Songs like Serenade No. 10 in B-Flat Major, K. 361, "Gran Partita": VI. Theme and Variations: Andante by Tapiola Sinfonietta
Based on a tempo of (+/- 10%) and a similar genre
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Jean Sibelius
Pelleas and Melisande Suite, Op. 46 (ver...
88 bpm • D min • 05:29 • -31.05db
0% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Nicolas Bacri
Nocturne, Op. 90
88 bpm • F min • 04:25 • -27.56db
3% Popularity • 13% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
3% Popularity • 13% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
31% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
31% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: III. Villanella: An...
88 bpm • B min • 05:55 • -35db
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F major, Op. 96...
88 bpm • D min • 07:11 • -26db
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
65% Instrumentalness • 6% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S....
89 bpm • F min • 05:52 • -22.26db
6% Popularity • 27% Danceability • 8% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
6% Popularity • 27% Danceability • 8% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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Richard Tognetti
2 Melodies hebraiques (R. Tognetti): No....
89 bpm • E min • 01:27 • -37db
4% Popularity • 11% Danceability • 0% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
4% Popularity • 11% Danceability • 0% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Pulcinella Suite: II. Serenata
87 bpm • C min • 02:50 • -30.48db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 8% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 8% Positiveness
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Sergei Prokofiev
Violin Concerto No. 2 In G Minor, Op. 63...
89 bpm • D# Maj • 09:43 • -22db
18% Popularity • 19% Danceability • 13% Energy • 12% Liveness
43% Instrumentalness • 15% Positiveness
18% Popularity • 19% Danceability • 13% Energy • 12% Liveness
43% Instrumentalness • 15% Positiveness
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Carl Maria von Weber
Euryanthe, J. 291: Overture
89 bpm • A# Maj • 07:53 • -21.59db
6% Popularity • 25% Danceability • 13% Energy • 12% Liveness
59% Instrumentalness • 11% Positiveness
6% Popularity • 25% Danceability • 13% Energy • 12% Liveness
59% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Cypresses B.152: 2. Allegro ma non tropp...
89 bpm • F min • 02:52 • -22db
26% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
26% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
89 bpm • A Maj • 01:43 • -13.8db
29% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
29% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Igor Stravinsky
Apollon musagète, Tableau I: Prologue. ...
87 bpm • C Maj • 04:55 • -23.03db
4% Popularity • 14% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
4% Popularity • 14% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Symphony No. 6 In F, Op. 68 -"Pastoral":...
89 bpm • F Maj • 08:21 • -19.17db
28% Popularity • 14% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 11% Positiveness
28% Popularity • 14% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 1 in F-Sharp Minor, O...
89 bpm • F min • 07:28 • -18.87db
28% Popularity • 31% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
28% Popularity • 31% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Jean Sibelius
Suite champetre, Op. 98b: III. Danse
89 bpm • G min • 01:32 • -25.88db
1% Popularity • 48% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
1% Popularity • 48% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
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Christopher Palmer
From Jewish Life (arr. C. Palmer): I. Pr...
87 bpm • F min • 05:24 • -26db
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S....
86 bpm • B Maj • 05:08 • -29.62db
5% Popularity • 20% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
5% Popularity • 20% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Édouard Lalo
Concerto russe, Op. 29: I. Prelude - All...
86 bpm • G Maj • 12:50 • -24.43db
0% Popularity • 26% Danceability • 8% Energy • 10% Liveness
9% Instrumentalness • 6% Positiveness
0% Popularity • 26% Danceability • 8% Energy • 10% Liveness
9% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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Nikolai Medtner
Piano Concerto No. 1 in C Minor, Op. 33:...
90 bpm • G Maj • 08:50 • -19.73db
10% Popularity • 24% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 24% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
90 bpm • A Maj • 05:11 • -24.56db
25% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
25% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Magnus Lindberg
Souvenir: III. —
90 bpm • F Maj • 04:47 • -19.93db
0% Popularity • 18% Danceability • 22% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 22% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Violin Concerto in D Major, O...
86 bpm • G Maj • 09:24 • -29db
21% Popularity • 12% Danceability • 2% Energy • 9% Liveness
68% Instrumentalness • 5% Positiveness
21% Popularity • 12% Danceability • 2% Energy • 9% Liveness
68% Instrumentalness • 5% Positiveness
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Édouard Lalo
Piano Concerto in F Minor: III. Allegro
90 bpm • F Maj • 06:27 • -18.94db
0% Popularity • 32% Danceability • 13% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
0% Popularity • 32% Danceability • 13% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Clarinet Concerto No. 2 in E-Flat Major,...
86 bpm • G min • 07:27 • -29db
11% Popularity • 11% Danceability • 0% Energy • 21% Liveness
11% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 0% Energy • 21% Liveness
11% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Magnus Lindberg
Souvenir: I. —
86 bpm • G# Maj • 09:40 • -21.1db
0% Popularity • 18% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Violin Concerto in D Major, O...
86 bpm • D Maj • 10:05 • -21.4db
21% Popularity • 34% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 30% Positiveness
21% Popularity • 34% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 30% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Arvo Pärt
Cantus in memoriam Benjamin Britten
86 bpm • A min • 06:56 • -20.16db
4% Popularity • 8% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
4% Popularity • 8% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
85 bpm • E Maj • 06:34 • -20.1db
18% Popularity • 45% Danceability • 19% Energy • 16% Liveness
62% Instrumentalness • 36% Positiveness
18% Popularity • 45% Danceability • 19% Energy • 16% Liveness
62% Instrumentalness • 36% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D Minor, Op. 22...
91 bpm • A# Maj • 05:06 • -22.55db
16% Popularity • 12% Danceability • 11% Energy • 28% Liveness
62% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 11% Energy • 28% Liveness
62% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Concerto for Piano, Trumpet and String o...
85 bpm • F Maj • 06:25 • -14db
11% Popularity • 38% Danceability • 32% Energy • 18% Liveness
89% Instrumentalness • 30% Positiveness
11% Popularity • 38% Danceability • 32% Energy • 18% Liveness
89% Instrumentalness • 30% Positiveness
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Edward Elgar
Serenade for Strings in E Minor, Op. 20:...
91 bpm • G Maj • 02:51 • -29.56db
14% Popularity • 13% Danceability • 2% Energy • 12% Liveness
54% Instrumentalness • 6% Positiveness
14% Popularity • 13% Danceability • 2% Energy • 12% Liveness
54% Instrumentalness • 6% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74, TH 30...
85 bpm • D Maj • 08:06 • -23db
17% Popularity • 12% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 12% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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César Franck
Sonata for Violin and Piano in A: 1. All...
85 bpm • F# min • 06:16 • -25.02db
14% Popularity • 22% Danceability • 4% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 4% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Sally Beamish
Suite for Cello and Orchestra (after C. ...
91 bpm • G Maj • 04:35 • -31.57db
4% Popularity • 11% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 6% Positiveness
4% Popularity • 11% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 6% Positiveness
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Edvard Grieg
2 Elegiac Melodies, Op. 34: II. The Last...
85 bpm • G Maj • 04:43 • -27.23db
15% Popularity • 14% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
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Robert Schumann
Schumann: Cello Concerto in A Minor, Op....
85 bpm • F Maj • 04:39 • -24.63db
11% Popularity • 17% Danceability • 6% Energy • 45% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 6% Energy • 45% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Series 1 (Version for...
91 bpm • G Maj • 01:13 • -19.78db
1% Popularity • 52% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 68% Positiveness
1% Popularity • 52% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 68% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
91 bpm • D Maj • 07:05 • -23.84db
20% Popularity • 13% Danceability • 9% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 9% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
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César Franck
Sonata for Violin and Piano in A: 2. All...
85 bpm • A# Maj • 08:37 • -21.44db
13% Popularity • 21% Danceability • 10% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 10% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Pulcinella Suite: I. Sinfonia
91 bpm • G Maj • 01:59 • -20.03db
13% Popularity • 50% Danceability • 4% Energy • 6% Liveness
78% Instrumentalness • 42% Positiveness
13% Popularity • 50% Danceability • 4% Energy • 6% Liveness
78% Instrumentalness • 42% Positiveness
► Preview
Kimmo Pohjonen
Ehtola
91 bpm • A min • 02:32 • -15.6db
0% Popularity • 10% Danceability • 10% Energy • 41% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 10% Energy • 41% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Piano Concerto in A Minor, Op. 54: III. ...
85 bpm • A Maj • 10:39 • -21db
12% Popularity • 22% Danceability • 23% Energy • 69% Liveness
84% Instrumentalness • 17% Positiveness
12% Popularity • 22% Danceability • 23% Energy • 69% Liveness
84% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
Bassoon Concerto in B-Flat Major, K. 191...
85 bpm • F Maj • 05:33 • -24.63db
2% Popularity • 14% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 11% Positiveness
2% Popularity • 14% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Dmitry Kabalevsky
Cello Concerto No. 1 in G Minor, Op. 49:...
91 bpm • E min • 05:52 • -26.95db
8% Popularity • 11% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: IV. The Nightingale (...
85 bpm • C Maj • 03:53 • -33.31db
12% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
12% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
► Preview
Franz Schubert
String Quartet No. 14 in D Minor, D. 810...
92 bpm • D min • 09:03 • -16.98db
19% Popularity • 39% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 21% Positiveness
19% Popularity • 39% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 21% Positiveness
► Preview
Samuel Barber
Violin Concerto, Op. 14: II. Andante
85 bpm • E Maj • 08:49 • -18db
14% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
Piano Concerto in A Minor, Op. 54: II. I...
91 bpm • F Maj • 05:23 • -31db
12% Popularity • 21% Danceability • 3% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
12% Popularity • 21% Danceability • 3% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
► Preview
Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
92 bpm • G# Maj • 06:25 • -25.69db
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
92 bpm • A Maj • 02:49 • -25db
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Piano Concerto No. 2 in G Minor, Op. 22,...
84 bpm • D# Maj • 05:47 • -28.77db
0% Popularity • 33% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
0% Popularity • 33% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
► Preview
AntonÃn Dvořák
String Quartet No. 12 In F Major, Op. 96...
84 bpm • F Maj • 05:15 • -21.1db
10% Popularity • 34% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 29% Positiveness
10% Popularity • 34% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 29% Positiveness
► Preview
Benjamin Britten
Sinfonietta, Op. 1: II. Variations
84 bpm • C min • 06:39 • -30.35db
2% Popularity • 8% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Hector Berlioz
Harold en Italie, Op. 16: III. Allegro A...
84 bpm • C Maj • 06:50 • -34.59db
8% Popularity • 12% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Arvo Pärt
Tabula Rasa: I. Ludus
92 bpm • F Maj • 09:56 • -16.87db
15% Popularity • 22% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
How Many Sisters
Kuka Nukkuu Tuutussasi
92 bpm • F# min • 03:32 • -10.7db
3% Popularity • 26% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 26% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Édouard Lalo
Concerto russe, Op. 29: II. Chants russe...
84 bpm • D Maj • 04:26 • -30.05db
1% Popularity • 9% Danceability • 2% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 2% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
92 bpm • G Maj • 10:13 • -18.16db
16% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
16% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
► Preview
Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
84 bpm • A# Maj • 05:29 • -29.52db
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Bedřich Smetana
String Quartet No. 1 in E Minor, JB 1:10...
84 bpm • E min • 07:43 • -19.05db
20% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
20% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
84 bpm • C min • 08:44 • -18.43db
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Symphony No. 5 In C Minor, Op. 67: 3. Al...
84 bpm • C min • 04:49 • -21db
32% Popularity • 26% Danceability • 8% Energy • 53% Liveness
33% Instrumentalness • 25% Positiveness
32% Popularity • 26% Danceability • 8% Energy • 53% Liveness
33% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Suite in D Major, Op. 49: I. Prelude
84 bpm • D Maj • 02:40 • -26.61db
0% Popularity • 9% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
0% Popularity • 9% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: II. A...
84 bpm • F# Maj • 03:20 • -25.34db
7% Popularity • 15% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
7% Popularity • 15% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
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Benjamin Britten
Sinfonietta, Op. 1: III. Tarantella
83 bpm • D min • 04:06 • -25.21db
2% Popularity • 27% Danceability • 10% Energy • 7% Liveness
76% Instrumentalness • 28% Positiveness
2% Popularity • 27% Danceability • 10% Energy • 7% Liveness
76% Instrumentalness • 28% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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How Many Sisters
Joikhu
93 bpm • G# Maj • 02:49 • -10.25db
4% Popularity • 39% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 39% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Carl Maria von Weber
Silvana, J. 87: Overture
83 bpm • D Maj • 05:43 • -20.72db
2% Popularity • 34% Danceability • 4% Energy • 9% Liveness
61% Instrumentalness • 33% Positiveness
2% Popularity • 34% Danceability • 4% Energy • 9% Liveness
61% Instrumentalness • 33% Positiveness
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Clara Schumann
3 Romances for Violin and Piano, Op. 22:...
93 bpm • G min • 02:45 • -26.8db
11% Popularity • 26% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
27% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
83 bpm • D Maj • 08:04 • -21.6db
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
30% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Bernhard Henrik Crusell
Bassoon Concertino in B-Flat Major: II. ...
83 bpm • F Maj • 04:21 • -26.59db
0% Popularity • 12% Danceability • 3% Energy • 39% Liveness
94% Instrumentalness • 23% Positiveness
0% Popularity • 12% Danceability • 3% Energy • 39% Liveness
94% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Quintet in A Major, K. 581: II....
83 bpm • D Maj • 06:41 • -28.88db
14% Popularity • 10% Danceability • 2% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 2% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Series 3 (Version for...
94 bpm • A# Maj • 03:05 • -34.51db
0% Popularity • 14% Danceability • 1% Energy • 9% Liveness
26% Instrumentalness • 10% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 9% Liveness
26% Instrumentalness • 10% Positiveness
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Francis Poulenc
Poulenc: Flute Sonata, FP 164: III. Pres...
83 bpm • C Maj • 03:37 • -21.12db
17% Popularity • 34% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
17% Popularity • 34% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
Cello Concertino in G Minor, Op. 132 (ar...
94 bpm • F Maj • 09:11 • -26.66db
1% Popularity • 17% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
1% Popularity • 17% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
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How Many Sisters
Ikävä Omia Maita
83 bpm • C min • 05:02 • -14.11db
1% Popularity • 32% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 32% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Gounod
Flute Concertino: Concertino for Flute a...
82 bpm • F Maj • 05:11 • -21.67db
1% Popularity • 29% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
1% Popularity • 29% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Series 1 (Version for...
94 bpm • C min • 02:37 • -22.93db
4% Popularity • 34% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 34% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
String Quintet in E-Flat Major, Op. 97 '...
82 bpm • G# Maj • 10:03 • -22.48db
17% Popularity • 14% Danceability • 9% Energy • 20% Liveness
87% Instrumentalness • 7% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 20% Liveness
87% Instrumentalness • 7% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
94 bpm • F# Maj • 01:07 • -14.28db
21% Popularity • 47% Danceability • 30% Energy • 27% Liveness
89% Instrumentalness • 14% Positiveness
21% Popularity • 47% Danceability • 30% Energy • 27% Liveness
89% Instrumentalness • 14% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
94 bpm • G Maj • 09:54 • -24.97db
14% Popularity • 28% Danceability • 6% Energy • 24% Liveness
34% Instrumentalness • 7% Positiveness
14% Popularity • 28% Danceability • 6% Energy • 24% Liveness
34% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 2 in B-Flat Major, Op...
82 bpm • A# Maj • 06:31 • -22.92db
2% Popularity • 36% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 50% Positiveness
2% Popularity • 36% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 50% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
82 bpm • C Maj • 08:13 • -24.23db
19% Popularity • 10% Danceability • 9% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 9% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
