Songs like Semay by Halima Abdurahiman
Based on a tempo of (+/- 10%) and a similar genre
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Hanna Tekle
Mesaleye
144 bpm β’ F min β’ 04:25 β’ -9.19db
15% Popularity β’ 79% Danceability β’ 47% Energy β’ 9% Liveness
0% Instrumentalness β’ 61% Positiveness
15% Popularity β’ 79% Danceability β’ 47% Energy β’ 9% Liveness
0% Instrumentalness β’ 61% Positiveness
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NTAATE
Paka Bukadde
144 bpm β’ F# Maj β’ 02:27 β’ -13.57db
18% Popularity β’ 68% Danceability β’ 28% Energy β’ 16% Liveness
0% Instrumentalness β’ 28% Positiveness
18% Popularity β’ 68% Danceability β’ 28% Energy β’ 16% Liveness
0% Instrumentalness β’ 28% Positiveness
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Efrem Rezene Mehari
Yesus Fikri Eka, Vol. 1
144 bpm β’ C Maj β’ 07:31 β’ -5.24db
11% Popularity β’ 63% Danceability β’ 70% Energy β’ 11% Liveness
0% Instrumentalness β’ 61% Positiveness
11% Popularity β’ 63% Danceability β’ 70% Energy β’ 11% Liveness
0% Instrumentalness β’ 61% Positiveness
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Girma Tefera Kassa
Demo Lela
144 bpm β’ C# Maj β’ 05:07 β’ -8db
19% Popularity β’ 40% Danceability β’ 71% Energy β’ 24% Liveness
0% Instrumentalness β’ 88% Positiveness
19% Popularity β’ 40% Danceability β’ 71% Energy β’ 24% Liveness
0% Instrumentalness β’ 88% Positiveness
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Halima Abdurahiman
Semay
144 bpm β’ F min β’ 06:33 β’ -5.34db
2% Popularity β’ 50% Danceability β’ 78% Energy β’ 14% Liveness
0% Instrumentalness β’ 74% Positiveness
2% Popularity β’ 50% Danceability β’ 78% Energy β’ 14% Liveness
0% Instrumentalness β’ 74% Positiveness
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MESFIN GUTU
α¨αα³α¬
144 bpm β’ F# min β’ 06:52 β’ -9.83db
18% Popularity β’ 39% Danceability β’ 35% Energy β’ 16% Liveness
1% Instrumentalness β’ 33% Positiveness
18% Popularity β’ 39% Danceability β’ 35% Energy β’ 16% Liveness
1% Instrumentalness β’ 33% Positiveness
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Antene Worqu
Yeheweta Tesfa
144 bpm β’ G Maj β’ 03:11 β’ -5.07db
10% Popularity β’ 64% Danceability β’ 75% Energy β’ 9% Liveness
0% Instrumentalness β’ 82% Positiveness
10% Popularity β’ 64% Danceability β’ 75% Energy β’ 9% Liveness
0% Instrumentalness β’ 82% Positiveness
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Abeba Desalegn
Wenchifhn Sitegn
143 bpm β’ F# min β’ 04:57 β’ -6.62db
16% Popularity β’ 68% Danceability β’ 79% Energy β’ 9% Liveness
0% Instrumentalness β’ 84% Positiveness
16% Popularity β’ 68% Danceability β’ 79% Energy β’ 9% Liveness
0% Instrumentalness β’ 84% Positiveness
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Esubalew Yetayew
Yeberesh Abeba
145 bpm β’ B Maj β’ 04:41 β’ -5.02db
22% Popularity β’ 62% Danceability β’ 74% Energy β’ 14% Liveness
0% Instrumentalness β’ 70% Positiveness
22% Popularity β’ 62% Danceability β’ 74% Energy β’ 14% Liveness
0% Instrumentalness β’ 70% Positiveness
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Bezawork Asfaw
Yemanesh
145 bpm β’ A# Maj β’ 07:21 β’ -16.35db
8% Popularity β’ 42% Danceability β’ 46% Energy β’ 31% Liveness
0% Instrumentalness β’ 81% Positiveness
8% Popularity β’ 42% Danceability β’ 46% Energy β’ 31% Liveness
0% Instrumentalness β’ 81% Positiveness
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Yosef Ayalew
Hallelujah
145 bpm β’ G min β’ 07:21 β’ -8.69db
13% Popularity β’ 65% Danceability β’ 72% Energy β’ 9% Liveness
0% Instrumentalness β’ 97% Positiveness
13% Popularity β’ 65% Danceability β’ 72% Energy β’ 9% Liveness
0% Instrumentalness β’ 97% Positiveness
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Afaan Oromo Gospel Song
Adduma
145 bpm β’ D Maj β’ 05:34 β’ -10.48db
11% Popularity β’ 73% Danceability β’ 44% Energy β’ 10% Liveness
0% Instrumentalness β’ 82% Positiveness
11% Popularity β’ 73% Danceability β’ 44% Energy β’ 10% Liveness
0% Instrumentalness β’ 82% Positiveness
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Netsanet Melesse
Amoniale
143 bpm β’ C Maj β’ 04:22 β’ -8.24db
9% Popularity β’ 65% Danceability β’ 84% Energy β’ 16% Liveness
0% Instrumentalness β’ 81% Positiveness
9% Popularity β’ 65% Danceability β’ 84% Energy β’ 16% Liveness
0% Instrumentalness β’ 81% Positiveness
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Tesfaye Challa
Sile Fikiru
143 bpm β’ G# Maj β’ 05:01 β’ -4.8db
18% Popularity β’ 66% Danceability β’ 72% Energy β’ 13% Liveness
0% Instrumentalness β’ 69% Positiveness
18% Popularity β’ 66% Danceability β’ 72% Energy β’ 13% Liveness
0% Instrumentalness β’ 69% Positiveness
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Girma Tefera Kassa
Dezi Derata
143 bpm β’ G# min β’ 05:28 β’ -9db
17% Popularity β’ 65% Danceability β’ 68% Energy β’ 26% Liveness
0% Instrumentalness β’ 59% Positiveness
17% Popularity β’ 65% Danceability β’ 68% Energy β’ 26% Liveness
0% Instrumentalness β’ 59% Positiveness
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Mastewal Eyayu
Degu Tizita
142 bpm β’ B Maj β’ 04:14 β’ -11.11db
26% Popularity β’ 35% Danceability β’ 41% Energy β’ 26% Liveness
0% Instrumentalness β’ 38% Positiveness
26% Popularity β’ 35% Danceability β’ 41% Energy β’ 26% Liveness
0% Instrumentalness β’ 38% Positiveness
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Yidnekachew Teka Mehamed
Eyesus Nektehegnal
142 bpm β’ A# min β’ 08:45 β’ -7.37db
25% Popularity β’ 35% Danceability β’ 47% Energy β’ 17% Liveness
0% Instrumentalness β’ 41% Positiveness
25% Popularity β’ 35% Danceability β’ 47% Energy β’ 17% Liveness
0% Instrumentalness β’ 41% Positiveness
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Wendi Mak
Geday
142 bpm β’ C Maj β’ 04:32 β’ -4.09db
13% Popularity β’ 61% Danceability β’ 78% Energy β’ 34% Liveness
0% Instrumentalness β’ 79% Positiveness
13% Popularity β’ 61% Danceability β’ 78% Energy β’ 34% Liveness
0% Instrumentalness β’ 79% Positiveness
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Freselam Mussie
Guliha
146 bpm β’ A# min β’ 04:39 β’ -14.39db
14% Popularity β’ 60% Danceability β’ 38% Energy β’ 10% Liveness
0% Instrumentalness β’ 77% Positiveness
14% Popularity β’ 60% Danceability β’ 38% Energy β’ 10% Liveness
0% Instrumentalness β’ 77% Positiveness
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YOSEPH AYALEW
Enema Alresawum
147 bpm β’ B min β’ 05:28 β’ -7.82db
20% Popularity β’ 63% Danceability β’ 66% Energy β’ 16% Liveness
0% Instrumentalness β’ 89% Positiveness
20% Popularity β’ 63% Danceability β’ 66% Energy β’ 16% Liveness
0% Instrumentalness β’ 89% Positiveness
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Gizachew Teshome
Musherete
147 bpm β’ E min β’ 05:13 β’ -3.07db
14% Popularity β’ 51% Danceability β’ 74% Energy β’ 15% Liveness
0% Instrumentalness β’ 62% Positiveness
14% Popularity β’ 51% Danceability β’ 74% Energy β’ 15% Liveness
0% Instrumentalness β’ 62% Positiveness
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Mastewal Eyayu
Enzira
142 bpm β’ G Maj β’ 04:17 β’ -9.08db
28% Popularity β’ 66% Danceability β’ 71% Energy β’ 3% Liveness
0% Instrumentalness β’ 93% Positiveness
28% Popularity β’ 66% Danceability β’ 71% Energy β’ 3% Liveness
0% Instrumentalness β’ 93% Positiveness
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Manalemosh Dibo
Tew Belut
147 bpm β’ B min β’ 06:23 β’ -7.43db
14% Popularity β’ 65% Danceability β’ 50% Energy β’ 55% Liveness
0% Instrumentalness β’ 83% Positiveness
14% Popularity β’ 65% Danceability β’ 50% Energy β’ 55% Liveness
0% Instrumentalness β’ 83% Positiveness
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Yeshimbet Dubale
Laloye
147 bpm β’ B Maj β’ 07:51 β’ -11.89db
12% Popularity β’ 81% Danceability β’ 47% Energy β’ 13% Liveness
0% Instrumentalness β’ 81% Positiveness
12% Popularity β’ 81% Danceability β’ 47% Energy β’ 13% Liveness
0% Instrumentalness β’ 81% Positiveness
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Wendi Mak
And Ke Aser
147 bpm β’ B min β’ 05:00 β’ -2.67db
14% Popularity β’ 42% Danceability β’ 85% Energy β’ 39% Liveness
0% Instrumentalness β’ 84% Positiveness
14% Popularity β’ 42% Danceability β’ 85% Energy β’ 39% Liveness
0% Instrumentalness β’ 84% Positiveness
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Maritu Legese
Yigemasheral
141 bpm β’ B min β’ 05:42 β’ -5.4db
8% Popularity β’ 73% Danceability β’ 53% Energy β’ 11% Liveness
0% Instrumentalness β’ 95% Positiveness
8% Popularity β’ 73% Danceability β’ 53% Energy β’ 11% Liveness
0% Instrumentalness β’ 95% Positiveness
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MESFIN GUTU
αα³ α«αα
147 bpm β’ G# Maj β’ 06:37 β’ -5.38db
18% Popularity β’ 64% Danceability β’ 82% Energy β’ 11% Liveness
0% Instrumentalness β’ 85% Positiveness
18% Popularity β’ 64% Danceability β’ 82% Energy β’ 11% Liveness
0% Instrumentalness β’ 85% Positiveness
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Hillina Kassahun
αααα΄ αα
147 bpm β’ D Maj β’ 05:16 β’ -8.42db
11% Popularity β’ 59% Danceability β’ 70% Energy β’ 8% Liveness
0% Instrumentalness β’ 90% Positiveness
11% Popularity β’ 59% Danceability β’ 70% Energy β’ 8% Liveness
0% Instrumentalness β’ 90% Positiveness
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Aregahegn Worash
YeWollo Lij
147 bpm β’ G Maj β’ 07:02 β’ -4.33db
12% Popularity β’ 57% Danceability β’ 84% Energy β’ 50% Liveness
0% Instrumentalness β’ 95% Positiveness
12% Popularity β’ 57% Danceability β’ 84% Energy β’ 50% Liveness
0% Instrumentalness β’ 95% Positiveness
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Dawit Tsige
Ene Kalanchi Alnorem
147 bpm β’ G# Maj β’ 05:12 β’ -8.03db
18% Popularity β’ 45% Danceability β’ 74% Energy β’ 12% Liveness
0% Instrumentalness β’ 85% Positiveness
18% Popularity β’ 45% Danceability β’ 74% Energy β’ 12% Liveness
0% Instrumentalness β’ 85% Positiveness
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ORTHODOX MEZMUR
Zem Alelem Ene
141 bpm β’ G min β’ 05:14 β’ -8.21db
14% Popularity β’ 43% Danceability β’ 34% Energy β’ 14% Liveness
0% Instrumentalness β’ 73% Positiveness
14% Popularity β’ 43% Danceability β’ 34% Energy β’ 14% Liveness
0% Instrumentalness β’ 73% Positiveness
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Hanna Tekle
Silete
140 bpm β’ A# Maj β’ 03:01 β’ -6.8db
14% Popularity β’ 77% Danceability β’ 80% Energy β’ 12% Liveness
0% Instrumentalness β’ 97% Positiveness
14% Popularity β’ 77% Danceability β’ 80% Energy β’ 12% Liveness
0% Instrumentalness β’ 97% Positiveness
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Helina Dawit
Betewiso Estinfas
140 bpm β’ C Maj β’ 05:34 β’ -7.92db
17% Popularity β’ 67% Danceability β’ 76% Energy β’ 40% Liveness
0% Instrumentalness β’ 89% Positiveness
17% Popularity β’ 67% Danceability β’ 76% Energy β’ 40% Liveness
0% Instrumentalness β’ 89% Positiveness
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Brahanu
Azmrede
140 bpm β’ G# min β’ 06:57 β’ -16.56db
12% Popularity β’ 67% Danceability β’ 40% Energy β’ 24% Liveness
0% Instrumentalness β’ 97% Positiveness
12% Popularity β’ 67% Danceability β’ 40% Energy β’ 24% Liveness
0% Instrumentalness β’ 97% Positiveness
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Afaan Oromo Gospel Song
Akka kooti miti
140 bpm β’ C Maj β’ 05:20 β’ -11.19db
11% Popularity β’ 79% Danceability β’ 52% Energy β’ 12% Liveness
0% Instrumentalness β’ 97% Positiveness
11% Popularity β’ 79% Danceability β’ 52% Energy β’ 12% Liveness
0% Instrumentalness β’ 97% Positiveness
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Efrem Rezene Mehari
Misgana, Vol. 1
140 bpm β’ F min β’ 05:06 β’ -4.01db
14% Popularity β’ 66% Danceability β’ 74% Energy β’ 11% Liveness
0% Instrumentalness β’ 82% Positiveness
14% Popularity β’ 66% Danceability β’ 74% Energy β’ 11% Liveness
0% Instrumentalness β’ 82% Positiveness
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ORTHODOX MEZMUR
Tselyelet
148 bpm β’ C Maj β’ 06:28 β’ -11.12db
18% Popularity β’ 38% Danceability β’ 27% Energy β’ 14% Liveness
0% Instrumentalness β’ 80% Positiveness
18% Popularity β’ 38% Danceability β’ 27% Energy β’ 14% Liveness
0% Instrumentalness β’ 80% Positiveness
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Hanna Tekle
Yalemiknyat
140 bpm β’ A Maj β’ 05:17 β’ -6.41db
15% Popularity β’ 54% Danceability β’ 61% Energy β’ 19% Liveness
0% Instrumentalness β’ 43% Positiveness
15% Popularity β’ 54% Danceability β’ 61% Energy β’ 19% Liveness
0% Instrumentalness β’ 43% Positiveness
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Addisalem Assefa
Amesgigni Yilegnal
140 bpm β’ F# min β’ 05:36 β’ -7.2db
19% Popularity β’ 62% Danceability β’ 79% Energy β’ 10% Liveness
0% Instrumentalness β’ 84% Positiveness
19% Popularity β’ 62% Danceability β’ 79% Energy β’ 10% Liveness
0% Instrumentalness β’ 84% Positiveness
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Teamir Gizaw
Chekuakuye
140 bpm β’ G# Maj β’ 04:33 β’ -6.54db
10% Popularity β’ 70% Danceability β’ 62% Energy β’ 12% Liveness
0% Instrumentalness β’ 88% Positiveness
10% Popularity β’ 70% Danceability β’ 62% Energy β’ 12% Liveness
0% Instrumentalness β’ 88% Positiveness
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Gizachew Teshome
Mere
150 bpm β’ B min β’ 07:00 β’ -5.85db
17% Popularity β’ 69% Danceability β’ 75% Energy β’ 20% Liveness
0% Instrumentalness β’ 63% Positiveness
17% Popularity β’ 69% Danceability β’ 75% Energy β’ 20% Liveness
0% Instrumentalness β’ 63% Positiveness
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Dagmawit Tsehaye
Sandaye
139 bpm β’ G min β’ 03:13 β’ -7.06db
13% Popularity β’ 77% Danceability β’ 64% Energy β’ 6% Liveness
0% Instrumentalness β’ 91% Positiveness
13% Popularity β’ 77% Danceability β’ 64% Energy β’ 6% Liveness
0% Instrumentalness β’ 91% Positiveness
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Yehunie Belay
Yabay Mado Menged
150 bpm β’ G Maj β’ 05:41 β’ -6.99db
12% Popularity β’ 72% Danceability β’ 71% Energy β’ 25% Liveness
0% Instrumentalness β’ 53% Positiveness
12% Popularity β’ 72% Danceability β’ 71% Energy β’ 25% Liveness
0% Instrumentalness β’ 53% Positiveness
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Hanna Tekle
Yezelalem Fetari
140 bpm β’ G Maj β’ 06:34 β’ -5.81db
11% Popularity β’ 64% Danceability β’ 62% Energy β’ 8% Liveness
0% Instrumentalness β’ 81% Positiveness
11% Popularity β’ 64% Danceability β’ 62% Energy β’ 8% Liveness
0% Instrumentalness β’ 81% Positiveness
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Dereje Degefaw
Lela New Negru
150 bpm β’ C# min β’ 04:00 β’ -6db
21% Popularity β’ 55% Danceability β’ 85% Energy β’ 24% Liveness
0% Instrumentalness β’ 88% Positiveness
21% Popularity β’ 55% Danceability β’ 85% Energy β’ 24% Liveness
0% Instrumentalness β’ 88% Positiveness
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Dagi Tilahun
Geta Esu Becha New
150 bpm β’ F# Maj β’ 05:30 β’ -9.43db
13% Popularity β’ 74% Danceability β’ 63% Energy β’ 19% Liveness
0% Instrumentalness β’ 92% Positiveness
13% Popularity β’ 74% Danceability β’ 63% Energy β’ 19% Liveness
0% Instrumentalness β’ 92% Positiveness
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Nathaniel Haile
Ledgenetwa
150 bpm β’ B Maj β’ 05:18 β’ -4.12db
8% Popularity β’ 59% Danceability β’ 71% Energy β’ 34% Liveness
0% Instrumentalness β’ 71% Positiveness
8% Popularity β’ 59% Danceability β’ 71% Energy β’ 34% Liveness
0% Instrumentalness β’ 71% Positiveness
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Azeb Hailu
Kef Balew Zufan Lay
150 bpm β’ A Maj β’ 07:14 β’ -9.48db
21% Popularity β’ 60% Danceability β’ 77% Energy β’ 14% Liveness
0% Instrumentalness β’ 96% Positiveness
21% Popularity β’ 60% Danceability β’ 77% Energy β’ 14% Liveness
0% Instrumentalness β’ 96% Positiveness
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Nhatty Man
Emetalew Bela
150 bpm β’ B min β’ 04:45 β’ -4.28db
13% Popularity β’ 65% Danceability β’ 69% Energy β’ 12% Liveness
0% Instrumentalness β’ 94% Positiveness
13% Popularity β’ 65% Danceability β’ 69% Energy β’ 12% Liveness
0% Instrumentalness β’ 94% Positiveness
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Helen Berhe
Simeslegn
150 bpm β’ F min β’ 04:17 β’ -5.97db
18% Popularity β’ 71% Danceability β’ 70% Energy β’ 29% Liveness
0% Instrumentalness β’ 96% Positiveness
18% Popularity β’ 71% Danceability β’ 70% Energy β’ 29% Liveness
0% Instrumentalness β’ 96% Positiveness
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Endale Woldegiorgis
Alkeserkum
150 bpm β’ G Maj β’ 06:24 β’ -10.63db
9% Popularity β’ 69% Danceability β’ 74% Energy β’ 17% Liveness
0% Instrumentalness β’ 96% Positiveness
9% Popularity β’ 69% Danceability β’ 74% Energy β’ 17% Liveness
0% Instrumentalness β’ 96% Positiveness
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Nahom Mekuria
Tey Minew
150 bpm β’ F# Maj β’ 03:24 β’ -5.9db
11% Popularity β’ 68% Danceability β’ 77% Energy β’ 10% Liveness
0% Instrumentalness β’ 96% Positiveness
11% Popularity β’ 68% Danceability β’ 77% Energy β’ 10% Liveness
0% Instrumentalness β’ 96% Positiveness
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Freselam Mussie
Hiyaw Ika
150 bpm β’ E Maj β’ 07:03 β’ -8.61db
11% Popularity β’ 75% Danceability β’ 50% Energy β’ 10% Liveness
0% Instrumentalness β’ 71% Positiveness
11% Popularity β’ 75% Danceability β’ 50% Energy β’ 10% Liveness
0% Instrumentalness β’ 71% Positiveness
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Yirdaw Tenawe
Shiw Shiw
150 bpm β’ C# Maj β’ 06:08 β’ -7.78db
15% Popularity β’ 66% Danceability β’ 72% Energy β’ 3% Liveness
0% Instrumentalness β’ 97% Positiveness
15% Popularity β’ 66% Danceability β’ 72% Energy β’ 3% Liveness
0% Instrumentalness β’ 97% Positiveness
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Temesgen Markos
Lizemir Beka
150 bpm β’ C Maj β’ 04:51 β’ -5.62db
13% Popularity β’ 73% Danceability β’ 82% Energy β’ 25% Liveness
0% Instrumentalness β’ 96% Positiveness
13% Popularity β’ 73% Danceability β’ 82% Energy β’ 25% Liveness
0% Instrumentalness β’ 96% Positiveness
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Mario Tv
Hagos Suzunino Mfllay
150 bpm β’ A# min β’ 05:02 β’ -9.38db
15% Popularity β’ 44% Danceability β’ 62% Energy β’ 5% Liveness
0% Instrumentalness β’ 86% Positiveness
15% Popularity β’ 44% Danceability β’ 62% Energy β’ 5% Liveness
0% Instrumentalness β’ 86% Positiveness
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Dauda Kahutu Rarara
Gidan Mai
150 bpm β’ G min β’ 03:12 β’ -6.19db
16% Popularity β’ 87% Danceability β’ 57% Energy β’ 19% Liveness
0% Instrumentalness β’ 77% Positiveness
16% Popularity β’ 87% Danceability β’ 57% Energy β’ 19% Liveness
0% Instrumentalness β’ 77% Positiveness
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Dagne Walle
Wond Lej Korete
150 bpm β’ F# Maj β’ 08:00 β’ -7.73db
23% Popularity β’ 80% Danceability β’ 64% Energy β’ 10% Liveness
0% Instrumentalness β’ 88% Positiveness
23% Popularity β’ 80% Danceability β’ 64% Energy β’ 10% Liveness
0% Instrumentalness β’ 88% Positiveness
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YOSEF SAMUEL
Ann Tadomoyo
150 bpm β’ E Maj β’ 06:38 β’ -9.1db
11% Popularity β’ 56% Danceability β’ 46% Energy β’ 19% Liveness
0% Instrumentalness β’ 59% Positiveness
11% Popularity β’ 56% Danceability β’ 46% Energy β’ 19% Liveness
0% Instrumentalness β’ 59% Positiveness
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Hibist Tiruneh
Memtatie Aykerim
138 bpm β’ D# Maj β’ 04:28 β’ -8.2db
8% Popularity β’ 62% Danceability β’ 54% Energy β’ 13% Liveness
0% Instrumentalness β’ 74% Positiveness
8% Popularity β’ 62% Danceability β’ 54% Energy β’ 13% Liveness
0% Instrumentalness β’ 74% Positiveness
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Kuku Sebsibe
Yebereha Hager
138 bpm β’ C# Maj β’ 04:35 β’ -10.16db
11% Popularity β’ 64% Danceability β’ 72% Energy β’ 17% Liveness
0% Instrumentalness β’ 92% Positiveness
11% Popularity β’ 64% Danceability β’ 72% Energy β’ 17% Liveness
0% Instrumentalness β’ 92% Positiveness
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Temesgen Markos
Nu Des Yebelen
137 bpm β’ D# min β’ 05:18 β’ -7.3db
15% Popularity β’ 67% Danceability β’ 72% Energy β’ 8% Liveness
0% Instrumentalness β’ 81% Positiveness
15% Popularity β’ 67% Danceability β’ 72% Energy β’ 8% Liveness
0% Instrumentalness β’ 81% Positiveness
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Ahmed Teshome
Meret YaleSew
138 bpm β’ D Maj β’ 04:33 β’ -9.05db
12% Popularity β’ 52% Danceability β’ 69% Energy β’ 34% Liveness
0% Instrumentalness β’ 89% Positiveness
12% Popularity β’ 52% Danceability β’ 69% Energy β’ 34% Liveness
0% Instrumentalness β’ 89% Positiveness
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Zebiba Girma
Semen Besemu
137 bpm β’ A min β’ 03:55 β’ -8.26db
9% Popularity β’ 84% Danceability β’ 55% Energy β’ 6% Liveness
0% Instrumentalness β’ 93% Positiveness
9% Popularity β’ 84% Danceability β’ 55% Energy β’ 6% Liveness
0% Instrumentalness β’ 93% Positiveness
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Bezuayehu Demissie
Atkebdegnm
152 bpm β’ E Maj β’ 06:21 β’ -7.15db
14% Popularity β’ 55% Danceability β’ 59% Energy β’ 9% Liveness
0% Instrumentalness β’ 49% Positiveness
14% Popularity β’ 55% Danceability β’ 59% Energy β’ 9% Liveness
0% Instrumentalness β’ 49% Positiveness
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Zemenu Nega
Weyne Lbe
137 bpm β’ A Maj β’ 03:29 β’ -7.64db
12% Popularity β’ 76% Danceability β’ 69% Energy β’ 5% Liveness
0% Instrumentalness β’ 97% Positiveness
12% Popularity β’ 76% Danceability β’ 69% Energy β’ 5% Liveness
0% Instrumentalness β’ 97% Positiveness
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Sinishaw Muleta
Naxalaa
152 bpm β’ G# Maj β’ 04:25 β’ -3.58db
13% Popularity β’ 71% Danceability β’ 79% Energy β’ 5% Liveness
0% Instrumentalness β’ 96% Positiveness
13% Popularity β’ 71% Danceability β’ 79% Energy β’ 5% Liveness
0% Instrumentalness β’ 96% Positiveness
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Daniel Amdemichael
αα³ αα
152 bpm β’ C Maj β’ 05:27 β’ -13.43db
11% Popularity β’ 61% Danceability β’ 52% Energy β’ 10% Liveness
0% Instrumentalness β’ 92% Positiveness
11% Popularity β’ 61% Danceability β’ 52% Energy β’ 10% Liveness
0% Instrumentalness β’ 92% Positiveness
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Anteneh Werash
Yewezewezewu
136 bpm β’ G# Maj β’ 03:56 β’ -8.31db
15% Popularity β’ 78% Danceability β’ 71% Energy β’ 13% Liveness
0% Instrumentalness β’ 94% Positiveness
15% Popularity β’ 78% Danceability β’ 71% Energy β’ 13% Liveness
0% Instrumentalness β’ 94% Positiveness
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Mihret Etefa
Demu
152 bpm β’ C# min β’ 06:03 β’ -9.25db
14% Popularity β’ 31% Danceability β’ 50% Energy β’ 12% Liveness
0% Instrumentalness β’ 18% Positiveness
14% Popularity β’ 31% Danceability β’ 50% Energy β’ 12% Liveness
0% Instrumentalness β’ 18% Positiveness
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Bethelhem Tezera
Yalegn Yibekagnal
136 bpm β’ G min β’ 06:03 β’ -8.8db
9% Popularity β’ 56% Danceability β’ 51% Energy β’ 33% Liveness
0% Instrumentalness β’ 46% Positiveness
9% Popularity β’ 56% Danceability β’ 51% Energy β’ 33% Liveness
0% Instrumentalness β’ 46% Positiveness
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Fekereaddis Nekatebeb
Meragn Yizo
153 bpm β’ D# min β’ 05:43 β’ -4.34db
17% Popularity β’ 67% Danceability β’ 71% Energy β’ 8% Liveness
0% Instrumentalness β’ 96% Positiveness
17% Popularity β’ 67% Danceability β’ 71% Energy β’ 8% Liveness
0% Instrumentalness β’ 96% Positiveness
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Zerfie Kebede
Lezelalem Enji
136 bpm β’ G Maj β’ 06:58 β’ -7.12db
11% Popularity β’ 57% Danceability β’ 24% Energy β’ 9% Liveness
0% Instrumentalness β’ 61% Positiveness
11% Popularity β’ 57% Danceability β’ 24% Energy β’ 9% Liveness
0% Instrumentalness β’ 61% Positiveness
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Antene Worqu
Menem Habet Bemola
153 bpm β’ A Maj β’ 03:33 β’ -6.1db
8% Popularity β’ 70% Danceability β’ 80% Energy β’ 7% Liveness
0% Instrumentalness β’ 94% Positiveness
8% Popularity β’ 70% Danceability β’ 80% Energy β’ 7% Liveness
0% Instrumentalness β’ 94% Positiveness
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Agegnehu Yideg
Endalbedilih
153 bpm β’ A# Maj β’ 07:44 β’ -8.6db
8% Popularity β’ 45% Danceability β’ 46% Energy β’ 9% Liveness
0% Instrumentalness β’ 26% Positiveness
8% Popularity β’ 45% Danceability β’ 46% Energy β’ 9% Liveness
0% Instrumentalness β’ 26% Positiveness
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Gizachew Teshome
Yehuna
154 bpm β’ D min β’ 05:50 β’ -5.43db
18% Popularity β’ 69% Danceability β’ 77% Energy β’ 9% Liveness
0% Instrumentalness β’ 73% Positiveness
18% Popularity β’ 69% Danceability β’ 77% Energy β’ 9% Liveness
0% Instrumentalness β’ 73% Positiveness
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Meselu Fantahun
Ende Mogn Wodaj
135 bpm β’ A Maj β’ 04:58 β’ -5.45db
15% Popularity β’ 76% Danceability β’ 59% Energy β’ 10% Liveness
0% Instrumentalness β’ 91% Positiveness
15% Popularity β’ 76% Danceability β’ 59% Energy β’ 10% Liveness
0% Instrumentalness β’ 91% Positiveness
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Aschalew Fetene
Enatwa Gonder|
135 bpm β’ C Maj β’ 05:54 β’ -12.7db
23% Popularity β’ 51% Danceability β’ 39% Energy β’ 18% Liveness
0% Instrumentalness β’ 85% Positiveness
23% Popularity β’ 51% Danceability β’ 39% Energy β’ 18% Liveness
0% Instrumentalness β’ 85% Positiveness
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Zebiba Grma
Astewashe
135 bpm β’ F Maj β’ 04:10 β’ -7.95db
11% Popularity β’ 51% Danceability β’ 54% Energy β’ 19% Liveness
0% Instrumentalness β’ 80% Positiveness
11% Popularity β’ 51% Danceability β’ 54% Energy β’ 19% Liveness
0% Instrumentalness β’ 80% Positiveness
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Mastewal Eyayu
Meteche Neber
154 bpm β’ C# Maj β’ 04:21 β’ -9.34db
31% Popularity β’ 53% Danceability β’ 43% Energy β’ 12% Liveness
0% Instrumentalness β’ 57% Positiveness
31% Popularity β’ 53% Danceability β’ 43% Energy β’ 12% Liveness
0% Instrumentalness β’ 57% Positiveness
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Ephrem Tamiru
Endet Nesh Hagere
135 bpm β’ B min β’ 09:07 β’ -12.2db
9% Popularity β’ 64% Danceability β’ 52% Energy β’ 17% Liveness
3% Instrumentalness β’ 79% Positiveness
9% Popularity β’ 64% Danceability β’ 52% Energy β’ 17% Liveness
3% Instrumentalness β’ 79% Positiveness
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MESFIN GUTU
αα«
154 bpm β’ C# min β’ 04:20 β’ -4.26db
17% Popularity β’ 64% Danceability β’ 86% Energy β’ 40% Liveness
0% Instrumentalness β’ 97% Positiveness
17% Popularity β’ 64% Danceability β’ 86% Energy β’ 40% Liveness
0% Instrumentalness β’ 97% Positiveness
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Antene Worqu
Ance Endemtwejine
154 bpm β’ C Maj β’ 04:02 β’ -4.7db
9% Popularity β’ 58% Danceability β’ 78% Energy β’ 25% Liveness
0% Instrumentalness β’ 60% Positiveness
9% Popularity β’ 58% Danceability β’ 78% Energy β’ 25% Liveness
0% Instrumentalness β’ 60% Positiveness
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YOSEF SAMUEL
Lombi Lombamete
155 bpm β’ C# Maj β’ 05:31 β’ -7.32db
8% Popularity β’ 65% Danceability β’ 58% Energy β’ 7% Liveness
0% Instrumentalness β’ 93% Positiveness
8% Popularity β’ 65% Danceability β’ 58% Energy β’ 7% Liveness
0% Instrumentalness β’ 93% Positiveness
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Agegnehu Yideg
Min Ehonalehu
155 bpm β’ E Maj β’ 05:26 β’ -8.16db
20% Popularity β’ 49% Danceability β’ 59% Energy β’ 33% Liveness
0% Instrumentalness β’ 65% Positiveness
20% Popularity β’ 49% Danceability β’ 59% Energy β’ 33% Liveness
0% Instrumentalness β’ 65% Positiveness
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Hanna Tekle
Agizegn
155 bpm β’ E Maj β’ 04:59 β’ -8.7db
15% Popularity β’ 60% Danceability β’ 53% Energy β’ 10% Liveness
0% Instrumentalness β’ 45% Positiveness
15% Popularity β’ 60% Danceability β’ 53% Energy β’ 10% Liveness
0% Instrumentalness β’ 45% Positiveness
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Maritu Legese
Ambasel
156 bpm β’ C# min β’ 07:10 β’ -9.14db
13% Popularity β’ 57% Danceability β’ 55% Energy β’ 8% Liveness
0% Instrumentalness β’ 70% Positiveness
13% Popularity β’ 57% Danceability β’ 55% Energy β’ 8% Liveness
0% Instrumentalness β’ 70% Positiveness
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Tesfaye Challa
Maerege Neh
156 bpm β’ G Maj β’ 06:39 β’ -8.08db
22% Popularity β’ 44% Danceability β’ 54% Energy β’ 8% Liveness
0% Instrumentalness β’ 59% Positiveness
22% Popularity β’ 44% Danceability β’ 54% Energy β’ 8% Liveness
0% Instrumentalness β’ 59% Positiveness
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Fekereaddis Nekatebeb
Sbebu
156 bpm β’ C# min β’ 06:19 β’ -5.67db
12% Popularity β’ 61% Danceability β’ 59% Energy β’ 14% Liveness
0% Instrumentalness β’ 95% Positiveness
12% Popularity β’ 61% Danceability β’ 59% Energy β’ 14% Liveness
0% Instrumentalness β’ 95% Positiveness
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YOSEF SAMUEL
Hawondumoka Uuree
155 bpm β’ A Maj β’ 07:07 β’ -10.16db
9% Popularity β’ 34% Danceability β’ 40% Energy β’ 13% Liveness
0% Instrumentalness β’ 56% Positiveness
9% Popularity β’ 34% Danceability β’ 40% Energy β’ 13% Liveness
0% Instrumentalness β’ 56% Positiveness
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Girma Tefera Kassa
Yeteferaremnew
156 bpm β’ D Maj β’ 05:56 β’ -8.31db
10% Popularity β’ 51% Danceability β’ 52% Energy β’ 51% Liveness
0% Instrumentalness β’ 47% Positiveness
10% Popularity β’ 51% Danceability β’ 52% Energy β’ 51% Liveness
0% Instrumentalness β’ 47% Positiveness
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Bisrat Surafel
Akaa Harmee
132 bpm β’ C min β’ 03:42 β’ -6.62db
21% Popularity β’ 80% Danceability β’ 66% Energy β’ 14% Liveness
0% Instrumentalness β’ 94% Positiveness
21% Popularity β’ 80% Danceability β’ 66% Energy β’ 14% Liveness
0% Instrumentalness β’ 94% Positiveness
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Daniel Amdemichael
α¦ αα
α©
156 bpm β’ C Maj β’ 04:04 β’ -13.02db
11% Popularity β’ 66% Danceability β’ 46% Energy β’ 11% Liveness
0% Instrumentalness β’ 96% Positiveness
11% Popularity β’ 66% Danceability β’ 46% Energy β’ 11% Liveness
0% Instrumentalness β’ 96% Positiveness
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Zerfie Kebede
Teleqe Neh
132 bpm β’ F Maj β’ 09:03 β’ -8.87db
7% Popularity β’ 53% Danceability β’ 41% Energy β’ 24% Liveness
0% Instrumentalness β’ 30% Positiveness
7% Popularity β’ 53% Danceability β’ 41% Energy β’ 24% Liveness
0% Instrumentalness β’ 30% Positiveness
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Hamelmal Abate
Harer
132 bpm β’ C# min β’ 05:39 β’ -6.98db
11% Popularity β’ 74% Danceability β’ 70% Energy β’ 11% Liveness
0% Instrumentalness β’ 85% Positiveness
11% Popularity β’ 74% Danceability β’ 70% Energy β’ 11% Liveness
0% Instrumentalness β’ 85% Positiveness
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Asefu Debalkie
Kibret Alem
132 bpm β’ B min β’ 06:19 β’ -6.09db
11% Popularity β’ 65% Danceability β’ 64% Energy β’ 6% Liveness
0% Instrumentalness β’ 77% Positiveness
11% Popularity β’ 65% Danceability β’ 64% Energy β’ 6% Liveness
0% Instrumentalness β’ 77% Positiveness
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Girma Tefera Kassa
Yesak Menna
132 bpm β’ G# min β’ 04:52 β’ -9.13db
10% Popularity β’ 79% Danceability β’ 68% Energy β’ 7% Liveness
0% Instrumentalness β’ 88% Positiveness
10% Popularity β’ 79% Danceability β’ 68% Energy β’ 7% Liveness
0% Instrumentalness β’ 88% Positiveness
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Addisalem Assefa
Misikir Neber
132 bpm β’ A Maj β’ 08:45 β’ -13.11db
12% Popularity β’ 42% Danceability β’ 30% Energy β’ 8% Liveness
0% Instrumentalness β’ 30% Positiveness
12% Popularity β’ 42% Danceability β’ 30% Energy β’ 8% Liveness
0% Instrumentalness β’ 30% Positiveness
