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September Morning
Songs like
September Morning
by
Warren Hill
Based on a tempo of (+/- 10%) and a similar genre
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Warren Hill
September Morning
136 bpm • C min • 05:33 • -8db
27% Popularity • 61% Danceability • 54% Energy • 29% Liveness
17% Instrumentalness • 43% Positiveness
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Chris Geith
Sunshine Kisses
136 bpm • C Maj • 05:18 • -9.62db
22% Popularity • 73% Danceability • 57% Energy • 6% Liveness
55% Instrumentalness • 67% Positiveness
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Brian Hughes
Shakin Not Stirred
137 bpm • A# min • 05:04 • -8db
28% Popularity • 68% Danceability • 74% Energy • 9% Liveness
87% Instrumentalness • 87% Positiveness
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Sax 4 Lovers
Arthur's Theme
135 bpm • A Maj • 04:19 • -9.38db
32% Popularity • 67% Danceability • 50% Energy • 6% Liveness
88% Instrumentalness • 28% Positiveness
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BWB
A Woman's Worth
138 bpm • E min • 05:45 • -8.25db
33% Popularity • 62% Danceability • 54% Energy • 10% Liveness
51% Instrumentalness • 41% Positiveness
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Bryan Lubeck
All Summer Long
135 bpm • C min • 04:56 • -10db
21% Popularity • 69% Danceability • 45% Energy • 10% Liveness
90% Instrumentalness • 43% Positiveness
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Warren Hill
Take Me As I Am
136 bpm • F min • 04:41 • -10db
21% Popularity • 67% Danceability • 40% Energy • 16% Liveness
80% Instrumentalness • 29% Positiveness
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Roberto Vazquez
Simple Life
140 bpm • D# min • 04:46 • -8.79db
32% Popularity • 66% Danceability • 56% Energy • 9% Liveness
86% Instrumentalness • 78% Positiveness
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Carol Albert
Stronger Now
140 bpm • D Maj • 03:43 • -11db
25% Popularity • 59% Danceability • 46% Energy • 22% Liveness
91% Instrumentalness • 44% Positiveness
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Oli Silk
Get out Claws
132 bpm • A# min • 03:29 • -8.84db
35% Popularity • 78% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 68% Positiveness
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Chris Geith
Have I Told You Lately
132 bpm • A# Maj • 04:57 • -9.05db
40% Popularity • 65% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Bryan Lubeck
Tuscan Sky
132 bpm • A Maj • 04:33 • -9db
21% Popularity • 73% Danceability • 64% Energy • 11% Liveness
91% Instrumentalness • 51% Positiveness
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Warren Hill
My Funny Valentine
136 bpm • C min • 06:48 • -9.44db
9% Popularity • 52% Danceability • 39% Energy • 21% Liveness
12% Instrumentalness • 21% Positiveness
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Paul Jackson, Jr.
Easy, Like Sunday Morning
132 bpm • A min • 04:42 • -7.97db
34% Popularity • 70% Danceability • 62% Energy • 11% Liveness
65% Instrumentalness • 47% Positiveness
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Fattburger
Sizzlin'
142 bpm • C min • 04:28 • -9db
30% Popularity • 75% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 98% Positiveness
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Acoustic Alchemy
Missing Your Touch
130 bpm • C# min • 04:44 • -14.25db
34% Popularity • 74% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 82% Positiveness
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Chris Geith
So Many Nights
132 bpm • G min • 05:08 • -8.85db
31% Popularity • 62% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Nate Najar
Until Now
142 bpm • D# Maj • 05:27 • -8.29db
20% Popularity • 69% Danceability • 62% Energy • 10% Liveness
63% Instrumentalness • 48% Positiveness
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Warren Hill
Warm Rain
134 bpm • C min • 05:26 • -5.82db
16% Popularity • 70% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Rocco Ventrella
Alleria
143 bpm • G Maj • 05:06 • -10db
18% Popularity • 49% Danceability • 41% Energy • 42% Liveness
81% Instrumentalness • 39% Positiveness
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Walter Beasley
Slowly But Surely
129 bpm • G min • 05:05 • -10.89db
30% Popularity • 66% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
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Tim Heinz
Dear Jacqui
144 bpm • F min • 04:56 • -13.07db
28% Popularity • 61% Danceability • 37% Energy • 6% Liveness
90% Instrumentalness • 37% Positiveness
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Chris Geith
Love Anchors the Soul
130 bpm • A# Maj • 04:14 • -11.8db
35% Popularity • 63% Danceability • 36% Energy • 9% Liveness
62% Instrumentalness • 20% Positiveness
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Daniel Chia
Tender - Remix
144 bpm • G Maj • 05:03 • -14.95db
28% Popularity • 55% Danceability • 44% Energy • 6% Liveness
87% Instrumentalness • 70% Positiveness
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Warren Hill
When A Woman Loves A Man
133 bpm • A# Maj • 04:24 • -6.95db
6% Popularity • 58% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
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Fattburger
The Doctor
129 bpm • C min • 05:41 • -13db
24% Popularity • 58% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 73% Positiveness
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Joe McBride
Oi Gata
144 bpm • B min • 04:17 • -10db
38% Popularity • 67% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 80% Positiveness
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Jeff Kashiwa
Because of You
144 bpm • A# min • 04:44 • -8db
46% Popularity • 64% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Geith
Coastal Daydreaming
130 bpm • F Maj • 04:26 • -5db
42% Popularity • 66% Danceability • 90% Energy • 12% Liveness
94% Instrumentalness • 60% Positiveness
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Craig Chaquico
Cafe Carnival
128 bpm • E min • 04:19 • -7.53db
30% Popularity • 73% Danceability • 84% Energy • 3% Liveness
63% Instrumentalness • 96% Positiveness
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Warren Hill
Sax In The City
140 bpm • C Maj • 05:16 • -8.45db
27% Popularity • 65% Danceability • 45% Energy • 7% Liveness
13% Instrumentalness • 50% Positiveness
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Rick Braun
Emma's Song
144 bpm • C Maj • 03:49 • -9.1db
27% Popularity • 69% Danceability • 32% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
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Dave Bradshaw Jr.
Set Me Free
146 bpm • F Maj • 05:07 • -11.66db
22% Popularity • 61% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 69% Positiveness
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Andrea Razzauti
Black Sand
127 bpm • F Maj • 04:26 • -12.69db
28% Popularity • 63% Danceability • 37% Energy • 11% Liveness
36% Instrumentalness • 33% Positiveness
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Michael C. Lewis
Reasons
147 bpm • D# Maj • 04:29 • -6.82db
43% Popularity • 44% Danceability • 71% Energy • 67% Liveness
13% Instrumentalness • 70% Positiveness
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Acoustic Alchemy
Wish You Were Near
126 bpm • D min • 04:05 • -8.42db
40% Popularity • 62% Danceability • 75% Energy • 5% Liveness
94% Instrumentalness • 87% Positiveness
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Warren Hill
Promises
132 bpm • G Maj • 05:29 • -10db
12% Popularity • 47% Danceability • 56% Energy • 24% Liveness
1% Instrumentalness • 38% Positiveness
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Jessy J
Hot Sauce
124 bpm • G min • 03:17 • -3.86db
39% Popularity • 66% Danceability • 79% Energy • 15% Liveness
73% Instrumentalness • 58% Positiveness
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Katja Rieckermann
Hearts
125 bpm • G min • 04:04 • -9.76db
12% Popularity • 39% Danceability • 44% Energy • 11% Liveness
30% Instrumentalness • 11% Positiveness
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Christian de Mesones
Latin Jive Redux
124 bpm • F min • 03:18 • -6db
22% Popularity • 79% Danceability • 60% Energy • 7% Liveness
55% Instrumentalness • 67% Positiveness
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John Tesh
One More Night
123 bpm • D# Maj • 05:13 • -11.24db
27% Popularity • 50% Danceability • 30% Energy • 28% Liveness
88% Instrumentalness • 19% Positiveness
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Urs Wiesendanger
Prisca
150 bpm • A# Maj • 04:15 • -7.81db
2% Popularity • 56% Danceability • 43% Energy • 24% Liveness
69% Instrumentalness • 15% Positiveness
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Warren Hill
Tamara
140 bpm • F Maj • 05:02 • -8.38db
12% Popularity • 56% Danceability • 49% Energy • 7% Liveness
32% Instrumentalness • 25% Positiveness
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Paul Jackson, Jr.
To Be Like Him
122 bpm • G# min • 05:35 • -7.36db
33% Popularity • 69% Danceability • 64% Energy • 32% Liveness
77% Instrumentalness • 30% Positiveness
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Art Porter
Little People
122 bpm • D min • 06:03 • -10.36db
14% Popularity • 59% Danceability • 52% Energy • 31% Liveness
90% Instrumentalness • 38% Positiveness
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Dan Siegel
Treasure Hunt
151 bpm • E min • 05:08 • -14.63db
32% Popularity • 71% Danceability • 44% Energy • 3% Liveness
84% Instrumentalness • 72% Positiveness
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Igor Gerzina
The Whisper of Your Heart
152 bpm • G Maj • 03:58 • -8.66db
14% Popularity • 60% Danceability • 63% Energy • 42% Liveness
80% Instrumentalness • 46% Positiveness
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Kool&Klean
Far Away
121 bpm • G Maj • 04:03 • -7.96db
32% Popularity • 75% Danceability • 60% Energy • 6% Liveness
64% Instrumentalness • 96% Positiveness
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Warren Hill
Mambo 2000 - Radio Edit
140 bpm • F min • 04:02 • -5.23db
6% Popularity • 70% Danceability • 72% Energy • 38% Liveness
59% Instrumentalness • 54% Positiveness
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Paul Jackson, Jr.
The East from the West
122 bpm • B min • 05:38 • -11.67db
36% Popularity • 74% Danceability • 50% Energy • 4% Liveness
61% Instrumentalness • 40% Positiveness
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Andrea Razzauti
Arancio Bossa
121 bpm • E min • 05:20 • -9db
22% Popularity • 72% Danceability • 51% Energy • 9% Liveness
76% Instrumentalness • 61% Positiveness
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Dan Siegel
Then and Now
121 bpm • F min • 04:00 • -16db
37% Popularity • 71% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 54% Positiveness
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Peter Pupping
Shadow of Your Smile
120 bpm • G Maj • 02:47 • -17.56db
32% Popularity • 52% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Brian Hughes
Pamela
120 bpm • G# min • 05:16 • -10db
36% Popularity • 68% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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Warren Hill
Mambo 2000
140 bpm • A# min • 06:19 • -8.41db
12% Popularity • 67% Danceability • 69% Energy • 32% Liveness
60% Instrumentalness • 54% Positiveness
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Jeff Kashiwa
Do It Again
120 bpm • G min • 04:40 • -7.71db
23% Popularity • 76% Danceability • 62% Energy • 55% Liveness
73% Instrumentalness • 69% Positiveness
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Andrea Razzauti
Arancio Bossa
121 bpm • E min • 05:20 • -13.51db
19% Popularity • 73% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
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Chris Standring
Love and Paragraphs
120 bpm • G Maj • 03:51 • -7db
35% Popularity • 80% Danceability • 55% Energy • 6% Liveness
85% Instrumentalness • 94% Positiveness
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Torcuato Mariano
New World
120 bpm • F# Maj • 05:20 • -14.66db
14% Popularity • 69% Danceability • 51% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
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Brian Hughes
Man About Town
120 bpm • D min • 05:32 • -7.67db
24% Popularity • 67% Danceability • 75% Energy • 20% Liveness
82% Instrumentalness • 53% Positiveness
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Warren Hill
Play It Like You Mean It
128 bpm • A min • 03:37 • -4.79db
7% Popularity • 77% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Thom Rotella
Street Talk
120 bpm • F Maj • 04:05 • -7.2db
20% Popularity • 86% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 71% Positiveness
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Jeff Kashiwa
Side by Side
120 bpm • F min • 05:04 • -6.44db
22% Popularity • 68% Danceability • 66% Energy • 13% Liveness
77% Instrumentalness • 46% Positiveness
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Chris Standring
God Only Knows
120 bpm • E Maj • 04:12 • -13.27db
25% Popularity • 64% Danceability • 33% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
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The Sax Pack
Sooner Or Later
120 bpm • F min • 03:48 • -7db
36% Popularity • 70% Danceability • 81% Energy • 27% Liveness
88% Instrumentalness • 79% Positiveness
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Lawrence Blatt
Longitudes and Latitudes
120 bpm • B min • 04:43 • -12.91db
19% Popularity • 70% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 45% Positiveness
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Warren Hill
Easy
125 bpm • G Maj • 05:00 • -8db
11% Popularity • 47% Danceability • 58% Energy • 7% Liveness
22% Instrumentalness • 30% Positiveness
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Craig Chaquico
Forbidden Love
120 bpm • E min • 05:24 • -8.6db
25% Popularity • 73% Danceability • 61% Energy • 9% Liveness
61% Instrumentalness • 87% Positiveness
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Dan Siegel
From The Heart
120 bpm • F# Maj • 03:44 • -8.97db
33% Popularity • 76% Danceability • 69% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
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Jessy J
Lovesong
119 bpm • G# Maj • 05:16 • -10.57db
36% Popularity • 74% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 23% Positiveness
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Nick Colionne
Rainy Night In Georgia
119 bpm • G Maj • 04:54 • -11.78db
31% Popularity • 74% Danceability • 38% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
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Dwight Sills
Sliver Moon
156 bpm • C# min • 05:13 • -15.26db
41% Popularity • 61% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 56% Positiveness
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Warren Hill
You Are So Beautiful
124 bpm • C Maj • 03:52 • -10db
34% Popularity • 36% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 12% Positiveness
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Art Porter
Passion Sunrise
118 bpm • F Maj • 06:32 • -10.14db
19% Popularity • 54% Danceability • 50% Energy • 11% Liveness
43% Instrumentalness • 36% Positiveness
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Dan Siegel
If Not Now
118 bpm • G min • 04:55 • -13.92db
11% Popularity • 75% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Chris Geith
That's What Friends Are For
118 bpm • D# Maj • 04:19 • -7.94db
38% Popularity • 68% Danceability • 62% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Joe McBride
Lakewood
118 bpm • D min • 05:16 • -9.03db
34% Popularity • 68% Danceability • 66% Energy • 7% Liveness
74% Instrumentalness • 82% Positiveness
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Renato Falaschi
Love Boat
118 bpm • B min • 04:36 • -9.36db
41% Popularity • 64% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 75% Positiveness
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Warren Hill
My Love
124 bpm • F Maj • 04:25 • -7.21db
32% Popularity • 51% Danceability • 44% Energy • 16% Liveness
35% Instrumentalness • 20% Positiveness
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Marc Antoine & Paul Brown
Foreign Exchange
117 bpm • D Maj • 04:03 • -7db
34% Popularity • 81% Danceability • 75% Energy • 9% Liveness
84% Instrumentalness • 92% Positiveness
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Acoustic Alchemy
Catalina Kiss
158 bpm • A Maj • 04:36 • -14.88db
32% Popularity • 57% Danceability • 57% Energy • 5% Liveness
90% Instrumentalness • 88% Positiveness
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Lee Ritenour
Water To Drink (Agua De Beber)
117 bpm • C# min • 05:04 • -14.85db
33% Popularity • 77% Danceability • 51% Energy • 12% Liveness
77% Instrumentalness • 59% Positiveness
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Fattburger
Evil Ways
116 bpm • F Maj • 04:37 • -6db
34% Popularity • 72% Danceability • 77% Energy • 30% Liveness
73% Instrumentalness • 96% Positiveness
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Roberto Vazquez
In the Rain
164 bpm • D# min • 04:22 • -8.89db
21% Popularity • 66% Danceability • 49% Energy • 36% Liveness
19% Instrumentalness • 62% Positiveness
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Warren Hill
The Jive Samba
150 bpm • F min • 05:06 • -6.08db
17% Popularity • 68% Danceability • 88% Energy • 38% Liveness
74% Instrumentalness • 91% Positiveness
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Special EFX
Ballerina
166 bpm • G Maj • 05:13 • -11.93db
27% Popularity • 64% Danceability • 58% Energy • 5% Liveness
95% Instrumentalness • 53% Positiveness
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3rd Force
Bridge Of Dreams
167 bpm • D min • 04:18 • -12.15db
26% Popularity • 69% Danceability • 62% Energy • 20% Liveness
84% Instrumentalness • 66% Positiveness
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Jackiem Joyner
I'm Waiting For You
168 bpm • D# min • 04:05 • -6.36db
49% Popularity • 62% Danceability • 79% Energy • 6% Liveness
51% Instrumentalness • 75% Positiveness
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Thom Rotella
Only 4 One Moment
168 bpm • D min • 04:24 • -8db
40% Popularity • 57% Danceability • 72% Energy • 20% Liveness
90% Instrumentalness • 70% Positiveness
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Gail Jhonson
Groovin' In Philly
168 bpm • E Maj • 04:36 • -9.36db
31% Popularity • 56% Danceability • 54% Energy • 10% Liveness
83% Instrumentalness • 60% Positiveness
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Warren Hill
Dancing With You
154 bpm • G min • 05:49 • -11.6db
14% Popularity • 66% Danceability • 37% Energy • 8% Liveness
4% Instrumentalness • 34% Positiveness
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Freddie Fox
Still Lovin' You
170 bpm • C Maj • 04:13 • -11db
45% Popularity • 62% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 78% Positiveness
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Romu Agulló
Sueños
170 bpm • G Maj • 04:29 • -11.88db
20% Popularity • 46% Danceability • 57% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
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3rd Force
Young Again
170 bpm • B min • 04:45 • -8.18db
19% Popularity • 56% Danceability • 77% Energy • 12% Liveness
50% Instrumentalness • 71% Positiveness
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Dancing Fantasy
Take Five
170 bpm • G Maj • 05:27 • -9db
22% Popularity • 59% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 47% Positiveness
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Fridrik Karlsson
Summer Chill
170 bpm • F Maj • 08:54 • -13.62db
26% Popularity • 60% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 46% Positiveness
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Warren Hill
Oh Girl
154 bpm • C Maj • 04:47 • -8.23db
13% Popularity • 64% Danceability • 74% Energy • 8% Liveness
71% Instrumentalness • 90% Positiveness
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Tom Grant
Delicioso
170 bpm • F min • 05:20 • -13db
27% Popularity • 53% Danceability • 61% Energy • 24% Liveness
90% Instrumentalness • 50% Positiveness
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Freddie Fox
Sweet Kisses
170 bpm • F Maj • 04:54 • -8.17db
42% Popularity • 58% Danceability • 50% Energy • 8% Liveness
44% Instrumentalness • 48% Positiveness
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3rd Force
She Whispered To Me
170 bpm • C# Maj • 04:42 • -11.14db
22% Popularity • 60% Danceability • 61% Energy • 7% Liveness
84% Instrumentalness • 67% Positiveness
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September Morning