom Again
113 bpm • C Maj • 04:07 • -9db
53% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Wolfmother
Vagabond
101 bpm • D Maj • 03:54 • -6.63db
41% Popularity • 46% Danceability • 75% Energy • 34% Liveness
24% Instrumentalness • 33% Positiveness
41% Popularity • 46% Danceability • 75% Energy • 34% Liveness
24% Instrumentalness • 33% Positiveness
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Grant Lee Buffalo
Happiness
113 bpm • B Maj • 03:00 • -12.12db
38% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Dandy Warhols
Good Morning
114 bpm • C Maj • 05:00 • -10.58db
37% Popularity • 30% Danceability • 67% Energy • 26% Liveness
96% Instrumentalness • 14% Positiveness
37% Popularity • 30% Danceability • 67% Energy • 26% Liveness
96% Instrumentalness • 14% Positiveness
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RodrÃguez
I Wonder
114 bpm • A Maj • 02:34 • -6.69db
60% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Rufus Wainwright
Oh What A World
100 bpm • F Maj • 04:23 • -8.55db
42% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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dEUS
Little Arithmetics
100 bpm • C Maj • 04:29 • -11db
34% Popularity • 27% Danceability • 50% Energy • 36% Liveness
25% Instrumentalness • 28% Positiveness
34% Popularity • 27% Danceability • 50% Energy • 36% Liveness
25% Instrumentalness • 28% Positiveness
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CAKE
Frank Sinatra
114 bpm • G Maj • 04:01 • -9db
50% Popularity • 68% Danceability • 51% Energy • 18% Liveness
3% Instrumentalness • 57% Positiveness
50% Popularity • 68% Danceability • 51% Energy • 18% Liveness
3% Instrumentalness • 57% Positiveness
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Eels
Mr. E's Beautiful Blues
114 bpm • D Maj • 04:18 • -6.63db
42% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Spoon
I Turn My Camera On
100 bpm • A# Maj • 03:32 • -6.42db
55% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Andrew Bird
Imitosis
114 bpm • A min • 04:00 • -9db
16% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Fanfarlo
I'm a Pilot
100 bpm • A Maj • 04:30 • -6.43db
30% Popularity • 50% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 50% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Gomez
Whippin' Piccadilly
115 bpm • C# Maj • 03:12 • -10.36db
45% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 74% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Sharon Van Etten
Every Time the Sun Comes Up
100 bpm • C# Maj • 04:22 • -8.74db
63% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Bright Eyes
We Are Going to Be Friends
100 bpm • G Maj • 02:19 • -8db
39% Popularity • 76% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 76% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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The Afghan Whigs
Algiers
115 bpm • A min • 04:03 • -6.89db
46% Popularity • 61% Danceability • 78% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
46% Popularity • 61% Danceability • 78% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
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Andrew Bird
Are You Serious
100 bpm • C Maj • 03:38 • -8db
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Badly Drawn Boy
Once Around the Block
116 bpm • F Maj • 04:04 • -8db
49% Popularity • 39% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
49% Popularity • 39% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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John Grant
Where Dreams Go To Die
115 bpm • C Maj • 06:04 • -7.21db
30% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
30% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Gomez
Tijuana Lady
116 bpm • A Maj • 07:08 • -12db
43% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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The New Pornographers
Adventures In Solitude
116 bpm • G Maj • 04:16 • -8.58db
33% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Dandy Warhols
Not If You Were The Last Junkie On Earth
116 bpm • A Maj • 03:11 • -8.41db
48% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Bird
Three White Horses
116 bpm • G Maj • 03:09 • -9.53db
29% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Arcade Fire
Afterlife
116 bpm • B Maj • 05:53 • -5.53db
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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The Divine Comedy
At The Indie Disco
116 bpm • F# min • 03:18 • -10db
28% Popularity • 84% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 84% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Elliott Smith
Needle In The Hay
116 bpm • A min • 04:17 • -17.45db
53% Popularity • 56% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 31% Positiveness
53% Popularity • 56% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 31% Positiveness
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PJ Harvey
To Bring You My Love
116 bpm • C Maj • 05:31 • -15.12db
46% Popularity • 57% Danceability • 27% Energy • 6% Liveness
1% Instrumentalness • 14% Positiveness
46% Popularity • 57% Danceability • 27% Energy • 6% Liveness
1% Instrumentalness • 14% Positiveness
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Adam Green
We're Not Supposed to Be Lovers
99 bpm • D# Maj • 03:08 • -10db
25% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Pulp
Mile End
98 bpm • F Maj • 04:30 • -8.92db
48% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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John Grant
Queen of Denmark
98 bpm • C Maj • 04:48 • -9.2db
33% Popularity • 38% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 38% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Coral
Put the Sun Back
116 bpm • E Maj • 03:02 • -6db
40% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Willy Mason
Oxygen
117 bpm • A Maj • 04:57 • -11.66db
36% Popularity • 66% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 66% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Nada Surf
Blonde On Blonde
98 bpm • C Maj • 04:34 • -10db
18% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Eels
Railroad Man
98 bpm • F Maj • 04:16 • -11.06db
37% Popularity • 56% Danceability • 42% Energy • 7% Liveness
37% Instrumentalness • 51% Positiveness
37% Popularity • 56% Danceability • 42% Energy • 7% Liveness
37% Instrumentalness • 51% Positiveness
