Songs like Senhor per les nostres peccatz (Señores Por Nuestros Pecados) by Eduardo Paniagua
Based on a tempo of (+/- 10%) and a similar genre
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Eduardo Paniagua
Senhor per les nostres peccatz (Señores...
120 bpm • A min • 09:40 • -11.25db
11% Popularity • 50% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 50% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Farya Faraji
The Varangians
120 bpm • B Maj • 06:06 • -6.4db
30% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Musica calamus
Branle De Chevaux
120 bpm • C Maj • 02:49 • -7db
26% Popularity • 71% Danceability • 66% Energy • 10% Liveness
95% Instrumentalness • 92% Positiveness
26% Popularity • 71% Danceability • 66% Energy • 10% Liveness
95% Instrumentalness • 92% Positiveness
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Alphonse X le Sage
Madre de Deus
120 bpm • G Maj • 03:01 • -16.83db
12% Popularity • 30% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 22% Positiveness
12% Popularity • 30% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 22% Positiveness
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El Wafir Shaikheldine
Sha Shtil
120 bpm • D Maj • 02:37 • -5.11db
0% Popularity • 63% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 63% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Syntagma Musicum
Basse Danse (Moderne)
120 bpm • D Maj • 01:21 • -25db
17% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
17% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
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Eduardo Paniagua
Los Siete Gozos. CSM 1
120 bpm • D min • 06:53 • -11.13db
11% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Хор братии Валаамского монастыря
Тропарь Навечерия Рож...
120 bpm • F Maj • 01:12 • -11.69db
34% Popularity • 48% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 48% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Anónimo
Agua y Fuego
120 bpm • G min • 04:01 • -12.32db
3% Popularity • 66% Danceability • 36% Energy • 17% Liveness
21% Instrumentalness • 82% Positiveness
3% Popularity • 66% Danceability • 36% Energy • 17% Liveness
21% Instrumentalness • 82% Positiveness
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Said Belcadi
El Vino Secreto
121 bpm • C Maj • 08:55 • -9.84db
4% Popularity • 44% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 44% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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El Arabi Ensemble
Un Secreto
120 bpm • G Maj • 01:20 • -8.34db
1% Popularity • 43% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 43% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Thibaut de Champagne
Seignor, sachies, qui or ne s'en ira (ch...
119 bpm • G Maj • 03:13 • -7.22db
8% Popularity • 44% Danceability • 85% Energy • 7% Liveness
58% Instrumentalness • 48% Positiveness
8% Popularity • 44% Danceability • 85% Energy • 7% Liveness
58% Instrumentalness • 48% Positiveness
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Guiraut Riquier
La segonda retroencha
121 bpm • D min • 01:28 • -24db
21% Popularity • 57% Danceability • 18% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
21% Popularity • 57% Danceability • 18% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
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Хор братии Валаамского монастыря
Догматик, глас 1 - Виза�...
119 bpm • D Maj • 03:16 • -11.98db
32% Popularity • 27% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 27% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Romanos le Mélode
Kondakion, 3ème mode : La vierge en ce ...
121 bpm • D Maj • 01:28 • -20.06db
27% Popularity • 26% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 26% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ibn Báya Ensemble
Mi Corazón Adopta Todas las Formas. Muw...
121 bpm • C# min • 08:16 • -13db
6% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Bachas Mont-Jòia
A lentrada del temps clar
121 bpm • E min • 02:32 • -11.3db
11% Popularity • 60% Danceability • 59% Energy • 51% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 60% Danceability • 59% Energy • 51% Liveness
0% Instrumentalness • 90% Positiveness
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Vox Vulgaris
Eşek Bayramı
119 bpm • E Maj • 03:47 • -11.59db
18% Popularity • 58% Danceability • 64% Energy • 62% Liveness
96% Instrumentalness • 40% Positiveness
18% Popularity • 58% Danceability • 64% Energy • 62% Liveness
96% Instrumentalness • 40% Positiveness
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Anónimo
Maria Balteira que se queria
121 bpm • G Maj • 05:09 • -22db
12% Popularity • 38% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 38% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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St. Petersburg Optina Pustyn Male Choir
In a Dark Wood
119 bpm • A# Maj • 02:05 • -20.56db
24% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Berenguier de Palou
Tan m'abelis jois et amors e chans: Tant...
118 bpm • C Maj • 04:55 • -15db
9% Popularity • 58% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 58% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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El Arabi Serghini
Escanciadme, Bawakir Al Maya. I En Los J...
118 bpm • A min • 04:00 • -10db
1% Popularity • 51% Danceability • 42% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 51% Danceability • 42% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
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Domenico da Piacenza
Ballo 'La Giloxia'
122 bpm • G Maj • 02:08 • -24db
28% Popularity • 39% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
28% Popularity • 39% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Kiev-Pechersk chant
From my youth-( Kiev-Pechersk chant)
122 bpm • A min • 03:24 • -12.61db
10% Popularity • 23% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 23% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Tradicional Andalusí-Marroquí
Oh Aurora de la Luna en Su Perfección
122 bpm • E min • 01:55 • -7.13db
2% Popularity • 50% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 50% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Yunus Emre
Pesrev: Pesrev (Yunus Emre (Ilahileri), ...
118 bpm • G Maj • 01:28 • -19db
21% Popularity • 66% Danceability • 29% Energy • 16% Liveness
98% Instrumentalness • 84% Positiveness
21% Popularity • 66% Danceability • 29% Energy • 16% Liveness
98% Instrumentalness • 84% Positiveness
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Anon
Lamento di Tristan - Istampitta and Rott...
122 bpm • D Maj • 02:22 • -30.7db
8% Popularity • 44% Danceability • 18% Energy • 28% Liveness
98% Instrumentalness • 88% Positiveness
8% Popularity • 44% Danceability • 18% Energy • 28% Liveness
98% Instrumentalness • 88% Positiveness
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Eduardo Paniagua
Almanaque de Azarquiel
118 bpm • C Maj • 02:21 • -15.19db
2% Popularity • 69% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 39% Positiveness
2% Popularity • 69% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 39% Positiveness
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Tradicional Andalusí
Qultu Yá Asiyya Y Shamsu L-Ashí
123 bpm • D min • 01:58 • -13db
4% Popularity • 64% Danceability • 29% Energy • 12% Liveness
29% Instrumentalness • 53% Positiveness
4% Popularity • 64% Danceability • 29% Energy • 12% Liveness
29% Instrumentalness • 53% Positiveness
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Guillaume de Machaut
Douce dame jolie
123 bpm • A min • 03:31 • -21db
32% Popularity • 62% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
32% Popularity • 62% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
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Françoise Atlan
No la puso su madre
117 bpm • E min • 01:09 • -22.21db
15% Popularity • 55% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 55% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Ferrara Ensemble
Anello
123 bpm • C Maj • 01:46 • -19.94db
12% Popularity • 64% Danceability • 22% Energy • 12% Liveness
45% Instrumentalness • 10% Positiveness
12% Popularity • 64% Danceability • 22% Energy • 12% Liveness
45% Instrumentalness • 10% Positiveness
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Oswald von Wolkenstein
Skak - Frolich geschrai so well wir mach...
117 bpm • D min • 01:13 • -18.24db
18% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Anónimo
O que Balteira ora quer vingar
117 bpm • G Maj • 05:14 • -26db
12% Popularity • 28% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 28% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Eduardo Paniagua
Pacem Meam. Ad Pacem. Liber Omnium Offer...
117 bpm • C Maj • 02:11 • -16.14db
9% Popularity • 40% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 40% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Skaldic Bard
Jórsalanám
123 bpm • D# Maj • 04:41 • -22.6db
20% Popularity • 63% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 63% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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Mohamed Agdour
Reina De La Alegría
116 bpm • C Maj • 01:22 • -13db
1% Popularity • 52% Danceability • 26% Energy • 17% Liveness
4% Instrumentalness • 52% Positiveness
1% Popularity • 52% Danceability • 26% Energy • 17% Liveness
4% Instrumentalness • 52% Positiveness
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Juan del Encina
Fa La La Lan
124 bpm • A min • 03:28 • -16.08db
10% Popularity • 71% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 66% Positiveness
10% Popularity • 71% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 66% Positiveness
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Said Belcadi Ensemble
Por Dios, Cuántas Noches
124 bpm • C min • 09:50 • -13db
2% Popularity • 37% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 37% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Eduardo Paniagua
Meie Din Liechter Shin
116 bpm • D Maj • 03:53 • -9.97db
20% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Guiot de Dijon
Chanterai por mon corage
124 bpm • A min • 04:15 • -24.1db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Skaldic Bard
Onward, Christmen! St Olaf Song
117 bpm • G min • 05:52 • -14.45db
20% Popularity • 66% Danceability • 34% Energy • 22% Liveness
3% Instrumentalness • 52% Positiveness
20% Popularity • 66% Danceability • 34% Energy • 22% Liveness
3% Instrumentalness • 52% Positiveness
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Martin Codax
Mia yrmana fremos
124 bpm • B min • 04:27 • -18db
11% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tradicional Andalusí
Y las Moriscas Mujeres, Fandango
124 bpm • D min • 02:37 • -9db
2% Popularity • 41% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 41% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Gautier De Coincy
Ma viële
116 bpm • D# Maj • 04:07 • -29.41db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Calamus
Bitayhí: Zejel "Oh Cría De Gazela", Ze...
124 bpm • C Maj • 04:07 • -14db
11% Popularity • 61% Danceability • 36% Energy • 14% Liveness
30% Instrumentalness • 47% Positiveness
11% Popularity • 61% Danceability • 36% Energy • 14% Liveness
30% Instrumentalness • 47% Positiveness
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Unicorn Ensemble
Bellicha
115 bpm • F Maj • 02:14 • -15db
19% Popularity • 40% Danceability • 59% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
19% Popularity • 40% Danceability • 59% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
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The Orthodox Church Music Ensemble
Noble Joseph
125 bpm • E Maj • 02:21 • -31.32db
21% Popularity • 17% Danceability • 9% Energy • 16% Liveness
99% Instrumentalness • 9% Positiveness
21% Popularity • 17% Danceability • 9% Energy • 16% Liveness
99% Instrumentalness • 9% Positiveness
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Eduardo Paniagua
CSM 339 la Nave de Cartagena (Instrument...
125 bpm • A min • 02:23 • -8.86db
0% Popularity • 46% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
0% Popularity • 46% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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Monks Of The Abbey Of Notre Dame
Dies Ire
115 bpm • C Maj • 02:45 • -23db
42% Popularity • 26% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
125 bpm • A min • 01:05 • -17.04db
10% Popularity • 70% Danceability • 26% Energy • 23% Liveness
83% Instrumentalness • 98% Positiveness
10% Popularity • 70% Danceability • 26% Energy • 23% Liveness
83% Instrumentalness • 98% Positiveness
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Mary Ann Tedstone Glover
Bacchus
115 bpm • A min • 02:50 • -7.17db
21% Popularity • 64% Danceability • 72% Energy • 11% Liveness
98% Instrumentalness • 53% Positiveness
21% Popularity • 64% Danceability • 72% Energy • 11% Liveness
98% Instrumentalness • 53% Positiveness
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Luis Delgado
Bashraf Samaï Asba' Ayn
115 bpm • G Maj • 06:00 • -12.92db
5% Popularity • 66% Danceability • 30% Energy • 5% Liveness
28% Instrumentalness • 45% Positiveness
5% Popularity • 66% Danceability • 30% Energy • 5% Liveness
28% Instrumentalness • 45% Positiveness
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Farya Faraji
The Battle of Kreta
115 bpm • C# Maj • 03:41 • -16.61db
24% Popularity • 58% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
24% Popularity • 58% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
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Traditional - French
Bassa Dance
125 bpm • A Maj • 03:42 • -15.87db
10% Popularity • 46% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 46% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Els Trobadors
Can Vei La Lauzeta Mover
125 bpm • C Maj • 05:30 • -12db
8% Popularity • 27% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 27% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Omar Metioui
Mizan Quddam 27
126 bpm • G Maj • 04:22 • -14.12db
0% Popularity • 51% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 51% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Anónimo
El Rayo Oriental / Pleamar
115 bpm • F min • 04:55 • -12.39db
2% Popularity • 40% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 40% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Divna Ljubojevic
Tebe pojem / Тебе појем
126 bpm • C# min • 01:38 • -13.82db
20% Popularity • 22% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 22% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Rana Nassour-Derbaly
Awed by the Beauty
126 bpm • A# min • 04:03 • -13.08db
16% Popularity • 27% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 27% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Ensemble Ibn Báya
Señor de los Señores. Yá Sayyida
115 bpm • G Maj • 04:44 • -14.22db
2% Popularity • 51% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 58% Positiveness
2% Popularity • 51% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 58% Positiveness
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Unicorn Ensemble
Isabella
114 bpm • G Maj • 08:48 • -25db
8% Popularity • 28% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Omar Metioui
Mizan Quddam 22
115 bpm • A min • 02:31 • -18.62db
1% Popularity • 49% Danceability • 14% Energy • 71% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 49% Danceability • 14% Energy • 71% Liveness
0% Instrumentalness • 33% Positiveness
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Begoña Olavide
La Puerta Del Encuentro / Tristeza Fiel
126 bpm • G min • 03:23 • -12.14db
2% Popularity • 66% Danceability • 39% Energy • 14% Liveness
3% Instrumentalness • 57% Positiveness
2% Popularity • 66% Danceability • 39% Energy • 14% Liveness
3% Instrumentalness • 57% Positiveness
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Ferrara Ensemble
Petit Riense
114 bpm • C Maj • 02:54 • -20.12db
12% Popularity • 73% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 73% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Guiraut Riquier
Au temps d'auost
114 bpm • G Maj • 01:00 • -17db
18% Popularity • 64% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
18% Popularity • 64% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Rosa Olavide
Oh Musulmán. Mossader Ya Muslimin
114 bpm • A# Maj • 01:24 • -15.86db
4% Popularity • 57% Danceability • 24% Energy • 7% Liveness
66% Instrumentalness • 13% Positiveness
4% Popularity • 57% Danceability • 24% Energy • 7% Liveness
66% Instrumentalness • 13% Positiveness
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Heinrich Isaac
Missa "La Spagna": II. Gloria
114 bpm • G# min • 01:13 • -19.24db
13% Popularity • 44% Danceability • 32% Energy • 16% Liveness
97% Instrumentalness • 16% Positiveness
13% Popularity • 44% Danceability • 32% Energy • 16% Liveness
97% Instrumentalness • 16% Positiveness
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Men's Choir of the Valaam ...
He Intricately Prophesied A Lot
126 bpm • B Maj • 02:39 • -23db
13% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Giorgio Mainerio
Ungaresca - Saltarello
126 bpm • B min • 01:13 • -13.17db
13% Popularity • 48% Danceability • 24% Energy • 50% Liveness
97% Instrumentalness • 18% Positiveness
13% Popularity • 48% Danceability • 24% Energy • 50% Liveness
97% Instrumentalness • 18% Positiveness
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Bizarre Gurgney
Forest
114 bpm • D# min • 01:09 • -26.28db
15% Popularity • 38% Danceability • 15% Energy • 21% Liveness
88% Instrumentalness • 42% Positiveness
15% Popularity • 38% Danceability • 15% Energy • 21% Liveness
88% Instrumentalness • 42% Positiveness
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Jordi Savall
Cantigas De Santa Maria - Instrumental, ...
127 bpm • A Maj • 03:44 • -27.45db
15% Popularity • 54% Danceability • 11% Energy • 22% Liveness
92% Instrumentalness • 26% Positiveness
15% Popularity • 54% Danceability • 11% Energy • 22% Liveness
92% Instrumentalness • 26% Positiveness
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"The Orthodox Singers" Male Choir
Blessed Is The Man Who Seeks No Councel ...
127 bpm • F Maj • 04:30 • -32.53db
17% Popularity • 17% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
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Omar Metioui
Mizan Quddam 20
114 bpm • C Maj • 01:23 • -15.86db
1% Popularity • 71% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
1% Popularity • 71% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
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Men's Choir of the Valaam ...
He Has Taken The Divine Grace From Heave...
126 bpm • B Maj • 02:07 • -25.17db
14% Popularity • 18% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
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Divna Ljubojevic
Defte Lai / Дефте лаи
127 bpm • F min • 01:30 • -11.64db
21% Popularity • 29% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 29% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Eduardo Paniagua
Los Siete Gozos (Versión Instrumental)
127 bpm • D min • 03:16 • -8.82db
4% Popularity • 56% Danceability • 39% Energy • 10% Liveness
5% Instrumentalness • 50% Positiveness
4% Popularity • 56% Danceability • 39% Energy • 10% Liveness
5% Instrumentalness • 50% Positiveness
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Sergei Rachmaninoff
Christ's resurrection-. (S.Rachmaninov)
127 bpm • D# min • 03:47 • -14db
14% Popularity • 19% Danceability • 23% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 23% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Walther von der Vogelweide
Palästinalied
113 bpm • E min • 03:18 • -23db
18% Popularity • 31% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 31% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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"The Orthodox Singers" Male Choir
How Glorious Is Our Lord In Zion
128 bpm • F Maj • 04:35 • -19.88db
10% Popularity • 18% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 18% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Zdravko Mihaylov
We Sing for You, Lord
128 bpm • A# Maj • 02:16 • -25.91db
28% Popularity • 18% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Divna Ljubojevic
O Virgin, as Gabriel proclaimed to Thee ...
128 bpm • F# Maj • 01:26 • -13.85db
26% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Eduardo Paniagua
Danza Del Agua (Argelia)
113 bpm • D min • 04:21 • -20.14db
12% Popularity • 44% Danceability • 21% Energy • 50% Liveness
5% Instrumentalness • 30% Positiveness
12% Popularity • 44% Danceability • 21% Energy • 50% Liveness
5% Instrumentalness • 30% Positiveness
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Pavel Chesnokov
Cherubic Hymn, Op. 27, No. 5
128 bpm • A# min • 03:56 • -22db
28% Popularity • 17% Danceability • 11% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 11% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
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Thoinot Arbeau
Danseries, Branle des Chevaulx: Branle d...
112 bpm • C Maj • 01:51 • -15db
6% Popularity • 48% Danceability • 17% Energy • 13% Liveness
33% Instrumentalness • 71% Positiveness
6% Popularity • 48% Danceability • 17% Energy • 13% Liveness
33% Instrumentalness • 71% Positiveness
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Anónimo
Pedr´Amigo, quero de vós saber
112 bpm • G Maj • 03:48 • -25db
12% Popularity • 30% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 24% Positiveness
12% Popularity • 30% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 24% Positiveness
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Giraut de Bornelh
Reis glorios
112 bpm • A# min • 08:52 • -31db
13% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Aimeric de Belenoi
Nuls om en ren: melody only
112 bpm • A min • 01:20 • -37.73db
21% Popularity • 49% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 47% Positiveness
21% Popularity • 49% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 47% Positiveness
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Eduardo Paniagua
Azafea de Azarquiel
113 bpm • E Maj • 01:31 • -14.11db
1% Popularity • 36% Danceability • 20% Energy • 55% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 36% Danceability • 20% Energy • 55% Liveness
0% Instrumentalness • 7% Positiveness
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Estampie
Imperator rex Graecorum
112 bpm • C Maj • 05:10 • -8.19db
13% Popularity • 36% Danceability • 48% Energy • 6% Liveness
28% Instrumentalness • 39% Positiveness
13% Popularity • 36% Danceability • 48% Energy • 6% Liveness
28% Instrumentalness • 39% Positiveness
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Omar Metioui
Blancura Del Amanecer
112 bpm • C Maj • 01:57 • -13.88db
0% Popularity • 58% Danceability • 25% Energy • 61% Liveness
3% Instrumentalness • 62% Positiveness
0% Popularity • 58% Danceability • 25% Energy • 61% Liveness
3% Instrumentalness • 62% Positiveness
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Tradicional Andalusí-Marroquí
Danza Twishya
129 bpm • C Maj • 02:21 • -10.23db
6% Popularity • 49% Danceability • 48% Energy • 10% Liveness
62% Instrumentalness • 73% Positiveness
6% Popularity • 49% Danceability • 48% Energy • 10% Liveness
62% Instrumentalness • 73% Positiveness
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John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
20% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
20% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
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El Arabí Serghini Mohammed
Soy Corona en la Frente de Mi Puerta. Fa...
111 bpm • C Maj • 03:16 • -9.28db
2% Popularity • 43% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 43% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Bernart de Ventadorn
Quan vei la lauzeta mover
111 bpm • C Maj • 06:05 • -16.55db
8% Popularity • 44% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 44% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
