Songs like Serenade No. 13 in G Major, K. 525 (Eine kleine Nachtmusik): IV. Rondeau (Allegro) by Slovak Philharmonic
Based on a tempo of (+/- 10%) and a similar genre
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Camille Saint-Saëns
Suite algerienne, Op. 60: Suite Algerien...
113 bpm • C Maj • 04:58 • -23.49db
12% Popularity • 56% Danceability • 9% Energy • 7% Liveness
67% Instrumentalness • 42% Positiveness
12% Popularity • 56% Danceability • 9% Energy • 7% Liveness
67% Instrumentalness • 42% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Erik Satie
Gnossienne: No. 3
113 bpm • A min • 02:21 • -28db
45% Popularity • 34% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 In B Minor, Op. 7,...
113 bpm • B min • 01:32 • -14.6db
42% Popularity • 60% Danceability • 28% Energy • 16% Liveness
27% Instrumentalness • 61% Positiveness
42% Popularity • 60% Danceability • 28% Energy • 16% Liveness
27% Instrumentalness • 61% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: I. Aragonaise
112 bpm • D min • 02:20 • -23.13db
12% Popularity • 30% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 30% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 1 in E Ma...
112 bpm • E Maj • 03:22 • -17db
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
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Léo Delibes
Sylvia: Cortege de Bacchus
112 bpm • E Maj • 05:58 • -17.96db
13% Popularity • 42% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 22% Positiveness
13% Popularity • 42% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 22% Positiveness
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George Frideric Handel
Water Music Suite No. 2 in D, HWV 349: I...
112 bpm • D Maj • 03:15 • -16db
17% Popularity • 63% Danceability • 14% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
17% Popularity • 63% Danceability • 14% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Slovak Philharmonic
Orchestersuite in D Major, BWV 1068: II....
114 bpm • D Maj • 05:00 • -19.15db
28% Popularity • 18% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 9% Positiveness
28% Popularity • 18% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 9% Positiveness
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Georges Bizet
Carmen Suite No. 2: IV. Chanson du torea...
114 bpm • F Maj • 02:41 • -18.02db
17% Popularity • 42% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
17% Popularity • 42% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
111 bpm • A min • 04:28 • -17.63db
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
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Dmitri Shostakovich
Chamber Symphony (Quartet No. 8), Op. 11...
115 bpm • G Maj • 03:04 • -10.67db
29% Popularity • 34% Danceability • 63% Energy • 26% Liveness
96% Instrumentalness • 40% Positiveness
29% Popularity • 34% Danceability • 63% Energy • 26% Liveness
96% Instrumentalness • 40% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F, HWV 348: I...
114 bpm • F Maj • 02:52 • -20.27db
7% Popularity • 68% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
7% Popularity • 68% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Graduale: Requ...
111 bpm • G min • 01:33 • -28db
39% Popularity • 18% Danceability • 5% Energy • 5% Liveness
62% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 5% Energy • 5% Liveness
62% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Franz von Suppé
Fatinitza: March
111 bpm • G Maj • 02:32 • -11.89db
34% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
34% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
115 bpm • D# Maj • 00:42 • -32.12db
48% Popularity • 49% Danceability • 2% Energy • 57% Liveness
99% Instrumentalness • 11% Positiveness
48% Popularity • 49% Danceability • 2% Energy • 57% Liveness
99% Instrumentalness • 11% Positiveness
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George Frideric Handel
Concerto Grosso, Op. 6: No. 12 in B Mino...
112 bpm • B min • 03:16 • -17.94db
4% Popularity • 55% Danceability • 32% Energy • 25% Liveness
94% Instrumentalness • 67% Positiveness
4% Popularity • 55% Danceability • 32% Energy • 25% Liveness
94% Instrumentalness • 67% Positiveness
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Johannes Brahms
Hungarian Dance No. 5
111 bpm • G min • 02:40 • -14db
53% Popularity • 41% Danceability • 24% Energy • 6% Liveness
9% Instrumentalness • 36% Positiveness
53% Popularity • 41% Danceability • 24% Energy • 6% Liveness
9% Instrumentalness • 36% Positiveness
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Slovak Philharmonic
Carmen Suite No. 1 : Carmen Suite: Arago...
111 bpm • A Maj • 06:30 • -18db
3% Popularity • 34% Danceability • 18% Energy • 75% Liveness
56% Instrumentalness • 30% Positiveness
3% Popularity • 34% Danceability • 18% Energy • 75% Liveness
56% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Leopold Mozart
Toy Symphony
116 bpm • C Maj • 10:50 • -20.32db
3% Popularity • 53% Danceability • 11% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
3% Popularity • 53% Danceability • 11% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
44% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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George Frideric Handel
Concerto Grosso, Op. 6: No. 1 in G Major...
115 bpm • G Maj • 02:03 • -15.04db
3% Popularity • 60% Danceability • 31% Energy • 27% Liveness
1% Instrumentalness • 53% Positiveness
3% Popularity • 60% Danceability • 31% Energy • 27% Liveness
1% Instrumentalness • 53% Positiveness
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CHA Medical Center
Orchestral Suite No.2 in B minor, BWV106...
116 bpm • B min • 01:29 • -18.34db
45% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Slovak Philharmonic
Symphony, " Salomon " , No. 104 in D-Maj...
115 bpm • G Maj • 07:12 • -22db
1% Popularity • 36% Danceability • 2% Energy • 7% Liveness
37% Instrumentalness • 9% Positiveness
1% Popularity • 36% Danceability • 2% Energy • 7% Liveness
37% Instrumentalness • 9% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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London Philharmonic Orchestra
1st Movement: Adaggio / Allegro Molto
116 bpm • E min • 09:44 • -15.71db
37% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
37% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Georges Bizet
Carmen Suite No. 2: V. La garde montante
117 bpm • D min • 03:48 • -24.6db
5% Popularity • 62% Danceability • 13% Energy • 9% Liveness
54% Instrumentalness • 35% Positiveness
5% Popularity • 62% Danceability • 13% Energy • 9% Liveness
54% Instrumentalness • 35% Positiveness
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Slovak Philharmonic
Lohengrin: Prelude to Act 3
111 bpm • G Maj • 03:39 • -18.87db
11% Popularity • 27% Danceability • 21% Energy • 51% Liveness
80% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 21% Energy • 51% Liveness
80% Instrumentalness • 11% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": III...
109 bpm • D Maj • 02:27 • -19db
38% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
38% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
38% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Slovak Philharmonic
Symphony No. 2 In B Flat Major, Op. 4, B...
109 bpm • A# Maj • 11:03 • -19db
4% Popularity • 26% Danceability • 19% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
4% Popularity • 26% Danceability • 19% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
109 bpm • A Maj • 08:04 • -18.01db
3% Popularity • 29% Danceability • 21% Energy • 16% Liveness
86% Instrumentalness • 26% Positiveness
3% Popularity • 29% Danceability • 21% Energy • 16% Liveness
86% Instrumentalness • 26% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, P....
109 bpm • C min • 03:03 • -19.21db
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Georges Bizet
Carmen Suite No. 1: IV. Les dragons de A...
109 bpm • G Maj • 01:44 • -36db
6% Popularity • 51% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 32% Positiveness
6% Popularity • 51% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 32% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": I. ...
108 bpm • D Maj • 03:41 • -20db
35% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
35% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
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Slovak Philharmonic
Orchestersuite in C Major, BWV 1066, No....
118 bpm • C Maj • 03:11 • -19.37db
0% Popularity • 48% Danceability • 6% Energy • 9% Liveness
64% Instrumentalness • 50% Positiveness
0% Popularity • 48% Danceability • 6% Energy • 9% Liveness
64% Instrumentalness • 50% Positiveness
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London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphonie n°9 en mi mineur, Op. 95 du n...
118 bpm • E min • 08:28 • -18.87db
21% Popularity • 31% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
21% Popularity • 31% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Symphony Elegant
Romeo and Juliet, Fantasy Overture
108 bpm • C# Maj • 03:16 • -31.55db
43% Popularity • 16% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 16% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz 2
108 bpm • C min • 03:13 • -18.31db
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Aram Khachaturian
Masquerade Suite: I. Waltz
108 bpm • C Maj • 03:45 • -12db
11% Popularity • 37% Danceability • 41% Energy • 16% Liveness
49% Instrumentalness • 28% Positiveness
11% Popularity • 37% Danceability • 41% Energy • 16% Liveness
49% Instrumentalness • 28% Positiveness
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Sergei Prokofiev
Prokofiev: Suite No. 2 from Romeo and Ju...
108 bpm • A min • 01:53 • -13.79db
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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Erno Rozsa
Violin Concerto No. 4 In D Minor, MS 60:...
108 bpm • D min • 10:49 • -20.74db
38% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
38% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
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Arturo Márquez
Danzón No. 2: Danzon No. 2 (Live)
107 bpm • D min • 09:46 • -20.13db
21% Popularity • 36% Danceability • 16% Energy • 6% Liveness
76% Instrumentalness • 21% Positiveness
21% Popularity • 36% Danceability • 16% Energy • 6% Liveness
76% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Major, Op 78 'Organ'...
119 bpm • F min • 07:16 • -22.1db
8% Popularity • 33% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
8% Popularity • 33% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
► Preview
Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
► Preview
Antonio Vivaldi
Concerto for Strings in G Major, RV 151,...
107 bpm • D Maj • 01:19 • -17.56db
63% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
63% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
► Preview
Frédéric Chopin
Nocturne en Mi Bémol Majeur, Op. 9 No. ...
120 bpm • D# Maj • 04:28 • -24.7db
60% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
60% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Alexander Litvinovsky
Tales of the Magic Tree: IV. Spider Know...
120 bpm • D min • 03:39 • -14.79db
32% Popularity • 47% Danceability • 15% Energy • 40% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 47% Danceability • 15% Energy • 40% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Camille Saint-Saëns
Danse Macabre, Op. 40, R.171
107 bpm • G min • 07:22 • -23.9db
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes galantes, RCT 44 / Entrée IV:...
107 bpm • G min • 02:00 • -17.61db
37% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
► Preview
Lang Lang
Piano Sonata No. 16 in C Major, K. 545 "...
120 bpm • C Maj • 04:54 • -23db
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
► Preview
Grażyna Bacewicz
Violin Concerto No. 3: III. Vivo
121 bpm • D Maj • 07:18 • -17.88db
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
105 bpm • E Maj • 03:16 • -14db
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
► Preview
Modest Mussorgsky
Night on Bald Mountain
105 bpm • D Maj • 11:00 • -18.22db
41% Popularity • 32% Danceability • 24% Energy • 18% Liveness
82% Instrumentalness • 6% Positiveness
41% Popularity • 32% Danceability • 24% Energy • 18% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
47% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
47% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Frédéric Chopin
Concerto for Piano & Orchestra No. 2 in ...
105 bpm • F min • 08:20 • -22db
20% Popularity • 32% Danceability • 14% Energy • 18% Liveness
94% Instrumentalness • 18% Positiveness
20% Popularity • 32% Danceability • 14% Energy • 18% Liveness
94% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum, Op. 61, MWV M13: ...
121 bpm • G min • 04:52 • -27.69db
18% Popularity • 52% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 65% Positiveness
18% Popularity • 52% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 65% Positiveness
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Alexander Litvinovsky
Pelléas et Mélisande: III. Galliard. N...
122 bpm • E min • 02:38 • -13db
31% Popularity • 52% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 62% Positiveness
31% Popularity • 52% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 62% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C Minor, H. 220
105 bpm • F min • 00:52 • -24.76db
53% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 43% Positiveness
53% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 43% Positiveness
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Georges Bizet
Carmen Suite No. 1: V. Les Toreadors
122 bpm • A Maj • 02:21 • -15db
28% Popularity • 35% Danceability • 34% Energy • 34% Liveness
98% Instrumentalness • 80% Positiveness
28% Popularity • 35% Danceability • 34% Energy • 34% Liveness
98% Instrumentalness • 80% Positiveness
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Niccolò Paganini
Sonata concertata in A Major, Op. 61, MS...
122 bpm • E Maj • 01:56 • -25db
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
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Slovak Philharmonic
Leise flehen meine Lieder, D. 957
123 bpm • D Maj • 04:12 • -18.32db
27% Popularity • 22% Danceability • 11% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
27% Popularity • 22% Danceability • 11% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Alexander Litvinovsky
Le grand cahier: X. L'incendie
122 bpm • B Maj • 02:20 • -17db
40% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
40% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Vittorio Monti
Czardas
104 bpm • D min • 04:07 • -16db
49% Popularity • 40% Danceability • 26% Energy • 12% Liveness
36% Instrumentalness • 36% Positiveness
49% Popularity • 40% Danceability • 26% Energy • 12% Liveness
36% Instrumentalness • 36% Positiveness
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Carl Orff
Carmina Burana: I. O Fortuna
123 bpm • D Maj • 02:47 • -20db
46% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
46% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Baroque Festival Orchestra
Autumn (L'Automno) Op.8 No.3 Major: Alle...
104 bpm • F Maj • 05:06 • -24db
53% Popularity • 53% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 22% Positiveness
53% Popularity • 53% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 22% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
123 bpm • F# min • 02:13 • -21.37db
44% Popularity • 57% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
44% Popularity • 57% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor "Devil's Trill"
104 bpm • G min • 06:50 • -15.54db
50% Popularity • 44% Danceability • 22% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
50% Popularity • 44% Danceability • 22% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 4
103 bpm • D min • 02:26 • -29.45db
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Émile Waldteufel
Bella Bocca
103 bpm • F Maj • 04:06 • -15.49db
4% Popularity • 51% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 57% Positiveness
4% Popularity • 51% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 57% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Habanera. "...
124 bpm • D Maj • 04:35 • -22db
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Carl Orff
Orff: Carmina Burana, Introduction, Fort...
124 bpm • G Maj • 02:48 • -16.25db
38% Popularity • 35% Danceability • 24% Energy • 35% Liveness
31% Instrumentalness • 26% Positiveness
38% Popularity • 35% Danceability • 24% Energy • 35% Liveness
31% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
Slavonic Dance No. 1 in C Major, Op. 46,...
124 bpm • G Maj • 03:48 • -14.29db
2% Popularity • 42% Danceability • 27% Energy • 4% Liveness
75% Instrumentalness • 33% Positiveness
2% Popularity • 42% Danceability • 27% Energy • 4% Liveness
75% Instrumentalness • 33% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
124 bpm • D# Maj • 08:08 • -22db
14% Popularity • 20% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
