Songs like Serenade für Streicher, Op. 6: III. Adagio by Josef Suk
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
77 bpm • C# Maj • 07:14 • -28db
23% Popularity • 22% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Josef Suk
Spring, Op. 22a: II. The Breeze. Andante...
77 bpm • C Maj • 02:04 • -37.19db
0% Popularity • 37% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
0% Popularity • 37% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: I. Allegro ...
77 bpm • E min • 03:43 • -23.94db
18% Popularity • 23% Danceability • 4% Energy • 32% Liveness
74% Instrumentalness • 8% Positiveness
18% Popularity • 23% Danceability • 4% Energy • 32% Liveness
74% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
XI. November. On The Troika
77 bpm • E Maj • 03:25 • -28.43db
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Étienne Marcel, R. 209, Act III, The Ni...
77 bpm • A# Maj • 02:08 • -26.38db
13% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
13% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: IV. All...
77 bpm • G Maj • 10:04 • -22db
25% Popularity • 16% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
25% Popularity • 16% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: IV. Finale. P...
76 bpm • E min • 04:52 • -20.67db
19% Popularity • 24% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 26% Positiveness
19% Popularity • 24% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 26% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: III. Andantino qua...
76 bpm • G Maj • 10:41 • -22.97db
9% Popularity • 10% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 5 in F, Op. 103 "Egyp...
78 bpm • C Maj • 05:43 • -17db
17% Popularity • 36% Danceability • 29% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
17% Popularity • 36% Danceability • 29% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
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Claude Debussy
Debussy: Première rapsodie in B-Flat Ma...
78 bpm • D# min • 08:29 • -24.49db
12% Popularity • 16% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: VI. Danse Ori...
78 bpm • G# Maj • 02:40 • -29.43db
17% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
17% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
78 bpm • E Maj • 04:42 • -21.85db
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
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VÃtÄ›zslav Novák
Slovak Suite, Op. 32: III. The Lovers. A...
76 bpm • D# Maj • 04:16 • -24.12db
14% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: IV. Finale
76 bpm • E min • 04:49 • -22.27db
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Claude Debussy
La mer, L. 109: III. Dialogue of the Win...
78 bpm • C# Maj • 08:08 • -21db
25% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
28% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
28% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
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Josef Suk
Spring, Op. 22a: IV. ***. Andante
75 bpm • A# Maj • 02:06 • -27.34db
0% Popularity • 48% Danceability • 0% Energy • 5% Liveness
68% Instrumentalness • 13% Positiveness
0% Popularity • 48% Danceability • 0% Energy • 5% Liveness
68% Instrumentalness • 13% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: Prelude to A...
79 bpm • A min • 10:35 • -22.29db
27% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
27% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
75 bpm • C Maj • 01:46 • -41.21db
16% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 5 in F Major, Op. 103...
79 bpm • C Maj • 05:44 • -18db
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 29% Positiveness
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 29% Positiveness
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Henryk Wieniawski
Legende, Op. 17: Andante - Allegro moder...
75 bpm • G min • 07:41 • -22.89db
10% Popularity • 9% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
10% Popularity • 9% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Francis Poulenc
Poulenc: Piano Concerto in C-Sharp Minor...
79 bpm • F# Maj • 03:53 • -19.8db
7% Popularity • 50% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 24% Positiveness
7% Popularity • 50% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 24% Positiveness
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Josef Suk
Ten Songs, Op. 15: VII. The Shepherd and...
75 bpm • D# Maj • 02:25 • -24.35db
0% Popularity • 33% Danceability • 6% Energy • 12% Liveness
22% Instrumentalness • 16% Positiveness
0% Popularity • 33% Danceability • 6% Energy • 12% Liveness
22% Instrumentalness • 16% Positiveness
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Dame Ethel Smyth
The Wreckers: Overture
79 bpm • D Maj • 09:21 • -18.79db
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 41 in C Major, K. 551 "Jupi...
79 bpm • C Maj • 08:13 • -14.26db
29% Popularity • 42% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 32% Positiveness
29% Popularity • 42% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 32% Positiveness
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Sergei Prokofiev
Violin Concerto No. 1 In D, Op. 19: 1. A...
79 bpm • G Maj • 09:24 • -24.58db
21% Popularity • 21% Danceability • 12% Energy • 30% Liveness
76% Instrumentalness • 7% Positiveness
21% Popularity • 21% Danceability • 12% Energy • 30% Liveness
76% Instrumentalness • 7% Positiveness
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Edward Elgar
May Song
79 bpm • E Maj • 04:03 • -23.03db
12% Popularity • 9% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
12% Popularity • 9% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
75 bpm • D min • 07:58 • -18.48db
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
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Robert Schumann
Marchenbilder (Fairy Tales), Op. 113: II...
75 bpm • E Maj • 02:25 • -17.96db
22% Popularity • 34% Danceability • 18% Energy • 14% Liveness
86% Instrumentalness • 30% Positiveness
22% Popularity • 34% Danceability • 18% Energy • 14% Liveness
86% Instrumentalness • 30% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: II. Andante c...
75 bpm • D# Maj • 07:12 • -23.61db
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
75 bpm • G# Maj • 01:23 • -28.96db
26% Popularity • 17% Danceability • 5% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
26% Popularity • 17% Danceability • 5% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
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Edward Elgar
The Wand of Youth (Music to a Child's Pl...
74 bpm • A# Maj • 01:35 • -19.57db
9% Popularity • 33% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
9% Popularity • 33% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
80 bpm • A# Maj • 08:35 • -20.96db
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Piano Concerto in F sharp minor, Op. 20:...
80 bpm • F# min • 10:45 • -22.12db
16% Popularity • 16% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (Ed. ...
74 bpm • F Maj • 10:11 • -15db
25% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
25% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Bach, JS: Violin Sonata No. 5 in F Minor...
80 bpm • F min • 08:08 • -22.14db
0% Popularity • 19% Danceability • 7% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D minor Op. 22 ...
74 bpm • D Maj • 05:52 • -18db
14% Popularity • 33% Danceability • 22% Energy • 13% Liveness
38% Instrumentalness • 43% Positiveness
14% Popularity • 33% Danceability • 22% Energy • 13% Liveness
38% Instrumentalness • 43% Positiveness
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Clara Schumann
3 Romances, Op. 22: 1. Andante molto
74 bpm • C# Maj • 03:06 • -21.84db
18% Popularity • 20% Danceability • 6% Energy • 14% Liveness
44% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 6% Energy • 14% Liveness
44% Instrumentalness • 6% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: V. Pas d'acti...
80 bpm • D Maj • 05:43 • -29.91db
8% Popularity • 7% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
80 bpm • C Maj • 04:57 • -14db
32% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
32% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: I. Prel...
74 bpm • A Maj • 03:01 • -15.78db
19% Popularity • 30% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
19% Popularity • 30% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Henryk Wieniawski
Wieniawski: Légende in G Minor, Op. 17
81 bpm • G min • 06:43 • -21.91db
12% Popularity • 13% Danceability • 8% Energy • 9% Liveness
32% Instrumentalness • 5% Positiveness
12% Popularity • 13% Danceability • 8% Energy • 9% Liveness
32% Instrumentalness • 5% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22:...
81 bpm • A Maj • 05:05 • -23.34db
3% Popularity • 12% Danceability • 4% Energy • 20% Liveness
86% Instrumentalness • 5% Positiveness
3% Popularity • 12% Danceability • 4% Energy • 20% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
73 bpm • A# Maj • 07:10 • -15db
22% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
22% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
► Preview
Bohuslav Martinů
Oboe Concerto: 1. Moderato
81 bpm • A# Maj • 04:57 • -19.5db
10% Popularity • 18% Danceability • 14% Energy • 14% Liveness
85% Instrumentalness • 12% Positiveness
10% Popularity • 18% Danceability • 14% Energy • 14% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Mily Balakirev
Balakirev : Islamey
73 bpm • D Maj • 07:57 • -19db
24% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Josef Suk
Serenade für Streicher, Op. 6: II. Alle...
81 bpm • F# Maj • 05:46 • -17.38db
8% Popularity • 21% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
81 bpm • F Maj • 10:14 • -19.31db
21% Popularity • 24% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
21% Popularity • 24% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35, TH. ...
73 bpm • G Maj • 07:57 • -24.35db
11% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
Dmitry Kabalevsky
Violin Concerto, Op. 48: II. Andante can...
73 bpm • G# min • 05:59 • -26.23db
16% Popularity • 13% Danceability • 4% Energy • 15% Liveness
67% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 4% Energy • 15% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Moritz Moszkowski
Piano Concerto in E, Op. 59: III. Scherz...
81 bpm • E Maj • 06:25 • -20.32db
9% Popularity • 28% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
9% Popularity • 28% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Max Bruch
Double Concerto in E Minor, Op. 88: I. A...
82 bpm • E min • 06:56 • -19.54db
12% Popularity • 11% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75: Prelude to Act I
73 bpm • A Maj • 09:19 • -29.65db
23% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Serenade for Strings in E Minor, Op. 20:...
82 bpm • E min • 03:30 • -26.41db
15% Popularity • 25% Danceability • 2% Energy • 8% Liveness
39% Instrumentalness • 6% Positiveness
15% Popularity • 25% Danceability • 2% Energy • 8% Liveness
39% Instrumentalness • 6% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Mikalojus Konstantinas ÄŒiurlionis
Preliudai (Preludes): Preludias, Op. 12,...
82 bpm • E min • 02:55 • -33.37db
18% Popularity • 14% Danceability • 1% Energy • 27% Liveness
98% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 27% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
82 bpm • A# min • 10:51 • -24.61db
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
82 bpm • B min • 02:26 • -31.1db
23% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
23% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: V. Fandango ...
72 bpm • A Maj • 03:25 • -14.54db
22% Popularity • 25% Danceability • 37% Energy • 24% Liveness
64% Instrumentalness • 25% Positiveness
22% Popularity • 25% Danceability • 37% Energy • 24% Liveness
64% Instrumentalness • 25% Positiveness
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Josef Suk
Piano Quartet in A Minor, Op. 1: III. Al...
72 bpm • A min • 07:22 • -18.21db
1% Popularity • 27% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
1% Popularity • 27% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, B.52: I...
72 bpm • A Maj • 05:52 • -25db
8% Popularity • 13% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
82 bpm • C# min • 04:42 • -39.12db
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
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Jean Sibelius
Pelléas et Mélisande, (Suite), Op. 46:...
72 bpm • A# Maj • 06:17 • -26.17db
12% Popularity • 14% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Quintet in A Major, K. 581: II....
83 bpm • D Maj • 06:41 • -28.88db
14% Popularity • 10% Danceability • 2% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 2% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Cécile Chaminade
Chaminade: Flute Concertino, Op. 107
83 bpm • D Maj • 08:21 • -20db
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Claude Debussy
La Mer, L.109: 3. Dialogue Of The Wind A...
83 bpm • C# Maj • 07:57 • -20db
13% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
27% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
83 bpm • D Maj • 08:04 • -21.6db
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
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Dmitri Shostakovich
Festive Overture, Op.96
83 bpm • A Maj • 05:50 • -18.74db
25% Popularity • 26% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
25% Popularity • 26% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Francis Poulenc
Piano Concerto, FP 146: 1. Allegretto
71 bpm • G# Maj • 10:09 • -23.62db
14% Popularity • 17% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
14% Popularity • 17% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Anton Bruckner
Bruckner: Symphony No. 7 in E Major, WAB...
83 bpm • F Maj • 08:53 • -17.76db
22% Popularity • 24% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
22% Popularity • 24% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
84 bpm • C min • 08:44 • -18.43db
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Frédéric Chopin
Ballade No. 4 In F Minor, Op. 52
71 bpm • C# Maj • 09:55 • -22.65db
32% Popularity • 20% Danceability • 12% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 12% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Serenade for String Orchestra, Op. 20: I...
71 bpm • C Maj • 06:16 • -30.07db
8% Popularity • 7% Danceability • 2% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 2% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Bedřich Smetana
String Quartet No. 1 in E Minor, JB 1:10...
84 bpm • E min • 07:43 • -19.05db
20% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
20% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
84 bpm • D min • 03:18 • -34.16db
36% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
36% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Robert Bonnevie
Concertstück in F Major, Op. 86: II. Ro...
84 bpm • A# Maj • 05:11 • -31.36db
15% Popularity • 14% Danceability • 1% Energy • 54% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 54% Liveness
91% Instrumentalness • 4% Positiveness
