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Sentimental Serenade
Songs like
Sentimental Serenade
by
Pat Lynn
Based on a tempo of (+/- 10%) and a similar genre
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The Golden Gate Orchestra
Glad Rag Doll
97 bpm • F Maj • 03:09 • -7.18db
22% Popularity • 75% Danceability • 52% Energy • 19% Liveness
91% Instrumentalness • 83% Positiveness
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Giorgio Cuscito
Bus Stop
97 bpm • C Maj • 02:03 • -7.32db
30% Popularity • 89% Danceability • 35% Energy • 6% Liveness
95% Instrumentalness • 68% Positiveness
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The Beau Hunks
Look at Him Now
97 bpm • G Maj • 01:22 • -18.61db
10% Popularity • 60% Danceability • 8% Energy • 16% Liveness
14% Instrumentalness • 69% Positiveness
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Raymond Scott
Nice Day in the Country - 1940
97 bpm • C Maj • 02:49 • -14.34db
10% Popularity • 77% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 87% Positiveness
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Lester Lanin
Michael, Row The Boat Ashore - Dixieland
97 bpm • A# Maj • 01:55 • -13.6db
18% Popularity • 66% Danceability • 52% Energy • 34% Liveness
87% Instrumentalness • 96% Positiveness
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Red Nichols and His Orchestra
Organ Grinder's Song
97 bpm • G Maj • 02:37 • -8.66db
15% Popularity • 73% Danceability • 30% Energy • 20% Liveness
87% Instrumentalness • 63% Positiveness
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Halfdan E
Under Maanen
97 bpm • D Maj • 02:02 • -10.74db
13% Popularity • 65% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Herman Finck
Dream Girl
97 bpm • D# Maj • 01:20 • -12.19db
14% Popularity • 39% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
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Pat Lynn
Sentimental Serenade
97 bpm • C Maj • 02:44 • -19.28db
1% Popularity • 41% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Remersaro Trío
Matisse
97 bpm • A# min • 03:16 • -18.09db
10% Popularity • 61% Danceability • 27% Energy • 66% Liveness
36% Instrumentalness • 75% Positiveness
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Bob Crosby & The Bob Cats
Who's Sorry Now
97 bpm • D min • 02:59 • -11.56db
19% Popularity • 68% Danceability • 51% Energy • 19% Liveness
96% Instrumentalness • 97% Positiveness
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Aimé Barelli
Stop !
97 bpm • G min • 02:58 • -12.22db
10% Popularity • 69% Danceability • 46% Energy • 14% Liveness
88% Instrumentalness • 87% Positiveness
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The London West End Orchestra
Doctor's Orders
96 bpm • F Maj • 02:51 • -12.8db
11% Popularity • 66% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
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Jimmy Dorsey
My Sister and I
97 bpm • G# Maj • 03:06 • -7.39db
9% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Tony Evans and His Orchestra
Here There and Everywhere
96 bpm • F min • 03:21 • -9.56db
7% Popularity • 40% Danceability • 37% Energy • 29% Liveness
13% Instrumentalness • 19% Positiveness
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Laurie Johnson
Rhapsody
98 bpm • C Maj • 03:00 • -14.14db
7% Popularity • 18% Danceability • 30% Energy • 20% Liveness
75% Instrumentalness • 4% Positiveness
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Gentlemen Of Jazz
Beautiful Dreamer
96 bpm • C min • 04:06 • -12.53db
16% Popularity • 77% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 88% Positiveness
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Cedric King Palmer
Charming Waltz
96 bpm • F# min • 00:40 • -10.11db
10% Popularity • 41% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
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Sid Phillips
Mister Charles
96 bpm • C Maj • 02:22 • -9.98db
8% Popularity • 69% Danceability • 57% Energy • 19% Liveness
90% Instrumentalness • 94% Positiveness
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Erhard Bauschke
Sag mir bloss, was ist los mit der Lilly...
98 bpm • C# Maj • 02:58 • -9.1db
11% Popularity • 88% Danceability • 48% Energy • 8% Liveness
13% Instrumentalness • 86% Positiveness
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Wurlitzer Pipe Organ
Oh' What A Beautiful Morning
96 bpm • E Maj • 01:29 • -17db
9% Popularity • 40% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 19% Positiveness
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Jack Shaindlin
Dinner at Sardi's
96 bpm • C min • 01:23 • -9.26db
8% Popularity • 33% Danceability • 46% Energy • 37% Liveness
96% Instrumentalness • 66% Positiveness
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Koichi Sugii
Chinrai-Bushi (チンライ節)
96 bpm • C min • 02:59 • -12.65db
12% Popularity • 70% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Elliot H. Smith
Dipsy Daisie
96 bpm • G Maj • 02:49 • -9.57db
10% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
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Jazz de Paris
Souvenirs
96 bpm • D# Maj • 02:41 • -10.16db
6% Popularity • 68% Danceability • 43% Energy • 25% Liveness
78% Instrumentalness • 85% Positiveness
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Raymond Scott
Aeroplane - Sextet, 1938
98 bpm • F Maj • 03:39 • -10.82db
10% Popularity • 50% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 49% Positiveness
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Die Goldene Sieben
Darf ich bitten
96 bpm • F Maj • 02:48 • -4db
8% Popularity • 65% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 82% Positiveness
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Jack Shaindlin
You're in Style
99 bpm • D# Maj • 01:52 • -10.88db
10% Popularity • 42% Danceability • 46% Energy • 26% Liveness
77% Instrumentalness • 63% Positiveness
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Chuck Foster
I've Been Drafted (Now I'm Drafting You)
95 bpm • F min • 02:56 • -5.6db
7% Popularity • 72% Danceability • 35% Energy • 13% Liveness
83% Instrumentalness • 70% Positiveness
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Frederick George Charrosin
Oh What Fun
98 bpm • G Maj • 02:35 • -12db
9% Popularity • 71% Danceability • 34% Energy • 18% Liveness
92% Instrumentalness • 79% Positiveness
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Russ Conway
The Wee Boy of Brussels
99 bpm • D min • 02:06 • -11.04db
10% Popularity • 57% Danceability • 52% Energy • 13% Liveness
89% Instrumentalness • 89% Positiveness
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Glenn Miller & AAFTCO
I Sustain The Wings (Theme) - 1944 Recor...
99 bpm • A# Maj • 04:43 • -13.2db
15% Popularity • 61% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 63% Positiveness
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The Gaslight Orchestra
Sidewalks of New York
99 bpm • F Maj • 02:21 • -12.68db
11% Popularity • 26% Danceability • 21% Energy • 18% Liveness
39% Instrumentalness • 30% Positiveness
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Manhattan Ragtime Orchestra
Ghost of the Blues
95 bpm • C Maj • 03:26 • -7.36db
7% Popularity • 69% Danceability • 54% Energy • 16% Liveness
82% Instrumentalness • 91% Positiveness
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Rudi Schuricke
Schön, dass du wieder bei mir bist
99 bpm • G# Maj • 02:30 • -21db
9% Popularity • 75% Danceability • 11% Energy • 10% Liveness
24% Instrumentalness • 92% Positiveness
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Charlie Spivak & His Orchestra
Solitude
95 bpm • G min • 02:30 • -18.21db
18% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
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Al Goodhart
Auf Wiedersehen My Dear
99 bpm • C min • 02:57 • -18.88db
8% Popularity • 46% Danceability • 17% Energy • 55% Liveness
15% Instrumentalness • 40% Positiveness
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L'Orchestre Devereaux
Garden Party
99 bpm • D# Maj • 02:02 • -13db
9% Popularity • 28% Danceability • 35% Energy • 26% Liveness
91% Instrumentalness • 34% Positiveness
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Ken Colyer
Bill Bailey
95 bpm • A Maj • 02:08 • -9.65db
14% Popularity • 59% Danceability • 51% Energy • 25% Liveness
29% Instrumentalness • 92% Positiveness
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Joseph Engleman
Ballet Sketch
95 bpm • A# Maj • 01:29 • -12.8db
11% Popularity • 57% Danceability • 26% Energy • 18% Liveness
89% Instrumentalness • 59% Positiveness
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Will Osborne And His Orchestra
You're a Builder Upper
95 bpm • G min • 02:37 • -9.38db
17% Popularity • 57% Danceability • 37% Energy • 31% Liveness
30% Instrumentalness • 81% Positiveness
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Charlie Spivak & His Orchestra
Blue Champagne
99 bpm • F# Maj • 02:24 • -18db
25% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
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Jimmy Dorsey
Moonlight On The Ganges - Closing
95 bpm • D min • 01:53 • -11.39db
9% Popularity • 60% Danceability • 38% Energy • 10% Liveness
31% Instrumentalness • 57% Positiveness
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The London West End Orchestra
Isn't It a Happy Day
95 bpm • G# Maj • 02:50 • -9db
11% Popularity • 83% Danceability • 46% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
► Preview
Koichi Sugii
Shasou (沙窓)
100 bpm • G# Maj • 03:10 • -15.3db
9% Popularity • 68% Danceability • 37% Energy • 3% Liveness
85% Instrumentalness • 92% Positiveness
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Sounds Of Swing
Artistry For Trumpets
94 bpm • A# Maj • 02:43 • -8.19db
18% Popularity • 64% Danceability • 44% Energy • 33% Liveness
38% Instrumentalness • 90% Positiveness
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Erhard Bauschke & sein Orchester
At the Codfish Ball
94 bpm • E Maj • 03:05 • -10db
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
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Piero Piccioni
La ragazza nella vetrina - Version 4
100 bpm • D min • 02:02 • -15.16db
12% Popularity • 16% Danceability • 20% Energy • 24% Liveness
94% Instrumentalness • 14% Positiveness
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Glen Gray & The Casa Loma Orchestra
A Lover's Lullaby (Twilight Reverie)
94 bpm • G# Maj • 03:05 • -14.12db
8% Popularity • 48% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 41% Positiveness
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R. A. Dvorský
Bel ami
94 bpm • A# min • 02:53 • -10.33db
10% Popularity • 56% Danceability • 39% Energy • 23% Liveness
42% Instrumentalness • 48% Positiveness
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Willy Berking
Der kleine Klaus
94 bpm • G min • 02:22 • -4.37db
9% Popularity • 63% Danceability • 68% Energy • 9% Liveness
93% Instrumentalness • 80% Positiveness
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New Orleans 1920s Jazz
Classic Jazz Piano in New Orleans
100 bpm • A Maj • 01:24 • -18.79db
22% Popularity • 85% Danceability • 43% Energy • 7% Liveness
89% Instrumentalness • 97% Positiveness
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New Light Symphony Orchestra
Toytown (Parade of the Tin Soldiers)
100 bpm • A Maj • 01:05 • -17db
13% Popularity • 67% Danceability • 23% Energy • 24% Liveness
80% Instrumentalness • 63% Positiveness
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The Dixieland All Stars
There Is a Tavern in the Town
100 bpm • C Maj • 03:47 • -15.69db
16% Popularity • 61% Danceability • 30% Energy • 3% Liveness
16% Instrumentalness • 96% Positiveness
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Harlem Kiddies
Do You Wanna Jump Children?
100 bpm • A# Maj • 03:20 • -14db
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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Kay Kyser & His Orchestra
Jingle, Jangle, Jingle
94 bpm • G min • 03:20 • -16.54db
22% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Lester Lanin
Steady, Steady - Moderate Society
94 bpm • G# Maj • 02:09 • -12db
16% Popularity • 75% Danceability • 40% Energy • 6% Liveness
67% Instrumentalness • 87% Positiveness
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Peter Kreuder
Das gibt's nur einmal
94 bpm • D# Maj • 02:28 • -13.57db
16% Popularity • 69% Danceability • 27% Energy • 6% Liveness
82% Instrumentalness • 65% Positiveness
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Victor Silvester and his Silver Strings
Put on a Happy Face
100 bpm • A# Maj • 02:09 • -11.2db
12% Popularity • 52% Danceability • 34% Energy • 30% Liveness
98% Instrumentalness • 76% Positiveness
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Manhattan Ragtime Orchestra
The Thriller!
101 bpm • C Maj • 02:24 • -5.77db
11% Popularity • 69% Danceability • 53% Energy • 6% Liveness
91% Instrumentalness • 95% Positiveness
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徐慶復
我的爸爸
101 bpm • F Maj • 03:06 • -15.25db
8% Popularity • 35% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Kenny Ball & His Jazzmen
1919 Rag
101 bpm • D min • 02:42 • -10.61db
9% Popularity • 55% Danceability • 77% Energy • 32% Liveness
31% Instrumentalness • 96% Positiveness
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Gerhard Groitzsch
Busy Bertie
101 bpm • C Maj • 02:33 • -8.23db
12% Popularity • 76% Danceability • 51% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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1923 Autopiano Player Piano
Me And My Shadow
93 bpm • D# Maj • 02:23 • -11.79db
14% Popularity • 41% Danceability • 39% Energy • 24% Liveness
83% Instrumentalness • 78% Positiveness
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Henry Hall and BBC Dance Orchestra
Humming to Myself
93 bpm • G Maj • 02:53 • -6.52db
8% Popularity • 75% Danceability • 49% Energy • 13% Liveness
6% Instrumentalness • 87% Positiveness
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Greta Keller
I Believe in Miracles
101 bpm • D# Maj • 02:59 • -21db
8% Popularity • 37% Danceability • 8% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
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Les Elgart & His Orchestra
In the Still of the Night
93 bpm • G Maj • 01:55 • -14.99db
10% Popularity • 51% Danceability • 44% Energy • 10% Liveness
6% Instrumentalness • 86% Positiveness
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The London West End Orchestra
Niagara
93 bpm • C Maj • 02:22 • -11db
13% Popularity • 75% Danceability • 40% Energy • 25% Liveness
88% Instrumentalness • 71% Positiveness
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Bob Crosby & The Bob Cats
Stumbling
101 bpm • C Maj • 03:16 • -10.69db
16% Popularity • 64% Danceability • 58% Energy • 8% Liveness
96% Instrumentalness • 96% Positiveness
► Preview
Russ Conway
Piano Pops No 1 (Pt. 2) - 2003 Remaster
101 bpm • F Maj • 02:28 • -8.16db
8% Popularity • 68% Danceability • 56% Energy • 7% Liveness
96% Instrumentalness • 87% Positiveness
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Paul Asaro and The Fat Babies
Baby Brown
102 bpm • G# Maj • 03:55 • -9.17db
9% Popularity • 81% Danceability • 50% Energy • 38% Liveness
44% Instrumentalness • 96% Positiveness
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Tony Martin
I Get Ideas
102 bpm • C Maj • 02:41 • -18.49db
15% Popularity • 47% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jean Sablon
Falling In the Love Again
93 bpm • A Maj • 02:52 • -12.44db
18% Popularity • 26% Danceability • 26% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
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Gerhard Groitzsch
Fun at the Ritz
102 bpm • D# Maj • 02:33 • -9.36db
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Bert Ambrose
Red Sails in the Sunset
102 bpm • C# Maj • 03:31 • -17db
20% Popularity • 42% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 35% Positiveness
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New Orleans 1920s Jazz
Dixieland Instrumental Jazz
93 bpm • D# Maj • 01:30 • -19db
31% Popularity • 84% Danceability • 35% Energy • 10% Liveness
28% Instrumentalness • 97% Positiveness
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Chazz Gabel
Swaying Shadows
92 bpm • D min • 01:38 • -20.79db
21% Popularity • 74% Danceability • 31% Energy • 20% Liveness
97% Instrumentalness • 76% Positiveness
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Winifred Atwell
Dynamite Rag
102 bpm • E Maj • 02:25 • -13db
8% Popularity • 67% Danceability • 43% Energy • 10% Liveness
76% Instrumentalness • 68% Positiveness
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Charlie Spivak & His Orchestra
Laura
92 bpm • A Maj • 02:29 • -18.98db
16% Popularity • 28% Danceability • 12% Energy • 17% Liveness
83% Instrumentalness • 12% Positiveness
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The Beau Hunks
Candy, Candy
102 bpm • C# Maj • 01:20 • -18.16db
13% Popularity • 69% Danceability • 11% Energy • 16% Liveness
28% Instrumentalness • 97% Positiveness
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Aubrey Winter
Mounted Police
92 bpm • C Maj • 01:23 • -9.52db
10% Popularity • 59% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 89% Positiveness
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New Orleans 1920s Jazz
Chicago Style
92 bpm • F# Maj • 01:30 • -18.97db
32% Popularity • 81% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 97% Positiveness
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Pat Lynn
Remembrance
92 bpm • C Maj • 02:56 • -16.1db
0% Popularity • 53% Danceability • 27% Energy • 11% Liveness
14% Instrumentalness • 74% Positiveness
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Alfonso Morquecho
La Muneca De Papel
103 bpm • F# Maj • 02:25 • -14.17db
9% Popularity • 78% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 97% Positiveness
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Bob Crosby & The Bob Cats
Slow Mood
103 bpm • C# min • 03:07 • -16.59db
15% Popularity • 65% Danceability • 16% Energy • 16% Liveness
90% Instrumentalness • 70% Positiveness
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Raymond Scott
Dead End Blues - 1939
92 bpm • G# Maj • 03:41 • -12.69db
11% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
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Duke Ellington Orchestra
Swanee Shuffle
103 bpm • G min • 03:21 • -12.8db
9% Popularity • 85% Danceability • 44% Energy • 28% Liveness
91% Instrumentalness • 96% Positiveness
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Buddy Clark
The Camera Doesn`t Lie
92 bpm • D# Maj • 03:03 • -12.59db
17% Popularity • 66% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Chris Barber
Whistling Rufus
103 bpm • D# Maj • 02:37 • -8.46db
15% Popularity • 62% Danceability • 62% Energy • 34% Liveness
96% Instrumentalness • 96% Positiveness
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Victor Sylvester
You're Dancing on My Heart
91 bpm • F min • 02:07 • -21.93db
17% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
► Preview
Raymond Scott
Girlfriend of the Whirling Dervish - 193...
103 bpm • C Maj • 03:00 • -8.11db
8% Popularity • 63% Danceability • 44% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
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Philip Lewis/Rhythm Maniacs
Little Pal
103 bpm • G# Maj • 02:46 • -11.26db
7% Popularity • 77% Danceability • 15% Energy • 40% Liveness
69% Instrumentalness • 64% Positiveness
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Bob Crosby & The Bob Cats
Dolores
91 bpm • G# Maj • 03:14 • -14.95db
15% Popularity • 38% Danceability • 12% Energy • 14% Liveness
3% Instrumentalness • 47% Positiveness
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Al Caiola
Song Of Old Hawaii
91 bpm • F Maj • 02:58 • -17.53db
8% Popularity • 36% Danceability • 15% Energy • 14% Liveness
65% Instrumentalness • 12% Positiveness
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Dancetime Orchestra
Winning Fight
104 bpm • D Maj • 03:20 • -9.71db
11% Popularity • 80% Danceability • 32% Energy • 7% Liveness
8% Instrumentalness • 84% Positiveness
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Bert Kaempfert
You Are My Sunshine
91 bpm • C Maj • 02:24 • -7.58db
1% Popularity • 76% Danceability • 55% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Kay Kyser & His Orchestra
Why don't we do this more often
104 bpm • D# Maj • 02:38 • -12.11db
2% Popularity • 59% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Glenn Miller & The Army Air Force Band
Tail End Charlie - Remastered 2001
91 bpm • G# Maj • 03:24 • -10.87db
8% Popularity • 67% Danceability • 49% Energy • 20% Liveness
23% Instrumentalness • 76% Positiveness
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Isham Jones And His Orchestra
Out of Space - Remastered
104 bpm • C Maj • 03:08 • -8.51db
9% Popularity • 42% Danceability • 41% Energy • 57% Liveness
65% Instrumentalness • 36% Positiveness
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Sentimental Serenade