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Sepia Connections
Songs like
Sepia Connections
by
Deja Gizzi
Based on a tempo of (+/- 10%) and a similar genre
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Ben Prunty
Into the Breach
138 bpm • A min • 04:20 • -17.83db
27% Popularity • 63% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Dave Porter
Reciprocating Saw
138 bpm • C# Maj • 02:35 • -14.64db
7% Popularity • 37% Danceability • 35% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Soundscape
The Purge
138 bpm • C Maj • 01:48 • -11.9db
12% Popularity • 58% Danceability • 40% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Dario Marianelli
Chopper Rescue
138 bpm • E min • 02:20 • -16.84db
18% Popularity • 58% Danceability • 58% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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The Flight
No Delve Without Danger
138 bpm • E min • 03:22 • -14.55db
14% Popularity • 59% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 15% Positiveness
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JJ Whitefield
Ziti
138 bpm • C# min • 02:27 • -11.37db
8% Popularity • 61% Danceability • 80% Energy • 8% Liveness
89% Instrumentalness • 75% Positiveness
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Deja Gizzi
Sepia Connections
138 bpm • F min • 02:21 • -12.61db
0% Popularity • 38% Danceability • 72% Energy • 18% Liveness
60% Instrumentalness • 51% Positiveness
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ToiToiToi
Kilon
138 bpm • D Maj • 02:11 • -11.59db
12% Popularity • 63% Danceability • 60% Energy • 10% Liveness
80% Instrumentalness • 39% Positiveness
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Soundscape
Ancient Gods
138 bpm • C# Maj • 02:06 • -15.74db
11% Popularity • 65% Danceability • 65% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
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Marc Canham
Henry Daughtry
137 bpm • D Maj • 03:37 • -9db
15% Popularity • 37% Danceability • 72% Energy • 3% Liveness
50% Instrumentalness • 24% Positiveness
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The Dust Brothers
Corporate World
137 bpm • C# Maj • 02:42 • -12.37db
33% Popularity • 52% Danceability • 28% Energy • 18% Liveness
73% Instrumentalness • 10% Positiveness
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Carter Burwell
Chief Chewed Out
137 bpm • F# Maj • 00:58 • -18.38db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 9% Positiveness
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Joris de Man
Blood Shed on Stone
140 bpm • F# min • 02:50 • -19.16db
16% Popularity • 15% Danceability • 23% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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YOCI
Zombie Shuffle
140 bpm • G Maj • 01:13 • -20.08db
16% Popularity • 49% Danceability • 22% Energy • 29% Liveness
45% Instrumentalness • 4% Positiveness
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Pecos Hank
Monster Show (Instrumental)
136 bpm • G Maj • 02:43 • -10.24db
17% Popularity • 44% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Inon Zur
Battle for the City
140 bpm • E min • 02:19 • -15.58db
15% Popularity • 56% Danceability • 68% Energy • 25% Liveness
91% Instrumentalness • 88% Positiveness
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Moin
Lapsed
140 bpm • E Maj • 03:36 • -10.8db
23% Popularity • 61% Danceability • 39% Energy • 12% Liveness
58% Instrumentalness • 14% Positiveness
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Kenichiro Suehiro
Hara no naka
140 bpm • D Maj • 02:34 • -17.81db
8% Popularity • 48% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Mutemath
Earlylight
140 bpm • D min • 04:22 • -7.62db
20% Popularity • 54% Danceability • 95% Energy • 12% Liveness
80% Instrumentalness • 16% Positiveness
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Julia Newman
Delirium Tremens
136 bpm • B Maj • 01:25 • -17.56db
12% Popularity • 89% Danceability • 14% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Marco Beltrami
Driving in the Rain
140 bpm • E min • 01:52 • -9.57db
22% Popularity • 54% Danceability • 80% Energy • 35% Liveness
81% Instrumentalness • 48% Positiveness
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Yoann Laulan
Toxic Sewers
140 bpm • C min • 04:34 • -21.83db
20% Popularity • 58% Danceability • 34% Energy • 34% Liveness
84% Instrumentalness • 18% Positiveness
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Stefan Will
Burning Days
140 bpm • C# Maj • 03:13 • -15.04db
10% Popularity • 42% Danceability • 38% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
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Corpus Dominix
Casus Belli
140 bpm • A# Maj • 01:42 • -21.98db
12% Popularity • 43% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 22% Positiveness
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Ludwig Göransson
Reprogram
140 bpm • F Maj • 02:32 • -25.41db
24% Popularity • 31% Danceability • 14% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Bill Brown
Search and Destroy
140 bpm • F# min • 03:18 • -9.75db
15% Popularity • 70% Danceability • 73% Energy • 36% Liveness
43% Instrumentalness • 66% Positiveness
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Cris Velasco
Dahl Abandon Combat - Commander Lilith a...
140 bpm • C Maj • 02:06 • -16.44db
9% Popularity • 68% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 14% Positiveness
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Kuma HM
Invisible
140 bpm • A# min • 02:54 • -21.89db
17% Popularity • 34% Danceability • 17% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Kevin Kiner; Gustavo Santaolalla
Cullen Escapes
140 bpm • C# min • 01:51 • -15.67db
8% Popularity • 71% Danceability • 59% Energy • 10% Liveness
81% Instrumentalness • 29% Positiveness
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Brandon Campbell
Shane
140 bpm • F Maj • 01:18 • -19.09db
11% Popularity • 43% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Stefan Will
Siege
140 bpm • G# Maj • 03:46 • -18.84db
10% Popularity • 28% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Chris Benstead
The Unique Method
135 bpm • F Maj • 02:29 • -19.04db
15% Popularity • 66% Danceability • 37% Energy • 12% Liveness
70% Instrumentalness • 40% Positiveness
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Ludwig Göransson
Hyperspace
141 bpm • C# Maj • 02:50 • -17.35db
20% Popularity • 32% Danceability • 39% Energy • 11% Liveness
52% Instrumentalness • 15% Positiveness
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HEALTH
MAX KILL
135 bpm • F min • 03:08 • -9.44db
21% Popularity • 61% Danceability • 88% Energy • 9% Liveness
86% Instrumentalness • 34% Positiveness
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Soundscape
Hidden Realm
141 bpm • E min • 02:45 • -14.26db
11% Popularity • 55% Danceability • 50% Energy • 14% Liveness
93% Instrumentalness • 30% Positiveness
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Nicholas Britell
The Washington Game Board
135 bpm • G min • 02:42 • -16.51db
18% Popularity • 37% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 21% Positiveness
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Zack Hemsey
Wrath Of A Giant
135 bpm • A Maj • 04:16 • -25.7db
13% Popularity • 66% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Kenichiro Suehiro
MALICIOUS SECOND HAND
135 bpm • D Maj • 02:20 • -15.82db
11% Popularity • 56% Danceability • 42% Energy • 39% Liveness
91% Instrumentalness • 11% Positiveness
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James Newton Howard
Simon Ross
135 bpm • E min • 01:37 • -15.53db
9% Popularity • 47% Danceability • 25% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
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Hans Zimmer
Marital Sabotage
142 bpm • D Maj • 03:44 • -15.16db
33% Popularity • 52% Danceability • 47% Energy • 11% Liveness
75% Instrumentalness • 17% Positiveness
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Olav Øyehaug
Stealing It Back
134 bpm • C# Maj • 02:21 • -11.39db
11% Popularity • 55% Danceability • 69% Energy • 18% Liveness
11% Instrumentalness • 77% Positiveness
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Thought Gang
Frank 2000 Prelude
142 bpm • G# Maj • 01:53 • -12.04db
19% Popularity • 57% Danceability • 55% Energy • 15% Liveness
86% Instrumentalness • 84% Positiveness
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Michael Nielsen
The Mafia Club
134 bpm • C min • 03:43 • -12.57db
10% Popularity • 63% Danceability • 56% Energy • 13% Liveness
74% Instrumentalness • 8% Positiveness
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Christophe Beck
Lucky Charm
134 bpm • G Maj • 02:03 • -14.08db
17% Popularity • 66% Danceability • 23% Energy • 13% Liveness
6% Instrumentalness • 9% Positiveness
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Nobuo Uematsu
FFVII REMAKE: Red XIII's Theme - Nothing...
142 bpm • B min • 00:54 • -19.98db
14% Popularity • 71% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
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Ivo Dubulgaria
Push It Off
134 bpm • F min • 01:15 • -16.78db
19% Popularity • 68% Danceability • 23% Energy • 25% Liveness
89% Instrumentalness • 47% Positiveness
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Son Lux
Deirdre Fight
132 bpm • C# Maj • 05:02 • -15.14db
21% Popularity • 24% Danceability • 41% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness
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Blue Man Group
Shadows
143 bpm • F# min • 02:06 • -12.36db
18% Popularity • 36% Danceability • 60% Energy • 13% Liveness
71% Instrumentalness • 10% Positiveness
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Toygar Işıklı
Kara Plan / Kadir
144 bpm • B Maj • 01:50 • -14.72db
17% Popularity • 55% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Imogen Heap
Suite Two: The Duel
144 bpm • D Maj • 01:16 • -10.46db
21% Popularity • 49% Danceability • 76% Energy • 30% Liveness
78% Instrumentalness • 13% Positiveness
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PROJECT ACES
Admiral Andersen
144 bpm • G min • 01:28 • -18.3db
19% Popularity • 49% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Alain Johannes
La Carcel del Pueblo
144 bpm • A# Maj • 01:59 • -15.78db
8% Popularity • 78% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 54% Positiveness
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Halo
Hunted
132 bpm • D Maj • 01:15 • -16.86db
12% Popularity • 73% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 45% Positiveness
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Marc Streitenfeld
Chinchilla Coat
132 bpm • C Maj • 02:42 • -27db
12% Popularity • 26% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Qoobits
Introjan - Radio Edit
145 bpm • C Maj • 02:17 • -18.22db
14% Popularity • 69% Danceability • 21% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
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Jon Opstad
Grim Encounter
145 bpm • F min • 02:56 • -16.19db
8% Popularity • 50% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Haudh
Longing
145 bpm • C Maj • 08:29 • -33.79db
9% Popularity • 36% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Creepxotica
Murder on Molokai
145 bpm • G min • 02:11 • -11db
18% Popularity • 56% Danceability • 62% Energy • 10% Liveness
79% Instrumentalness • 92% Positiveness
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Timothy Williams
Chris Escapes
131 bpm • E min • 01:04 • -13.19db
19% Popularity • 65% Danceability • 52% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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Clark
Spring But Dark
131 bpm • G# min • 01:18 • -14db
13% Popularity • 49% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Gabriella Stufano
Theory
131 bpm • A# Maj • 02:08 • -13.88db
15% Popularity • 81% Danceability • 18% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
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Air
Décollage
146 bpm • E min • 01:37 • -15.66db
34% Popularity • 46% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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Nicholas Britell
Tourists Don't Run
146 bpm • G# Maj • 02:00 • -12.7db
25% Popularity • 53% Danceability • 86% Energy • 41% Liveness
87% Instrumentalness • 28% Positiveness
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Sweet'N Lo-Fi
Drumless Dub
130 bpm • C# Maj • 01:00 • -23.23db
16% Popularity • 36% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Ampient
Bloodbath
130 bpm • D Maj • 01:02 • -12.24db
19% Popularity • 67% Danceability • 95% Energy • 18% Liveness
88% Instrumentalness • 13% Positiveness
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Danyel Mansell
Thoury Molo
130 bpm • D Maj • 01:08 • -18.68db
11% Popularity • 60% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Lorne Balfe
Cube Dungeon
130 bpm • G Maj • 01:47 • -10.82db
17% Popularity • 66% Danceability • 90% Energy • 8% Liveness
81% Instrumentalness • 79% Positiveness
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Orchestre Lamoureux
Embody (Orchestral Version)
130 bpm • F min • 03:16 • -11.87db
14% Popularity • 33% Danceability • 32% Energy • 16% Liveness
94% Instrumentalness • 31% Positiveness
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アトラスサウンドチーム
Getaway - another version
130 bpm • B min • 01:21 • -11.07db
30% Popularity • 71% Danceability • 86% Energy • 10% Liveness
87% Instrumentalness • 65% Positiveness
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Daniel Pemberton
Security Guard
130 bpm • D Maj • 01:06 • -11.65db
26% Popularity • 76% Danceability • 64% Energy • 28% Liveness
90% Instrumentalness • 48% Positiveness
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Gaspar Claus
2359
130 bpm • A min • 02:45 • -16.73db
33% Popularity • 78% Danceability • 57% Energy • 10% Liveness
93% Instrumentalness • 90% Positiveness
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Pascal Sangla
L'arrivée des victimes
130 bpm • F min • 01:49 • -20.3db
8% Popularity • 68% Danceability • 10% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Desmond Murray
Nuevo Nancy Drew
130 bpm • C min • 01:20 • -15.66db
28% Popularity • 80% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 58% Positiveness
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Stewart Copeland
Biff Gets Stomped By Rusty James
147 bpm • F Maj • 02:27 • -16.63db
9% Popularity • 40% Danceability • 62% Energy • 31% Liveness
78% Instrumentalness • 7% Positiveness
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Senyawa
Paradise Mercifully Departed
147 bpm • G Maj • 02:33 • -14.36db
35% Popularity • 46% Danceability • 58% Energy • 8% Liveness
88% Instrumentalness • 56% Positiveness
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Lu Luming
你能做到嗎
130 bpm • F min • 03:09 • -20.89db
10% Popularity • 40% Danceability • 10% Energy • 11% Liveness
23% Instrumentalness • 6% Positiveness
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Jeff Beal
Coming Home
130 bpm • G min • 03:54 • -22.12db
21% Popularity • 29% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Sabled Sun
Abandoned
147 bpm • C Maj • 05:22 • -23db
11% Popularity • 17% Danceability • 29% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Darren Mitchell
Dark Totem
147 bpm • G min • 02:54 • -8.83db
10% Popularity • 45% Danceability • 82% Energy • 37% Liveness
83% Instrumentalness • 26% Positiveness
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VICE PICHEROY
D'ont Cry
148 bpm • C# Maj • 01:01 • -21.15db
24% Popularity • 36% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Lucrecia Dalt
No One Around
129 bpm • G Maj • 01:31 • -16.17db
14% Popularity • 90% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 70% Positiveness
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West Dylan Thordson
A Way Out
148 bpm • C# Maj • 03:01 • -27.73db
15% Popularity • 25% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
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Jeff Beal
Put It To Bed
147 bpm • G Maj • 01:36 • -22.41db
11% Popularity • 19% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Cristobal Tapia De Veer
Conspiracy - Pt. 1
148 bpm • G Maj • 02:53 • -14db
21% Popularity • 59% Danceability • 32% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
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Daniel Lopatin
School Play
148 bpm • A# min • 06:16 • -14.99db
19% Popularity • 52% Danceability • 56% Energy • 16% Liveness
85% Instrumentalness • 29% Positiveness
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Yugo Kanno
Hyoui
148 bpm • A# Maj • 02:23 • -17.64db
8% Popularity • 53% Danceability • 22% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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John Balcom
Describing the Car Crash
148 bpm • G Maj • 02:06 • -15db
18% Popularity • 30% Danceability • 23% Energy • 15% Liveness
84% Instrumentalness • 8% Positiveness
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Brendan Angelides
Calotropis Procera
128 bpm • D Maj • 02:32 • -19.18db
20% Popularity • 41% Danceability • 28% Energy • 21% Liveness
84% Instrumentalness • 4% Positiveness
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Levent Güneş
Kor Meydanı
128 bpm • D Maj • 02:45 • -14.73db
8% Popularity • 76% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Zack Hemsey
The Hands Of An Ape
128 bpm • A Maj • 03:01 • -25.37db
14% Popularity • 37% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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조영욱과 THE SOUNDTRACKINGS
At the Graveyard
150 bpm • C# Maj • 01:47 • -19.08db
7% Popularity • 68% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Yugo Kanno
犯罪遊戯
148 bpm • G# Maj • 02:33 • -19.97db
10% Popularity • 78% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Corpus Dominix
Frangar, non flectar
150 bpm • C min • 01:55 • -22.08db
14% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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石元 丈晴
Vigilant Night
150 bpm • F Maj • 01:30 • -20.22db
23% Popularity • 59% Danceability • 19% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
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Daniel Pemberton
Following Hobden
150 bpm • G min • 03:08 • -13.57db
8% Popularity • 68% Danceability • 60% Energy • 13% Liveness
84% Instrumentalness • 20% Positiveness
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Sarah Schachner
Borderline
150 bpm • C# Maj • 03:49 • -15.16db
32% Popularity • 51% Danceability • 37% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Shiro SAGISU
EM18_Rhythm03_Premix#070705
150 bpm • A Maj • 01:39 • -12.96db
13% Popularity • 65% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 67% Positiveness
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Colapesce
L'albero cosmico
150 bpm • A min • 01:12 • -27.34db
13% Popularity • 32% Danceability • 10% Energy • 5% Liveness
55% Instrumentalness • 7% Positiveness
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Davidson Jaconello
FMO III (Turbulence)
126 bpm • C# Maj • 04:59 • -14.06db
9% Popularity • 43% Danceability • 38% Energy • 21% Liveness
82% Instrumentalness • 17% Positiveness
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Adventure Time
Turbo Dating
151 bpm • G# Maj • 01:04 • -16.34db
18% Popularity • 26% Danceability • 51% Energy • 12% Liveness
89% Instrumentalness • 42% Positiveness
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Sepia Connections