Songs like Serenade for Small Orchestra: 1. Allegretto by Malcolm Arnold
Based on a tempo of (+/- 10%) and a similar genre
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Leonard Bernstein
Overture Candide
159 bpm • D# Maj • 04:13 • -11.92db
18% Popularity • 28% Danceability • 43% Energy • 11% Liveness
51% Instrumentalness • 48% Positiveness
18% Popularity • 28% Danceability • 43% Energy • 11% Liveness
51% Instrumentalness • 48% Positiveness
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Léo Delibes
Sylvia: Pizzicato
159 bpm • D# Maj • 01:45 • -39.22db
53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness
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Malcolm Arnold
Four Scottish Dances, Op. 59 - Produced
158 bpm • G min • 02:06 • -18.69db
12% Popularity • 45% Danceability • 16% Energy • 13% Liveness
68% Instrumentalness • 47% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 13% Liveness
68% Instrumentalness • 47% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
29% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
29% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Percy Grainger
Grainger / Orch. Artok: Country Gardens,...
157 bpm • D# Maj • 02:16 • -16.5db
21% Popularity • 43% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 79% Positiveness
21% Popularity • 43% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 79% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
162 bpm • A min • 04:23 • -20db
27% Popularity • 29% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
27% Popularity • 29% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
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Peter Warlock
Capriol Suite: 4. Bransles
156 bpm • G Maj • 01:59 • -19.75db
31% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
31% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
156 bpm • C Maj • 05:47 • -31.87db
28% Popularity • 45% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
28% Popularity • 45% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Malcolm Arnold
4 Cornish Dances, Op. 91: No. 2. Andanti...
158 bpm • D Maj • 03:09 • -36.66db
2% Popularity • 10% Danceability • 3% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 3% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Dmitry Kabalevsky
The Comedians - Suite, Op. 26: Waltz
163 bpm • C# Maj • 01:29 • -32.48db
22% Popularity • 36% Danceability • 5% Energy • 38% Liveness
44% Instrumentalness • 47% Positiveness
22% Popularity • 36% Danceability • 5% Energy • 38% Liveness
44% Instrumentalness • 47% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: IV....
155 bpm • A# Maj • 07:01 • -25db
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5: Overture
154 bpm • E min • 05:16 • -24db
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
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Ralph Vaughan Williams
Concerto Grosso: Intrada
154 bpm • G Maj • 01:52 • -15db
21% Popularity • 40% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
21% Popularity • 40% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Camille Saint-Saëns
Clarinet Sonata in E-Flat Major, Op. 167...
165 bpm • D# Maj • 04:25 • -29db
29% Popularity • 15% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
29% Popularity • 15% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Claude Debussy
Debussy: Syrinx, L. 129
165 bpm • B Maj • 03:21 • -31db
22% Popularity • 14% Danceability • 2% Energy • 11% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 14% Danceability • 2% Energy • 11% Liveness
43% Instrumentalness • 7% Positiveness
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Aaron Copland
An Outdoor Overture
153 bpm • F Maj • 08:28 • -19.67db
19% Popularity • 34% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 30% Positiveness
19% Popularity • 34% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 30% Positiveness
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Igor Stravinsky
The Firebird Suite *: Danse infernale du...
152 bpm • A Maj • 04:47 • -14.03db
17% Popularity • 29% Danceability • 38% Energy • 15% Liveness
91% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 38% Energy • 15% Liveness
91% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 4. The Pines Of T...
166 bpm • B Maj • 05:17 • -13.77db
25% Popularity • 9% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
166 bpm • G Maj • 03:32 • -17db
30% Popularity • 29% Danceability • 22% Energy • 69% Liveness
83% Instrumentalness • 22% Positiveness
30% Popularity • 29% Danceability • 22% Energy • 69% Liveness
83% Instrumentalness • 22% Positiveness
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Grigoras Dinicu
Hora Staccato - Arr. For Trumpet and Sal...
168 bpm • D# Maj • 01:39 • -15db
23% Popularity • 47% Danceability • 42% Energy • 13% Liveness
90% Instrumentalness • 89% Positiveness
23% Popularity • 47% Danceability • 42% Energy • 13% Liveness
90% Instrumentalness • 89% Positiveness
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William Walton
Henry V (adapted by Christopher Palmer):...
150 bpm • C Maj • 01:28 • -46db
19% Popularity • 12% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
19% Popularity • 12% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
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Reinhold Glière
Russian Sailors Dance
149 bpm • C min • 03:57 • -9.87db
11% Popularity • 42% Danceability • 38% Energy • 9% Liveness
39% Instrumentalness • 44% Positiveness
11% Popularity • 42% Danceability • 38% Energy • 9% Liveness
39% Instrumentalness • 44% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Edward Elgar
Chanson de matin
171 bpm • G Maj • 03:00 • -20db
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Maurice Ravel
String Quartet in F Major: II. Assez vif...
148 bpm • C Maj • 06:32 • -27db
27% Popularity • 29% Danceability • 5% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
27% Popularity • 29% Danceability • 5% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Leonard Bernstein
Candide, Act I: Overture
148 bpm • A# Maj • 04:29 • -10.62db
22% Popularity • 32% Danceability • 45% Energy • 14% Liveness
38% Instrumentalness • 36% Positiveness
22% Popularity • 32% Danceability • 45% Energy • 14% Liveness
38% Instrumentalness • 36% Positiveness
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John P. Paynter
4 Scottish Dances, Op. 59: No. 2. Vivace
148 bpm • G min • 02:22 • -20db
2% Popularity • 49% Danceability • 15% Energy • 20% Liveness
90% Instrumentalness • 24% Positiveness
2% Popularity • 49% Danceability • 15% Energy • 20% Liveness
90% Instrumentalness • 24% Positiveness
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United States Marine Band
Overture To Candide
147 bpm • A# Maj • 04:22 • -21db
22% Popularity • 36% Danceability • 18% Energy • 18% Liveness
40% Instrumentalness • 40% Positiveness
22% Popularity • 36% Danceability • 18% Energy • 18% Liveness
40% Instrumentalness • 40% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
148 bpm • D min • 02:20 • -20.82db
6% Popularity • 41% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
6% Popularity • 41% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
146 bpm • F Maj • 03:11 • -19db
32% Popularity • 25% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
32% Popularity • 25% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 1: I. Waltz
173 bpm • D# Maj • 02:28 • -25db
49% Popularity • 25% Danceability • 6% Energy • 12% Liveness
68% Instrumentalness • 23% Positiveness
49% Popularity • 25% Danceability • 6% Energy • 12% Liveness
68% Instrumentalness • 23% Positiveness
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Leonard Bernstein
Slava!
146 bpm • C min • 03:28 • -16.5db
25% Popularity • 55% Danceability • 29% Energy • 26% Liveness
4% Instrumentalness • 22% Positiveness
25% Popularity • 55% Danceability • 29% Energy • 26% Liveness
4% Instrumentalness • 22% Positiveness
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Joseph Haydn
Trumpet Concerto in E-Flat Major, Hob. V...
146 bpm • D# Maj • 04:28 • -20db
22% Popularity • 42% Danceability • 16% Energy • 5% Liveness
80% Instrumentalness • 38% Positiveness
22% Popularity • 42% Danceability • 16% Energy • 5% Liveness
80% Instrumentalness • 38% Positiveness
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Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27 (Arr M. Jo...
172 bpm • D min • 02:50 • -30.6db
8% Popularity • 8% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Carnival Overture, Op. 92
145 bpm • D Maj • 08:49 • -15db
23% Popularity • 24% Danceability • 34% Energy • 35% Liveness
72% Instrumentalness • 19% Positiveness
23% Popularity • 24% Danceability • 34% Energy • 35% Liveness
72% Instrumentalness • 19% Positiveness
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Percy Grainger
Country Gardens, BFMS 22 (Version for Wi...
174 bpm • D# Maj • 02:00 • -20db
30% Popularity • 29% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 54% Positiveness
30% Popularity • 29% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 54% Positiveness
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Philip Sparke
Dance Movements: III. Lento (for the bra...
174 bpm • G# Maj • 04:09 • -21.99db
11% Popularity • 8% Danceability • 2% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 2% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - Iii ...
145 bpm • D# Maj • 04:25 • -17.45db
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Malcolm Arnold
4 Welsh Dances, Op. 138: No. 2. Poco len...
173 bpm • B Maj • 02:59 • -24.3db
1% Popularity • 10% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
1% Popularity • 10% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
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Frederick Delius
Summer Evening
175 bpm • D Maj • 05:45 • -26db
9% Popularity • 8% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Belkis, regina di Saba, P 171: III. Danz...
144 bpm • G# min • 02:53 • -16.65db
17% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
17% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
► Preview
Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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John Rutter
Suite: A-Roving
144 bpm • D Maj • 03:11 • -24.86db
15% Popularity • 27% Danceability • 9% Energy • 19% Liveness
66% Instrumentalness • 38% Positiveness
15% Popularity • 27% Danceability • 9% Energy • 19% Liveness
66% Instrumentalness • 38% Positiveness
► Preview
Malcolm Arnold
4 Welsh Dances, Op. 138: No. 3. Vivace
145 bpm • E min • 02:08 • -26.29db
1% Popularity • 34% Danceability • 5% Energy • 38% Liveness
75% Instrumentalness • 7% Positiveness
1% Popularity • 34% Danceability • 5% Energy • 38% Liveness
75% Instrumentalness • 7% Positiveness
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John P. Paynter
4 Scottish Dances, Op. 59: No. 3. Allegr...
175 bpm • C# Maj • 03:20 • -20.81db
3% Popularity • 10% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: III. Dance of th...
177 bpm • C min • 01:39 • -27db
44% Popularity • 25% Danceability • 4% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
44% Popularity • 25% Danceability • 4% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
► Preview
Aaron Copland
Appalachian Spring: VI. Meno mosso
143 bpm • G# Maj • 01:14 • -34.13db
37% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
► Preview
Ernest Tomlinson
Little Serenade
142 bpm • A Maj • 03:23 • -29db
22% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Peter Warlock
Capriol Suite: V. Pieds-en-l'air
142 bpm • G Maj • 02:31 • -21.37db
12% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 2. Vivace
143 bpm • G min • 02:08 • -27.97db
6% Popularity • 41% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 23% Positiveness
6% Popularity • 41% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 23% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
142 bpm • G Maj • 06:28 • -30.75db
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Elgar: Variations on an Original Theme, ...
178 bpm • G min • 01:21 • -27.44db
46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: 1. Prelude
142 bpm • A Maj • 02:45 • -20.34db
18% Popularity • 40% Danceability • 11% Energy • 35% Liveness
84% Instrumentalness • 14% Positiveness
18% Popularity • 40% Danceability • 11% Energy • 35% Liveness
84% Instrumentalness • 14% Positiveness
► Preview
William Grant Still
Symphony No. 1, "Afro-American": IV. Asp...
141 bpm • F# Maj • 08:36 • -21.71db
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: II. Walzer
180 bpm • G Maj • 03:50 • -19.05db
40% Popularity • 18% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 25% Positiveness
40% Popularity • 18% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 25% Positiveness
► Preview
Malcolm Arnold
English Dances, Set 2, Op. 33: No. 2. Co...
142 bpm • C Maj • 01:29 • -19.42db
31% Popularity • 37% Danceability • 37% Energy • 4% Liveness
93% Instrumentalness • 55% Positiveness
31% Popularity • 37% Danceability • 37% Energy • 4% Liveness
93% Instrumentalness • 55% Positiveness
► Preview
Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
141 bpm • C min • 02:53 • -25db
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
► Preview
John Mackey
Wine-Dark Sea (Symphony for Band): III. ...
180 bpm • C# Maj • 08:32 • -22.32db
22% Popularity • 25% Danceability • 22% Energy • 13% Liveness
34% Instrumentalness • 10% Positiveness
22% Popularity • 25% Danceability • 22% Energy • 13% Liveness
34% Instrumentalness • 10% Positiveness
► Preview
Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
► Preview
Peter Lieuwen
River of Crystal Light
140 bpm • C# Maj • 09:13 • -17.2db
11% Popularity • 37% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
11% Popularity • 37% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
► Preview
David Diamond
Symphony No. 4: I. Allegretto
140 bpm • D min • 05:07 • -24.25db
9% Popularity • 15% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
141 bpm • G Maj • 02:39 • -23.47db
5% Popularity • 51% Danceability • 8% Energy • 24% Liveness
92% Instrumentalness • 42% Positiveness
5% Popularity • 51% Danceability • 8% Energy • 24% Liveness
92% Instrumentalness • 42% Positiveness
► Preview
John P. Paynter
4 Scottish Dances, Op. 59: No. 4. Con br...
139 bpm • D Maj • 01:45 • -7.35db
0% Popularity • 33% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
0% Popularity • 33% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
► Preview
US Marine Band
"Esprit de Corps"
139 bpm • G# Maj • 05:13 • -17.84db
18% Popularity • 30% Danceability • 27% Energy • 5% Liveness
74% Instrumentalness • 26% Positiveness
18% Popularity • 30% Danceability • 27% Energy • 5% Liveness
74% Instrumentalness • 26% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: I. Al...
139 bpm • A# Maj • 02:37 • -20.54db
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: 3....
139 bpm • D# Maj • 04:25 • -19db
25% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
25% Popularity • 54% Danceability • 20% Energy • 5% Liveness
87% Instrumentalness • 49% Positiveness
► Preview
Malcolm Arnold
4 Scottish Dances, Op. 59: No. 3. Allegr...
141 bpm • F Maj • 03:10 • -31db
6% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Aaron Copland
The Tender Land Suite: III. Finale: The ...
138 bpm • F Maj • 05:35 • -22.05db
8% Popularity • 15% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Leonard Bernstein
Bernstein: Symphonic Dances from West Si...
137 bpm • B Maj • 04:34 • -27.36db
16% Popularity • 15% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
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Alberto Ginastera
Estancia: Danza final - Malambo
137 bpm • C Maj • 03:49 • -17.48db
14% Popularity • 28% Danceability • 51% Energy • 14% Liveness
78% Instrumentalness • 14% Positiveness
14% Popularity • 28% Danceability • 51% Energy • 14% Liveness
78% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Malcolm Arnold
Tam O´Shanter - Live
137 bpm • D Maj • 08:10 • -16.92db
1% Popularity • 31% Danceability • 27% Energy • 73% Liveness
81% Instrumentalness • 22% Positiveness
1% Popularity • 31% Danceability • 27% Energy • 73% Liveness
81% Instrumentalness • 22% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Ferde Grofé
Grand Canyon Suite: 1. Sunrise
137 bpm • A Maj • 06:41 • -18.37db
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Gerald Finzi
5 Bagatelles for clarinet and piano, Op....
185 bpm • F# Maj • 03:02 • -28.09db
16% Popularity • 16% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 16% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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JoaquÃn Turina
Danzas fantasticas, Op. 22: Orgia
136 bpm • D Maj • 04:49 • -14.76db
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Malcolm Arnold
4 Irish Dances, Op. 126: No. 1. Allegro ...
137 bpm • G Maj • 01:19 • -19.9db
17% Popularity • 38% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
17% Popularity • 38% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Howard Hanson
Symphony No. 2, Op. 30, "Romantic": III....
136 bpm • C# Maj • 07:16 • -19db
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Donald Grantham
Southern Harmony: III. Exhilaration
187 bpm • G Maj • 01:27 • -16.45db
30% Popularity • 44% Danceability • 30% Energy • 6% Liveness
90% Instrumentalness • 87% Positiveness
30% Popularity • 44% Danceability • 30% Energy • 6% Liveness
90% Instrumentalness • 87% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
