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Separate Ways
Songs like
Separate Ways
by
Nox Holloway
Based on a tempo of (+/- 10%) and a similar genre
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Shumaq
Meanwhile
90 bpm • F# Maj • 01:55 • -10.69db
42% Popularity • 85% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Hastings
Blame The Brakes
90 bpm • F# Maj • 03:26 • -4.04db
35% Popularity • 59% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Braden Bales
BLOW MY BRAINS
90 bpm • G Maj • 02:22 • -6.68db
23% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Nox Holloway
Separate Ways
90 bpm • C# min • 03:03 • -6db
22% Popularity • 65% Danceability • 67% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
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Bradley Kim
myspace
90 bpm • C# Maj • 03:01 • -10db
21% Popularity • 76% Danceability • 55% Energy • 14% Liveness
3% Instrumentalness • 37% Positiveness
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dylxn
Nothing at All
90 bpm • D Maj • 02:18 • -12.37db
32% Popularity • 75% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Mitchell
High Tide
90 bpm • G Maj • 01:59 • -6.39db
28% Popularity • 79% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Scrawny
be ok
90 bpm • D# Maj • 03:10 • -5.3db
40% Popularity • 75% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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David Alexander
Sore Loser
90 bpm • G min • 03:20 • -8db
23% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Motel 7
Would U Believe Me
90 bpm • F# min • 02:47 • -10db
26% Popularity • 70% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 12% Positiveness
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Jutes
Limbo
91 bpm • F# Maj • 02:11 • -7.43db
29% Popularity • 57% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Griff Clawson
Things You Said
90 bpm • E Maj • 02:14 • -9.63db
24% Popularity • 76% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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NIGHTBREAKERS
Quarter to Midnight
91 bpm • B Maj • 02:51 • -4.49db
31% Popularity • 65% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Nox Holloway
Worth Saving
91 bpm • F# min • 02:31 • -6.67db
20% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Clubhouse
Home Videos
89 bpm • A# Maj • 02:35 • -6.37db
30% Popularity • 73% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Scott Helman
back together
91 bpm • C# Maj • 02:39 • -5.39db
24% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Rightfield
New York
91 bpm • G Maj • 03:34 • -3.48db
12% Popularity • 64% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 63% Positiveness
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90's Kids
Friday Nights in October
91 bpm • F Maj • 03:47 • -5.92db
27% Popularity • 53% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Griff Clawson
Chasing Highs
92 bpm • G Maj • 03:01 • -7.48db
21% Popularity • 72% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Mason Murphy
Fix Myself
92 bpm • B Maj • 03:18 • -7.37db
37% Popularity • 58% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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NIGHTBREAKERS
Close
92 bpm • C# Maj • 03:12 • -2.87db
17% Popularity • 64% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Devin Kennedy
10ft Tall
92 bpm • B Maj • 02:10 • -9.41db
25% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Christian French
evergreen
92 bpm • G Maj • 03:08 • -10db
35% Popularity • 68% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Hardcastle
Murphy's Law
92 bpm • C Maj • 02:51 • -7.76db
18% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Troy Ogletree
Something Nothing
92 bpm • G# Maj • 02:41 • -6.05db
13% Popularity • 76% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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David Alexander
Worst Case
92 bpm • F# Maj • 02:31 • -6.92db
34% Popularity • 65% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Jake Scott
She's Not You
92 bpm • C# Maj • 03:07 • -6.53db
38% Popularity • 60% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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DYLVN
Ready 4 Me
92 bpm • A Maj • 02:42 • -7.95db
9% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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90's Kids
Impulsive
93 bpm • G Maj • 03:31 • -5.21db
16% Popularity • 51% Danceability • 92% Energy • 65% Liveness
0% Instrumentalness • 44% Positiveness
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Nic D
Late September
88 bpm • A# Maj • 02:25 • -4.97db
25% Popularity • 69% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
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Zach Oliver
Slipping Away
87 bpm • E Maj • 03:13 • -5.38db
13% Popularity • 58% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Anthony Russo
Optimist
93 bpm • E Maj • 02:28 • -8.48db
22% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jack Price
lexapro
93 bpm • B min • 02:43 • -5.07db
16% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Hampton
Ghosted
87 bpm • G Maj • 01:56 • -7.79db
29% Popularity • 70% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Christian French
lonely
93 bpm • B min • 02:08 • -5.63db
43% Popularity • 65% Danceability • 52% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
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Ben Provencial
FORGET ABOUT ME
93 bpm • F Maj • 02:03 • -8.45db
29% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Zach Oliver
See Me Down
93 bpm • A# Maj • 03:34 • -5.31db
10% Popularity • 73% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Motel 7
Headphones
87 bpm • C Maj • 02:56 • -7.5db
12% Popularity • 57% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Troy Ogletree
ME YOU
87 bpm • G Maj • 02:56 • -5.21db
21% Popularity • 60% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Landon Conrath
Already Dead
87 bpm • B Maj • 02:39 • -6.25db
37% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Justus Bennetts
Tom Brady
87 bpm • A min • 02:16 • -2.52db
42% Popularity • 73% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Nia Hendricks
Over Again
94 bpm • G# Maj • 02:39 • -8.94db
18% Popularity • 73% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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unheard
Walk With Me
94 bpm • G# min • 02:49 • -7.89db
25% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Attire
I Would For You
94 bpm • C# Maj • 03:01 • -7.77db
9% Popularity • 71% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Wingtip
Goodbye
86 bpm • F Maj • 03:02 • -7.48db
39% Popularity • 68% Danceability • 68% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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Troy Ogletree
good boy anthem
94 bpm • F Maj • 02:01 • -7.2db
16% Popularity • 73% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
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New Rules
Lucky Me
86 bpm • G# Maj • 02:38 • -5.19db
32% Popularity • 45% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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DYLVN
Tell Them Stories
86 bpm • A Maj • 02:48 • -6.65db
24% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Blake Rose
Lost - Remix
95 bpm • B Maj • 02:34 • -8.48db
30% Popularity • 50% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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sad alex
high sexpectations
95 bpm • B Maj • 02:49 • -8db
30% Popularity • 78% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Quinn XCII
Why Do You Talk To Me?
95 bpm • D Maj • 02:53 • -7db
44% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Nox Holloway
Pink Cadillac
95 bpm • D# Maj • 02:39 • -6.52db
33% Popularity • 72% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Wingtip
Catch Myself
95 bpm • B Maj • 03:19 • -6db
27% Popularity • 74% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Ro Joaquim
Taken Off
95 bpm • C# min • 03:23 • -5.52db
34% Popularity • 70% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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New Friends
Purple Candy
95 bpm • D# Maj • 04:15 • -8.92db
44% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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TWINSICK
Good Night
95 bpm • C Maj • 02:24 • -5.46db
36% Popularity • 74% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Cooper Hill
her superhero
95 bpm • E Maj • 02:25 • -6.61db
30% Popularity • 81% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Free Arlo
2 far gone
95 bpm • G# Maj • 02:31 • -9.44db
27% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Landon Conrath
Science Fiction
95 bpm • G# Maj • 02:41 • -5.93db
35% Popularity • 70% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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CAL
Roll the Credits
85 bpm • A Maj • 02:19 • -6.75db
41% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Matt Hall
chemical
85 bpm • D Maj • 02:20 • -4.51db
12% Popularity • 58% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
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VOILÀ
Chanel No. 5
96 bpm • C# Maj • 03:00 • -7db
33% Popularity • 60% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 64% Positiveness
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19&YOU
BORED!
96 bpm • A# Maj • 03:32 • -6db
34% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Christian French
sweatshirt
96 bpm • A# Maj • 02:22 • -4.48db
33% Popularity • 64% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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badly
out of control
96 bpm • G min • 02:32 • -8.66db
14% Popularity • 74% Danceability • 44% Energy • 20% Liveness
5% Instrumentalness • 24% Positiveness
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Ben Provencial
LOVE YOU FOR TODAY
96 bpm • A# Maj • 02:28 • -7.32db
33% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Setton
10
96 bpm • F# Maj • 02:47 • -10db
29% Popularity • 63% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Zach Paradis
Parking Lot
96 bpm • F# Maj • 02:57 • -6.96db
26% Popularity • 79% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Joshua Golden
My Person x
84 bpm • E Maj • 02:29 • -10.71db
31% Popularity • 69% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Chris James
Heaven or Hell
96 bpm • D Maj • 02:22 • -6.86db
45% Popularity • 71% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Dalton Mauldin
let it die
84 bpm • C# Maj • 02:40 • -10.4db
25% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Brennan
Brown Eyes
84 bpm • A# Maj • 02:14 • -10.47db
34% Popularity • 57% Danceability • 51% Energy • 74% Liveness
0% Instrumentalness • 45% Positiveness
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New Friends
Little Fires
97 bpm • B Maj • 03:39 • -8db
27% Popularity • 23% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Drive!Drive!
Hotel Lobby
97 bpm • B Maj • 03:03 • -5.3db
33% Popularity • 66% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Hastings
Hurt My Feelings
97 bpm • F Maj • 02:56 • -4.49db
32% Popularity • 73% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Chris James
Enjoy The Weather
97 bpm • G# Maj • 02:30 • -8.03db
32% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Zev
Every Diamond
97 bpm • D Maj • 02:44 • -8db
31% Popularity • 85% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Telehope
I Believe in Me
97 bpm • B Maj • 03:13 • -9.6db
17% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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New Friends
Find You
97 bpm • G# Maj • 03:34 • -5.75db
30% Popularity • 50% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Alfie Jukes
that was quick!
97 bpm • G min • 02:46 • -14.24db
38% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Rence
TREBUCHET
83 bpm • F# Maj • 02:35 • -6.03db
28% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan Mitchell
Famous
83 bpm • F Maj • 02:21 • -7.3db
14% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Porsche Love
Close to Me
97 bpm • F min • 02:08 • -6.26db
38% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Alan Fiore
Locked Up
83 bpm • A# Maj • 02:20 • -7.54db
18% Popularity • 64% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Llunr
im not important
83 bpm • A Maj • 02:05 • -6.24db
35% Popularity • 71% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Braden Bales
EVIL APHRODITE
83 bpm • E Maj • 02:57 • -6.36db
24% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Suriel Hess
Overthinking
98 bpm • F Maj • 02:30 • -6.94db
43% Popularity • 73% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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koby
OVER IT!
98 bpm • F min • 02:39 • -6.38db
28% Popularity • 65% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Motel 7
Messing With Fire
98 bpm • A# Maj • 03:06 • -5.79db
18% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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19&YOU
Best Dress
98 bpm • A Maj • 03:11 • -8.74db
29% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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ehren
WHEN WE WERE 17
98 bpm • G# Maj • 03:32 • -8.04db
35% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Max Drazen
Let Me Down Slow
98 bpm • E Maj • 02:58 • -5.85db
49% Popularity • 74% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Zach Oliver
Better Side
98 bpm • F Maj • 02:47 • -8.46db
13% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Nic D
Sweet & Sour
82 bpm • G# Maj • 02:21 • -7.16db
39% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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pj frantz
waves
82 bpm • B Maj • 02:05 • -8.46db
40% Popularity • 62% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Nate Mitchell
What Do I Do?
82 bpm • A# min • 04:05 • -8.67db
26% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mills
Hands On Me
82 bpm • C# Maj • 02:37 • -7.09db
17% Popularity • 64% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Christian French
karma
82 bpm • C# Maj • 02:48 • -4db
38% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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August Royals
Love You 'Til I Die
82 bpm • E Maj • 02:16 • -5.96db
28% Popularity • 62% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Aaron Kates
Everybody You Hurt
99 bpm • G Maj • 03:04 • -11db
32% Popularity • 80% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Separate Ways