Songs like Sequenze Ritmiche by Piero Umiliani
Based on a tempo of (+/- 10%) and a similar genre
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I Marc 4
Nichole
126 bpm • E min • 02:42 • -11.48db
31% Popularity • 51% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
31% Popularity • 51% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Piero Umiliani
Goodmorning Sun
126 bpm • C min • 04:44 • -19.24db
26% Popularity • 31% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
26% Popularity • 31% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Agustin Pereyra Lucena
Samba do Aviao
126 bpm • G# Maj • 03:30 • -15.48db
26% Popularity • 40% Danceability • 64% Energy • 14% Liveness
87% Instrumentalness • 54% Positiveness
26% Popularity • 40% Danceability • 64% Energy • 14% Liveness
87% Instrumentalness • 54% Positiveness
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セキトオ・シゲオ
処女航海
126 bpm • A# Maj • 06:58 • -13.53db
39% Popularity • 48% Danceability • 37% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
39% Popularity • 48% Danceability • 37% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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Sven Libaek
Dark World
125 bpm • A min • 04:32 • -19.87db
23% Popularity • 45% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
23% Popularity • 45% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Nora Orlandi
Uccidere in silenzio 3
125 bpm • G Maj • 01:31 • -22db
49% Popularity • 30% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
49% Popularity • 30% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Robert Drasnin
You
125 bpm • A min • 02:25 • -28db
27% Popularity • 52% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 34% Positiveness
27% Popularity • 52% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 34% Positiveness
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Rubba
Way Star
127 bpm • C min • 03:51 • -18db
39% Popularity • 48% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 48% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Tamba 4
Baiano
124 bpm • E min • 02:49 • -22db
34% Popularity • 58% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 68% Positiveness
34% Popularity • 58% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 68% Positiveness
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Alain Goraguer
Méditation des enfants
125 bpm • C min • 01:33 • -16.91db
42% Popularity • 26% Danceability • 19% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 19% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Alessandro Alessandroni
Tema di Susie
128 bpm • G# Maj • 01:33 • -14.74db
43% Popularity • 74% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
43% Popularity • 74% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 58% Positiveness
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Nora Orlandi
Sweet Sweet Love
125 bpm • F Maj • 04:55 • -12.27db
21% Popularity • 41% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 87% Positiveness
21% Popularity • 41% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 87% Positiveness
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The Sweet Enoughs
Dream Puppy
124 bpm • F# min • 05:39 • -12db
41% Popularity • 72% Danceability • 16% Energy • 15% Liveness
54% Instrumentalness • 20% Positiveness
41% Popularity • 72% Danceability • 16% Energy • 15% Liveness
54% Instrumentalness • 20% Positiveness
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Berto Pisano
Free Hammond
124 bpm • F Maj • 02:51 • -18db
24% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
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Roberto Pregadio
Erika, Seq. 1
124 bpm • F Maj • 04:43 • -17db
24% Popularity • 48% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 44% Positiveness
24% Popularity • 48% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 44% Positiveness
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Franco Altissimi
Italian Love
124 bpm • E min • 02:10 • -10.36db
15% Popularity • 61% Danceability • 40% Energy • 9% Liveness
54% Instrumentalness • 18% Positiveness
15% Popularity • 61% Danceability • 40% Energy • 9% Liveness
54% Instrumentalness • 18% Positiveness
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Alberto Baldan Bembo
Gonzales Go
124 bpm • A# Maj • 02:14 • -11db
41% Popularity • 40% Danceability • 45% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
41% Popularity • 40% Danceability • 45% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
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Sven Libaek
Solar Flares
128 bpm • C Maj • 03:31 • -16.16db
36% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
36% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
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Martial Solal
New York Herald Tribune
129 bpm • A min • 01:29 • -21.35db
53% Popularity • 28% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
53% Popularity • 28% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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O'Donel Levy
Watch What Happens
129 bpm • A# Maj • 03:34 • -15.1db
31% Popularity • 68% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
31% Popularity • 68% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
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Johnny Pate
Jazar's Theme - Soundtrack
129 bpm • C min • 01:35 • -12.69db
38% Popularity • 38% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
38% Popularity • 38% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Lô Borges
Calibre
123 bpm • C# min • 01:29 • -13.84db
49% Popularity • 58% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 70% Positiveness
49% Popularity • 58% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 70% Positiveness
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Ana Mazzotti
Sou
123 bpm • E min • 02:24 • -18.97db
41% Popularity • 41% Danceability • 28% Energy • 23% Liveness
7% Instrumentalness • 43% Positiveness
41% Popularity • 41% Danceability • 28% Energy • 23% Liveness
7% Instrumentalness • 43% Positiveness
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Yusef Lateef
Woodward Avenue
123 bpm • E min • 02:14 • -16db
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
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Stelvio Cipriani
Tenerezza - Originale
129 bpm • E min • 02:00 • -32.46db
36% Popularity • 41% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
36% Popularity • 41% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Garoto
Jorge do Fusa
122 bpm • C# min • 02:45 • -21.31db
51% Popularity • 60% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
51% Popularity • 60% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Agustin Pereyra Lucena
Tema Barroco
122 bpm • F min • 02:54 • -15db
40% Popularity • 47% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
40% Popularity • 47% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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The Sweet Enoughs
In Mind
122 bpm • D# min • 03:07 • -11db
39% Popularity • 72% Danceability • 37% Energy • 10% Liveness
42% Instrumentalness • 19% Positiveness
39% Popularity • 72% Danceability • 37% Energy • 10% Liveness
42% Instrumentalness • 19% Positiveness
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セキトオ・シゲオ
The Word 2
122 bpm • F Maj • 03:00 • -11db
39% Popularity • 55% Danceability • 39% Energy • 11% Liveness
61% Instrumentalness • 27% Positiveness
39% Popularity • 55% Danceability • 39% Energy • 11% Liveness
61% Instrumentalness • 27% Positiveness
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Triste Janero
In the Garden
130 bpm • A min • 02:43 • -11.98db
35% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Piero Umiliani
Darling - Remastered
122 bpm • D min • 03:16 • -19.44db
26% Popularity • 41% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 84% Positiveness
26% Popularity • 41% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 84% Positiveness
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Garoto
Inspiracao
130 bpm • A Maj • 02:32 • -26db
47% Popularity • 36% Danceability • 7% Energy • 13% Liveness
90% Instrumentalness • 47% Positiveness
47% Popularity • 36% Danceability • 7% Energy • 13% Liveness
90% Instrumentalness • 47% Positiveness
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Alan Tew
The Detectives (Interlude)
122 bpm • F Maj • 01:48 • -23.2db
34% Popularity • 52% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 25% Positiveness
34% Popularity • 52% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 25% Positiveness
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Massimo Catalano
Scoramento
122 bpm • A min • 02:05 • -21.31db
13% Popularity • 46% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
13% Popularity • 46% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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セキトオ・シゲオ
カーリーとキャロル
130 bpm • A min • 03:37 • -11.61db
41% Popularity • 73% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
41% Popularity • 73% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
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Luigi Malatesta
Bakenda Beat
122 bpm • A# Maj • 04:43 • -12.03db
10% Popularity • 55% Danceability • 61% Energy • 15% Liveness
63% Instrumentalness • 76% Positiveness
10% Popularity • 55% Danceability • 61% Energy • 15% Liveness
63% Instrumentalness • 76% Positiveness
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Triste Janero
Rene De Marie
130 bpm • A Maj • 02:55 • -11db
38% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Hareton Salvanini
Salamandras
131 bpm • D# min • 04:56 • -9.14db
24% Popularity • 25% Danceability • 59% Energy • 24% Liveness
76% Instrumentalness • 11% Positiveness
24% Popularity • 25% Danceability • 59% Energy • 24% Liveness
76% Instrumentalness • 11% Positiveness
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Gene Harris
Soft Cycles
121 bpm • F min • 02:30 • -17.29db
32% Popularity • 54% Danceability • 20% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
32% Popularity • 54% Danceability • 20% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Piero Umiliani
Caretera Panamericana - Remastered 2023
131 bpm • C Maj • 02:59 • -6.99db
10% Popularity • 54% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 84% Positiveness
10% Popularity • 54% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 84% Positiveness
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John Klemmer
My Love Has Butterfly Wings
131 bpm • F Maj • 03:50 • -14.49db
35% Popularity • 46% Danceability • 32% Energy • 28% Liveness
74% Instrumentalness • 8% Positiveness
35% Popularity • 46% Danceability • 32% Energy • 28% Liveness
74% Instrumentalness • 8% Positiveness
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Sven Libaek
Night Ride
131 bpm • A min • 01:21 • -21.26db
39% Popularity • 62% Danceability • 19% Energy • 20% Liveness
95% Instrumentalness • 54% Positiveness
39% Popularity • 62% Danceability • 19% Energy • 20% Liveness
95% Instrumentalness • 54% Positiveness
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Paul Desmond
El Condor Pasa
121 bpm • C Maj • 03:03 • -14.13db
43% Popularity • 62% Danceability • 34% Energy • 8% Liveness
10% Instrumentalness • 58% Positiveness
43% Popularity • 62% Danceability • 34% Energy • 8% Liveness
10% Instrumentalness • 58% Positiveness
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Alan Tew
The Fence (B)
121 bpm • C Maj • 02:13 • -25db
39% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
39% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
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Alain Goraguer
Strip Tease
121 bpm • D min • 02:24 • -15db
35% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
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Franco Micalizzi
Jessica's Theme
121 bpm • G# Maj • 04:06 • -11.6db
15% Popularity • 44% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 44% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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セキトオ・シゲオ
ザ・ワード II
120 bpm • D min • 03:03 • -13.95db
55% Popularity • 30% Danceability • 18% Energy • 10% Liveness
66% Instrumentalness • 15% Positiveness
55% Popularity • 30% Danceability • 18% Energy • 10% Liveness
66% Instrumentalness • 15% Positiveness
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Sven Libaek
The Set
132 bpm • F min • 04:22 • -21.26db
25% Popularity • 56% Danceability • 28% Energy • 28% Liveness
87% Instrumentalness • 81% Positiveness
25% Popularity • 56% Danceability • 28% Energy • 28% Liveness
87% Instrumentalness • 81% Positiveness
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Piero Umiliani
Blue Lagoon
120 bpm • G Maj • 03:42 • -19db
19% Popularity • 52% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
19% Popularity • 52% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Gianni Marchetti
Una bossa piccola piccola 1
120 bpm • F Maj • 01:41 • -21db
34% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Alain Goraguer
La femme
121 bpm • C# min • 02:12 • -15db
32% Popularity • 43% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 43% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Gianni Oddi
Dedicato a Twiggy
120 bpm • C min • 02:26 • -19.37db
31% Popularity • 69% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
31% Popularity • 69% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Art Farmer
Petite Belle
120 bpm • G min • 09:44 • -14db
32% Popularity • 54% Danceability • 50% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
32% Popularity • 54% Danceability • 50% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
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Alberto Baldan Bembo
Linda
133 bpm • G Maj • 01:03 • -15.81db
63% Popularity • 58% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
63% Popularity • 58% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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Nora Orlandi
Souvenir d'un soir
133 bpm • A# min • 02:44 • -13.28db
20% Popularity • 64% Danceability • 45% Energy • 8% Liveness
34% Instrumentalness • 86% Positiveness
20% Popularity • 64% Danceability • 45% Energy • 8% Liveness
34% Instrumentalness • 86% Positiveness
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Alan Tew
Night Watch
133 bpm • A min • 02:14 • -24.54db
35% Popularity • 62% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 65% Positiveness
35% Popularity • 62% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 65% Positiveness
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Alain Goraguer
Terr et Tiwa dorment
120 bpm • C min • 00:49 • -19db
45% Popularity • 28% Danceability • 12% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
45% Popularity • 28% Danceability • 12% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
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Lesiman
Confronto
119 bpm • F min • 02:18 • -14.72db
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
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Piero Umiliani
Luna d'agosto - Con clavicembalo
119 bpm • C# Maj • 02:36 • -17.84db
43% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
43% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Yusef Lateef
Love Theme From Spartacus - Remastered 2...
133 bpm • E min • 04:15 • -15.81db
56% Popularity • 57% Danceability • 31% Energy • 7% Liveness
92% Instrumentalness • 56% Positiveness
56% Popularity • 57% Danceability • 31% Energy • 7% Liveness
92% Instrumentalness • 56% Positiveness
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Sandro Brugnolini
Silvana
119 bpm • G min • 03:53 • -17db
21% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
21% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Mack Browne & The Brothers
Bumpy's Lament
119 bpm • G min • 02:46 • -27.91db
47% Popularity • 57% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 41% Positiveness
47% Popularity • 57% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 41% Positiveness
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Trevor Duncan
Windshift
119 bpm • G min • 03:07 • -17db
13% Popularity • 38% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
13% Popularity • 38% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
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Martial Solal
Duo - Bande originale du film "À bout d...
119 bpm • D# min • 02:24 • -11.56db
22% Popularity • 72% Danceability • 33% Energy • 9% Liveness
8% Instrumentalness • 50% Positiveness
22% Popularity • 72% Danceability • 33% Energy • 9% Liveness
8% Instrumentalness • 50% Positiveness
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Piero Umiliani
Tema Dell'addio
119 bpm • F min • 02:32 • -19.32db
20% Popularity • 52% Danceability • 12% Energy • 23% Liveness
80% Instrumentalness • 25% Positiveness
20% Popularity • 52% Danceability • 12% Energy • 23% Liveness
80% Instrumentalness • 25% Positiveness
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Berto Pisano
Young Lady
134 bpm • B min • 01:47 • -23.23db
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
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Admas
Anchi Bale Game
119 bpm • A# min • 05:14 • -9.78db
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Stelvio Cipriani
Piove Per Noi
118 bpm • G Maj • 03:01 • -10.88db
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Alain Goraguer
Sur la plage
134 bpm • E min • 03:19 • -18.37db
23% Popularity • 36% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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I Marc 4
Aspettando July
118 bpm • A min • 02:37 • -17.59db
40% Popularity • 67% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
40% Popularity • 67% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Giuliano Sorgini
Diversivo
134 bpm • F Maj • 03:51 • -10.36db
21% Popularity • 66% Danceability • 72% Energy • 15% Liveness
92% Instrumentalness • 92% Positiveness
21% Popularity • 66% Danceability • 72% Energy • 15% Liveness
92% Instrumentalness • 92% Positiveness
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Sun Ra
I Could Have Danced All Night
118 bpm • C Maj • 03:11 • -7.69db
26% Popularity • 37% Danceability • 50% Energy • 29% Liveness
76% Instrumentalness • 52% Positiveness
26% Popularity • 37% Danceability • 50% Energy • 29% Liveness
76% Instrumentalness • 52% Positiveness
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Tarika Blue
Dreamflower
135 bpm • D# min • 04:15 • -18db
48% Popularity • 55% Danceability • 25% Energy • 8% Liveness
72% Instrumentalness • 38% Positiveness
48% Popularity • 55% Danceability • 25% Energy • 8% Liveness
72% Instrumentalness • 38% Positiveness
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Berto Pisano
Park for Two
135 bpm • F Maj • 01:36 • -14db
22% Popularity • 38% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
22% Popularity • 38% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
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Alberto Baldan Bembo
Tema di Andrea
135 bpm • C Maj • 02:34 • -7.98db
42% Popularity • 42% Danceability • 71% Energy • 19% Liveness
95% Instrumentalness • 50% Positiveness
42% Popularity • 42% Danceability • 71% Energy • 19% Liveness
95% Instrumentalness • 50% Positiveness
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Martial Solal
L'amour la mort - Bande originale du fil...
117 bpm • C Maj • 02:06 • -15.46db
22% Popularity • 41% Danceability • 21% Energy • 31% Liveness
66% Instrumentalness • 18% Positiveness
22% Popularity • 41% Danceability • 21% Energy • 31% Liveness
66% Instrumentalness • 18% Positiveness
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Gene Harris
Losalamitoslatinfunklovesong
135 bpm • F min • 03:10 • -12.01db
47% Popularity • 77% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
47% Popularity • 77% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Rosinha De Valença
Asa Branca
135 bpm • G Maj • 04:12 • -11.31db
39% Popularity • 44% Danceability • 34% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
39% Popularity • 44% Danceability • 34% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
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Ahmed Malek
Halla
136 bpm • G min • 02:50 • -11.8db
31% Popularity • 47% Danceability • 12% Energy • 13% Liveness
38% Instrumentalness • 37% Positiveness
31% Popularity • 47% Danceability • 12% Energy • 13% Liveness
38% Instrumentalness • 37% Positiveness
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Hareton Salvanini
Yélris
136 bpm • F Maj • 01:36 • -14.49db
22% Popularity • 44% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 44% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Triste Janero
A Beginning Dream
117 bpm • F Maj • 01:16 • -13db
52% Popularity • 64% Danceability • 69% Energy • 39% Liveness
79% Instrumentalness • 20% Positiveness
52% Popularity • 64% Danceability • 69% Energy • 39% Liveness
79% Instrumentalness • 20% Positiveness
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Alan Tew
Surveillance
136 bpm • G Maj • 01:33 • -20.5db
44% Popularity • 69% Danceability • 20% Energy • 10% Liveness
68% Instrumentalness • 67% Positiveness
44% Popularity • 69% Danceability • 20% Energy • 10% Liveness
68% Instrumentalness • 67% Positiveness
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Sandro Brugnolini
Adrie's Dream
136 bpm • G min • 03:16 • -9.71db
16% Popularity • 48% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 47% Positiveness
16% Popularity • 48% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 47% Positiveness
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Underground Canopy
Feelm Intermission
136 bpm • C Maj • 01:04 • -13.78db
58% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
58% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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The Cyrkle
The Minx
136 bpm • E Maj • 02:30 • -26.97db
44% Popularity • 70% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
44% Popularity • 70% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
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Nino Nardini
Bagheera
116 bpm • B min • 02:18 • -10.52db
23% Popularity • 28% Danceability • 37% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
23% Popularity • 28% Danceability • 37% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
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Arthur Lyman
Dahil Sayo
116 bpm • F Maj • 02:28 • -27.73db
30% Popularity • 65% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 56% Positiveness
30% Popularity • 65% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 56% Positiveness
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Max Graef
Jazz 104
116 bpm • E min • 01:07 • -10db
53% Popularity • 55% Danceability • 88% Energy • 21% Liveness
24% Instrumentalness • 73% Positiveness
53% Popularity • 55% Danceability • 88% Energy • 21% Liveness
24% Instrumentalness • 73% Positiveness
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David Lindup
Little Kisses
137 bpm • D Maj • 02:00 • -18.08db
22% Popularity • 64% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 32% Positiveness
22% Popularity • 64% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 32% Positiveness
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Alan Hawkshaw
The Feminine Scene
137 bpm • F Maj • 01:02 • -16.47db
30% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
30% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
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Roger Webb
Moonbird
137 bpm • A# Maj • 02:16 • -19.23db
37% Popularity • 28% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
37% Popularity • 28% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Alberto Baldan Bembo
Green Sea
137 bpm • A min • 02:40 • -7.45db
34% Popularity • 31% Danceability • 65% Energy • 51% Liveness
94% Instrumentalness • 48% Positiveness
34% Popularity • 31% Danceability • 65% Energy • 51% Liveness
94% Instrumentalness • 48% Positiveness
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Berto Pisano
Cuori assassini
116 bpm • D min • 01:07 • -20db
46% Popularity • 40% Danceability • 5% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
46% Popularity • 40% Danceability • 5% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
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Alan Tew
Final Statement
137 bpm • C min • 00:49 • -22.26db
30% Popularity • 53% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 50% Positiveness
30% Popularity • 53% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 50% Positiveness
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Lonnie Liston Smith
Colors of the Rainbow
116 bpm • D# Maj • 03:51 • -14.01db
32% Popularity • 20% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 20% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Piero Umiliani
Desert Island
137 bpm • G Maj • 01:54 • -16.52db
27% Popularity • 61% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
27% Popularity • 61% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
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Bruno Nicolai
Barlington - Version 2
116 bpm • G# Maj • 01:03 • -16db
26% Popularity • 52% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
26% Popularity • 52% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
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Fred Bongusto
Discorsi in prospettiva
138 bpm • A Maj • 01:27 • -25.13db
44% Popularity • 38% Danceability • 14% Energy • 10% Liveness
79% Instrumentalness • 34% Positiveness
44% Popularity • 38% Danceability • 14% Energy • 10% Liveness
79% Instrumentalness • 34% Positiveness
